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This pin was done in celebration of Severin Films' release of \u003cstrong\u003eThe Eurocrypt of Christopher Lee Collections\u003c\/strong\u003e. 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THE EUROCRYPT OF CHRISTOPHER LEE brings together five of these Lee classics - the 1964 gothic shocker CRYPT OF THE VAMPIRE; the 1964 cult hit CASTLE OF THE LIVING DEAD co-starring an unknown Donald Sutherland; 1962's celebrated SHERLOCK HOLMES AND THE DEADLY NECKLACE; 1967's lurid favorite THE TORTURE CHAMBER OF DR. SADISM and the rarely-seen 1963 oddity CHALLENGE THE DEVIL - with the 24 surviving episodes of the 1971 Film Polski anthology series THEATRE MACABRE hosted by Lee, all remastered from original negative materials with over 10 hours of trailers, rare promos, audio commentaries \u0026amp; vintage interviews, plus the CASTLE OF THE LIVING DEAD soundtrack and an all-new 88-page book by Lee biographer Jonathan Rigby.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 1: The Castle of the Living Dead (1964)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn the final film of his early ‘60s European period, \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stars as a 19\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eth\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e century Count who invites a theatrical troupe for a weekend of horrors that boasts an enthusiastically creepy performance by Lee, startling locations in Lazio, Italy’s\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOrsini-Odescalchi\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Castle and ‘Park of the Monsters’, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003esecond-unit direction by \u003c\/span\u003e\u003cb\u003eMichael Reeves\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (WITCHFINDER GENERAL) and the screen debut of \u003c\/span\u003e\u003cb\u003eDonald Sutherland\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e as both a doofus gendarme and a hunchbacked hag. \u003c\/span\u003e\u003cb\u003ePhilippe Leroy\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE NIGHT PORTER) and \u003c\/span\u003e\u003cb\u003eJacques Stany\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (VIOLENCE IN A WOMEN’S PRISON) co-star in this 1964 French-Italian co-production from American producer \u003c\/span\u003e\u003cb\u003ePaul Maslansky\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – who would go on to produce DEATH LINE and the POLICE ACADEMY movies – and fellow expat writer\/director \u003c\/span\u003e\u003cb\u003eWarren Kiefer\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – after whom Sutherland would name his son – \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the Italian negative for the first time ever.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features: \u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with \u003ci\u003eMondo Digital\u003c\/i\u003e's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e \u0026amp; Film Writer \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Film Writer \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eFrom the Castle to the Academy\u003c\/i\u003e – Interview with Master Producer \u003cstrong\u003ePaul Maslansky\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Castle of The Mystery Man\u003c\/i\u003e – \u003cstrong\u003eRoberto Curti\u003c\/strong\u003e, Author of \u003ci\u003eMavericks of Italian Cinema\u003c\/i\u003e, on Writer\/Director \u003cstrong\u003eWarren Kiefer\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBONUS:\u003c\/strong\u003e CD Soundtrack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 90\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 2: Challenge the Devil aka Katarsis (1963)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn the most obscure film of his early ‘60s Italian period – if not his entire career – \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stars in this brilliantly bizarre combination of neo-realist crime thriller, tawdry Christian melodrama, fizzy cabaret musical and trippy gothic horror, culminating in a gang of bongo-crazed delinquents menaced by a white-haired Lee as a sinister Victorian who may be Satan himself. \u003c\/span\u003e\u003cb\u003eGeorge Ardisson\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (HERCULES IN THE HAUNTED WORLD) stars in this staggering 1963 oddity that marked the sole screen credit of writer\/director \u003c\/span\u003e\u003cb\u003eGuiseppe Vegezzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, who attempted suicide shortly before its release. Also known as KATARSIS and little-seen for over 50 years, it is now \u003c\/span\u003e\u003cb\u003escanned in 2K from the Italian negative for the first time ever. \u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eDance with the Devil\u003c\/i\u003e – Interview with \u003cstrong\u003eRoberto Curti\u003c\/strong\u003e, Author of \u003ci\u003eMavericks of Italian Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Importance of Being Giorgio\u003c\/i\u003e – Interview with \u003cstrong\u003eGiorgio Ardisson\u003c\/strong\u003e Over Two Decades\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 79 \u003cspan data-mce-fragment=\"1\"\u003emins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 3: Crypt of the Vampire (1964)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn a lavish gothic shocker inspired by Sheridan Le Fanu’s immortal novella \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCarmilla\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e delivers a rare ‘hero’ turn as nobleman Count Karnstein whose foreboding castle teems with ancestral curses, unnatural desires, philosophical hunchbacks and grisly acts of vengeance. \u003c\/span\u003e\u003cb\u003eAdriana Ambesi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (FANGS OF THE LIVING DEAD) co-stars in this 1964 Spanish-Italian co-production – also known as TERROR IN THE CRYPT and CRYPT OF HORROR – directed by \u003c\/span\u003e\u003cb\u003eCamillo Mastrocinque\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (AN ANGEL FOR SATAN) as \u003c\/span\u003e\u003cb\u003eThomas Miller\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u0026amp; \u003c\/span\u003e\u003cb\u003eRobert Spafford\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e from a screenplay by giallo master \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (ALL THE COLORS OF THE DARK) as \u003c\/span\u003e\u003cb\u003eJulian Berry\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and Sergio Leone protégé \u003c\/span\u003e\u003cb\u003eTonino Valerii\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (MY NAME IS NOBODY) as \u003c\/span\u003e\u003cb\u003eRobert Bohr\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, now featuring \u003c\/span\u003e\u003cb\u003ea 2k scan from a fine-grain 35mm master print.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 85\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 4: Sherlock Holmes and the Deadly Necklace (1962)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShortly after their hit collaboration on THE HOUND OF THE BASKERVILLES, \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and director \u003c\/span\u003e\u003cb\u003eTerence Fisher\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (HORROR OF DRACULA) returned to Holmesiana for Lee’s sole feature film portrayal of the world’s greatest detective. Shot in Berlin with Hammer regular \u003c\/span\u003e\u003cb\u003eThorley Walters\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e as Dr. Watson, Lee considered it to be “one of the best things I’ve ever done because I tried to play Holmes really as he was written – as a very intolerant, argumentative, difficult man.”\u003c\/span\u003e \u003cb\u003eSenta Berger\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (WHEN WOMEN HAD TAILS) and \u003c\/span\u003e\u003cb\u003eIvan Desney\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE MARRIAGE OF MARIA BRAUN) co-star in this 1962 West German-French-Italian co-production produced by \u003c\/span\u003e\u003cb\u003eArtur Brauner\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (VAMPYROS LESBOS) from a screenplay by \u003c\/span\u003e\u003cb\u003eCurt\u003c\/b\u003e \u003cb\u003eSiodmak\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE WOLF MAN) and based on Sir Arthur Conan Doyle’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eValley Of Fear\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the German negative.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features: \u003c\/b\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Film Writers Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli\u003eTony Dalton Interviews Terence Fisher\u003c\/li\u003e\n\u003cli\u003eTony Dalton On Terence Fisher\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ German Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 86\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDiscs 5 \u0026amp; 6: Theatre Macabre (1971-1972)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e hosted this anthology television series originally produced by \u003c\/span\u003e\u003cb\u003eFilm Polski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (KNIFE IN THE WATER, THE TIN DRUM) in the tradition of ALFRED HITCHCOCK PRESENTS and BORIS KARLOFF’S THRILLER. Lee delivers the intro and outro for each half-hour at his imposing and often cheeky best, while the tales themselves – adapted from stories by Poe, Dostoevsky, Ambrose Bierce, Robert Louis Stevenson and Oscar Wilde – are written and\/or directed by filmmakers that include \u003c\/span\u003e\u003cb\u003eAndrzej Zulawski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (POSSESSION) and Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eAndrzej Wajda\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (MAN OF IRON). Dubbed into English and featuring ‘additional dialogue’ by Jesse Lasky Jr. (THE TEN COMMANDMENTS, 7 WOMEN FROM HELL) with new theme music by \u003c\/span\u003e\u003cb\u003eRon Goodwin\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (VILLAGE OF THE DAMNED, FRENZY), it has remained largely unseen since its brief airing on American TV in 1971. These 24 surviving episodes have now been \u003c\/span\u003e\u003cb\u003escanned in 2K from the original negatives.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003ePromo with \u003cstrong\u003eChristopher Lee\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 610 \u003cspan data-mce-fragment=\"1\"\u003emins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 7: The Torture Chamber of Dr. Sadism (1967)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stars as Count Regula, an insane nobleman found guilty of murdering a dozen virgins and drawn-and-quartered for his crimes. But when a lawyer – former Tarzan \u003c\/span\u003e\u003cb\u003eLex Barker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – is summoned to the Count’s castle 35 years later, he will unlock a “wildly entertaining” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBuried.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e) odyssey of torture, dismemberment and creepy Bavarian locations that is equal parts Mario Bava and Hieronymus Bosch. \u003c\/span\u003e\u003cb\u003eKarin Dor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (YOU ONLY LIVE TWICE) and \u003c\/span\u003e\u003cb\u003eDieter Eppler\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (SLAUGHTER OF THE VAMPIRES) \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eco-star in this 1967 “underrated gem” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Telltale Mind\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e) –\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e also known as CASTLE OF THE WALKING DEAD, BLOOD OF THE VIRGINS and THE BLOOD DEMON – directed by \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ekrimi\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e veteran \u003c\/span\u003e\u003cb\u003eHarald Reinl\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and loosely based on Poe’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Pit \u0026amp; The Pendulum\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the original German negative with all-new Special Features.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary by \u003ci\u003eMondo Digital\u003c\/i\u003e's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e and Film Writer \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Interview with Actress \u003cstrong\u003eKarin Dor\u003c\/strong\u003e (German with English subs)\u003c\/li\u003e\n\u003cli\u003eLocation Featurette\u003c\/li\u003e\n\u003cli\u003eGerman Theatrical Trailer\u003c\/li\u003e\n\u003cli\u003eTeaser Trailer\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eDie Schlangengrube - Die Burg des Grauens \u003c\/i\u003e– German Super 8 Digest Short\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eDie Schlangengrube des Grafen Dracula\u003c\/i\u003e – German Super 8 Digest Short\u003c\/li\u003e\n\u003cli\u003ePoster Gallery\u003c\/li\u003e\n\u003cli\u003eBehind the Scenes Still Gallery\u003c\/li\u003e\n\u003cli\u003eRestoration Slideshow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ German Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 84\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 8: Relics From the Crypt\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA collection of interviews with Christopher Lee over the years and other related horror featurettes, including the first ever release of the recently unearthed 20 minute 1964 Swiss TV documentary 'HORROR!!!' featuring interviews with Lee, Boris Karloff, Vincent Price, Roy Ashton, Roger Corman and behind-the-scenes footage of THE GORGON and MASQUE OF THE RED DEATH.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHORROR!!! – 1964 Swiss Documentary Short by Pierre Koralnik Featuring Interviews with Christopher Lee, Boris Karloff, Vincent Price, Roger Corman and Roy Ashton (16 mins - French with English subtitles)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eBehind The Mask\u003c\/i\u003e – Christopher Lee Remembers Boris Karloff. New edit of unfinished 1991 documentary by Ian Rough (34 mins)\u003c\/li\u003e\n\u003cli\u003eCinescope 1976 Belgian TV interview with Sélim Sasson (52 mins - French with English subtitles)\u003c\/li\u003e\n\u003cli\u003eColin Grimshaw Interviews Christopher Lee in 1975 (16 mins)\u003c\/li\u003e\n\u003cli\u003e1985 Audio Interview with Christopher Lee, accompanied by stills from The Del Valle archive \u0026amp; video introduction with David Del Valle (20 mins)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMonsters \u0026amp; Vampires\u003c\/i\u003e – Interview with Pioneering Horror Movie Historian Alan Frank (15 mins)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Crypt Keepers\u003c\/i\u003e – Making of Crypt of the Vampire Featurette with Screenwriter Ernesto Gastaldi, Assistant Director Tonino Valerii and Film Historian Fabio Melelli (34 mins - Italian with English subtitles)\u003c\/li\u003e\n\u003cli\u003e\"O Sole Mio \/ It's Now Or Never\" (3:45) \u0026amp; \"She'll Fall For Me\" (4:35) Christopher Lee \u0026amp; Gary Curtis Music Videos with optional Gary Curtis Audio Commentary\u003c\/li\u003e\n\u003cli\u003eOuttakes from TO THE DEVIL... A DAUGHTER \/ THEATRE OF DEATH 2001 DVD interview session covering the most frightening films ever, BLACK MASSES, POLICE ACADEMY 7 \u0026amp; More (19 mins)\u003c\/li\u003e\n\u003cli\u003eUniversity College Dublin 2011 Q\u0026amp;A with Sir Christopher Lee\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDisc 9: The Castle of the Living Dead Original Soundtrack CD \u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"youtube-responsive-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40075484004422,"sku":"SEV5387BR","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/EurocryptofChristopherLee.jpg?v=1754415419"},{"product_id":"hopw-box","title":"House of Psychotic Women: Rarities Collection Volume 1 [5-Disc Blu-ray Box Set]","description":"\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 2012 \u003c\/span\u003e\u003cb\u003eKier-La Janisse\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e published \u003c\/span\u003e\u003cb\u003e\u003ci\u003eHouse of Psychotic Women\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, billed as “an autobiographical topography of female neurosis in horror and exploitation films.” It soon became one of the most “vital” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eTim Lucas, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVideo Watchdog\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e and “astonishing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaily Grindhouse\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003egenre tomes of all time. To mark the book’s 10\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eth\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e anniversary, award-winning writer\/programmer\/filmmaker Janisse (WOODLANDS DARK AND DAYS BEWITCHED) now presents four of the strongest and strangest explorations of onscreen delirium and hysteria, \u003c\/span\u003e\u003cb\u003eall\u003c\/b\u003e \u003cb\u003eon American Blu-ray for the first time\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in 1974’s \u003c\/span\u003e\u003cb\u003eIDENTIKIT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (aka THE DRIVER’S SEAT) \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eas a hostile woman who travels to Rome to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In the surreal 1986 Polish horror-comedy \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a female vampire discovers that love may be the \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ecruelest curse of all. \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in the startling 1975 amnesiac giallo \u003c\/span\u003e\u003cb\u003eFOOTPRINTS \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003efrom the director of THE FIFTH CORD. And British screenwriter and radical theatre icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003edirects\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e1972’s harrowing \u003c\/span\u003e\u003cb\u003eTHE OTHER SIDE OF THE UNDERNEATH. \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach film has been \u003c\/span\u003e\u003cb\u003erestored from original vault elements, with all-new introductions\u003c\/b\u003e \u003cb\u003eby the author\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003ehours of Special Features produced exclusively for this collection. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: Identikit (1974)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn what remains the most obscure, bizarre and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison of all\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003enominee \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE OFFENCE), \u003c\/span\u003e\u003cb\u003eMona Washbourne\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE COLLECTOR) and \u003c\/span\u003e\u003cb\u003eAndy Warhol\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e“unique, hallucinatory neo noir” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCult Film Freaks\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – barely released in America as THE DRIVER’S SEAT – directed by \u003c\/span\u003e\u003cb\u003eGiuseppe Patroni Griffi \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(‘TIS PITY SHE’S A WHORE), \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eadapted from the unnerving novella by \u003c\/span\u003e\u003cb\u003eMuriel Spark\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Prime Of Miss Jean Brodie\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003efeaturing cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(APOCALYPSE NOW, THE LAST EMPEROR), now \u003c\/span\u003e\u003cb\u003erestored in 4K\u003c\/b\u003e\u003cb\u003e by Severin Films. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With TCM Underground Curator \u003cstrong\u003eMillie De Chirico\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Lack Of Absence —\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Writer And Literary Historian \u003cstrong\u003eChandra Mayor\u003c\/strong\u003e On Muriel Spark And \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Driver's Seat\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 102 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 2: I Like Bats (1986)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDirected and co-written by \u003c\/span\u003e\u003cb\u003eGrzegorz Warchol\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e– the Polish actor best known for his performance in THREE COLORS: WHITE – this 1986 Perspektywa Film Group production combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos. \u003c\/span\u003e\u003cb\u003eKatarzyna Walter\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a happily single young vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eCo-scripted by feminist writer\/activist \u003c\/span\u003e\u003cb\u003eKrystyna Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and featuring poet, songwriter and cabaret icon \u003c\/span\u003e\u003cb\u003eJonasz Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e in his sole film role, \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003es\u003c\/b\u003e\u003cb\u003ecanned in 2K from the only 35mm print known to exist\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eKamila Wielebska\u003c\/strong\u003e, Actor And Co-Editor Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Story Of Sin: Surrealism In Polish Cinema\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.66.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: Polish Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 81 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: Footprints (1975) – U.S. Cut and Italian Cut\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn the most criminally underseen giallo of the ‘70s, \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (A LIZARD IN A WOMAN’S SKIN, FLAVIA THE HERETIC) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? \u003c\/span\u003e\u003cb\u003eNicoletta Elmi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (DEEP RED), \u003c\/span\u003e\u003cb\u003eEvelyn Stewart\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE SWEET BODY OF DEBORAH), \u003c\/span\u003e\u003cb\u003eLila Kedrova\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE TENANT) and \u003c\/span\u003e\u003cb\u003eKlaus Kinski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this “visually stunning gem” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMondo Digital\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – also known as FOOTPRINTS ON THE MOON – directed by \u003c\/span\u003e\u003cb\u003eLuigi Bazzoni\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE FIFTH CORD) with cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BIRD WITH THE CRYSTAL PLUMAGE), now \u003c\/span\u003e\u003cb\u003escanned in 4K from the original camera negatives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTo The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Actress\u003cstrong\u003e Ida Galli\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNicoletta Elmi: Italian Cinema's Imp Ascendent\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Video Essay By Film Scholars \u003cstrong\u003eAlexandra Heller-Nicholas\u003c\/strong\u003e And \u003cstrong\u003eCraig Martin\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio Commentary With Film Historian \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e (Italian Cut)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLight Of The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Cinematographer \u003cstrong\u003eVittorio Storaro\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 93 mins (U.S. Cut) \/ 96 mins (Italian Cut)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 5: The Other Side of the Underneath (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt’s been called “harrowing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), “seriously disturbing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlu-ray.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and “part documentary, part primal scream” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eScreen Slate\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e). More than half a century later, it remains all that and more: In 1972, screenwriter\/feminist\/radical theater icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e adapted her own multimedia stage production \"A New Communion for Freaks, Prophets and Witches\" into a nightmarish exploration of reason, chaos and her own battles with mental illness unlike anything audiences have seen before or since. \u003c\/span\u003e\u003cb\u003eSheila Allen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CHILDREN OF THE DAMNED), \u003c\/span\u003e\u003cb\u003eAnn Lynn\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BLACK TORMENT), renowned visual artist \u003c\/span\u003e\u003cb\u003ePenny Slinger\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and Arden herself star in the only British feature film of the 1970s solo-directed by a woman, recently \u003c\/span\u003e\u003cb\u003erestored in 2K by the British Film Institute.\u003c\/b\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Workprint Version Of The Film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSheila Allen\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNatasha Morgan\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Sequences\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePenny Slinger Live At The Miskatonic Institute of Horror Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003ePENNY SLINGER: OUT OF THE SHADOWS\u003c\/em\u003e Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 111 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBox Set Credits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCuration, Art Direction and Special Features Production: Kier-La Janisse\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDesign: David Levine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Thanks:\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eJacqueline Castel\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaniel Bird\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHarvey Fenton\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRichard Kovitch\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eEddie Muller\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelagh Rowan-Legg\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAndy Starke\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40197900468294,"sku":"SEV11078BR","price":73.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/HOPWBoxSet.jpg?v=1754415457"},{"product_id":"drowning-by-numbers-4k","title":"Drowning By Numbers [2-Disc 4K UHD w\/Exclusive Slipcover]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eIn between his celebrated THE BELLY OF AN ARCHITECT and THE COOK, THE THIEF, HIS WIFE \u0026amp; HER LOVER, writer\/director \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003ePeter Greenaway\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003e – “one of the most distinctive, provocative talents of his generation” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eThe Guardian\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003e) – shocked\/delighted international audiences with this slyly deranged black comedy classic: Oscar® nominee \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDame Joan Plowright\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003e (ENCHANTED APRIL), four-time BAFTA Award nominee\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e Juliet Stevenson \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003e(TRULY MADLY DEEPLY) and two-time Golden Globe nominee \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eJoely Richardson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003e (THE GIRL WITH THE DRAGON TATTOO) star as three generations of women who murder their husbands in an unsettling salvo of sumptuous visuals, macabre capers and numerical mischief. \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBernard Hill\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003e (THE LORD OF THE RINGS, TITANIC) co-stars in this “fascinating brain buster of very bad manners” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eEntertainment Weekly\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003e), \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003enow featuring a new 4K scan from the original negative personally supervised by Greenaway.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: UHD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio Commentary With Writer\/Director \u003cstrong\u003ePeter Greenaway \u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDisc 2: BLU-RAY\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio Commentary With Writer\/Director \u003cstrong\u003ePeter Greenaway \u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePainting By Numbers \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e– Interview With \u003cstrong\u003ePeter Greenaway \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThree Women And A Coroner\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e – Interview With Actor \u003cstrong\u003eBernard Hill \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFear Of Drowning\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Archival Featurette) \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSome Greenaway Game Concepts \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional Feature: Webstore Exclusive Slipcover Featuring Artwork by Peter Greenaway\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli\u003e4K Video: Dolby Vision\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 119\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40519906525254,"sku":"SEV12146UH","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/DrowningByNumbSLIP.jpg?v=1754415400"},{"product_id":"drowning-numbers-blu","title":"Drowning By Numbers [Standard Blu-ray]","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn between his celebrated THE BELLY OF AN ARCHITECT and THE COOK, THE THIEF, HIS WIFE \u0026amp; HER LOVER, writer\/director \u003c\/span\u003e\u003cstrong\u003ePeter Greenaway\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e – “one of the most distinctive, provocative talents of his generation” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Guardian\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e) – shocked\/delighted international audiences with this slyly deranged black comedy classic: Oscar® nominee \u003c\/span\u003e\u003cstrong\u003eDame Joan Plowright\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (ENCHANTED APRIL), four-time BAFTA Award nominee\u003c\/span\u003e\u003cstrong\u003e Juliet Stevenson \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(TRULY MADLY DEEPLY) and two-time Golden Globe nominee \u003c\/span\u003e\u003cstrong\u003eJoely Richardson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (THE GIRL WITH THE DRAGON TATTOO) star as three generations of women who murder their husbands in an unsettling salvo of sumptuous visuals, macabre capers and numerical mischief. \u003c\/span\u003e\u003cstrong\u003eBernard Hill\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (THE LORD OF THE RINGS, TITANIC) co-stars in this “fascinating brain buster of very bad manners” (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEntertainment Weekly\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cstrong\u003enow featuring a new 4K scan from the original negative personally supervised by Greenaway.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eAudio Commentary With Writer\/Director \u003cstrong\u003ePeter Greenaway \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePainting By Numbers \u003c\/em\u003e\u003cspan\u003e– Interview With \u003cstrong\u003ePeter Greenaway \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThree Women And A Coroner\u003c\/em\u003e\u003cspan\u003e – Interview With Actor \u003cstrong\u003eBernard Hill \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFear Of Drowning\u003c\/em\u003e\u003cspan\u003e (Archival Featurette) \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSome Greenaway Game Concepts \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 119\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40582858506310,"sku":"SEV12572BR","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DrowningbyNumbersBLU.jpg?v=1754415401"},{"product_id":"house-of-psychotic-women-rarities-collection-damaged-5-disc-blu-ray-box-set","title":"House of Psychotic Women Rarities Collection [DAMAGED 5-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePLEASE NOTE: THIS LISTING IS FOR A DAMAGED (DINGED\/DENTED) BLU-RAY BOX SET OF OUR HOUSE OF PSYCHOTIC WOMEN RARITIES COLLECTION RELEASE. WE WILL NOT ACCEPT RETURNS ON THIS PRODUCT.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIn 2012 \u003c\/span\u003e\u003cb\u003eKier-La Janisse\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e published \u003c\/span\u003e\u003cb\u003e\u003ci\u003eHouse of Psychotic Women\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, billed as “an autobiographical topography of female neurosis in horror and exploitation films.” It soon became one of the most “vital” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eTim Lucas, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVideo Watchdog\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e and “astonishing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaily Grindhouse\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003egenre tomes of all time. To mark the book’s 10\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eth\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e anniversary, award-winning writer\/programmer\/filmmaker Janisse (WOODLANDS DARK AND DAYS BEWITCHED) now presents four of the strongest and strangest explorations of onscreen delirium and hysteria, \u003c\/span\u003e\u003cb\u003eall\u003c\/b\u003e \u003cb\u003eon American Blu-ray for the first time\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in 1974’s \u003c\/span\u003e\u003cb\u003eIDENTIKIT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (aka THE DRIVER’S SEAT) \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eas a hostile woman who travels to Rome to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In the surreal 1986 Polish horror-comedy \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a female vampire discovers that love may be the \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ecruelest curse of all. \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in the startling 1975 amnesiac giallo \u003c\/span\u003e\u003cb\u003eFOOTPRINTS \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003efrom the director of THE FIFTH CORD. And British screenwriter and radical theatre icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003edirects\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e1972’s harrowing \u003c\/span\u003e\u003cb\u003eTHE OTHER SIDE OF THE UNDERNEATH. \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach film has been \u003c\/span\u003e\u003cb\u003erestored from original vault elements, with all-new introductions\u003c\/b\u003e \u003cb\u003eby the author\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003ehours of Special Features produced exclusively for this collection. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: Identikit (1974)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn what remains the most obscure, bizarre and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison of all\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003enominee \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE OFFENCE), \u003c\/span\u003e\u003cb\u003eMona Washbourne\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE COLLECTOR) and \u003c\/span\u003e\u003cb\u003eAndy Warhol\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e“unique, hallucinatory neo noir” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCult Film Freaks\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – barely released in America as THE DRIVER’S SEAT – directed by \u003c\/span\u003e\u003cb\u003eGiuseppe Patroni Griffi \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(‘TIS PITY SHE’S A WHORE), \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eadapted from the unnerving novella by \u003c\/span\u003e\u003cb\u003eMuriel Spark\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Prime Of Miss Jean Brodie\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003efeaturing cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(APOCALYPSE NOW, THE LAST EMPEROR), now \u003c\/span\u003e\u003cb\u003erestored in 4K\u003c\/b\u003e\u003cb\u003e by Severin Films. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With TCM Underground Curator \u003cstrong\u003eMillie De Chirico\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Lack Of Absence —\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Writer And Literary Historian \u003cstrong\u003eChandra Mayor\u003c\/strong\u003e On Muriel Spark And \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Driver's Seat\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 102 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 2: I Like Bats (1986)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDirected and co-written by \u003c\/span\u003e\u003cb\u003eGrzegorz Warchol\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e– the Polish actor best known for his performance in THREE COLORS: WHITE – this 1986 Perspektywa Film Group production combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos. \u003c\/span\u003e\u003cb\u003eKatarzyna Walter\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a happily single young vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eCo-scripted by feminist writer\/activist \u003c\/span\u003e\u003cb\u003eKrystyna Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and featuring poet, songwriter and cabaret icon \u003c\/span\u003e\u003cb\u003eJonasz Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e in his sole film role, \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003es\u003c\/b\u003e\u003cb\u003ecanned in 2K from the only 35mm print known to exist\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eKamila Wielebska\u003c\/strong\u003e, Actor And Co-Editor Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Story Of Sin: Surrealism In Polish Cinema\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.66.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: Polish Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 81 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: Footprints (1975) – U.S. Cut and Italian Cut\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn the most criminally underseen giallo of the ‘70s, \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (A LIZARD IN A WOMAN’S SKIN, FLAVIA THE HERETIC) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? \u003c\/span\u003e\u003cb\u003eNicoletta Elmi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (DEEP RED), \u003c\/span\u003e\u003cb\u003eEvelyn Stewart\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE SWEET BODY OF DEBORAH), \u003c\/span\u003e\u003cb\u003eLila Kedrova\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE TENANT) and \u003c\/span\u003e\u003cb\u003eKlaus Kinski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this “visually stunning gem” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMondo Digital\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – also known as FOOTPRINTS ON THE MOON – directed by \u003c\/span\u003e\u003cb\u003eLuigi Bazzoni\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE FIFTH CORD) with cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BIRD WITH THE CRYSTAL PLUMAGE), now \u003c\/span\u003e\u003cb\u003escanned in 4K from the original camera negatives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTo The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Actress\u003cstrong\u003e Ida Galli\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNicoletta Elmi: Italian Cinema's Imp Ascendent\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Video Essay By Film Scholars \u003cstrong\u003eAlexandra Heller-Nicholas\u003c\/strong\u003e And \u003cstrong\u003eCraig Martin\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio Commentary With Film Historian \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e (Italian Cut)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLight Of The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Cinematographer \u003cstrong\u003eVittorio Storaro\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 93 mins (U.S. Cut) \/ 96 mins (Italian Cut)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 5: The Other Side of the Underneath (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt’s been called “harrowing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), “seriously disturbing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlu-ray.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and “part documentary, part primal scream” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eScreen Slate\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e). More than half a century later, it remains all that and more: In 1972, screenwriter\/feminist\/radical theater icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e adapted her own multimedia stage production \"A New Communion for Freaks, Prophets and Witches\" into a nightmarish exploration of reason, chaos and her own battles with mental illness unlike anything audiences have seen before or since. \u003c\/span\u003e\u003cb\u003eSheila Allen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CHILDREN OF THE DAMNED), \u003c\/span\u003e\u003cb\u003eAnn Lynn\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BLACK TORMENT), renowned visual artist \u003c\/span\u003e\u003cb\u003ePenny Slinger\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and Arden herself star in the only British feature film of the 1970s solo-directed by a woman, recently \u003c\/span\u003e\u003cb\u003erestored in 2K by the British Film Institute.\u003c\/b\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Workprint Version Of The Film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSheila Allen\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNatasha Morgan\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Sequences\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePenny Slinger Live At The Miskatonic Institute of Horror Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003ePENNY SLINGER: OUT OF THE SHADOWS\u003c\/em\u003e Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 111 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBox Set Credits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCuration, Art Direction and Special Features Production: Kier-La Janisse\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDesign: David Levine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Thanks:\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eJacqueline Castel\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaniel Bird\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHarvey Fenton\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRichard Kovitch\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eEddie Muller\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelagh Rowan-Legg\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAndy Starke\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40610714976326,"sku":"DAMSEV11078BR","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/HOPWBoxSet_0d3ebb5a-f424-4c46-a5b7-e7b6e4c6b821.jpg?v=1685651204"},{"product_id":"cushing-curiosities","title":"Cushing Curiosities [6-Disc Blu-ray Box Set]","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom Hammer Films to STAR WARS, he\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eremains one of genre films’ best-loved actors. Now celebrate six of the most unexpected, rarely seen and decidedly curious performances from the legendary career of \u003c\/span\u003e\u003cb\u003ePETER CUSHING\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: Cushing delivers a rare villain turn in the 1960 aviation thriller \u003c\/span\u003e\u003cb\u003eCONE OF SILENCE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. That same year, Cushing brought gentle dignity to The Boulting Brothers’ cold-war drama \u003c\/span\u003e\u003cb\u003eSUSPECT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In 1962’s \u003c\/span\u003e\u003cb\u003eTHE MAN WHO FINALLY DIED\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Cushing co-stars opposite Stanley Baker as a former Nazi hiding a grave post-war secret. Cushing returns to his iconic role of \u003c\/span\u003e\u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e in these six surviving episodes of the 1968 BBC-TV series. The oft-maligned 1971 shocker \u003c\/span\u003e\u003cb\u003eBLOODSUCKERS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e can now be reassessed for the first time in its \u003c\/span\u003e\u003cb\u003eRestored Extended Version\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. And Cushing portrays a vampire for the first and only time in 1974’s off-the-wall erotic comedy \u003c\/span\u003e\u003cb\u003eTENDER DRACULA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, premiering here in its \u003c\/span\u003e\u003cb\u003eDirector’s Cut\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Each disc has been mastered from original vault elements with \u003c\/span\u003e\u003cb\u003eover 16 total hours of trailers, commentaries, vintage interviews, location features and more\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, plus the all-new 200-page book \u003c\/span\u003e\u003cb\u003ePETER CUSHING: A PORTRAIT IN SIX SKETCHES\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e by award-winning horror film historian \u003c\/span\u003e\u003cb\u003eJonathan Rigby.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1: CONE OF SILENCE (1960) \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn one of his rare villain roles – and hailed by the British Film Institute as one of his “10 Essential Films” – \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as an arrogant pilot who attempts to undermine the investigation into the cause of an airline disaster. Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ewinner \u003c\/span\u003e\u003cb\u003eGeorge Sanders\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (PSYCHOMANIA), Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003enominee \u003c\/span\u003e\u003cb\u003eMichael Craig\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (TURKEY SHOOT), \u003c\/span\u003e\u003cb\u003eElizabeth Seal\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (VAMPIRE CIRCUS), \u003c\/span\u003e\u003cb\u003eAndré Morell\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE HOUND OF THE BASKERVILLES) and \u003c\/span\u003e\u003cb\u003eBernard Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (‘M’ in the James Bond films) co-star in “a film that still resonates today” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eShades of Gray\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) directed by former Hitchcock editor and Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e nominee \u003cb data-mce-fragment=\"1\"\u003eCharles Frend\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE CRUEL SEA) – released in America as TROUBLE IN THE SKY and inspired by true events –\u003c\/span\u003e\u003cb\u003e now featuring a new 2K scan from the dupe negative by the BFI and three hours of rare interviews, newsreels and more. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNewsreel Of Peter Cushing And His Miniature Soldiers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eIllustrated Audio Interviews\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003ePeter Cushing On \u003c\/span\u003e\u003ci style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eThe Funster Show\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e With \u003cstrong\u003ePaul Carrington\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Interview With \u003cstrong\u003ePeter Cushing \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan\u003ePeter Cushing Interviewed By \u003cstrong\u003eTony Dalton\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003cem\u003eTerence Fisher: Master Of Gothic Cinema\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci style=\"font-size: 0.875rem;\"\u003eCushing's View\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e – 1973 Interview With Peter Cushing On Whitstable And His Late Wife Helen\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: SUSPECT (1960) \/ THE MAN WHO FINALLY DIED (1962)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e delivered two of his finest non-horror performances in these early ‘60s dramas: In \u003c\/span\u003e\u003cb\u003eSUSPECT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e leads \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ea team of research biologists who may be plotting to sell government secrets to a foreign power. \u003c\/span\u003e\u003cb\u003eDonald Pleasence\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (IDENTIKIT) and \u003c\/span\u003e\u003cspan\u003e\u003cb\u003eSpike Milligan\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this “damn good thriller” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eShameless Self Expression\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eproduced and directed by\u003c\/span\u003e\u003cb\u003e The Boulting Brothers \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(BRIGHTON ROCK).\u003c\/span\u003e \u003cb\u003eTHE MAN WHO FINALLY DIED\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e sees Cushing in one of his most sinister roles as the family friend of a jazz pianist (\u003c\/span\u003e\u003cb\u003eStanley Baker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e) who uncovers a post-war conspiracy of suspicious deaths, switched identities and a shocking Nazi past. \u003c\/span\u003e\u003cb\u003eMai Zetterling\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE WITCHES), and \u003c\/span\u003e\u003cb\u003eNigel Green\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE SKULL) co-star in this stylish suspense thriller directed by \u003c\/span\u003e\u003cb\u003eQuentin Lawrence\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE TROLLENBERG TERROR), with both films \u003c\/span\u003e\u003cb\u003escanned in 2K from the original negatives by Studio Canal.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary For SUSPECT With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary For THE MAN WHO FINALLY DIED With \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAnno Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And \u003cstrong\u003eBarry Forshaw\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrit Noir\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1 (Suspect) \/ 2.35:1 (The Man Who Finally Died)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 81 mins (Suspect) \/ 100 mins (The Man Who Finally Died)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: SHERLOCK HOLMES (1968)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHaving first portrayed the legendary detective for Hammer Films in 1959, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e enthusiastically returned to the role of Sherlock Holmes for this 1968 BBC television series co-starring \u003c\/span\u003e\u003cb\u003eNigel Stock\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE LOST CONTINENT) as Dr. Watson. Though most of the shows were forever lost, these six surviving episodes – including the two-part \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Hound of The Baskervilles\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e adapted by award-winning playwright \u003c\/span\u003e\u003cb\u003eHugh Leonard\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – showcase Cushing at his elementary best, with guest stars that include \u003c\/span\u003e\u003cb\u003eMadge Ryan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (A CLOCKWORK ORANGE), \u003c\/span\u003e\u003cb\u003eAnn Bell\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE WITCHES), \u003c\/span\u003e\u003cb\u003eNick Tate\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (SPACE: 1999) and \u003c\/span\u003e\u003cb\u003eGary Raymond\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (JASON AND THE ARGONAUTS). This definitive presentation of \u003c\/span\u003e\u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – which also includes the classic cases \u003c\/span\u003e\u003cb\u003e\u003ci\u003eA Study in Scarlet\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Blue Carbuncle\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003e\u003ci\u003eThe Boscombe Valley Mystery\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003eand\u003c\/span\u003e \u003cb\u003e\u003ci\u003eThe Sign of Four\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e –\u003c\/span\u003e\u003c\/i\u003e \u003cb\u003eis now scanned from BBC tape protection masters. \u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentaries For All Episodes Featuring \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003cem\u003eAnno\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDracula\u003c\/em\u003e, \u003cstrong\u003eBarry Forshaw,\u003c\/strong\u003e Author Of \u003cem\u003eBrit Noir\u003c\/em\u003e And \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e, Author Of\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStarring Sherlock Holmes: A Century Of The Master Detective On Screen\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll Episodes Available With BBC Countdown Clock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIllustrated Peter Cushing Audio Interview With \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eLost Segments With Optional Commentary By \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian Kevin Lyons\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 308 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 5: BLOODSUCKERS (1971)\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ePerhaps the most maligned and misunderstood horror film of \u003c\/span\u003e\u003cb\u003ePeter Cushing’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e career, this notorious 1971 shocker can now be re-evaluated via \u003c\/span\u003e\u003cb\u003ethe longest version ever assembled\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: When a brilliant young Oxford professor disappears while researching in Greece, his mentor (Cushing) launches an investigation that will trigger a nightmare of ritual sacrifice, sadomasochistic perversion, deranged academia and one of the most unique takes on vampirism in genre history. \u003c\/span\u003e\u003cb\u003ePatrick Macnee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTHE AVENGERS\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), \u003c\/span\u003e\u003cb\u003eAlex Davion\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE PLAGUE OF THE ZOMBIES) and \u003c\/span\u003e\u003cb\u003eEdward Woodward\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE WICKER MAN) co-star in this infamous drama directed by \u003c\/span\u003e\u003cb\u003eRobert Hartford-Davis\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CORRUPTION) – originally known as INCENSE FOR THE DAMNED in the UK and FREEDOM SEEKERS in the US – \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original negative with additional elements from a recently discovered 35mm vault print\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – \u003c\/span\u003e\u003cb\u003eincluding the uncut psychedelic orgy sequence\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e –\u003c\/span\u003e\u003cb\u003e for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSTRANGER IN THE CITY (1961) – Short Film By \u003cstrong\u003eRobert Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaddy's Girl\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director Robert Hartford-Davis’ Daughter, \u003cstrong\u003eJean Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBite Me!\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Tigon: Blood On A Budget Author \u003cstrong\u003eJohn Hamilton\u003c\/strong\u003e on Robert Hartford-Davis \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Trip\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Uncredited Drug Orgy Actress \u003cstrong\u003eFrançoise Pascal\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFREEDOM SEEKER Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 83 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 6: TENDER DRACULA (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNever before available on disc in North America, the first and only film in which \u003c\/span\u003e\u003cb\u003ePeter Cushing \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eportrayed a vampire is also the most unapologetically bizarre movie of his entire career: When horror’s biggest star (Cushing) announces his retirement from the genre, two dimwit screenwriters and a pair of sexy actresses are dispatched to the actor’s castle for a lavish\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e farce d’horreur érotique\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\"\u003eof violence, whippings, orgies, tender romance and a devilishly dignified performance by Cushing, even while spanking the bare bottom of French starlet \u003c\/span\u003e\u003cb\u003eMiou-Miou\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e \u003cb\u003eAlida Valli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (SUSPIRIA, EYES WITHOUT A FACE) and \u003c\/span\u003e\u003cb\u003eBernard Menez\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (DRACULA AND SON) co-star\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ein\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ethe sole feature film directed by award-winning producer \u003c\/span\u003e\u003cb\u003ePierre Grunstein\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (TESS, THE DIVING BELL AND THE BUTTERFLY) – also released as CONFESSIONS OF A BLOOD DRINKER and THE BIG SCARE – \u003c\/span\u003e\u003cb\u003enow restored by Pathé, scanned in 2K from the original Paris vault negative and authorized by the director.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLove Me Tender, Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003ePierre Grunstein\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMenez of Speaking\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eBernard Menez\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono \/ French\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions \/ English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 89 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40676858789958,"sku":"SEV13939BR","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/CushingCurositiesBOX2.jpg?v=1754415356"},{"product_id":"the-unscarred-blu-ray","title":"The Unscarred [Blu-ray]","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e“BAD THINGS HAPPEN…\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBuddy Giovinazzo’s third feature-length directorial effort\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003efeatures one twisted plot twist after another.”\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cstrong\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eElitisti\u003c\/em\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE HD PREMIERE\u003c\/b\u003e\u003c\/h3\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003eFor his third feature film – and first outside his native Staten Island – writer\/director \u003cb\u003eBuddy Giovinazzo\u003c\/b\u003e (COMBAT SHOCK, NO WAY HOME) delivered an intense new take on alienation, desperation and retribution: In 1979, a shocking accident rocked the student exchange program at Stanford University and forever changed the trajectory of four young lives. Twenty years later, an impromptu reunion in Berlin will turn the sins of the past into an explosion of lust, deception, dark secrets and cold-blooded murder. \u003cb\u003eJames Russo\u003c\/b\u003e (DONNIE BRASCO), \u003cb\u003eSteven Waddington\u003c\/b\u003e (SLEEPY HOLLOW), \u003cb\u003eHeino Ferch\u003c\/b\u003e (DOWNFALL) and \u003cb\u003eOrnella Muti \u003c\/b\u003e(LEONOR) star in this extreme neo-noir, now scanned in 2K from pre-print German vault elements with 2 hours of new Special Features \u003cb\u003efor the first time ever in America\u003c\/b\u003e. \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: \u003c\/strong\u003e\u003cb\u003eBlu-ray (Feature + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAudio Commentary With Director Buddy Giovinazzo, Moderated By Severin Films' David Gregory\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOnce Upon A Time In East Berlin\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e – Interview With Actor James Russo\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRun Johann Run\u003c\/i\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e – Interview With Actor Heino Ferch\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.78:1\u003c\/li\u003e\n\u003cli\u003eAudio: English 5.1, English Stereo\u003c\/li\u003e\n\u003cli\u003eClosed Captions: \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eYes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlu-ray: Region Free\u003c\/li\u003e\n\u003cli\u003eRun time: 91 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40814034190406,"sku":"SEV14409BR","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/Unscarred_3D_1.png?v=1754415685"},{"product_id":"lola-blu-ray","title":"Lola [Blu-ray]","description":"\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“ \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e★★★★\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eTHE MOST AUDACIOUS FILM YOU’LL SEE THIS YEAR.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eUncut\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eTHE NORTH AMERICAN DISC PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIt wowed audiences at Locarno, Edinburgh and FrightFest, and won top prizes at Trieste and Sitges. It’s been hailed as “magnetic” (\u003ci\u003eLos Angeles Times\u003c\/i\u003e), “masterful” (\u003ci\u003eIndiewire\u003c\/i\u003e) and “deeply disturbing” (\u003ci\u003eHorror Cult Films\u003c\/i\u003e). Now this “one-of-a-kind gem” (\u003ci\u003eCinemacy\u003c\/i\u003e) can be discovered by genre fans everywhere: The year is 1941, and brilliant UK sisters Thomasina (\u003cb\u003eEmma Appleton\u003c\/b\u003e of THE KILLING KIND) and Martha (\u003cb\u003eStefanie Martini \u003c\/b\u003eof PRIME SUSPECT 1973) have created a device that intercepts broadcasts from the future. Besides revealing the coming glories of rock \u0026amp; roll, the invention – which they call ‘Lola’ – also allows them to alter the course of World War II. But will their unmaking of history provoke a lifetime of shocking consequences? \u003cb\u003eRory Fleck Byrne\u003c\/b\u003e (THIS IS GOING TO HURT) co-stars in the ingenious debut feature from director\/co-writer \u003cb\u003eAndrew Legge\u003c\/b\u003e that \u003ci\u003eHorror Buzz\u003c\/i\u003e calls “a bracing sci-fi mind-bender that reminds you why you like movies.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: \u003c\/strong\u003e\u003cb\u003eBlu-ray (Feature + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem; display: inline !important;\" class=\"p1\"\u003eAudio Commentary With Co-Writer\/Director Andrew Legge And Producer Alan Maher\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Making Of LOLA\u003c\/li\u003e\n\u003cli\u003eOuttake – \u003ci\u003eRemember Tomorrow\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eShort Films By Andrew Legge\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eTHE GIRL WITH THE MECHANICAL MAIDEN (2012)\u003c\/li\u003e\n\u003cli\u003eTHE UNUSUAL INVENTIONS OF HENRY CAVENDISH (2005)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English 5.1, English Stereo\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 79 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":41082850508870,"sku":"SEV15000BR","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/Lola_BD_3D.png?v=1754415494"},{"product_id":"sherlock-holmes-2-disc-blu-ray","title":"Sherlock Holmes [2-Disc Blu-ray]","description":"\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-handle=\"the-game-of-clones-bruceploitation-collection-vol-1-exclusive-8-disc-blu-ray-box-set-book\"\u003ePlease note this is also available in -\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"CUSHING CURIOSITIES BOXED SET\" href=\"https:\/\/severinfilms.com\/collections\/blu-ray\/products\/cushing-curiosities\" data-mce-href=\"https:\/\/severinfilms.com\/collections\/blu-ray\/products\/cushing-curiosities\"\u003eCUSHING CURIOSITIES BOX SET\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"CUSHING CURIOSITIES BOXED SET\" href=\"https:\/\/severinfilms.com\/products\/the-game-of-clones-bruceploitation-collection-vol-1-exclusive-8-disc-blu-ray-box-set-book\" data-mce-href=\"https:\/\/severinfilms.com\/products\/the-game-of-clones-bruceploitation-collection-vol-1-exclusive-8-disc-blu-ray-box-set-book\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong data-handle=\"the-game-of-clones-bruceploitation-collection-vol-1-exclusive-8-disc-blu-ray-box-set-book\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003e“A GREAT OUTING…\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCushing plays Holmes as continually intrigued by the possibilities\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003esurrounding any given mystery. He seems like he’s having a lot of fun.”\u003c\/strong\u003e\u003cbr\u003e\u003ci\u003eBullz-Eye\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003eTHE ONLY SURVIVING EPISODES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eON BLU-RAY FOR THE FIRST TIME EVER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHaving first portrayed the legendary detective for Hammer Films in 1959, \u003cb\u003ePeter Cushing \u003c\/b\u003eenthusiastically returned to the role of Sherlock Holmes for this 1968 BBC television series co-starring \u003cb\u003eNigel Stock\u003c\/b\u003e (THE LOST CONTINENT) as Dr. Watson. Though most of the shows were forever lost, these six surviving episodes – including the two-part \u003cb\u003e\u003ci\u003eThe Hound of The Baskervilles \u003c\/i\u003e\u003c\/b\u003eadapted by award-winning playwright \u003cb\u003eHugh Leonard\u003c\/b\u003e – showcase Cushing at his elementary best, with guest stars that include \u003cb\u003eMadge Ryan\u003c\/b\u003e (A CLOCKWORK ORANGE), \u003cb\u003eAnn Bell\u003c\/b\u003e (THE WITCHES),\u003cb\u003e Nick Tate \u003c\/b\u003e(SPACE: 1999) and \u003cb\u003eGary Raymond\u003c\/b\u003e (JASON AND THE ARGONAUTS). This definitive presentation of \u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e – which also includes the classic cases \u003cb\u003e\u003ci\u003eA Study in Scarlet\u003c\/i\u003e\u003c\/b\u003e, \u003cb\u003e\u003ci\u003eThe Blue Carbuncle\u003c\/i\u003e\u003c\/b\u003e, \u003cb\u003e\u003ci\u003eThe Boscombe Valley Mystery \u003c\/i\u003e\u003c\/b\u003eand \u003cb\u003e\u003ci\u003eThe Sign of Four\u003c\/i\u003e\u003c\/b\u003e – \u003cb\u003eis now restored from BBC tape protection masters\u003c\/b\u003e.\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentaries For All Episodes Featuring Kim Newman, Author Of \u003ci\u003eAnno Dracula\u003c\/i\u003e, Barry Forshaw, Author Of \u003ci\u003eBrit Noir \u003c\/i\u003eAnd David Stuart Davies, Author Of \u003ci\u003eStarring Sherlock Holmes: A Century Of The Master Detective On Screen\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAll Episodes Available With BBC Countdown Clock\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eIllustrated Peter Cushing Audio Interview With David Stuart Davies\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eMissing Episode Clips With Optional Commentary By Jonathan Rigby, Author Of \u003ci\u003eEnglish Gothic\u003c\/i\u003e, And Horror Historian Kevin Lyons\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 308 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":41663916539974,"sku":"SEV14336BR","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/SherlockHolmesTVBLU_76a91213-97f3-4eee-a5a9-e53ca659eab7.jpg?v=1754415576"},{"product_id":"sherlock-holmes-and-the-deadly-necklace-blu-ray","title":"Sherlock Holmes and the Deadly Necklace [Blu-ray]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong\u003ePlease note this is also available in -\u003cspan\u003e \u003c\/span\u003e\u003ca title=\"THE EUROCRYPT OF CHRISTOPHER LEE COLLECTION\" href=\"https:\/\/severinfilms.com\/products\/eurocrypt-christopher-lee\" data-mce-href=\"https:\/\/severinfilms.com\/products\/eurocrypt-christopher-lee\"\u003eTHE EUROCRYPT OF CHRISTOPHER LEE COLLECTION\u003c\/a\u003e\u003ca data-bss-pl=\"active\" href=\"https:\/\/severinfilms.com\/products\/the-game-of-clones-bruceploitation-collection-vol-1-exclusive-8-disc-blu-ray-box-set-book\" title=\"THE EUROCRYPT OF CHRISTOPHER LEE COLLECTION\" data-mce-href=\"https:\/\/severinfilms.com\/products\/the-game-of-clones-bruceploitation-collection-vol-1-exclusive-8-disc-blu-ray-box-set-book\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\" data-mce-style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cstrong data-handle=\"the-game-of-clones-bruceploitation-collection-vol-1-exclusive-8-disc-blu-ray-box-set-book\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003e\"WHAT A WONDERFUL HOLMES...\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eLee's interpretation of the character is one of the finest ever.\"\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eDVD Drive-In\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003eTHE FIRST AUTHORIZED U.S. DISC RELEASE OF LEE'S ONLY MOVIE PERFORMANCE AS HOLMES\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShortly after their hit collaboration on THE HOUND OF THE BASKERVILLES, \u003cb\u003eChristopher Lee\u003c\/b\u003e and director \u003cb\u003eTerence Fisher\u003c\/b\u003e (HORROR OF DRACULA) returned to Holmesiana for Lee's sole feature film portrayal of the world's greatest detective. Shot in Berlin with Hammer regular \u003cb\u003eThorley Walters\u003c\/b\u003e as Dr. Watson, Lee considered it to be \"one of the best things I've ever done because I tried to play Holmes really as he was written – as a very intolerant, argumentative, difficult man.\" \u003cb\u003eSenta Berger \u003c\/b\u003e(WHEN WOMEN HAD TAILS) and\u003cb\u003e Ivan Desney\u003c\/b\u003e (THE MARRIAGE OF MARIA BRAUN) co-star in this 1962 West German-French-Italian co-production produced by \u003cb\u003eArtur Brauner \u003c\/b\u003e(VAMPYROS LESBOS) from a screenplay by \u003cb\u003eCurt Siodmak\u003c\/b\u003e (THE WOLF MAN) and based on Sir Arthur Conan Doyle's \u003ci\u003eValley Of Fear\u003c\/i\u003e, \u003cb\u003enow scanned in 2K from the German negative.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features: \u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Film Writers Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTony Dalton Interviews Terence Fisher\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTony Dalton On Terence Fisher\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eDisc Specs:\u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ German Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 86\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":41663927418950,"sku":"SEV15758BR","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/SherlockHolmesBLU.jpg?v=1754415577"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-vol-2-13-disc-blu-ray-box-set-hardback-book","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 [13-Disc Blu-ray Box Set + Hardcover Book]","description":"\u003cp style=\"text-align: center;\" class=\"p1\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003e“All folk horror is unified by a central theme: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eThat contemporary society is a crust \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eover something dark, inexplicable, other.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFolk horror, like the old ways, \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ewill find you before you find it.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eAustin Chronicle\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again: \u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e brings together \u003cb\u003e24 films representing 18 countries\u003c\/b\u003e for more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the \u003cb\u003eWorldwide Premieres\u003c\/b\u003e of the \u003cb\u003eSeverin Films\u003c\/b\u003e productions \u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e directed by \u003cb\u003eSean Hogan\u003c\/b\u003e and the documentary \u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e directed by \u003cb\u003eDavid Gregory\u003c\/b\u003e; \u003cb\u003e55+ combined hours of new and archival Special Features \u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a \u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e by luminaries that include \u003cb\u003eRamsey Campbell\u003c\/b\u003e, \u003cb\u003eCassandra Khaw\u003c\/b\u003e and \u003cb\u003eEden\u003c\/b\u003e \u003cb\u003eRoyce\u003c\/b\u003e with illustrations by \u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator \u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eBoxed set design by \u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1: \u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOn The Lych Way\u003c\/i\u003e – Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eEPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOUR SELVES UNKNOWN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 45 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.9:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Film Historian Chris Alexander\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Maria J. Pérez Cuervo, Founding Editor Of \u003ci\u003eHellebore Magazine\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStone Warnings\u003c\/i\u003e – Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e – Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e – Interview With Soundtrack Composer John Cameron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eRiding Free\u003c\/i\u003e – Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2: \u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Chesya Burke, Author Of \u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of \u003ci\u003eNine Bar Blues\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Magical Place\u003c\/i\u003e – Interview With Composer Phil Sawyer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHole In The Wall\u003c\/i\u003e – Character Notes By Screenwriter Charné Porter\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSWIMMER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 90 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e – Interview With Producer Barney Rosenzweig\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eSilver Strings\u003c\/i\u003e – Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eManly Of The Mountains\u003c\/i\u003e – Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOccult Appalachia\u003c\/i\u003e – Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's \u003ci\u003eJohn The Balladeer\u003c\/i\u003e Stories\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 98 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3: \u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Projection Booth\u003c\/i\u003e Episode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And \u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA WITCH DRUM\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE NIGHTSIDE OF THE SKY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWITH THE REINDEER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 68 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Finnish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eHAIDA CARVER\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNALUJUK NIGHT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Haida 5.1, Haida Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4: \u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIgniting The Fire\u003c\/i\u003e – Interview With Director Jamil Dehlavi\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Silent One Speaks\u003c\/i\u003e – Archival Interview With Actor Nabil Shaban\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e – Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Djinn Revisited\u003c\/i\u003e – Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e – Interview With Scholar Syeda Momina Masood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTOWERS OF SILENCE\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eQÂF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 84 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5: \u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eShaman's Eyes\u003c\/i\u003e – Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PRESENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 112 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Korean Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTelling Our Stories\u003c\/i\u003e – A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKINDIL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 76 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Arabic 5.1 Surround\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6: \u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Jasper Sharp, Author Of \u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eScratched \u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Vampire Cat\u003c\/i\u003e – The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMAN-EATER MOUNTAIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 87 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Japanese Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e – Interview With Director Nonzee Nimibutr\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Thai 5.1, Thai Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7: \u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024)\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e – Female Ghosts Of The Malay Archipelago\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWHITE SONG\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 106 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8: \u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eFRANTIŠEK HRUBÍN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.37:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e – The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e – Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 92 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9: \u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e – Video Essay By Peter Bebergal, Author Of \u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDIBBUK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 94 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e – Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKratt Test Footage\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBOUNDARY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eJOURNEY THROUGH SETOMAA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMIDVINTERBLOT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 115 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10: \u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Frank Lafond\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eUn Tournage LITAN\u003c\/i\u003e – Archival Making-Of Made For Antenne 2\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e – 1982 Episode Of \u003ci\u003eTemps X\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Director Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eProduction Stills And Concept Illustrations\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 70 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11: \u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLOVE FROM MOTHER ONLY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e – Interview With Director Pedro Olea\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eEmpowered Woman\u003c\/i\u003e – Interview With Actress Silvia Munt\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlaying The Villain\u003c\/i\u003e – Interview With Actor Iñaki Miramón\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eInvoking The Akelarre\u003c\/i\u003e – Dr. Antonio Lázaro-Reboll, Author Of \u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 97 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12: \u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e – Interview With Director Wil Aaron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e – Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e – Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBLOOD ON THE STARS\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReunion Hotel\u003c\/i\u003e – BLOOD ON THE STARS Cast Reunion From \u003ci\u003eGwesty Aduniad\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 46 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Welsh Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13: \u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Actress Venetia Stevenson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBurn Witch, Burn! A Tribute To John Llewellyn Moxey\u003c\/i\u003e – Video Essay By TV Historian Amanda Reyes And Filmmaker Chris O'Neill\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 78 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Filipino Film Historian Andrew Leavold\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eITIM: AN EXPLORATION IN CINEMA – Archival Documentary\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePortrayal Of Guilt\u003c\/i\u003e – Filipino Film Scholar Anne Frances N. Sangil On The Darkness Of THE RITES OF MAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 107 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Tagalog Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42088133296198,"sku":"SEV16428BR","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/ATHBO2_Slipcase_3D.jpg?v=1753306950"},{"product_id":"entertaining-mr-sloane-blu-ray-w-slipcase","title":"Entertaining Mr. Sloane [Blu-ray w\/Slipcase] (North America Only)","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“AN OUTRAGEOUS, HILARIOUS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ePITCH-BLACK COMEDY.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eLos Angeles Times\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE NORTH AMERICAN BLU-RAY PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom the legendary pen of\u003cb\u003e Joe Orton\u003c\/b\u003e – hailed by \u003ci\u003eThe Guardian \u003c\/i\u003eas “the first rock star playwright” – comes the “sophisticated and devastating” (\u003ci\u003eNew York Magazine\u003c\/i\u003e) film version of the tale that has shocked and delighted audiences for over half a century: When voracious middle-aged Kath (\u003cb\u003eBeryl Reid\u003c\/b\u003e of THE KILLING OF SISTER GEORGE) invites a strapping young stranger named Sloane (\u003cb\u003ePeter McEnery\u003c\/b\u003e of NEGATIVES) to move in, the arrival of her upper-crust brother Ed (\u003cb\u003eHarry Andrews\u003c\/b\u003e of THE RULING CLASS) will lead to a most unexpected triangle of lust, murder and pickled onions. \u003cb\u003eAlan Webb\u003c\/b\u003e (WOMEN IN LOVE) co-stars in this “sharp, wild and effervescent comedy” (\u003ci\u003eCinevue\u003c\/i\u003e) adapted by BAFTA nominee \u003cb\u003eClive Exton\u003c\/b\u003e (\u003ci\u003eJeeves \u0026amp; Wooster\u003c\/i\u003e) and directed by \u003cb\u003eDouglas Hickox\u003c\/b\u003e (ZULU DAWN, THEATRE OF BLOOD), \u003cb\u003enow scanned in 2K from the original camera negative with 4+ hours of new and archival Special Features. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: Blu-ray\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Film Historian Nathaniel Thompson And Orton Scholar Dr. Emma Parker\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival Interview With Actor Peter McEnery\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eAll My Sloanes\u003c\/i\u003e – 60 Years Of Joe Orton's Mr. Sloane, Featuring Malcolm McDowell And Maxwell Caulfield\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival Interview With John Lahr, Author Of \u003ci\u003ePrick Up Your Ears: The Biography Of Joe Orton \u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival Interview With Leonie Orton Remembering Her Brother Joe\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eOrtonesque\u003c\/i\u003e – Screenwriter David McGillivray On The Lasting Influence Of Joe Orton\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eAct Of Character\u003c\/i\u003e – Rosie White On The Inimitable Identities Of Beryl Reid\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival Locations Featurette With Richard Dacre\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThreads Of Desire: Costuming And Sexuality In ENTERTAINING MR. SLOANE –\u003c\/i\u003e Video Essay By Costume Historian Elissa Rose\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 94 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRegion A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePackaged in a firm side-loading slipcase\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42514377900102,"sku":"SEV17690BR","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/EMS_BD_OCard_3D.jpg?v=1753306179"},{"product_id":"house-of-psychotic-women-rarities-collection-volume-2-4-disc-blu-ray-box-set","title":"House of Psychotic Women: Rarities Collection Volume 2 [4-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“A NEW FEMINIST ESSENTIAL…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAs more ‘Psychotic Women’ films are released, \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eour understanding of what Kier-La Janisse intended \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eto accomplish when she popularized that phrase must expand \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eto include new depictions of female madness in cinema.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003ePaste Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p5\"\u003e\u003cb\u003eRESTORED FROM ORIGINAL SOURCE ELEMENTS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 10+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eIn this second collection inspired by her “groundbreaking” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) book that “forever changed the landscape of film analysis” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e), producer\/curator \u003cb\u003eKier-La Janisse\u003c\/b\u003e presents a new quartet of international classics – along with nearly 11 combined hours of Special Features – that explores startling depictions of female neurosis on screen: \u003cspan class=\"s2\"\u003e\u003cb\u003eAmanda Plummer\u003c\/b\u003e gives a searing performance as a disturbed drifter on a cross-country killing spree in \u003cb\u003eBUTTERFLY KISS\u003c\/b\u003e, the breakthrough debut from director \u003cb\u003eMichael Winterbottom\u003c\/b\u003e. L\u003c\/span\u003eegendary Czech actress\u003cb\u003e Iva Janžurová\u003c\/b\u003e\u003cspan class=\"s2\"\u003e portrays a pair of rival sisters in \u003c\/span\u003e\u003cb\u003eJuraj Herz’\u003c\/b\u003e\u003cspan class=\"s2\"\u003e crazed gothic melodrama \u003cb\u003eMORGIANA\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e. \u003c\/b\u003eIn\u003cb\u003e Ben Maddow\u003c\/b\u003e, \u003cb\u003eSidney Meyers\u003c\/b\u003e and \u003cb\u003eJoseph Strick’s\u003c\/b\u003e\u003cspan class=\"s2\"\u003e ‘dramatized documentary’ \u003cb\u003eTHE SAVAGE EYE\u003c\/b\u003e, \u003cb\u003eBarbara Baxley\u003c\/b\u003e stars as a bitter divorcee adrift in Los Angeles’ dark underbelly. And with the landmark Spanish thriller \u003cb\u003eTHE GLASS CEILING \u003c\/b\u003estarring\u003cb\u003e Carmen Sevilla\u003c\/b\u003e, writer\/director \u003cb\u003eEloy de la Iglesia \u003c\/b\u003ecrafts an unsettling story of paranoia, madness and murder. All 4 films in \u003cb\u003eHOUSE OF PSYCHOTIC WOMEN RARITIES COLLECTION VOLUME 2\u003c\/b\u003e have been \u003cb\u003escanned from their original camera negatives\u003c\/b\u003e and are \u003cb\u003epresented on Blu-ray for the first time ever in North America\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eDisc 1: BUTTERFLY KISS (1994)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn his “breathtakingly original” (\u003ci\u003eVariety\u003c\/i\u003e) debut feature, writer\/director \u003cb\u003eMichael Winterbottom\u003c\/b\u003e (24 HOUR PARTY PEOPLE, THE KILLER INSIDE ME) shocked audiences with the startling drama \u003ci\u003eThe New York Times\u003c\/i\u003e called “a twisted British answer to THELMA \u0026amp; LOUISE”: \u003cb\u003eAmanda Plummer\u003c\/b\u003e (PULP FICTION) delivers “a brave performance that \u003cspan class=\"s1\"\u003esears itself permanently into the viewer's consciousness” (\u003ci\u003eAustin Chronicle\u003c\/i\u003e) as a disturbed drifter whose seduction of a lonely convenience store clerk \u003c\/span\u003e(an equally daring \u003cb\u003eSaskia Reeves\u003c\/b\u003e of \u003ci\u003eSlow Horses\u003c\/i\u003e) triggers a cross-country odyssey of obsession, madness and murder.\u003cb\u003e Ricky Tomlinson \u003c\/b\u003e(RIFF-RAFF) co-stars in this “provocative masterpiece” (\u003ci\u003eThe Advocate\u003c\/i\u003e) co-written by 2x BAFTA nominee \u003cb\u003eFrank Cottrell-Boyce\u003c\/b\u003e (WELCOME TO SARAJEVO) and featuring cinematography by 2x Oscar\u003cspan class=\"s2\"\u003e®\u003c\/span\u003e nominee \u003cb\u003eSeamus McGarvey\u003c\/b\u003e (ATONEMENT), \u003cb\u003enow scanned in 2K from the original camera negative by The British Film Institute\u003c\/b\u003e and approved by Winterbottom and McGarvey.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 88 mins\u003cbr\u003eEnglish Stereo | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Writer Frank Cottrell-Boyce\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Kat Ellinger\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween Everyday And The Extreme\u003c\/i\u003e – Michael Winterbottom On Directing BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eNo Judgement \u003c\/i\u003e– Amanda Plummer Remembers Portraying Eunice\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eYou're Not Judith\u003c\/i\u003e – Saskia Reeves On Portraying Miriam\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePestilence Through Petrol\u003c\/i\u003e – Julie Baines On Producing BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFront Light And Black Sky\u003c\/i\u003e – Seamus McGarvey On Shooting BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003ePLEASURES OF WAR (Ruth Lingford, 1998)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\u003cb\u003eDisc 2: MORGIANA (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eFrom internationally award-winning filmmaker \u003cb\u003eJuraj Herz\u003c\/b\u003e (THE CREMATOR, THE NINTH HEART) comes this “haunting” (\u003ci\u003eSenses Of Cinema\u003c\/i\u003e), “gorgeously baroque” (\u003ci\u003eStarburst\u003c\/i\u003e) and “deliriously exciting cult gem” (\u003ci\u003eCulture Fix\u003c\/i\u003e), considered to be the final film of the Czech New Wave: When their wealthy father dies, cruelly jealous Viktorie will lead her naïvely trusting sister Klára – both portrayed in “a frightening, stellar performance” (\u003ci\u003eAt The Mansion Of Madness\u003c\/i\u003e) by legendary Czech actress\u003cb\u003e Iva Janžurová \u003c\/b\u003e– into a gothic nightmare of deception, blackmail and murder. \u003cb\u003eJosef Abrhám\u003c\/b\u003e (Václav Havel’s LEAVING) and \u003cb\u003eJosef Somr\u003c\/b\u003e (CLOSELY WATCHED TRAINS) co-star in this “terrific chamber piece that horror fans still haven't caught up to” \u003ci\u003e(Mondo Digital),\u003c\/i\u003e \u003cb\u003enewly scanned in 4K from the original camera negative by The National Film Archive in Prague. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 101 mins\u003cbr\u003eCzech Mono | English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.37:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Stranger With My Face Festival Director Briony Kidd And Cerise Howard, Co-Founder Of The Czech And Slovak Film Festival Of Australia\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLittle Drop Of Poison –\u003c\/i\u003e Actress Iva Janžurová Remembers MORGIANA\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Stone Forest\u003c\/i\u003e – Newly Commissioned Short Film On Shooting Location Pobiti Kamani, Animated By Leslie Supnet And Narrated By Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNIGHTMARES – Juraj Herz' 1970 Vampire Rock Musical Made For Czech TV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eREST IN PEACE (Rachel Amodeo, 1998) New 2K Scan Of This Cult Favorite By Rachel Amodeo And Dame Darcy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\u003cb\u003eDisc 3: THE SAVAGE EYE (1959)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn 1959, a trio of outsider filmmakers – formerly blacklisted screenwriter \u003cb\u003eBen Maddow\u003c\/b\u003e (THE ASPHALT JUNGLE), Oscar\u003cspan class=\"s2\"\u003e® \u003c\/span\u003enominated editor\/director \u003cb\u003eSidney Meyers\u003c\/b\u003e (THE QUIET ONE) and future Oscar\u003cspan class=\"s2\"\u003e® \u003c\/span\u003ewinning director \u003cb\u003eJoseph Strick\u003c\/b\u003e (INTERVIEWS WITH MY LAI VETERANS) – wrote, produced, edited and directed the ‘dramatized documentary’ that \u003ci\u003eSan Francisco Cinematheque\u003c\/i\u003e calls “a masterpiece of verité cinema”:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAdrift and bitter after her recent divorce, a woman (\u003cb\u003eBarbara Baxley\u003c\/b\u003e of NORMA RAE and NASHVILLE) confronts the grim realities of existence amongst the poetic grotesqueries of urban Los Angeles. The voice of \u003cb\u003eGary Merrill \u003c\/b\u003e(ALL ABOUT EVE)\u003cb\u003e \u003c\/b\u003eco-stars in\u003cb\u003e \u003c\/b\u003ethis “unique and unusual must-see” (\u003ci\u003eFilmFanatic\u003c\/i\u003e) – filmed on location by a team of cinematographers that included 2x Academy Award\u003cspan class=\"s2\"\u003e® \u003c\/span\u003ewinner \u003cb\u003eHaskell Wexler\u003c\/b\u003e (MEDIUM COOL) – \u003cb\u003enow scanned in 4K by Severin Films from the original camera negative provided by the Academy Film Archive\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 67 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Curator\/Historian Elizabeth Purchell\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJudith X\u003c\/i\u003e – Locations Video Essay By \u003ci\u003eEsotouric\u003c\/i\u003e's Kim Cooper\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Co-Director Joseph Strick\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTrailers From Hell\u003c\/i\u003e Commentary By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Films\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eINTERVIEWS WITH MY LAI VETERANS (Joseph Strick, 1970)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Director Joseph Strick On INTERVIEWS WITH MY LAI VETERANS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMISS CANDACE HILLIGOSS' FLICKERING HALO (Vincenzo Core And Fabio Scacchioli, 2011)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eDisc 4: THE GLASS CEILING (1971)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn his landmark 1971 feature, writer\/director \u003cb\u003eEloy de la Iglesia\u003c\/b\u003e – who would go on to create such subversively disturbing films as CANNIBAL MAN, THE CREATURE and the Quinqui classics NAVAJEROS and EL PICO 1 \u0026amp; 2 – brought an unnerving new perspective to female madness: When her husband leaves on a business trip, a frustrated housewife – an award-winning performance by \u003cb\u003eCarmen Sevilla\u003c\/b\u003e, star of CROSS OF THE DEVIL and NO ONE HEARD THE SCREAM – begins to obsess over unfamiliar noises in their apartment building and suspects that an upstairs neighbor has committed murder. \u003cb\u003eDean Selmier\u003c\/b\u003e (THE BLOOD SPATTERED BRIDE), \u003cb\u003ePatty Shepard\u003c\/b\u003e (CRYPT OF THE LIVING DEAD), \u003cb\u003eFernando Cebrián\u003c\/b\u003e \u003cspan class=\"s5\"\u003e(TRISTANA) and \u003cb\u003eEmma Cohen\u003c\/b\u003e (HORROR RISES FROM THE TOMB) co-star in this milestone Spanish thriller, \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the original camera negative.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 95 mins\u003cbr\u003eEnglish Mono, Spanish Mono | Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Shelagh Rowan-Legg, Author Of A Forthcoming Monograph On Director Eloy De La Iglesia, And \u003ci\u003eFaculty of Horror\u003c\/i\u003e's Alexandra West\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eConnected At The Soul\u003c\/i\u003e – Patty Shepard As Remembered By Her Sister, Judith Chapman\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Scenes From The TV Version\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eANTA MUJER (Agustí Villaronga, 1976)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBox Set Credits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCuration, Art Direction and Special Features Production: Kier-La Janisse \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOuter Box Design - Hauntlove\u003cbr\u003eWrap Design - David Levine\u003cbr\u003eSpecial Features Head Editor - Stuart Linver\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSpecial Thanks\u003c\/strong\u003e\u003cbr\u003eJulie Baines \u003cbr\u003eHarvey Fenton\u003cbr\u003eGil Garagnon\u003cbr\u003eJuraj Machálek\u003cbr\u003eLeoš Morávek\u003cbr\u003eJayne Pilling\u003cbr\u003eAmanda Reyes\u003cbr\u003eAlberto Sedano\u003cbr\u003eBetsy Strick\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42518248652870,"sku":"SEV17730BR","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/HOPWv2_3D.jpg?v=1753306109"},{"product_id":"dr-who-and-the-daleks-blu-ray","title":"Dr. Who and the Daleks [Blu-ray] (North America Only)","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“A WONDERFUL SLICE OF ‘60s SCI-FI FUN…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAn utterly charming British classic, essential for Doctor Who fans, Cushing aficionados and science-fiction movie buffs alike.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eRock! Shock! Pop!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e6+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAt the height of Dalekmania, producers \u003cb\u003eMilton Subotsky\u003c\/b\u003e and \u003cb\u003eMax J. Rosenberg\u003c\/b\u003e bought the rights to the black \u0026amp; white BBC-TV serial created by\u003cb\u003e Terry Nation \u003c\/b\u003efor the Technicolor movie adaptation that delivers “non-stop fun and extermination” (\u003ci\u003eDVD Beaver\u003c\/i\u003e): When his time-travel phone box TARDIS is accidentally activated, eccentric inventor Dr. Who (genre legend \u003cb\u003ePeter Cushing\u003c\/b\u003e) – along with granddaughters Susan (\u003cb\u003eRoberta Tovey\u003c\/b\u003e), Barbara (\u003cb\u003eJennie Linden\u003c\/b\u003e) and her bumbling boyfriend Ian (\u003cb\u003eRoy Castle\u003c\/b\u003e of DR. TERROR’S HOUSE OF HORRORS) – are transported to the planet Skaro where they’re caught in the middle of a war between the benevolent Thals and evil Daleks. Directed by \u003cb\u003eGordon Flemyng\u003c\/b\u003e (DALEKS’ INVASION EARTH 2150 A.D.), this 1965 sci-fi favorite “feels like a comic strip brought to the big screen with bold colors and an upbeat, adventurous tone” (\u003ci\u003eCritical Popcorn\u003c\/i\u003e) and is \u003cb\u003enewly scanned in 4K from the original Techniscope 35mm negative by StudioCanal with over 6 hours of Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: Blu-ray\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Whovians Barry Forshaw, Stephen Jones And Kim Newman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Stars Jennie Linden And Roberta Tovey, Moderated By Journalist Jonathan Sothcott\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Critic Kim Newman, Screenwriter\/Writer Robert Shearman And Actor\/Writer Mark Gatiss\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e1992 Audio Interview With Director Gordon Flemyng By Author\/Journalist Tony Earnshaw\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eSubotsky And The Daleks: Part 1\u003c\/i\u003e – Interview With Producer Milton Subotsky\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eKara And The Daleks\u003c\/i\u003e – Interview With Doctor Who Expert Kara Dennison\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eDALEKMANIA – 1995 Documentary (60 mins)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Gareth Owen, Author Of\u003ci\u003e The Shepperton Story\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Dalek Legacy: Destination Skaro\u003c\/i\u003e – With Nicholas Briggs (Voice Of The Daleks), Screenwriter Robert Shearman, Visual Effects Designer Mike Tucker (\u003ci\u003eDoctor Who\u003c\/i\u003e), Editorial Assistant Emily Cook (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e) And Writer\/3D Artist Gavin Rymill (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eStill Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 83 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRegion A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42760145371206,"sku":"SEV18269BR","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DrWho_Daleks_BD_3D.jpg?v=1753305910"},{"product_id":"dr-who-and-the-daleks-2-disc-4k-uhd","title":"Dr. Who and the Daleks [2-Disc 4K UHD] (North America Only)","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“A WONDERFUL SLICE OF ‘60s SCI-FI FUN…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAn utterly charming British classic, essential for Doctor Who fans, Cushing aficionados and science-fiction movie buffs alike.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eRock! Shock! Pop!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE NORTH AMERICAN UHD PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAt the height of Dalekmania, producers \u003cb\u003eMilton Subotsky\u003c\/b\u003e and \u003cb\u003eMax J. Rosenberg\u003c\/b\u003e bought the rights to the black \u0026amp; white BBC-TV serial created by\u003cb\u003e Terry Nation \u003c\/b\u003efor the Technicolor movie adaptation that delivers “non-stop fun and extermination” (\u003ci\u003eDVD Beaver\u003c\/i\u003e), \u003cb\u003enow in UHD:\u003c\/b\u003e When his time-travel phone box TARDIS is accidentally activated, eccentric inventor Dr. Who (genre legend \u003cb\u003ePeter Cushing\u003c\/b\u003e) – along with granddaughters Susan (\u003cb\u003eRoberta Tovey\u003c\/b\u003e), Barbara (\u003cb\u003eJennie Linden\u003c\/b\u003e) and her bumbling boyfriend Ian (\u003cb\u003eRoy Castle\u003c\/b\u003e of DR. TERROR’S HOUSE OF HORRORS) – are transported to the planet Skaro where they’re caught in the middle of a war between the benevolent Thals and evil Daleks. Directed by \u003cb\u003eGordon Flemyng\u003c\/b\u003e (DALEKS’ INVASION EARTH 2150 A.D.), this 1965 sci-fi favorite “feels like a comic strip brought to the big screen with bold colors and an upbeat, adventurous tone” (\u003ci\u003eCritical Popcorn\u003c\/i\u003e) and is \u003cb\u003enewly scanned in 4K from the original Techniscope 35mm negative by StudioCanal with over 6 hours of Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Whovians Barry Forshaw, Stephen Jones And Kim Newman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Stars Jennie Linden And Roberta Tovey, Moderated By Journalist Jonathan Sothcott\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Critic Kim Newman, Screenwriter\/Writer Robert Shearman And Actor\/Writer Mark Gatiss\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Whovians Barry Forshaw, Stephen Jones And Kim Newman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Stars Jennie Linden And Roberta Tovey, Moderated By Journalist Jonathan Sothcott\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Critic Kim Newman, Screenwriter\/Writer Robert Shearman And Actor\/Writer Mark Gatiss\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e1992 Audio Interview With Director Gordon Flemyng By Author\/Journalist Tony Earnshaw\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eSubotsky And The Daleks: Part 1 \u003c\/i\u003e– Interview With Producer Milton Subotsky\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eKara And The Daleks\u003c\/i\u003e – Interview With Doctor Who Expert Kara Dennison\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eDALEKMANIA – 1995 Documentary (60 mins)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Gareth Owen, Author Of \u003ci\u003eThe Shepperton Story\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Dalek Legacy: Destination Skaro\u003c\/i\u003e – With Nicholas Briggs (Voice Of The Daleks), Screenwriter Robert Shearman, Visual Effects Designer Mike Tucker (\u003ci\u003eDoctor Who\u003c\/i\u003e), Editorial Assistant Emily Cook (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e) And Writer\/3D Artist Gavin Rymill (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eStill Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 83 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: Dolby Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003e4K UHD Region Free | Blu-ray Region A\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42760209498182,"sku":"SEV18159UH","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DrWho_Daleks_UHD_3D.jpg?v=1753305907"},{"product_id":"daleks-invasion-earth-2150-a-d-blu-ray","title":"Daleks' Invasion Earth 2150 A.D. [Blu-ray] (North America Only)","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e★★★★\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eAn altogether racier, grittier film in post-apocalyptic mode that shows both the innocence and dystopian darkness of the Who franchise.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" style=\"text-align: center;\"\u003e\u003cb\u003e4+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe Daleks are back – and more brutal than before – in the “impressive work that delivers all-out adventure with refreshingly little messing about” (\u003ci\u003eEye For Film\u003c\/i\u003e): When the TARDIS travels to 2150 A.D., Dr. Who (genre icon \u003cb\u003ePeter Cushing\u003c\/b\u003e) – along with his niece Louise (\u003cb\u003eJill Curzon\u003c\/b\u003e), granddaughter Susan (\u003cb\u003eRoberta Tovey\u003c\/b\u003e) and policeman Tom Campbell (\u003cb\u003eBernard Cribbins\u003c\/b\u003e, the BBC-TV series’ future Wilfred Mott) – discovers that humanity has been enslaved by Daleks. As a rebel force of survivors battles the metallic invaders, can the Doctor save the last of London from total extermination?\u003cb\u003e Andrew Keir\u003c\/b\u003e (QUATERMASS AND THE PIT) co-stars in this “endearing sequel with excellent action scenes” (\u003ci\u003eEmpire\u003c\/i\u003e) directed by \u003cb\u003eGordon Flemyng\u003c\/b\u003e (DR. WHO AND THE DALEKS), \u003cb\u003enewly scanned in 4K from the original Techniscope 35mm negative by StudioCanal with over 4 hours of Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: Blu-ray\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Whovians Barry Forshaw, Stephen Jones And Kim Newman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Critic Kim Newman, Screenwriter\/Writer Robert Shearman And Actor\/Writer Mark Gatiss\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDaleks' Invasion BBC, 1963 To 1969 A.D. \u003c\/i\u003e– Interview With Doctor Who Expert Stephen Thrower\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eSubotsky And The Daleks: Part 2 \u003c\/i\u003e– Interview With Producer Milton Subotsky\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Actor Bernard Cribbins\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Gareth Owen, Author Of \u003ci\u003eThe Shepperton Story\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Dalek Legacy: Invasion Earth \u003c\/i\u003e– With Nicholas Briggs (Voice Of The Daleks), Screenwriter Robert Shearman, Visual Effects Designer Mike Tucker (\u003ci\u003eDoctor Who\u003c\/i\u003e), Editorial Assistant Emily Cook (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e) And Writer\/3D Artist Gavin Rymill (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eRestoring Dr. Who In 4K\u003c\/i\u003e – With Restoration Expert Anthony Badger, Film Prep And Scanning Expert Ray King And Colorist Steve Bearman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eStill Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 85 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRegion A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42760351875142,"sku":"SEV18268BR","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DaleksInvasion_BD_3D.jpg?v=1753305903"},{"product_id":"daleks-invasion-earth-2150-a-d-2-disc-4k-uhd","title":"Daleks' Invasion Earth 2150 A.D. [2-Disc 4K UHD] (North America Only)","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e★★★★\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eAn altogether racier, grittier film in post-apocalyptic mode that shows both the innocence and dystopian darkness of the Who franchise.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE NORTH AMERICAN UHD PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe Daleks are back – and more brutal than before – in the “impressive work that delivers all-out adventure with refreshingly little messing about” (\u003ci\u003eEye For Film\u003c\/i\u003e), \u003cb\u003enow in UHD:\u003c\/b\u003e When the TARDIS travels to 2150 A.D., Dr. Who (genre icon \u003cb\u003ePeter Cushing\u003c\/b\u003e) – along with his niece Louise (\u003cb\u003eJill Curzon\u003c\/b\u003e), granddaughter Susan (\u003cb\u003eRoberta Tovey\u003c\/b\u003e) and policeman Tom Campbell (\u003cb\u003eBernard Cribbins\u003c\/b\u003e, the BBC-TV series’ future Wilfred Mott) – discovers that humanity has been enslaved by Daleks. As a rebel force of survivors battles the metallic invaders, can the Doctor save the last of London from total extermination?\u003cb\u003e Andrew Keir\u003c\/b\u003e (QUATERMASS AND THE PIT) co-stars in this “endearing sequel with excellent action scenes” (\u003ci\u003eEmpire\u003c\/i\u003e) directed by \u003cb\u003eGordon Flemyng\u003c\/b\u003e (DR. WHO AND THE DALEKS), \u003cb\u003enewly scanned in 4K from the original Techniscope 35mm negative by StudioCanal with over 4 hours of Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Whovians Barry Forshaw, Stephen Jones And Kim Newman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Critic Kim Newman, Screenwriter\/Writer Robert Shearman And Actor\/Writer Mark Gatiss\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Whovians Barry Forshaw, Stephen Jones And Kim Newman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Critic Kim Newman, Screenwriter\/Writer Robert Shearman And Actor\/Writer Mark Gatiss\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDaleks' Invasion BBC, 1963 To 1969 A.D. \u003c\/i\u003e– Interview With Doctor Who Expert Stephen Thrower\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eSubotsky And The Daleks: Part 2 \u003c\/i\u003e– Interview With Producer Milton Subotsky\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Actor Bernard Cribbins\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Gareth Owen, Author Of \u003ci\u003eThe Shepperton Story\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Dalek Legacy: Invasion Earth \u003c\/i\u003e– With Nicholas Briggs (Voice Of The Daleks), Screenwriter Robert Shearman, Visual Effects Designer Mike Tucker (\u003ci\u003eDoctor Who\u003c\/i\u003e), Editorial Assistant Emily Cook (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e) And Writer\/3D Artist Gavin Rymill (\u003ci\u003eDoctor Who Magazine\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eRestoring Dr. Who In 4K\u003c\/i\u003e – With Restoration Expert Anthony Badger, Film Prep And Scanning Expert Ray King And Colorist Steve Bearman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eStill Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 85 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: Dolby Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003e4K UHD Region Free | Blu-ray Region A\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42760354332742,"sku":"SEV18160UH","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DaleksInvasion_UHD_3D.jpg?v=1753305899"},{"product_id":"total-extermination-the-peter-cushing-doctor-who-collection-slipcase-only","title":"[Slipcase ONLY] Total Extermination: The Peter Cushing Doctor Who Collection","description":"\u003cp class=\"p1\"\u003eA glossy, flexible slipcase sized to house either the 4K UHD or Blu-ray editions of DR. WHO AND THE DALEKS and DALEKS' INVASION EARTH 2150 A.D., together at last!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e135.5mm x 172.5mm x 27.5mm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWill be shipped flat and unfolded.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\u003cstrong\u003e[Slipcase only]\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42760559984710,"sku":"DALEKSLIP","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/TotalExtermination_3D_344d7a59-43eb-4090-8bd3-625ae6987db0.jpg?v=1753232095"},{"product_id":"total-extermination-the-peter-cushing-doctor-who-collection","title":"Total Extermination: The Peter Cushing Doctor Who Collection (North America Only)","description":"\u003cp class=\"p1\"\u003eThe \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003eTotal Extermination: The Peter Cushing Doctor Who Collection \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003econtains \u003cem\u003eeither \u003c\/em\u003ethe Blu-ray or 4K UHD editions of:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003e\u003cmeta charset=\"utf-8\"\u003eDR. WHO AND THE DALEKS [\u003ca rel=\"noopener\" href=\"https:\/\/severinfilms.com\/products\/dr-who-and-the-daleks-blu-ray\" target=\"_blank\"\u003eBlu-ray\u003c\/a\u003e | \u003ca rel=\"noopener\" href=\"https:\/\/severinfilms.com\/products\/dr-who-and-the-daleks-2-disc-4k-uhd\" target=\"_blank\"\u003e4K UHD\u003c\/a\u003e]\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003eDALEKS' INVASION EARTH 2150 A.D. [\u003ca rel=\"noopener\" href=\"https:\/\/severinfilms.com\/products\/daleks-invasion-earth-2150-a-d-blu-ray\" target=\"_blank\"\u003eBlu-ray\u003c\/a\u003e | \u003ca rel=\"noopener\" href=\"https:\/\/severinfilms.com\/products\/daleks-invasion-earth-2150-a-d-2-disc-4k-uhd\" target=\"_blank\"\u003e4K UHD\u003c\/a\u003e]\u003c\/span\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003ePLUS\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/severinfilms.com\/products\/total-extermination-the-peter-cushing-doctor-who-collection-slipcase-only\" target=\"_blank\"\u003eLimited Edition Slipcase\u003c\/a\u003e [\u003cmeta charset=\"utf-8\"\u003eto be shipped flat and unfolded] \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"Polaris-Text--root Polaris-Text--headingLg Polaris-Text--bold\"\u003eSee individual item details at each hyperlink\u003c\/span\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"4K UHD editions of DR. WHO AND THE DALEKS and DALEKS' INVASION EARTH 2150 A.D. w\/LE Slipcase","offer_id":43596904202310,"sku":"UHTEDALEK","price":67.0,"currency_code":"USD","in_stock":true},{"title":"Blu-ray editions of DR. WHO AND THE DALEKS and DALEKS' INVASION EARTH 2150 A.D. w\/LE Slipcase","offer_id":42760563916870,"sku":"BRTEDALEK","price":47.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/TotalExtermination_3D.jpg?v=1753305895"},{"product_id":"jack-the-ripper-2-disc-4k-uhd","title":"Jack The Ripper [2-Disc 4K UHD w\/LE Slipcover]","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“A FILM FOR GENRE FANATICS…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eGenuine moments of suspense, a looming Hammer feel, \u003cbr\u003e\u003c\/b\u003e\u003cb\u003esolid performances and a memorable payoff make it \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eone of the more interesting versions of The Ripper tale.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Digital Bits\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE UHD PREMIERE\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eINCLUDES THE EUROPEAN \u0026amp; AMERICAN VERSIONS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eUNCUT, UNCENSORED \u0026amp; UPGRADED\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1958, legendary showman \u003cb\u003eJoseph E. Levine\u003c\/b\u003e unleashed this grisly UK thriller on American moviegoers. But when audiences were horrified by the film’s startling violence, graphic nudity and bloody Technicolor climax, it became one of Levine’s most infamous failures. Today – in its notorious European version and the re-scored American cut – it remains among the more provocative shockers of its time. \u003cb\u003eEddie Byrne\u003c\/b\u003e (THE MUMMY) and \u003cb\u003eLee Patterson\u003c\/b\u003e (TV’s \u003ci\u003eSurfside 6\u003c\/i\u003e) star in “one of the most underappreciated films in the Ripper canon” (\u003ci\u003eDaily Grindhouse\u003c\/i\u003e), produced\/directed by \u003cb\u003eRobert S. Baker \u0026amp; Monty Berman\u003c\/b\u003e (BLOOD OF THE VAMPIRE) and written by Hammer Films’ legendary \u003cb\u003eJimmy Sangster\u003c\/b\u003e (THE CURSE OF FRANKENSTEIN, HORROR OF DRACULA), \u003cb\u003eboth versions now scanned uncut in 4K from a newly discovered internegative and fine grain protection print for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Co-Director\/Co-Producer\/Co-Cinematographer Robert S. Baker, Screenwriter Jimmy Sangster And Assistant Director Peter Manley, Moderated By British Horror Historian Marcus Hearn\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Co-Director\/Co-Producer\/Co-Cinematographer Robert S. Baker, Screenwriter Jimmy Sangster And Assistant Director Peter Manley, Moderated By British Horror Historian Marcus Hearn\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Reel Jack The Ripper\u003c\/i\u003e – Interview With Denis Meikle, Author Of \u003ci\u003eJack The Ripper: The Murders And The Movies\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eGentleman Jack\u003c\/i\u003e – The Whitechapel Murders Revisited\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eChoice Cuts: The Two Faces Of Jack The Ripper \u003c\/i\u003e– Interview With Alain Petit, Ripperologist Extraordinaire\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePoster And Still Gallery\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: European Version: 85 mins | U.S. Version: 85 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: HDR10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLimited Edition Slipcover\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42763049926726,"sku":"SEV17874UH","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/JackTheRipper_UHD_OCard_3D.jpg?v=1753305885"},{"product_id":"the-odd-job-blu-ray","title":"The Odd Job [Blu-ray]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“A VERY FUNNY ‘70s BRITISH COMEDY,\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWELL WORTH WATCHING FOR \u003ci\u003ePYTHON\u003c\/i\u003e FANS.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eComic Book \u0026amp; Movie Reviews \u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE WORLDWIDE BLU-RAY PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the 1978 black comedy from director\u003cb\u003e Peter Medak\u003c\/b\u003e, \u003cb\u003eGraham Chapman\u003c\/b\u003e – just prior to LIFE OF BRIAN – stars as happily married Arthur Harris, who becomes suicidal when his wife suddenly leaves him. 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But when Arthur’s wife comes back, he discovers that his homicidal hire has every intention of finishing the job. \u003cb\u003eDiana Quick\u003c\/b\u003e (\u003ci\u003eBrideshead Revisited\u003c\/i\u003e), \u003cb\u003eCarolyn Seymour\u003c\/b\u003e (THE RULING CLASS), \u003cb\u003eSimon Williams\u003c\/b\u003e (JABBERWOCKY), \u003cb\u003eBill Paterson \u003c\/b\u003e(\u003ci\u003eFleabag\u003c\/i\u003e) and \u003cb\u003eRichard O’Brien\u003c\/b\u003e (THE ROCKY HORROR PICTURE SHOW) co-star in this “crazy comedy” (\u003ci\u003eTravalanche\u003c\/i\u003e) co-written by Chapman with \u003cb\u003eBernard McKenna\u003c\/b\u003e (YELLOWBEARD) and produced by \u003cb\u003eMark Forstater\u003c\/b\u003e (MONTY PYTHON AND THE HOLY GRAIL),\u003cb\u003e now scanned in 2K from Peter Medak’s personal 35mm print\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: \u003c\/b\u003e\u003cb\u003eBlu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features) \u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eIntroduction By Director Peter Medak\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Interview With Peter Medak\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Odd Job Men\u003c\/i\u003e – Zoom Reunion Between Star Sir David Jason And Peter Medak\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Unusual Work\u003c\/i\u003e – Interview With Writer Bernard McKenna\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eProducer, An Odd Job\u003c\/i\u003e – Interview With Co-Producer Mark Forstater\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Odd Batch\u003c\/i\u003e – Interview With Actor Richard O'Brien\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Naughty Neighbor\u003c\/i\u003e – Interview With Actress Carolyn Seymour\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eMost Peculiar Craft \u003c\/i\u003e– Interview With Actor Simon Williams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 88 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":43180796805190,"sku":"SEV18427BR","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/OddJob_BD_3D.jpg?v=1753305741"},{"product_id":"negatives-2-disc-limited-edition-blu-ray","title":"Negatives [2-Disc Limited Edition Blu-ray]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“PETER MEDAK’S EXCELLENT FIRST FILM…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eA beautifully photographed movie that has the careful tempo\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eof a minuet, which counterpoints its desperate eroticism.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eVincent Canby, The New York Times \u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE WORLDWIDE BLU-RAY PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith his feature film directorial debut, Hungarian émigré \u003cb\u003ePeter Medak \u003c\/b\u003e(THE RULING CLASS, ROMEO IS BLEEDING) created a provocative UK classic and launched one of the most unique careers in cinema history: When a young couple – \u003cb\u003ePeter McEnery\u003c\/b\u003e of ENTERTAINING MR. 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JEKYLL \u0026amp; SISTER HYDE, THE VAMPIRE LOVERS), screenwriter \u003cb\u003eRobert Bloch\u003c\/b\u003e (PSYCHO) and an all-star cast that includes\u003cb\u003e Peter Cushing\u003c\/b\u003e, \u003cb\u003eBritt Ekland\u003c\/b\u003e (THE WICKER MAN), \u003cb\u003eHerbert Lom \u003c\/b\u003e(MARK OF THE DEVIL), \u003cb\u003ePatrick Magee\u003c\/b\u003e (A CLOCKWORK ORANGE), \u003cb\u003eRobert Powell \u003c\/b\u003e(THE SURVIVOR) and \u003cb\u003eCharlotte Rampling\u003c\/b\u003e (THE NIGHT PORTER) for the classic The \u003ci\u003eSpinning lmage\u003c\/i\u003e calls “the most entertaining of Amicus' portmanteaus,”\u003cb\u003e now in UHD for the first time ever\u003c\/b\u003e: Here inside the gates of Dunsmoor Asylum For The Incurably Insane, you’ll discover four disturbing tales of voodoo vengeance, murderous mannequins, psychotic ingénues, demonic dolls and one killer twist of an ending. \u003cb\u003eBarry Morse\u003c\/b\u003e (\u003ci\u003eSpace: 1999\u003c\/i\u003e), \u003cb\u003eBarbara Parkins\u003c\/b\u003e (VALLEY OF THE DOLLS) and \u003cb\u003eJames Villiers\u003c\/b\u003e (REPULSION) co-star in this “eclectic mix of thrills, chills and fun” (\u003ci\u003eClassic Horror\u003c\/i\u003e), \u003cb\u003escanned in 4K from the original camera negative\u003c\/b\u003e with \u003cb\u003emore than 2½ hours of Special Features that include an all-new interview with Robert Powell.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Director Roy Ward Baker And Camera Operator Neil Binney\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTheatrical Trailers\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTV Spots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Director Roy Ward Baker And Camera Operator Neil Binney\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDr. Martin's Challenge\u003c\/i\u003e – Interview With Actor Robert Powell\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eTwo's A Company \u003c\/i\u003e– 1972 BBC On-Set Report Featuring Interviews With Producer Milton Subotsky; Director Roy Ward Baker; Actors Charlotte Rampling, James Villiers And Megs Jenkins; Art Director Tony Curtis; And Production Manager Teresa Bolland\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAuthor David J. Schow On Robert Bloch\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eFiona Subotsky Remembers Her Husband, Milton Subotsky\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eInside The Fear Factory\u003c\/i\u003e – Interviews With Directors Roy Ward Baker And Freddie Francis And Producer Max J. Rosenberg\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTheatrical Trailers\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTV Spots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 88 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: Dolby Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLimited Edition Slipcover\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":43607592206406,"sku":"SEV18491UH","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/Asylum_UHD_OCard_3D.png?v=1753567060"},{"product_id":"the-eurocrypt-of-christopher-lee-collection-3-7-disc-box-set-1-4k-uhd-6-blu-rays-book","title":"The Eurocrypt of Christopher Lee Collection 3 [7-Disc Box Set: (1) 4K UHD + (6) Blu-rays + Book]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“People sometimes come up to me and say,\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e‘I’ve seen all your films, Mr. Lee.’\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAnd I say, ‘Oh no you haven’t.’”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eChristopher Lee\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\"\u003e\u003cb\u003e7 DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 6 RARELY SEEN FILMS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eUHD \u0026amp; BLU-RAY PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eALTERNATE VERSIONS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e 16 HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eNEW 142-PAGE BOOK\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn the biggest and most diverse\u003cb\u003e EUROCRYPT \u003c\/b\u003eyet, explore 6 feature films that further define \u003cb\u003eSir Christopher Lee\u003c\/b\u003e as one of the most iconic actors of all time. The teensploitation classic \u003cb\u003eBEAT GIRL\u003c\/b\u003e,\u003cb\u003e \u003c\/b\u003ein the \u003cspan class=\"s2\"\u003e\u003cb\u003eOriginal Theatrical \u0026amp; Extended UK Cuts\u003c\/b\u003e,\u003c\/span\u003e stars Lee as the wolfish operator of a Soho strip club. Lee portrays a sleazy blackmailer in\u003cb\u003e THE HANDS OF ORLAC\u003c\/b\u003e,\u003cb\u003e \u003c\/b\u003epresented here in its separate \u003cb\u003eFrench \u0026amp; UK Versions. \u003c\/b\u003eDirected by\u003cb\u003e Antonio Margheriti \u003c\/b\u003eand starring Lee as a disfigured madman,\u003cb\u003e The Worldwide UHD\/Blu-ray Premiere\u003c\/b\u003e of \u003cb\u003eTHE VIRGIN OF NUREMBERG \u003c\/b\u003eis a 2-disc collection that sets new standards in Italian Gothic cruelty. \u003cb\u003eARABIAN ADVENTURE\u003c\/b\u003e is director \u003cb\u003eKevin Connor\u003c\/b\u003e’s all-star family adventure showcasing Lee as a dastardly Caliph. Lee is a menacing teacher at an exclusive boys boarding school in \u003cb\u003eA FEAST AT MIDNIGHT\u003c\/b\u003e, directed by\u003cb\u003e Justin Hardy\u003c\/b\u003e. With recollections by family, friends and Lee himself, \u003cb\u003eTHE LIFE AND DEATHS OF CHRISTOPHER LEE\u003c\/b\u003e is a wildly unique documentary that reveals the screen legend like never before. Each film in this collection has been \u003cb\u003escanned from superior vault elements \u003c\/b\u003ewith \u003cb\u003e16 combined hours of Special Features \u003c\/b\u003eand the\u003cb\u003e 142-page book, \u003ci\u003eChristopher Lee: Eight Decades of a Dark Horse\u003c\/i\u003e\u003c\/b\u003e \u003cb\u003eby Jonathan Rigby.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: BEAT GIRL (1959)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e“Mad about ‘Beat’! Living for ‘Kicks’! This could be your teenage daughter!” In the landmark UK ‘Adults Only’ classic, \u003cb\u003eChristopher Lee\u003c\/b\u003e is “fantastically dangerous” (\u003ci\u003eMeat Hook Cinema\u003c\/i\u003e) as the predatory owner of a Soho strip joint with eyes for a spoiled 16-year-old gasser – “an incredible performance” (\u003ci\u003eLouder Than War\u003c\/i\u003e) by \u003cb\u003eGillian Hills\u003c\/b\u003e of BLOW-UP and Yé-Yé fame – with her own hunger for cool cats, hot sounds and deadly thrills that shock the squares. Pop star \u003cb\u003eAdam Faith\u003c\/b\u003e, \u003cb\u003ePeter McEnery\u003c\/b\u003e (ENTERTAINING MR. SLOANE), \u003cb\u003eShirley Ann Field\u003c\/b\u003e (PEEPING TOM) and \u003cb\u003eOliver Reed\u003c\/b\u003e co-star – with a way-out jazz\/rockabilly\/surf guitar score by \u003cb\u003eThe John Barry Seven\u003c\/b\u003e – in “one of the coolest flicks ever made about the London scene” (\u003ci\u003eShock Cinema\u003c\/i\u003e), directed by \u003cb\u003eEdmond T. Greville\u003c\/b\u003e (THE HANDS OF ORLAC) and featuring \u003cb\u003eboth the Original Theatrical \u0026amp; Extended UK Cuts scanned in 4K by The British Film Institute\u003c\/b\u003e with \u003cb\u003enearly 3 hours of Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAudio Commentary With Christopher Lee Biographer Jonathan Rigby And Hammer Historian Kevin Lyons (Extended Cut Only)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eInterview With Actress Gillian Hills\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLondon After Dark: The Sinful Soho Of The Sixties\u003c\/i\u003e – An Exploration By David Flint, Author Of \u003ci\u003eBabylon Blue: An Illustrated History Of Adult Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 88 mins (Theatrical Cut) \/ 92 mins (Extended Cut)\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: THE HANDS OF ORLAC (1960)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn this third film adaptation of the \u003cb\u003eMaurice Renard\u003c\/b\u003e novel – a French\/UK co-production filmed in two separate versions by different cinematographers with alternate supporting casts – \u003cb\u003eMel Ferrer\u003c\/b\u003e (BLOOD AND ROSES, EATEN ALIVE) stars as a famed concert pianist whose hands are destroyed in a plane crash. But when he receives transplants from a recently executed strangler, his murderous new mitts attract the attention of a sleazy illusionist turned blackmailer (a scene-stealing \u003cb\u003eChristopher Lee\u003c\/b\u003e). \u003cb\u003eFelix Aylmer\u003c\/b\u003e (THE MUMMY), \u003cb\u003eSir Donald Wolfit\u003c\/b\u003e (BLOOD OF THE VAMPIRE), \u003cb\u003eDany Carrel \u003c\/b\u003e(MILL OF THE STONE WOMEN)\u003cb\u003e \u003c\/b\u003eand \u003cb\u003eDonald Pleasence\u003c\/b\u003e co-star in this “cracking good entertainment” (\u003ci\u003eFrenchFilms.org\u003c\/i\u003e) directed by \u003cb\u003eEdmond T. Greville\u003c\/b\u003e (BEAT GIRL), featuring \u003cb\u003ethe UK Cut scanned in 4K from the original camera negative by The British Film Institute\u003c\/b\u003e \u003cb\u003eand\u003c\/b\u003e \u003cb\u003erestored by Severin Films\u003c\/b\u003e, \u003cb\u003ethe longer French Cut supplied \u003c\/b\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eby Rene Chateau Productions and 2+ hours of all-new Special Features\u003c\/b\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Christopher Lee Biographer Jonathan Rigby And Hammer Historian Kevin Lyons (French Cut Only)\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHand Scare: A Portrait Of French Writer Maurice Renard\u003c\/i\u003e – Interview With Merveilleux-Scientifique Specialist Fleur Hopkins-Loféron\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLocations Of ORLAC\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 104 mins (French Cut) \/ 95 mins (UK Cut)\u003cbr\u003eAudio: French Mono (French Cut Only) \/ English Mono (UK Cut Only)\u003cbr\u003eSubtitles: English (French Cut Only) \/ English SDH (UK Cut Only)\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 3-4: THE VIRGIN OF NUREMBERG (1963)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eAfter years of challenging licensor negotiations and exhaustive vault searches, \u003cb\u003eSeverin Films\u003c\/b\u003e is proud to present the long-out-of-print jewel of \u003cb\u003eChristopher Lee\u003c\/b\u003e’s\u003cb\u003e \u003c\/b\u003eItalian horror period \u003cb\u003ein UHD for the first time ever\u003c\/b\u003e: From director \u003cb\u003eAntonio Margheriti\u003c\/b\u003e (CASTLE OF BLOOD) and credited screenwriter \u003cb\u003eErnesto Gastaldi\u003c\/b\u003e (ALL THE COLORS OF THE DARK) comes a jaw-dropping shocker of ancestral castles and dank dungeons, sexual terror and extreme sadism, and Lee at his most sinister as a disfigured caretaker who may be the black-hooded torturer known as ‘The Punisher.’ \u003cb\u003eGeorges Rivière\u003c\/b\u003e (MINNESOTA CLAY) and \u003cb\u003eRossanna Podestà\u003c\/b\u003e (SODOM AND GOMORRAH) co-star in \u003cspan class=\"s2\"\u003e“Margheriti’s underappreciated classic and a galvanizing moment of mid-‘60s Italian Gothic” (\u003ci\u003eKinoeye\u003c\/i\u003e) – released in America as HORROR CASTLE –\u003cb\u003e now scanned uncut in 4K from the interpositive\u003c\/b\u003e with \u003cb\u003enearly 2 hours of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With \u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of \u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With \u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of \u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eMargheriti's Horror Castle\u003c\/i\u003e – Interview With Director Antonio Margheriti\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Iron Maiden\u003c\/i\u003e – Interview With Film Historian Fabio Melelli And Screenwriter Ernesto Gastaldi With Audio Excerpts From Antonio Margheriti\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 84 mins\u003cbr\u003eAudio: Italian Mono \/ English Mono\u003cbr\u003eSubtitles: English \/ English SDH\u003cbr\u003eUHD: Region Free \/ Blu-ray: Region A\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003e4K Video: HDR10\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 5: ARABIAN ADVENTURE (1979)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eIn the 1979 family favorite that \u003ci\u003eVariety\u003c\/i\u003e called “STAR WARS with flying carpets,” producer\/director \u003cb\u003eKevin Connor\u003c\/b\u003e (THE LAND THAT TIME FORGOT), screenwriter \u003cb\u003eBrian Hayles\u003c\/b\u003e (\u003ci\u003eDoctor Who\u003c\/i\u003e), production designer \u003cb\u003eElliott Scott\u003c\/b\u003e (INDIANA JONES AND THE LAST CRUSADE) and cinematographer \u003cb\u003eAlan Hume\u003c\/b\u003e (RETURN OF THE JEDI) craft a “colorful and charming” (\u003ci\u003eDVD Talk\u003c\/i\u003e) world of beautiful princesses, handsome princes, thrilling chases, daring escapes and a deliciously over-the-top \u003cb\u003eChristopher Lee\u003c\/b\u003e as the evil caliph. \u003cb\u003eEmma Samms\u003c\/b\u003e (\u003ci\u003eDynasty\u003c\/i\u003e), \u003cb\u003eMilo O’Shea\u003c\/b\u003e (BARBARELLA), \u003cb\u003eOliver Tobias\u003c\/b\u003e (FIRESTAR: FIRST CONTACT), award-winning UK\/Bollywood filmmaker \u003cb\u003ePuneet Sira\u003c\/b\u003e, \u003cb\u003eJohn Wyman\u003c\/b\u003e (TUXEDO WARRIOR), \u003cb\u003eJohn Ratzenberger\u003c\/b\u003e (\u003ci\u003eCheers\u003c\/i\u003e) and \u003cb\u003eArt Malik\u003c\/b\u003e (THE JEWEL IN THE CROWN) co-star – with Special Guest Appearances by \u003cb\u003eMickey Rooney\u003c\/b\u003e, \u003cb\u003eCapucine\u003c\/b\u003e and \u003cb\u003ePeter Cushing\u003c\/b\u003e – in this “whimsical example of old-school filmmaking” (\u003ci\u003eCinema Retro), \u003c\/i\u003e\u003cb\u003enow scanned in 2K from the original camera negative\u003c\/b\u003e with \u003cb\u003eover 3 hours of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Kevin Connor Moderated By Severin Films' David Gregory\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Princess Adventure\u003c\/i\u003e – Interview With Actress Emma Samms\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eArabian Adventurer\u003c\/i\u003e – Interview With Actor Puneet Sira\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eArabian Zoom –\u003c\/i\u003e Virtual Reunion Between Kevin Connor, Emma Samms And Puneet Sira\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE MANY FACES OF CHRISTOPHER LEE – 1996 Documentary\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 1\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 98 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 6: A FEAST AT MIDNIGHT (1994)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn the “funny, charming and truly delightful” (\u003ci\u003eKids Out\u003c\/i\u003e) debut feature by co-writer\/director \u003cb\u003eJustin Hardy\u003c\/b\u003e – son of legendary THE WICKER MAN director \u003cb\u003eRobin Hardy\u003c\/b\u003e – \u003cb\u003eChristopher Lee\u003c\/b\u003e stars as the menacing teacher at an exclusive boy’s boarding school where the bullied new student (\u003cb\u003eFreddie Findlay\u003c\/b\u003e) learns to stand up for himself by forming an after-hours culinary club in the off-limits kitchen. \u003cb\u003eRobert Hardy\u003c\/b\u003e (‘Cornelius Fudge’ in the HARRY POTTER movies), \u003cb\u003eSamuel West\u003c\/b\u003e (\u003ci\u003eAll Creatures Great \u0026amp; Small\u003c\/i\u003e), \u003cb\u003eEdward Fox\u003c\/b\u003e (DAY OF THE JACKAL) and \u003cb\u003eJulie Dreyfus\u003c\/b\u003e (KILL BILL: VOLUME 1 \u0026amp; 2) co-star in this 1994 comedy that’s “terrific fun for all the family” (\u003ci\u003eDaily Star\u003c\/i\u003e), \u003cb\u003enow scanned in 4K from the original camera negative\u003c\/b\u003e \u003cb\u003ewith nearly 2 hours of Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Co-Writer\/Director Justin Hardy And Co-Writer\/Producer Yoshi Nishio\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 106 mins\u003cbr\u003eAudio: English Stereo\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 7: THE LIFES AND DEATH OF CHRISTOPHER LEE (2023)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s2\"\u003eFrom his curious boyhood and mysterious military service through his legendary film career and beyond, “few people in the history of the world have lived such eventful lives as the late, great \u003cb\u003eChristopher Lee\u003c\/b\u003e” (\u003ci\u003eEye For Film\u003c\/i\u003e). In this “fascinating and brilliantly crafted documentary” (\u003ci\u003eCinedump\u003c\/i\u003e),\u003cb\u003e \u003c\/b\u003ewriter\/director\u003cb\u003e Jon Spira\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003eu\u003cspan class=\"s2\"\u003etilizes archival footage, unique animations, copious clips, one remarkable marionette, an uncanny narration performed by \u003cb\u003ePeter Serafinowicz\u003c\/b\u003e (SHAUN OF THE DEAD, GUARDIANS OF THE GALAXY) and frank interviews with family, friends and fans that include \u003cb\u003ePeter Jackson\u003c\/b\u003e, \u003cb\u003eJoe Dante\u003c\/b\u003e, \u003cb\u003eJohn Landis, Caroline Munro, Harriet Walter, Jonathan Rigby, Paul Maslansky \u003c\/b\u003eand more to reveal unknown sides of the cinema icon for whom on-screen deaths became a way of life. “It’s a deeply human project with a cinematic soul derived from the man himself\u003c\/span\u003e\u003cspan class=\"s5\"\u003e”\u003c\/span\u003e\u003cspan class=\"s2\"\u003e (\u003ci\u003eGeek Vibes Nation\u003c\/i\u003e), now with \u003cb\u003enearly 4 hours of Special Features\u003c\/b\u003e that include an audio commentary, a British Film Institute Q\u0026amp;A, extended interviews and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Jon Spira And Producer Hank Starrs\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBFI Q\u0026amp;A With Jon Spira, Hank Starrs And Christopher Lee Biographer Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eExtended Interviews With Juan Aneiros, Gary Curtis, Joe Dante, Peter Jackson, John Landis, Paul Maslansky And Harriet Walter\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 102 mins\u003cbr\u003eAudio: English 5.1, English Stereo\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44022759948358,"sku":"SEV20065UH","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/Eurocrypt3_Exploded_1080x1080Large.jpg?v=1761893598"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-vol-2-13-disc-blu-ray-box-set-hardcover-book-copy","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 [DAMAGED Box Set]","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePLEASE NOTE: THIS LISTING IS FOR A DAMAGED (DINGED\/DENTED) BLU-RAY BOX SET OF OUR ALL THE HAUNTS BE OURS RELEASE. WE WILL NOT ACCEPT RETURNS ON THIS PRODUCT.\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“All folk horror is unified by a central theme: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eThat contemporary society is a crust \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eover something dark, inexplicable, other.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFolk horror, like the old ways, \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ewill find you before you find it.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eAustin Chronicle\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again: \u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e brings together \u003cb\u003e24 films representing 18 countries\u003c\/b\u003e for more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the \u003cb\u003eWorldwide Premieres\u003c\/b\u003e of the \u003cb\u003eSeverin Films\u003c\/b\u003e productions \u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e directed by \u003cb\u003eSean Hogan\u003c\/b\u003e and the documentary \u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e directed by \u003cb\u003eDavid Gregory\u003c\/b\u003e; \u003cb\u003e55+ combined hours of new and archival Special Features \u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a \u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e by luminaries that include \u003cb\u003eRamsey Campbell\u003c\/b\u003e, \u003cb\u003eCassandra Khaw\u003c\/b\u003e and \u003cb\u003eEden\u003c\/b\u003e \u003cb\u003eRoyce\u003c\/b\u003e with illustrations by \u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator \u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eBoxed set design by \u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1: \u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOn The Lych Way\u003c\/i\u003e – Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eEPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOUR SELVES UNKNOWN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 45 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.9:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Film Historian Chris Alexander\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Maria J. Pérez Cuervo, Founding Editor Of \u003ci\u003eHellebore Magazine\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStone Warnings\u003c\/i\u003e – Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e – Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e – Interview With Soundtrack Composer John Cameron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eRiding Free\u003c\/i\u003e – Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2: \u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Chesya Burke, Author Of \u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of \u003ci\u003eNine Bar Blues\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Magical Place\u003c\/i\u003e – Interview With Composer Phil Sawyer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHole In The Wall\u003c\/i\u003e – Character Notes By Screenwriter Charné Porter\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSWIMMER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 90 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e – Interview With Producer Barney Rosenzweig\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eSilver Strings\u003c\/i\u003e – Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eManly Of The Mountains\u003c\/i\u003e – Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOccult Appalachia\u003c\/i\u003e – Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's \u003ci\u003eJohn The Balladeer\u003c\/i\u003e Stories\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 98 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3: \u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Projection Booth\u003c\/i\u003e Episode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And \u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA WITCH DRUM\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE NIGHTSIDE OF THE SKY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWITH THE REINDEER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 68 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Finnish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eHAIDA CARVER\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNALUJUK NIGHT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Haida 5.1, Haida Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4: \u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIgniting The Fire\u003c\/i\u003e – Interview With Director Jamil Dehlavi\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Silent One Speaks\u003c\/i\u003e – Archival Interview With Actor Nabil Shaban\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e – Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Djinn Revisited\u003c\/i\u003e – Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e – Interview With Scholar Syeda Momina Masood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTOWERS OF SILENCE\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eQÂF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 84 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5: \u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eShaman's Eyes\u003c\/i\u003e – Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PRESENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 112 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Korean Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTelling Our Stories\u003c\/i\u003e – A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKINDIL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 76 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Arabic 5.1 Surround\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6: \u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Jasper Sharp, Author Of \u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eScratched \u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Vampire Cat\u003c\/i\u003e – The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMAN-EATER MOUNTAIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 87 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Japanese Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e – Interview With Director Nonzee Nimibutr\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Thai 5.1, Thai Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7: \u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024)\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e – Female Ghosts Of The Malay Archipelago\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWHITE SONG\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 106 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8: \u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eFRANTIŠEK HRUBÍN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.37:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e – The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e – Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 92 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9: \u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e – Video Essay By Peter Bebergal, Author Of \u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDIBBUK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 94 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e – Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKratt Test Footage\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBOUNDARY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eJOURNEY THROUGH SETOMAA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMIDVINTERBLOT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 115 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10: \u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Frank Lafond\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eUn Tournage LITAN\u003c\/i\u003e – Archival Making-Of Made For Antenne 2\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e – 1982 Episode Of \u003ci\u003eTemps X\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Director Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eProduction Stills And Concept Illustrations\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 70 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11: \u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLOVE FROM MOTHER ONLY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e – Interview With Director Pedro Olea\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eEmpowered Woman\u003c\/i\u003e – Interview With Actress Silvia Munt\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlaying The Villain\u003c\/i\u003e – Interview With Actor Iñaki Miramón\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eInvoking The Akelarre\u003c\/i\u003e – Dr. Antonio Lázaro-Reboll, Author Of \u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 97 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12: \u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e – Interview With Director Wil Aaron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e – Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e – Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBLOOD ON THE STARS\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReunion Hotel\u003c\/i\u003e – BLOOD ON THE STARS Cast Reunion From \u003ci\u003eGwesty Aduniad\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 46 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Welsh Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13: \u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Actress Venetia Stevenson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBurn Witch, Burn! A Tribute To John Llewellyn Moxey\u003c\/i\u003e – Video Essay By TV Historian Amanda Reyes And Filmmaker Chris O'Neill\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 78 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Filipino Film Historian Andrew Leavold\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eITIM: AN EXPLORATION IN CINEMA – Archival Documentary\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePortrayal Of Guilt\u003c\/i\u003e – Filipino Film Scholar Anne Frances N. Sangil On The Darkness Of THE RITES OF MAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 107 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Tagalog Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44078420656198,"sku":"DAMHAUNTS2","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/ATHBO2_Slipcase_3D.jpg?v=1753306950"},{"product_id":"sangster-directs-hammer-7-disc-box-set-3-4k-uhd-4-blu-ray-book","title":"Sangster Directs Hammer [7-Disc Box Set: (3) 4K UHD + (4) Blu-ray + Book] (North America Only)","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“THE MARK THAT JIMMY SANGSTER LEFT ON THE GENRE IS DEEPER THAN ANY VAMPIRE’S BITE.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eScreen Anarchy\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE NORTH AMERICAN UHD PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eOF\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 3 CLASSIC FILMS ON 7 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e AN ALL-NEW 312-PAGE BOOK \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 19 COMBINED HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eWith screenplays for such ‘50s\/’60s \u003cb\u003eHammer Films\u003c\/b\u003e classics as THE CURSE OF FRANKENSTEIN, HORROR OF DRACULA, THE MUMMY and more, he became one of the very best writers in the genre. But when \u003cb\u003eJimmy Sangster\u003c\/b\u003e returned to Hammer in the ‘70s to direct the only feature films of his career, he delivered three of the most unique shockers in the studio’s history: In \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eHORROR OF FRANKENSTEIN \u003c\/b\u003estarring \u003cb\u003eRalph Bates\u003c\/b\u003e as the sociopathic monster maker, Sangster brings both black humor and deep red dismemberment to Mary Shelley’s iconic tale. Sangster takes fanged lesbian desires to seductive new levels with \u003cb\u003eLUST FOR A VAMPIRE\u003c\/b\u003e, featuring \u003cb\u003eYutte Stensgaard \u003c\/b\u003eas the titular bloodsucker. \u003cb\u003eJudy Geeson\u003c\/b\u003e, \u003cb\u003eRalph Bates\u003c\/b\u003e, \u003cb\u003eJoan Collins\u003c\/b\u003e and the legendary \u003cb\u003ePeter Cushing\u003c\/b\u003e star in Sangster’s acclaimed \u003cb\u003eFEAR IN THE NIGHT\u003c\/b\u003e, a taut psycho-thriller with a dark giallo edge. Each film is presented\u003cb\u003e in UHD for the first time ever in North America\u003c\/b\u003e, \u003cb\u003enow scanned in 4K from their original camera negatives by StudioCanal. \u003c\/b\u003eThis collection also includes \u003cb\u003ethe 312-page book \u003c\/b\u003e\u003cb\u003e\u003ci\u003eHorror! Lust! Fear! Sangster\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e featuring essays, interviews, comic adaptations and more\u003c\/b\u003e, plus \u003cb\u003e19 combined hours of comprehensive new \u0026amp; archival Special Features\u003c\/b\u003e \u003cb\u003eproduced and curated by Severin Films.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: THE HORROR OF FRANKENSTEIN UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 2: THE HORROR OF FRANKENSTEIN Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFrankenstein, Dracula And Me \u003c\/i\u003e– Archival Interview With Actress Veronica Carlson\u003ci\u003e \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eReunion Panel At 1997 Festival Of Fantastic Films Manchester With Director Jimmy Sangster, Actor Dave Prowse And Actress Veronica Carlson, Moderated By Wayne Kinsey \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eYounger Frankenstein\u003c\/i\u003e – Interview With 2nd Assistant Director Nicholas Granby, Camera Operator Neil Binney, Production Runner Philip Campbell And Co-Writer Jeremy Burnham\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eOne Frankenstein After Another: 125 Years of Cinematic Adaptations\u003c\/i\u003e – Illustrated Audio Essay By Gillian Wallace Horvat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Life And Work Of Mary Shelley\u003c\/i\u003e – Interview With Dr. Emma Liggins, Co-Director Of The Manchester Centre For Gothic Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Unhallowed Arts: The Creation Myth Of Mary Shelley\u003c\/i\u003e – Interview With Gothic Scholar Dr. \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eColin Azariah-Kribbs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eVintage Behind-The-Scenes From Hammer Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate TV Opening Credits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature TV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 3: LUST FOR A VAMPIRE UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 4: LUST FOR A VAMPIRE Blu-ray\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eIllustrated Archival Audio Interview With Actress Yutte Stensgaard By Michael Augustine-Reed With Accompanying Career-Spanning Still Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLive, Love, Lust\u003c\/i\u003e – Interview With Actress Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGothic Girl\u003c\/i\u003e – Interview With Actress Kirsten Lindholm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Times\u003c\/i\u003e – Interview With Actor Christopher Neame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eA Bit Of Fun\u003c\/i\u003e – Interview With Actress Erica Beale\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLust Mel\u003c\/i\u003e – Interview With Actress Mel Churcher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eRunning Blood\u003c\/i\u003e – Interview With Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGates Of Karnstein Castle\u003c\/i\u003e – Archival Interview With Screenwriter Tudor Gates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Invisible Prince: The Life \u0026amp; Legacy Of J. Sheridan Le Fanu\u003c\/i\u003e – Interview With Dr. William Hughes, Gothic Scholar \u0026amp; Co-Editor Of \u003ci\u003eOpen Graves, Open Minds: Representations Of Vampires And The Undead From The Enlightenment To The Present Day\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eStrange Love\u003c\/i\u003e – Carmen Maria Machado, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCo-Author Of \u003ci\u003eIt Came From The Closet: Queer Reflections On Horror\u003c\/i\u003e\u003c\/span\u003e, Reframes The Sapphic Vampire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSchool Of The Heaving Bosom: Education, Eroticism and LUST FOR A VAMPIRE\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate Version Of Lesbian Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 5: FEAR IN THE NIGHT UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 6: FEAR IN THE NIGHT Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Gaslighter’s Playbook: Real And Imagined Horrors In FEAR IN THE NIGHT\u003c\/i\u003e – Video Essay by Dr. Alexandra Heller Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFun In The Day\u003c\/i\u003e – Interviews With Camera Operator Neil Binney And Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 7: Bonus Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eHAMMER \u0026amp; BEYOND: THE JIMMY SANGSTER LEGACY – 2026 Documentary By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Man From Bristol: Ralph Bates Remembered\u003c\/i\u003e – Interviews With Actress\/Wife Virginia Wetherell And Composer\/Son Will Bates, Narrated By LUST FOR A VAMPIRE Co-Star Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eJoan Collins: Queen Of The Horror Films\u003c\/i\u003e – Interviews With \u003ci\u003eHouse Of Psychotic Women \u003c\/i\u003eAuthor Kier-La Janisse And Telefilm Historian Amanda Reyes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer In The U.S.A.\u003c\/i\u003e – Film Historian C. Courtney Joyner On The Studio's Stateside Distribution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Scribe\u003c\/i\u003e – Archival Interview With Director Jimmy Sangster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSapphic Blood Suckers: A Cinematic History Of The Lesbian Vampire Trope\u003c\/i\u003e With Annie Rose Malamet, Film Scholar And Host Of \u003ci\u003eGirls, Guts, Giallo\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eI Coined \"The Karnstein Trilogy\"\u003c\/i\u003e – Interview With David Pirie, Author Of \u003ci\u003eA Heritage Of Horror\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44798965448774,"sku":"SEV21028UH","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/SangsterHammer_UHD_3D.jpg?v=1775193854"},{"product_id":"the-sangster-celebration-bundle","title":"The Sangster Celebration Bundle (North America Only)","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a wide release date of 06\/30\/2026. We anticipate webstore orders containing this item to begin shipping around or earlier than that date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThe Sangster Celebration Bundle Contains:\u003cbr\u003e\u003c\/b\u003eSangster Directs Hammer [7-Disc Box Set: (3) 4K UHD + (4) Blu-ray + Book]\u003cbr\u003eLust for a Vampire [Book]\u003cbr\u003eSeverin Films Hall of Fame Enamel Pin #35: Ralph Bates\u003cbr\u003eSeverin Films Hall of Fame Enamel Pin #36: Jimmy Sangster\u003cbr\u003eYutte Stensgaard Enamel Pin\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p4\" style=\"text-align: left;\"\u003eSangster Directs Hammer [7-Disc Box Set: (3) 4K UHD + (4) Blu-ray + Book]\u003c\/h3\u003e\n\u003cp class=\"p4\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE NORTH AMERICAN UHD PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eOF\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 3 CLASSIC FILMS ON 7 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e AN ALL-NEW 312-PAGE BOOK \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 19 COMBINED HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eWith screenplays for such ‘50s\/’60s \u003cb\u003eHammer Films\u003c\/b\u003e classics as THE CURSE OF FRANKENSTEIN, HORROR OF DRACULA, THE MUMMY and more, he became one of the very best writers in the genre. But when \u003cb\u003eJimmy Sangster\u003c\/b\u003e returned to Hammer in the ‘70s to direct the only feature films of his career, he delivered three of the most unique shockers in the studio’s history: In \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eHORROR OF FRANKENSTEIN \u003c\/b\u003estarring \u003cb\u003eRalph Bates\u003c\/b\u003e as the sociopathic monster maker, Sangster brings both black humor and deep red dismemberment to Mary Shelley’s iconic tale. Sangster takes fanged lesbian desires to seductive new levels with \u003cb\u003eLUST FOR A VAMPIRE\u003c\/b\u003e, featuring \u003cb\u003eYutte Stensgaard \u003c\/b\u003eas the titular bloodsucker. \u003cb\u003eJudy Geeson\u003c\/b\u003e, \u003cb\u003eRalph Bates\u003c\/b\u003e, \u003cb\u003eJoan Collins\u003c\/b\u003e and the legendary \u003cb\u003ePeter Cushing\u003c\/b\u003e star in Sangster’s acclaimed \u003cb\u003eFEAR IN THE NIGHT\u003c\/b\u003e, a taut psycho-thriller with a dark giallo edge. Each film is presented\u003cb\u003e in UHD for the first time ever in North America\u003c\/b\u003e, \u003cb\u003enow scanned in 4K from their original camera negatives by StudioCanal. \u003c\/b\u003eThis collection also includes \u003cb\u003ethe 312-page book \u003c\/b\u003e\u003cb\u003e\u003ci\u003eHorror! Lust! Fear! Sangster\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e featuring essays, interviews, comic adaptations and more\u003c\/b\u003e, plus \u003cb\u003e19 combined hours of comprehensive new \u0026amp; archival Special Features\u003c\/b\u003e \u003cb\u003eproduced and curated by Severin Films.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: THE HORROR OF FRANKENSTEIN UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 2: THE HORROR OF FRANKENSTEIN Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFrankenstein, Dracula And Me \u003c\/i\u003e– Archival Interview With Actress Veronica Carlson\u003ci\u003e \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eReunion Panel At 1997 Festival Of Fantastic Films Manchester With Director Jimmy Sangster, Actor Dave Prowse And Actress Veronica Carlson, Moderated By Wayne Kinsey \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eYounger Frankenstein\u003c\/i\u003e – Interview With 2nd Assistant Director Nicholas Granby, Camera Operator Neil Binney, Production Runner Philip Campbell And Co-Writer Jeremy Burnham\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eOne Frankenstein After Another: 125 Years of Cinematic Adaptations\u003c\/i\u003e – Illustrated Audio Essay By Gillian Wallace Horvat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Life And Work Of Mary Shelley\u003c\/i\u003e – Interview With Dr. Emma Liggins, Co-Director Of The Manchester Centre For Gothic Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Unhallowed Arts: The Creation Myth Of Mary Shelley\u003c\/i\u003e – Interview With Gothic Scholar Dr. \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eColin Azariah-Kribbs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eVintage Behind-The-Scenes From Hammer Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate TV Opening Credits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature TV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 3: LUST FOR A VAMPIRE UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 4: LUST FOR A VAMPIRE Blu-ray\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eIllustrated Archival Audio Interview With Actress Yutte Stensgaard By Michael Augustine-Reed With Accompanying Career-Spanning Still Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLive, Love, Lust\u003c\/i\u003e – Interview With Actress Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGothic Girl\u003c\/i\u003e – Interview With Actress Kirsten Lindholm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Times\u003c\/i\u003e – Interview With Actor Christopher Neame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eA Bit Of Fun\u003c\/i\u003e – Interview With Actress Erica Beale\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLust Mel\u003c\/i\u003e – Interview With Actress Mel Churcher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eRunning Blood\u003c\/i\u003e – Interview With Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGates Of Karnstein Castle\u003c\/i\u003e – Archival Interview With Screenwriter Tudor Gates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Invisible Prince: The Life \u0026amp; Legacy Of J. Sheridan Le Fanu\u003c\/i\u003e – Interview With Dr. William Hughes, Gothic Scholar \u0026amp; Co-Editor Of \u003ci\u003eOpen Graves, Open Minds: Representations Of Vampires And The Undead From The Enlightenment To The Present Day\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eStrange Love\u003c\/i\u003e – Carmen Maria Machado, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCo-Author Of \u003ci\u003eIt Came From The Closet: Queer Reflections On Horror\u003c\/i\u003e\u003c\/span\u003e, Reframes The Sapphic Vampire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSchool Of The Heaving Bosom: Education, Eroticism and LUST FOR A VAMPIRE\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate Version Of Lesbian Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 5: FEAR IN THE NIGHT UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 6: FEAR IN THE NIGHT Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Gaslighter’s Playbook: Real And Imagined Horrors In FEAR IN THE NIGHT\u003c\/i\u003e – Video Essay by Dr. Alexandra Heller Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFun In The Day\u003c\/i\u003e – Interviews With Camera Operator Neil Binney And Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 7: Bonus Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eHAMMER \u0026amp; BEYOND: THE JIMMY SANGSTER LEGACY – 2026 Documentary By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Man From Bristol: Ralph Bates Remembered\u003c\/i\u003e – Interviews With Actress\/Wife Virginia Wetherell And Composer\/Son Will Bates, Narrated By LUST FOR A VAMPIRE Co-Star Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eJoan Collins: Queen Of The Horror Films\u003c\/i\u003e – Interviews With \u003ci\u003eHouse Of Psychotic Women \u003c\/i\u003eAuthor Kier-La Janisse And Telefilm Historian Amanda Reyes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer In The U.S.A.\u003c\/i\u003e – Film Historian C. Courtney Joyner On The Studio's Stateside Distribution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Scribe\u003c\/i\u003e – Archival Interview With Director Jimmy Sangster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSapphic Blood Suckers: A Cinematic History Of The Lesbian Vampire Trope\u003c\/i\u003e With Annie Rose Malamet, Film Scholar And Host Of \u003ci\u003eGirls, Guts, Giallo\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eI Coined \"The Karnstein Trilogy\"\u003c\/i\u003e – Interview With David Pirie, Author Of \u003ci\u003eA Heritage Of Horror\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan class=\"s3\"\u003eLust for a Vampire [Novelization]\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003eThis 248-page book is a recreation of the novelization by William Hughes published in 1971.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe ruins of Karnstein Castle rose gaunt and menacing over the small hamlet of Styria. Legend had it that every forty years the long dead Karnsteins rose from their graves to find fresh blood and new recruits for the ranks of the Undead. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBut legend is all too often dismissed as superstition... and now the grounds of Karnstein house a select finishing school for young ladies.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eDimensions: 4.25\" x 7.0\" x .625\"\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3 dir=\"ltr\"\u003eSeverin Films Hall of Fame Enamel Pin #35: Ralph Bates\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBehold The Man From Bristol! To commemorate our epic \u003c\/span\u003e\u003cb\u003eSANGSTER DIRECTS HAMMER\u003c\/b\u003e\u003cspan\u003e Collection, ‘70s Hammer Hero \u003c\/span\u003e\u003cb\u003eRalph Bates \u003c\/b\u003e\u003cspan\u003eenters \u003c\/span\u003e\u003cb\u003eThe Severin Hall of Fame\u003c\/b\u003e\u003cspan\u003e with this all-new enamel pin designed by our friends at \u003c\/span\u003e\u003cb\u003ePixel Elixir\u003c\/b\u003e\u003cspan\u003e. Wear it proudly alongside your Jimmy Sangster pin (the two were best mates) or trying to avoid staring at your Yute Stensgaard pin's bloody \u003c\/span\u003e\u003cspan\u003edécolletage\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eSeverin Films Hall of Fame Enamel Pin #36: Jimmy Sangster\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003ci\u003e\u003cspan\u003eThe Times\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e hails him as “one of the British film industry’s most influential and self-effacing talents” and \u003c\/span\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003ea chief architect of the lurid phenomenon known as Hammer Horror.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: medium;\"\u003eHis taboo-smashing screenplays did far more than just grab audiences by their collective throat; \u003c\/span\u003e\u003cb\u003eJimmy Sangster\u003c\/b\u003e\u003cspan style=\"font-size: medium;\"\u003e took horror from creaky melodrama into a world of sociopathic protagonists, dark humor, sexual menace and shocking violence to create the modern horror thriller.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003cspan\u003eCelebrate the release of our epic \u003cb\u003eSANGSTER DIRECTS HAMMER\u003c\/b\u003e Collection – and the man who revolutionized the genre – with this new \u003cb\u003eSeverin Hall of Fame\u003c\/b\u003e pin designed by our friends at \u003cb\u003ePixel Elixir\u003c\/b\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eYutte Stensgaard Enamel Pin\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Danish-born actress remains one of Hammer Films’ most unabashed sex symbols, ushering in the studio’s brazen ‘70s period with her fully exposed performance in the immortal\u003cb\u003e LUST FOR A VAMPIRE. Yutte Stensgaard \u003c\/b\u003enow enters the \u003cb\u003eSeverin Hall of Fame \u003c\/b\u003ewith this new enamel pin designed by our friends at\u003cb\u003e Pixel Elixir\u003c\/b\u003e. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003cspan\u003e(Note: not entirely anatomically correct)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44833357529158,"sku":"SangsterBNDL","price":162.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/2026Mar_Sangster_Bundle_bf4bb566-a9aa-4f3b-ae56-4dc8e5b1cc80.jpg?v=1775180774"},{"product_id":"the-sangster-hadzihalilovic-bundle","title":"THE SANGSTER\/HADŽIHALILOVIĆ BUNDLE (North America Only)","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a wide release date of 06\/30\/2026. We anticipate webstore orders containing this item to begin shipping around or earlier than that date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThe SANGSTER\/HADŽIHALILOVIĆ Bundle Contains:\u003cbr\u003e\u003c\/b\u003eThe Worlds of Lucile Hadžihalilović [4-Disc Blu-ray Box Set]\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eSangster Directs Hammer [7-Disc Box Set: (3) 4K UHD + (4) Blu-ray + Book]\u003cbr\u003eLust for a Vampire [\u003cmeta charset=\"utf-8\"\u003eNovelization]\u003cbr\u003eSeverin Films Hall of Fame Enamel Pin #35: Ralph Bates\u003cbr\u003eSeverin Films Hall of Fame Enamel Pin #36: Jimmy Sangster\u003cbr\u003eYutte Stensgaard Enamel Pin\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"s1\"\u003eThe Worlds of Lucile Hadžihalilović [4-Disc Blu-ray Box Set]\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eONE OF THE MOST DISTINCTIVE, ENCHANTINGLY SINISTER BODIES OF WORK IN MODERN FILM.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eBritish Film Institute\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cb\u003e4 DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e 4+ COMBINED HOURS OF SPECIAL FEATURES AND 60-PAGE COMPANION BOOK\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eTHE WORLDS OF LUCILE HADŽIHALILOVIĆ\u003c\/b\u003e presents a comprehensively immersive journey through the filmography of \u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e, “\u003c\/span\u003e\u003cspan\u003ean artist of radical gentleness whose films each resemble a delicately poisoned fairy tale” (\u003ci\u003eLe Monde\u003c\/i\u003e). Originally known for her collaborations as editor and producer for longtime partner \u003cb\u003eGaspar Noé\u003c\/b\u003e, \u003c\/span\u003e\u003cspan\u003ewriter\/director \u003c\/span\u003e\u003cspan\u003eHadžihali\u003cwbr\u003elović\u003c\/wbr\u003e\u003c\/span\u003e\u003cspan\u003e’s own internationally acclaimed quartet of features craft poetically surreal tales where dreams and nightmares are layered in embraces of tenderness and terror. Two of the four films in this collection are \u003cb\u003eNorth American Blu-ray Premieres \u003c\/b\u003eand include\u003cb\u003e over 4 combined hours of fascinating Special Features plus a 60-page \u003cmeta charset=\"utf-8\"\u003ecompanion book featuring all-new essays by Saffron Maeve, Alison Taylor and Stephen Thrower.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003eDisc 1: \u003cb\u003eINNOCENCE\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“BEAUTIFUL AND PROVOCATIVE…\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eA mesmerizing work that is at once eerie and beautiful, a film that often seems like PICNIC AT HANGING ROCK as directed by David Lynch.”\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eReeling Reviews \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE NORTH AMERICAN BLU-RAY PREMIERE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e’s breakthrough debut is a dreamlike descent into a secluded boarding school where nostalgia and dread intertwine for “a surreal and unexpectedly euphoric” (\u003ci\u003eSight \u0026amp; Sound\u003c\/i\u003e) examination of young sisterhood. César, BAFTA and Academy Award\u003c\/span\u003e\u003cspan class=\"s6\"\u003e®\u003c\/span\u003e\u003cspan class=\"s1\"\u003e winner \u003cb\u003eMarion Cotillard\u003c\/b\u003e stars in this “haunting and hypnotic fairy tale” (\u003ci\u003eSeattle Post-Intelligencer\u003c\/i\u003e) that \u003ci\u003eIndiewire \u003c\/i\u003ehails as \u003c\/span\u003e\u003cspan class=\"s2\"\u003e“at once a feminist parable and bedtime story that unfolds like a crouching animal, waiting to pounce.” \u003cb\u003eINNOCENCE\u003c\/b\u003e is\u003c\/span\u003e\u003cspan class=\"s1\"\u003e accompanied by two of Hadžihalilović’s acclaimed shorts, \u003cb\u003eDE NATURA\u003c\/b\u003e and \u003cb\u003eNECTAR\u003c\/b\u003e, both featuring personal introductions. Viewers can further explore this world through \"Innocence Explained\" by young actress \u003cb\u003eZoé Auclair\u003c\/b\u003e, a scholarly video essay by \u003cb\u003eAlexandra Heller-Nicholas\u003c\/b\u003e and a Q\u0026amp;A recorded at the IFC Center In October 2025.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eShort Film DE NATURA With Introduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eShort Film NECTAR With Introduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInnocence Explained By Actress Zoé Auclair \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eVideo Essay By Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eQ\u0026amp;A At The IFC Center \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 122 mins\u003cbr\u003eAudio: French Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003eDisc 2: \u003cb\u003eEVOLUTION\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“AN IMPECCABLE, CREEPY \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND GENUINELY TRANSPORTING MOVIE.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e’s second feature is minimalist body horror about a boy who uncovers a mysterious world of inhuman biology and haunting transformation. \u003cb\u003eJulie-Marie Parmentier\u003c\/b\u003e (MURDEROUS MAIDS, FAREWELL MY QUEEN) stars in the startling film that has been described as “\u003c\/span\u003e\u003cspan class=\"s7\"\u003ea gynocentric nightmare” (\u003ci\u003eChicago Reader\u003c\/i\u003e), “a singular, daring vision” (\u003ci\u003eArizona Republic\u003c\/i\u003e) and “a wondrous dream constantly on the verge of a nightmare” (\u003ci\u003eIndiewire\u003c\/i\u003e). \u003c\/span\u003e\u003cspan class=\"s1\"\u003eThis disc provides deep technical insight with a discussion between Hadžihalilović and cinematographer \u003cb\u003eManu Dacosse\u003c\/b\u003e, alongside an interview with co-writer \u003cb\u003eAlanté Kavaïté\u003c\/b\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eDiscussion Between Cinematographer Manu Dacosse And Director Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Writer Alanté Kavaïté\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 81 mins\u003cbr\u003eAudio: French Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003eDisc 3: EARWIG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“IT SPLITS THE DIFFERENCE BETWEEN\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTENDERNESS AND TERROR.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThe Ringer\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE NORTH AMERICAN BLU-RAY PREMIERE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s1\"\u003eThe third feature and English-language debut by “the emergent champion of slow-burn, surrealist cinema” (\u003ci\u003eThe Guardian\u003c\/i\u003e) is\u003cb\u003e \u003c\/b\u003ea Kafkaesque fable of fatherhood, isolation and teeth made of ice. \u003cb\u003ePaul Hilton\u003c\/b\u003e (LADY MACBETH), \u003cb\u003eRomola Garai\u003c\/b\u003e (SUFFRAGETTE) and \u003cb\u003eAlex Lawther\u003c\/b\u003e (THE IMITATION GAME) star in \u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e’s surreal neo-noir that \u003ci\u003eThe New York Times\u003c\/i\u003e calls “a trip down the darkest of rabbit holes,”\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eaccompanied by what \u003ci\u003eSight \u0026amp; Sound\u003c\/i\u003e hails as “enigmatic, oneiric visions that burrow their way into darker crevices of the viewer’s consciousness.” Adapted from the novel by \u003cb\u003eBrian Catling\u003c\/b\u003e (\u003ci\u003eThe Vorrh\u003c\/i\u003e), EARWIG is deconstructed through Special Features that include interviews with the director, co-writer \u003cb\u003eGeoff Cox\u003c\/b\u003e and cinematographer \u003cb\u003eJonathan Ricquebourg\u003c\/b\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Co-Writer Geoff Cox\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Cinematographer Jonathan Ricquebourg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 114 mins\u003cbr\u003eAudio: English Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English Closed Captions\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003cbr\u003eDisc 4: THE ICE TOWER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cb\u003e“HADŽIHALILOVIĆ’S MOST ACCESSIBLE FILM TO DATE…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eA hypnotic mediation of coruscating, crystalline beauty. This is\u003cbr\u003e\u003c\/b\u003e\u003cb\u003enot so much a film you watch as one you wake up from, shivering.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eRogerEbert.com\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eTwo decades after the stunning breakthrough of INNOCENCE, \u003cb\u003eMarion Cotillard\u003c\/b\u003e reunites with writer\/director \u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e for her award-winning fourth feature, a meta-fantasy freely inspired by Hans Christian Andersen's \u003ci\u003eThe Snow Queen\u003c\/i\u003e. \u003cb\u003eClara Pacini\u003c\/b\u003e, \u003cb\u003eAugust Diehl\u003c\/b\u003e (INGLOURIOUS BASTERDS) and \u003cspan class=\"s2\"\u003e\u003cb\u003eGaspar Noé \u003c\/b\u003eco-star\u003cb\u003e \u003c\/b\u003ein this “mesmerizing and unnerving masterpiece in which r\u003c\/span\u003eeality, cinema, and fantasy become one of a kind” (\u003ci\u003eCollider\u003c\/i\u003e) from “a filmmaker \u003cspan class=\"s8\"\u003ewith an uncompromising voice — one that continues to whisper strange, scary things into our ears” (\u003ci\u003eThe Hollywood Reporter\u003c\/i\u003e)\u003c\/span\u003e. This final disc contains introspective content, including an interview by \u003cb\u003eBeatrice Loayaza\u003c\/b\u003e, two additional Q\u0026amp;As from the IFC Center, a second video essay by \u003cb\u003eAlexandra Heller-Nicholas\u003c\/b\u003e and a technical interview with \u003cb\u003eJonathan Ricquebourg\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Cinematographer Jonathan Ricquebourg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Lucile Hadžihalilović By Beatrice Loayaza\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003e2 Q\u0026amp;As At The IFC Center\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eVideo Essay By Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 117 mins\u003cbr\u003eAudio: French \u0026amp; English Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLUS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e60 pages companion book with essays from:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eSaffron Maeve\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eAlison Taylor\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eStephen Thrower\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"text-align: left;\" class=\"p4\"\u003eSangster Directs Hammer [7-Disc Box Set: (3) 4K UHD + (4) Blu-ray + Book]\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\"\u003e\u003cb\u003eTHE NORTH AMERICAN UHD PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eOF\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 3 CLASSIC FILMS ON 7 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e AN ALL-NEW 312-PAGE BOOK \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 19 COMBINED HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eWith screenplays for such ‘50s\/’60s \u003cb\u003eHammer Films\u003c\/b\u003e classics as THE CURSE OF FRANKENSTEIN, HORROR OF DRACULA, THE MUMMY and more, he became one of the very best writers in the genre. But when \u003cb\u003eJimmy Sangster\u003c\/b\u003e returned to Hammer in the ‘70s to direct the only feature films of his career, he delivered three of the most unique shockers in the studio’s history: In \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eHORROR OF FRANKENSTEIN \u003c\/b\u003estarring \u003cb\u003eRalph Bates\u003c\/b\u003e as the sociopathic monster maker, Sangster brings both black humor and deep red dismemberment to Mary Shelley’s iconic tale. Sangster takes fanged lesbian desires to seductive new levels with \u003cb\u003eLUST FOR A VAMPIRE\u003c\/b\u003e, featuring \u003cb\u003eYutte Stensgaard \u003c\/b\u003eas the titular bloodsucker. \u003cb\u003eJudy Geeson\u003c\/b\u003e, \u003cb\u003eRalph Bates\u003c\/b\u003e, \u003cb\u003eJoan Collins\u003c\/b\u003e and the legendary \u003cb\u003ePeter Cushing\u003c\/b\u003e star in Sangster’s acclaimed \u003cb\u003eFEAR IN THE NIGHT\u003c\/b\u003e, a taut psycho-thriller with a dark giallo edge. Each film is presented\u003cb\u003e in UHD for the first time ever in North America\u003c\/b\u003e, \u003cb\u003enow scanned in 4K from their original camera negatives by StudioCanal. \u003c\/b\u003eThis collection also includes \u003cb\u003ethe 312-page book \u003c\/b\u003e\u003cb\u003e\u003ci\u003eHorror! Lust! Fear! Sangster\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e featuring essays, interviews, comic adaptations and more\u003c\/b\u003e, plus \u003cb\u003e19 combined hours of comprehensive new \u0026amp; archival Special Features\u003c\/b\u003e \u003cb\u003eproduced and curated by Severin Films.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: THE HORROR OF FRANKENSTEIN UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 2: THE HORROR OF FRANKENSTEIN Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFrankenstein, Dracula And Me \u003c\/i\u003e– Archival Interview With Actress Veronica Carlson\u003ci\u003e \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eReunion Panel At 1997 Festival Of Fantastic Films Manchester With Director Jimmy Sangster, Actor Dave Prowse And Actress Veronica Carlson, Moderated By Wayne Kinsey \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eYounger Frankenstein\u003c\/i\u003e – Interview With 2nd Assistant Director Nicholas Granby, Camera Operator Neil Binney, Production Runner Philip Campbell And Co-Writer Jeremy Burnham\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eOne Frankenstein After Another: 125 Years of Cinematic Adaptations\u003c\/i\u003e – Illustrated Audio Essay By Gillian Wallace Horvat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Life And Work Of Mary Shelley\u003c\/i\u003e – Interview With Dr. Emma Liggins, Co-Director Of The Manchester Centre For Gothic Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Unhallowed Arts: The Creation Myth Of Mary Shelley\u003c\/i\u003e – Interview With Gothic Scholar Dr. \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eColin Azariah-Kribbs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eVintage Behind-The-Scenes From Hammer Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate TV Opening Credits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature TV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 3: LUST FOR A VAMPIRE UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 4: LUST FOR A VAMPIRE Blu-ray\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eIllustrated Archival Audio Interview With Actress Yutte Stensgaard By Michael Augustine-Reed With Accompanying Career-Spanning Still Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLive, Love, Lust\u003c\/i\u003e – Interview With Actress Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGothic Girl\u003c\/i\u003e – Interview With Actress Kirsten Lindholm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Times\u003c\/i\u003e – Interview With Actor Christopher Neame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eA Bit Of Fun\u003c\/i\u003e – Interview With Actress Erica Beale\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLust Mel\u003c\/i\u003e – Interview With Actress Mel Churcher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eRunning Blood\u003c\/i\u003e – Interview With Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGates Of Karnstein Castle\u003c\/i\u003e – Archival Interview With Screenwriter Tudor Gates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Invisible Prince: The Life \u0026amp; Legacy Of J. Sheridan Le Fanu\u003c\/i\u003e – Interview With Dr. William Hughes, Gothic Scholar \u0026amp; Co-Editor Of \u003ci\u003eOpen Graves, Open Minds: Representations Of Vampires And The Undead From The Enlightenment To The Present Day\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eStrange Love\u003c\/i\u003e – Carmen Maria Machado, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCo-Author Of \u003ci\u003eIt Came From The Closet: Queer Reflections On Horror\u003c\/i\u003e\u003c\/span\u003e, Reframes The Sapphic Vampire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSchool Of The Heaving Bosom: Education, Eroticism and LUST FOR A VAMPIRE\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate Version Of Lesbian Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 5: FEAR IN THE NIGHT UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 6: FEAR IN THE NIGHT Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Gaslighter’s Playbook: Real And Imagined Horrors In FEAR IN THE NIGHT\u003c\/i\u003e – Video Essay by Dr. Alexandra Heller Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFun In The Day\u003c\/i\u003e – Interviews With Camera Operator Neil Binney And Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 7: Bonus Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eHAMMER \u0026amp; BEYOND: THE JIMMY SANGSTER LEGACY – 2026 Documentary By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Man From Bristol: Ralph Bates Remembered\u003c\/i\u003e – Interviews With Actress\/Wife Virginia Wetherell And Composer\/Son Will Bates, Narrated By LUST FOR A VAMPIRE Co-Star Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eJoan Collins: Queen Of The Horror Films\u003c\/i\u003e – Interviews With \u003ci\u003eHouse Of Psychotic Women \u003c\/i\u003eAuthor Kier-La Janisse And Telefilm Historian Amanda Reyes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer In The U.S.A.\u003c\/i\u003e – Film Historian C. Courtney Joyner On The Studio's Stateside Distribution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Scribe\u003c\/i\u003e – Archival Interview With Director Jimmy Sangster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSapphic Blood Suckers: A Cinematic History Of The Lesbian Vampire Trope\u003c\/i\u003e With Annie Rose Malamet, Film Scholar And Host Of \u003ci\u003eGirls, Guts, Giallo\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eI Coined \"The Karnstein Trilogy\"\u003c\/i\u003e – Interview With David Pirie, Author Of \u003ci\u003eA Heritage Of Horror\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan class=\"s3\"\u003eLust for a Vampire [Novelization]\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003eThis 248-page book is a recreation of the novelization by William Hughes published in 1971.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe ruins of Karnstein Castle rose gaunt and menacing over the small hamlet of Styria. Legend had it that every forty years the long dead Karnsteins rose from their graves to find fresh blood and new recruits for the ranks of the Undead. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBut legend is all too often dismissed as superstition... and now the grounds of Karnstein house a select finishing school for young ladies.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eDimensions: 4.25\" x 7.0\" x .625\"\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3 dir=\"ltr\"\u003eSeverin Films Hall of Fame Enamel Pin #35: Ralph Bates\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBehold The Man From Bristol! To commemorate our epic \u003c\/span\u003e\u003cb\u003eSANGSTER DIRECTS HAMMER\u003c\/b\u003e\u003cspan\u003e Collection, ‘70s Hammer Hero \u003c\/span\u003e\u003cb\u003eRalph Bates \u003c\/b\u003e\u003cspan\u003eenters \u003c\/span\u003e\u003cb\u003eThe Severin Hall of Fame\u003c\/b\u003e\u003cspan\u003e with this all-new enamel pin designed by our friends at \u003c\/span\u003e\u003cb\u003ePixel Elixir\u003c\/b\u003e\u003cspan\u003e. Wear it proudly alongside your Jimmy Sangster pin (the two were best mates) or trying to avoid staring at your Yute Stensgaard pin's bloody \u003c\/span\u003e\u003cspan\u003edécolletage\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eSeverin Films Hall of Fame Enamel Pin #36: Jimmy Sangster\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003ci\u003e\u003cspan\u003eThe Times\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e hails him as “one of the British film industry’s most influential and self-effacing talents” and \u003c\/span\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003ea chief architect of the lurid phenomenon known as Hammer Horror.\u003c\/span\u003e\u003cspan\u003e” \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: medium;\"\u003eHis taboo-smashing screenplays did far more than just grab audiences by their collective throat; \u003c\/span\u003e\u003cb\u003eJimmy Sangster\u003c\/b\u003e\u003cspan style=\"font-size: medium;\"\u003e took horror from creaky melodrama into a world of sociopathic protagonists, dark humor, sexual menace and shocking violence to create the modern horror thriller.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial;\"\u003e\u003cspan\u003eCelebrate the release of our epic \u003cb\u003eSANGSTER DIRECTS HAMMER\u003c\/b\u003e Collection – and the man who revolutionized the genre – with this new \u003cb\u003eSeverin Hall of Fame\u003c\/b\u003e pin designed by our friends at \u003cb\u003ePixel Elixir\u003c\/b\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eYutte Stensgaard Enamel Pin\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Danish-born actress remains one of Hammer Films’ most unabashed sex symbols, ushering in the studio’s brazen ‘70s period with her fully exposed performance in the immortal\u003cb\u003e LUST FOR A VAMPIRE. Yutte Stensgaard \u003c\/b\u003enow enters the \u003cb\u003eSeverin Hall of Fame \u003c\/b\u003ewith this new enamel pin designed by our friends at\u003cb\u003e Pixel Elixir\u003c\/b\u003e. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003cspan\u003e(Note: not entirely anatomically correct)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44833496006726,"sku":"SANGHADBNDL","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/2026Mar_Sangster_Hadz_Bundle.jpg?v=1775193854"},{"product_id":"threads-traffic-warden-enamel-pin","title":"THREADS Traffic Warden Enamel Pin","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a wide release date of 07\/28\/2026. We anticipate webstore orders containing this item to begin shipping around or earlier than that date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIf there’s a single iconic image that represents the horror of THREADS, it’s that of the \u003cb\u003eTraffic Warden\u003c\/b\u003e whose grisly visage appeared on the cover of the \u003ci\u003eRadio Times\u003c\/i\u003e (the UK equivalent of \u003ci\u003eTV Guide\u003c\/i\u003e) the week of the film’s September ‘84 broadcast. He’s been depicted in UK street art and graphic novels for over two generations and now lives on as a “piss yourself terrifying” (\u003ci\u003eAV Club\u003c\/i\u003e) enamel pin designed by our friends at Pixel Elixir.\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Pre-Order","offer_id":44949135327302,"sku":"WARDENpin","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/wardenPin.jpg?v=1777584345"},{"product_id":"the-music-machine-blu-ray","title":"The Music Machine [Blu-ray]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a wide release date of \u003cmeta charset=\"utf-8\"\u003e07\/28\/2026. We anticipate webstore orders containing this item to begin shipping around or earlier than that date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“CHEERFUL DISCOSPLOITATION \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWITH A RANGE OF SERIOUS BITS…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eIt has dancing, social realism and even registers the concept of moviemaking as a perfect vehicle for the pop cultural phenomenon.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Spinning Image\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE BLU-RAY PREMIERE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eImmediately after SATURDAY NIGHT FEVER swept the world, the ‘discosploitation’ genre was born. And in the U.K.’s first polyester imitator, director\u003cb\u003e Ian Sharp\u003c\/b\u003e (THE FINAL OPTION) crafts a gritty time capsule of late ‘70s London in which an unemployed bloke (\u003cb\u003eGerry Sundquist\u003c\/b\u003e of DON’T OPEN TILL CHRISTMAS) tries to win the big dance competition at Camden Town’s iconic club, The Music Machine. British-Nigerian singer \u003cb\u003ePatti Boulaye\u003c\/b\u003e,\u003cb\u003e Clarke Peters \u003c\/b\u003e(\u003ci\u003eThe Wire\u003c\/i\u003e),\u003cb\u003e Ferdy Mayne \u003c\/b\u003e(THE FEARLESS VAMPIRE KILLERS) and Academy Award® winner \u003cb\u003eBrenda Fricker \u003c\/b\u003e(MY LEFT FOOT) co-star in this “oddly likeable”\u003cb\u003e \u003c\/b\u003e(\u003ci\u003eThe Observer\u003c\/i\u003e)\u003cb\u003e \u003c\/b\u003ediscomania melodrama written by \u003cb\u003eJames Kenelm Clarke\u003c\/b\u003e (HOUSE ON STRAW HILL) and produced by\u003cb\u003e Brian Smedley-Aston \u003c\/b\u003e(VAMPYRES) with cinematography by \u003cb\u003ePhil Meheux \u003c\/b\u003e(CASINO ROYALE), \u003cb\u003enow scanned in 4K from a combination of the CRI and original camera negative for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eBlu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Dance Partner\u003c\/i\u003e – Interview With Actress Patti Boulaye\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eHoward \u0026amp; Candy: The Music Machine Dance Rivals \u003c\/i\u003e– Interviews With Actors David Easter And Mandy Perryment\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Music Machine Mentor\u003c\/i\u003e – Interview With Actor Clarke Peters\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Dance Machine\u003c\/i\u003e – Interview With Choreographer Anthony Van Laast\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Music Of The Machine\u003c\/i\u003e – Interview With Musician\/Songwriter Les Hurdle\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDisco Maniacs\u003c\/i\u003e – Interview With Mark Moore Of S'Express And Alan Jones, Author Of \u003ci\u003eDiscomania\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Camden Locations Of THE MUSIC MACHINE\u003c\/i\u003e – Locations Tour With Alan Jones\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTeaser Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 91 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Pre-Order","offer_id":44956517597254,"sku":"SEV17863BR","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/MusicMachine_BD_3D.jpg?v=1777338551"},{"product_id":"the-war-game-2-disc-4k-uhd-w-le-slipcover-book","title":"The War Game [2-Disc 4K UHD w\/LE Slipcover + Book]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a wide release date of \u003cmeta charset=\"utf-8\"\u003e07\/28\/2026. We anticipate webstore orders containing this item to begin shipping around or earlier than that date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“AN EXTRAORDINARY FILM…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eTHE WAR GAME is a horrifying simulation of catastrophic reality.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE WORLDWIDE UHD PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTWO-DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWITH 5+ HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAUTHORIZED REPRINT OF THE WAR GAME BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eLIMITED EDITION POSTCARDS \u0026amp; MORE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1965, filmmaker \u003cb\u003ePeter Watkins \u003c\/b\u003e(PRIVILEGE, PUNISHMENT PARK) recruited 350 amateur actors, utilized direct quotes from civil defense manuals and employed newsreel-like recreations to craft a BBC documentary drama that depicted a nuclear attack on Great Britain. The network condemned the finished film as “too horrifying” and refused to broadcast it. Watkins’ masterpiece subsequently received a special award at the 1966 Venice Film Festival and won the 1967 Academy Award® for Best Documentary Feature. The BBC would not air his “chillingly different, enduringly brilliant” (\u003ci\u003eThe Guardian\u003c\/i\u003e) classic until three decades later. “What may be the most important film ever made” (\u003ci\u003eLondon Observer\u003c\/i\u003e)\u003cb\u003e \u003c\/b\u003eis\u003cb\u003e now scanned in 4K from the original 16mm A\/B rolls for the first time ever\u003c\/b\u003e, with \u003cb\u003emore than 5½ hours of all-new Special Features and Limited Edition Exclusives \u003c\/b\u003ethat include\u003cb\u003e an authorized reprint of Watkins’ 1967 \u003c\/b\u003e\u003cb\u003e\u003ci\u003eThe War Game\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e book, collectible postcards, a replica of the UK government’s official evacuation pass and more. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Film Critic Kim Newman And Director Sean Hogan\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eIntroduction By Filmmaker Alex Cox\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Film Critic Kim Newman And Director Sean Hogan\u003cb\u003e \u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eConflict By Design\u003c\/i\u003e – Interview With Anne Davey Orr, Production Designer On CULLODEN And THE WAR GAME\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eWho Banned THE WAR GAME?\u003c\/i\u003e\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e– An Interview With Peter Watkins Historian John Cook\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eGames Of Fact And Fiction\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eTHE WAR GAME At Cine City\u003c\/i\u003e – Featurette By Journalist Eric Veillette\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eNuclear Britain\u003c\/i\u003e\u003cb\u003e \u003c\/b\u003e– Interview With \u003ci\u003eAttack Warning Red!: How Britain Prepared For Nuclear War\u003c\/i\u003e Author Julie McDowall\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival Interview With Editor Michael Bradsell\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003ePeter Watkins Reflects On THE WAR GAME And The Media\u003c\/i\u003e – 1983 Interview From The Australian Film Television And Radio School (AFTRS)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eIntroduction To THE WAR GAME In Sheffield\u003c\/i\u003e By \u003ci\u003eVisions\u003c\/i\u003e Producer John Ellis\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eTHE WAR GAME In Sheffield \u003c\/i\u003e– Peter Watkins Recruits For A Proposed WAR GAME Remake In Unused Footage For The UK TV Show \u003ci\u003eVisions\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTHE DIARY OF AN UNKNOWN SOLDIER (Peter Watkins Short Film)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTHE FORGOTTEN FACES (Peter Watkins Short Film)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 48 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: HDR10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLimited Edition Slipcase \u0026amp; Postcards:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e(Ray Lowry Postcard Reprinted In Cooperation with the Ray Lowry Estate)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eNew Postcard designed by \u003cmeta charset=\"utf-8\"\u003eRob Carmichael at SEEN STUDIO.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLimited Edition THE WAR GAME Book – Authorized Reprint Of The 1967 Book Written By Peter Watkins And Designed By Paul Watkins\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReprint of Government-Issued Evacuation Card\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Pre-Order","offer_id":44970321641542,"sku":"SEV71839LE","price":43.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/WarGame_Slipcase_3D.jpg?v=1777590663"},{"product_id":"threads-3-disc-4k-uhd-w-le-slipcase-postcard","title":"Threads [3-Disc 4K UHD w\/LE Slipcase + Postcard]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a wide release date of \u003cmeta charset=\"utf-8\"\u003e07\/28\/2026. We anticipate webstore orders containing this item to begin shipping around or earlier than that date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“THE MOVIE THAT SCARRED A GENERATION FOR LIFE.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eBritish Film Institute\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE WORLDWIDE UHD PREMIERE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHREE DISC COLLECTION \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eINCLUDES 7 HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAND BONUS DOCUMENTARY\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSURVIVORS: THE SPECTRE OF THREADS \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn Sunday September 23rd, 1984, \u003cb\u003eTHREADS \u003c\/b\u003ewas broadcast on BBC2. Written by novelist\/playwright \u003cb\u003eBarry Hines \u003c\/b\u003e(KES) and directed by BAFTA winner \u003cb\u003eMick Jackson\u003c\/b\u003e, the film depicted the effects of a thermonuclear attack on the working-class city of Sheffield. Four months later, the film was shown on American cable TV. In both countries, the graphic horrors of detonation, societal collapse and nuclear winter were indelibly seared into tens of millions of homes. Over four decades it has remained “brilliant” (\u003ci\u003eThe Guardian\u003c\/i\u003e),\u003cb\u003e \u003c\/b\u003e“unsensationally grim” (\u003ci\u003eCineSavant\u003c\/i\u003e) and “piss yourself terrifying” (\u003ci\u003eThe A.V. Club\u003c\/i\u003e). For the first time ever, THREADS is\u003cb\u003e now scanned in 4K from the original 16mm A\/B rolls with 7 hours of Special Features produced by Severin Films. \u003c\/b\u003eThis collection also includes a\u003cb\u003e Bonus Disc \u003c\/b\u003eof\u003cb\u003e Craig Ian Mann \u0026amp; Robert Nevitt’s \u003c\/b\u003enew documentary\u003cb\u003e SURVIVORS: THE SPECTRE OF THREADS\u003c\/b\u003e that explores the untold stories of the film’s impact on the people of Sheffield and throughout UK culture.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Director Mick Jackson Moderated By Film Writer Kier-La Janisse And Severin Films' David Gregory\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Actress Karen Meagher And Television Historian Simon Farquhar\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cp class=\"p1\"\u003eU.S. Trailer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Director Mick Jackson Moderated By Film Writer Kier-La Janisse And Severin Films' David Gregory\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Actress Karen Meagher And Television Historian Simon Farquhar\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eAuditioning For The Apocalypse\u003c\/i\u003e – Interview With Karen Meagher\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eShooting The Annihilation\u003c\/i\u003e – Interview With Director Of Photography Andrew Dunn\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDestruction Designer\u003c\/i\u003e – Interview With Production Designer Christopher Robilliard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Film Writer Stephen Thrower\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 3: Bonus Blu-ray\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eSURVIVORS: THE SPECTRE OF THREADS – Feature Documentary On The Production Of THREADS And Its Effect On The People Of Sheffield, England\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eImmediate And Real\u003c\/i\u003e – Interview With Julie McDowall, Author Of \u003ci\u003eAttack Warning Red! How Britain Prepared For Nuclear War\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 117 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: Dolby Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition Slipcase \u0026amp; Postcard. Postcard designed by \u003cmeta charset=\"utf-8\"\u003eRob Carmichael at SEEN STUDIO.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ci\u003eProtect \u0026amp; Survive\u003c\/i\u003e (1980) – Limited-Edition Replica Of The Government-Issued Public Information Pamphlet\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Pre-Order","offer_id":44970363060294,"sku":"SEV21191UH","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/Threads_OCard_3D_Large_5076b0b9-1951-4186-b521-2ab2357fc8d2.jpg?v=1777591177"},{"product_id":"the-4k-fallout-bundle","title":"THE 4K FALLOUT BUNDLE","description":"\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a wide release date of \u003cmeta charset=\"utf-8\"\u003e07\/28\/2026. We anticipate webstore orders containing this item to begin shipping around or earlier than that date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE 4K FALLOUT BUNDLE Contains:\u003cbr\u003e\u003c\/b\u003eThreads [3-Disc 4K UHD w\/LE Slipcase + Postcard]\u003cbr\u003eThe War Game [2-Disc 4K UHD w\/LE Slipcover + Book]\u003cbr\u003eTHREADS Traffic Warden Enamel Pin\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"s1\"\u003eThreads [3-Disc 4K UHD w\/LE Slipcase + Postcard]\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE UHD PREMIERE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHREE DISC COLLECTION \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eINCLUDES 7 HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAND BONUS DOCUMENTARY\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSURVIVORS: THE SPECTRE OF THREADS \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn Sunday September 23rd, 1984, \u003cb\u003eTHREADS \u003c\/b\u003ewas broadcast on BBC2. Written by novelist\/playwright \u003cb\u003eBarry Hines \u003c\/b\u003e(KES) and directed by BAFTA winner \u003cb\u003eMick Jackson\u003c\/b\u003e, the film depicted the effects of a thermonuclear attack on the working-class city of Sheffield. Four months later, the film was shown on American cable TV. In both countries, the graphic horrors of detonation, societal collapse and nuclear winter were indelibly seared into tens of millions of homes. Over four decades it has remained “brilliant” (\u003ci\u003eThe Guardian\u003c\/i\u003e),\u003cb\u003e \u003c\/b\u003e“unsensationally grim” (\u003ci\u003eCineSavant\u003c\/i\u003e) and “piss yourself terrifying” (\u003ci\u003eThe A.V. Club\u003c\/i\u003e). For the first time ever, THREADS is\u003cb\u003e now scanned in 4K from the original 16mm A\/B rolls with 7 hours of Special Features produced by Severin Films. \u003c\/b\u003eThis collection also includes a\u003cb\u003e Bonus Disc \u003c\/b\u003eof\u003cb\u003e Craig Ian Mann \u0026amp; Robert Nevitt’s \u003c\/b\u003enew documentary\u003cb\u003e SURVIVORS: THE SPECTRE OF THREADS\u003c\/b\u003e that explores the untold stories of the film’s impact on the people of Sheffield and throughout UK culture.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Director Mick Jackson Moderated By Film Writer Kier-La Janisse And Severin Films' David Gregory\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Actress Karen Meagher And Television Historian Simon Farquhar\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cp class=\"p1\"\u003eU.S. Trailer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Director Mick Jackson Moderated By Film Writer Kier-La Janisse And Severin Films' David Gregory\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Actress Karen Meagher And Television Historian Simon Farquhar\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eAuditioning For The Apocalypse\u003c\/i\u003e – Interview With Karen Meagher\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eShooting The Annihilation\u003c\/i\u003e – Interview With Director Of Photography Andrew Dunn\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDestruction Designer\u003c\/i\u003e – Interview With Production Designer Christopher Robilliard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInterview With Film Writer Stephen Thrower\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 3: Bonus Blu-ray\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eSURVIVORS: THE SPECTRE OF THREADS – Feature Documentary On The Production Of THREADS And Its Effect On The People Of Sheffield, England\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eImmediate And Real\u003c\/i\u003e – Interview With Julie McDowall, Author Of \u003ci\u003eAttack Warning Red! How Britain Prepared For Nuclear War\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 117 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: Dolby Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLimited Edition Slipcase \u0026amp; Postcard. Postcard designed by \u003cmeta charset=\"utf-8\"\u003eRob Carmichael at SEEN STUDIO.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ci\u003eProtect \u0026amp; Survive\u003c\/i\u003e (1980) – Limited-Edition Replica Of The Government-Issued Public Information Pamphlet\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eThe War Game [2-Disc 4K UHD w\/LE Slipcover + Book]\u003c\/h3\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE UHD PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTWO-DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWITH 5+ HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAUTHORIZED REPRINT OF THE WAR GAME BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eLIMITED EDITION POSTCARDS \u0026amp; MORE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1965, filmmaker \u003cb\u003ePeter Watkins \u003c\/b\u003e(PRIVILEGE, PUNISHMENT PARK) recruited 350 amateur actors, utilized direct quotes from civil defense manuals and employed newsreel-like recreations to craft a BBC documentary drama that depicted a nuclear attack on Great Britain. The network condemned the finished film as “too horrifying” and refused to broadcast it. Watkins’ masterpiece subsequently received a special award at the 1966 Venice Film Festival and won the 1967 Academy Award® for Best Documentary Feature. The BBC would not air his “chillingly different, enduringly brilliant” (\u003ci\u003eThe Guardian\u003c\/i\u003e) classic until three decades later. “What may be the most important film ever made” (\u003ci\u003eLondon Observer\u003c\/i\u003e)\u003cb\u003e \u003c\/b\u003eis\u003cb\u003e now scanned in 4K from the original 16mm A\/B rolls for the first time ever\u003c\/b\u003e, with \u003cb\u003emore than 5½ hours of all-new Special Features and Limited Edition Exclusives \u003c\/b\u003ethat include\u003cb\u003e an authorized reprint of Watkins’ 1967 \u003c\/b\u003e\u003cb\u003e\u003ci\u003eThe War Game\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e book, collectible postcards, a replica of the UK government’s official evacuation pass and more. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: 4K UHD \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Film Critic Kim Newman And Director Sean Hogan\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 2: Blu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eIntroduction By Filmmaker Alex Cox\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Film Critic Kim Newman And Director Sean Hogan\u003cb\u003e \u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eConflict By Design\u003c\/i\u003e – Interview With Anne Davey Orr, Production Designer On CULLODEN And THE WAR GAME\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eWho Banned THE WAR GAME?\u003c\/i\u003e\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e– An Interview With Peter Watkins Historian John Cook\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eGames Of Fact And Fiction\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eTHE WAR GAME At Cine City\u003c\/i\u003e – Featurette By Journalist Eric Veillette\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eNuclear Britain\u003c\/i\u003e\u003cb\u003e \u003c\/b\u003e– Interview With \u003ci\u003eAttack Warning Red!: How Britain Prepared For Nuclear War\u003c\/i\u003e Author Julie McDowall\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival Interview With Editor Michael Bradsell\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003ePeter Watkins Reflects On THE WAR GAME And The Media\u003c\/i\u003e – 1983 Interview From The Australian Film Television And Radio School (AFTRS)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eIntroduction To THE WAR GAME In Sheffield\u003c\/i\u003e By \u003ci\u003eVisions\u003c\/i\u003e Producer John Ellis\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eTHE WAR GAME In Sheffield \u003c\/i\u003e– Peter Watkins Recruits For A Proposed WAR GAME Remake In Unused Footage For The UK TV Show \u003ci\u003eVisions\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTHE DIARY OF AN UNKNOWN SOLDIER (Peter Watkins Short Film)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTHE FORGOTTEN FACES (Peter Watkins Short Film)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 48 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e4K Video: HDR10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLimited Edition Slipcase \u0026amp; Postcards:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e(Ray Lowry Postcard Reprinted In Cooperation with the Ray Lowry Estate)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eNew Postcard designed by \u003cmeta charset=\"utf-8\"\u003eRob Carmichael at SEEN STUDIO.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLimited Edition THE WAR GAME Book – Authorized Reprint Of The 1967 Book Written By Peter Watkins And Designed By Paul Watkins\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReprint of Government-Issued Evacuation Card\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eTHREADS Traffic Warden Enamel Pin\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIf there’s a single iconic image that represents the horror of THREADS, it’s that of the \u003cb\u003eTraffic Warden\u003c\/b\u003e whose grisly visage appeared on the cover of the \u003ci\u003eRadio Times\u003c\/i\u003e (the UK equivalent of \u003ci\u003eTV Guide\u003c\/i\u003e) the week of the film’s September ‘84 broadcast. He’s been depicted in UK street art and graphic novels for over two generations and now lives on as a “piss yourself terrifying” (\u003ci\u003eAV Club\u003c\/i\u003e) enamel pin designed by our friends at Pixel Elixir.\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44970385309766,"sku":"4KFalloutBNDL","price":88.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/2026Apr_4KFallout_Bundle_v2Large.jpg?v=1777594981"}],"url":"https:\/\/severinfilms.com\/collections\/british.oembed?page=2","provider":"Severin Films","version":"1.0","type":"link"}