{"title":"Box Sets","description":"","products":[{"product_id":"lenzi-baker-collection","title":"The Complete Lenzi\/Baker Giallo Collection [6-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eItalian writer\/director \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e helmed popular peplums, created extreme\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e poliziotteschi\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and invented the Italian cannibal phenomenon. Hollywood actress \u003c\/span\u003e\u003cb\u003eCarroll Baker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e was the Golden Globe\u003c\/span\u003e\u003cb\u003e®\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e winning\/Academy Award\u003c\/span\u003e\u003cb\u003e®\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003enominated star of BABY DOLL, GIANT and THE CARPETBAGGERS. Together in the late ‘60s\/early ‘70s, they made four landmark films that changed the erotic thriller and giallo genres forever. For the first time, experience the complete Lenzi\/Baker collaboration \u003c\/span\u003e\u003cb\u003eon six discs featuring restored uncensored versions, alternate edits, remastered soundtracks, exclusive Special Features and more. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eORGASMO (1969): \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn their first startling collaboration, \u003c\/span\u003e\u003cb\u003eCarroll Baker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as an American widow who arrives at her late husband’s luxurious Italian estate and surrenders to an orgy of \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eménages à trois,\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e madness, and murder. Writer\/director \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e boldly fills the screen with bourgeois depravity, daring sexuality and unnerving twists for the worldwide hit \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAt The Mountain Of Madness\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e calls “so odd, disturbing and well-made, with that delirious giallo feel that’s like a drug.” \u003c\/span\u003e\u003cb\u003eLou Castel\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (A BULLET FOR THE GENERAL), \u003c\/span\u003e\u003cb\u003eColette Descombes\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (MONIKA) and \u003c\/span\u003e\u003cb\u003eTino Carraro\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE CAT O’ NINE TAILS) co-star in this landmark psychosexual thriller – released in the U.S. with extra nudity as \u003c\/span\u003e\u003cb\u003ePARANOIA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003ealso included here\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – now \u003c\/span\u003e\u003cb\u003escanned from the internegative of Lenzi’s Director’s Cut for the first time on Blu-ray.\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"572go-0-0\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features for Orgasmo:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDirector's Cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary with Film Critic, Author \u0026amp; Academic \u003cstrong\u003eAlexandra Heller-Nicholas \u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eUS X Rated Version + SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary with Mondo-Digital's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e, Author of 'So Deadly So Perverse: 50 Years Of Italian Giallo Films'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eGiallo Fever\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e:\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Interview with Director \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eUS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBONUS CD SOUNDTRACK\u003c\/strong\u003e: Orgasmo Remastered Soundtrack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs for Orgasmo:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono \/ English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 91 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eSO SWEET… SO PERVERSE (1969):\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e Following the international success of \u003c\/span\u003e\u003cb\u003eORGASMO\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the second \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\/Carroll Baker \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ecollaboration is a kinky retelling of DIABOLIQUE featuring lush Paris locations, trippy flashbacks, a swinging score by \u003c\/span\u003e\u003cb\u003eRiz Ortolani\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (MONDO CANE, CANNIBAL HOLOCAUST) and an all-star EuroCult cast that includes \u003c\/span\u003e\u003cb\u003eJean-Louis Trintignant\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE GREAT SILENCE, THE CONFORMIST), \u003c\/span\u003e\u003cb\u003eErika Blanc \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(KILL, BABY…KILL!), \u003c\/span\u003e\u003cb\u003eHorst Frank\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE CAT O’ NINE TAILS) and \u003c\/span\u003e\u003cb\u003eHelga Liné\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (NIGHTMARE CASTLE). Executive produced by \u003c\/span\u003e\u003cb\u003eSergio Martino \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(THE STRANGE VICE OF MRS. WARDH) from a screenplay by \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (ALL THE COLORS OF THE DARK), this “full-blown classic giallo and one of Lenzi’s best” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eB-Mania\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) is \u003c\/span\u003e\u003cb\u003enow fully restored in a new 2k scan from the original negative\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"572go-0-0\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features for So Sweet… So Perverse:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary with \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e, Author of 'All The Colors Of Sergio Martino' \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLenzi's Lenses\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e:\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Backstage Chat with the Director at The 1999 Nocturno Film Festival \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEquilateral Triangle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e:\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Screenwriter \u003cstrong\u003eErnesto Gastaldi\u003c\/strong\u003e on Lenzi\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternate Credit Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBONUS CD\u003c\/strong\u003e: \u003cspan style=\"font-weight: 400;\"\u003eSo Sweet... So Perverse \u0026amp; A Quiet Place To Kill Remastered Soundtracks Plus Bonus Track: Knife Of Ice (Main Title Theme)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs for So Sweet… So Perverse:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono DTS \/ English Mono DTS\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 93 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eA QUIET PLACE TO KILL (1970):\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e In her third collaboration with director \u003c\/span\u003e\u003cb\u003eUmberto Lenzi,\u003c\/b\u003e \u003cb\u003eCarroll Baker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a glamorous racecar driver entangled in a lurid affair with her ex-husband (\u003c\/span\u003e\u003cb\u003eJean Sorel\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e of BELLE DU JOUR and A LIZARD IN A WOMAN’S SKIN), his wealthy new wife, and a twisted web of lust, murder and deception. \u003c\/span\u003e\u003cb\u003eLuis Dávila\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (EAGLES OVER LONDON) co-stars in this 1970 Italian\/French\/Spanish co-production – released in Italy as PARANOIA, though not to be confused with the 1969 U.S. re-title of ORGASMO – featuring a taut screenplay co-written by \u003c\/span\u003e\u003cb\u003eBruno Di Geronimo\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (WHAT HAVE YOU DONE TO SOLANGE?) and \u003c\/span\u003e\u003cb\u003eMarcello Coscia\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (LET SLEEPING CORPSES LIE), plus edgy cinematography by \u003c\/span\u003e\u003cb\u003eGuglielmo Mancori\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (WILD BEASTS) with \u003c\/span\u003e\u003cb\u003eAristide Massaccesi\/Joe D’Amato \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(ANTHROPOPHAGUS), now\u003c\/span\u003e \u003cb\u003escanned from the original camera negative for the first time ever in America.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features for A Quiet Place to Kill:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary with Author \u0026amp; Critic \u003cstrong\u003eSamm Deighan \u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSex and Conspiracy\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e:\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Interview with Director \u003cstrong\u003eUmberto Lenzi \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternate Credit Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternate Clothed Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eShort Deleted Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs for A Quiet Place to Kill:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono DTS \/ English Mono DTS\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 94 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eKNIFE OF ICE (1972): \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom its opening Edgar Allen Poe quote to the insane climactic twist, this fourth and final collaboration between co-writer\/director \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and Golden Globe winner\/Academy Award\u003c\/span\u003e\u003cb\u003e®\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e nominee \u003c\/span\u003e\u003cb\u003eCarroll Baker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is “something quite unique” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eGore Girl\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), with Baker as a traumatized mute being stalked through the Spanish countryside by a black-gloved sex maniac who may be a member of a Satanic cult. \u003c\/span\u003e\u003cb\u003eEvelyn Stewart\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE SWEET BODY OF DEBORAH), \u003c\/span\u003e\u003cb\u003eEduardo Fajardo\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (NIGHTMARE CITY), \u003c\/span\u003e\u003cb\u003eGeorge Rigaud\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (HORROR EXPRESS, EYEBALL) and \u003c\/span\u003e\u003cb\u003eSilvia Monelli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (YESTERDAY, TODAY \u0026amp; TOMORROW) co-star in this “offbeat and fascinating giallo thriller” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll Movie\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original negative with\u003c\/b\u003e \u003cb\u003eall-new Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features for Knife of Ice:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCarroll and Umberto's Final Stab\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e: \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eInterview with \u003cstrong\u003eStephen Thrower\u003c\/strong\u003e, Author of 'Nightmare USA'\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eUntil the Silence Screams\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e:\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Interview with Director \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternate Credit Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs for Knife of Ice:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono DTS \/ English Mono DTS\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 91 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40075470274630,"sku":"SEV93695","price":78.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/LenziBakerCollection-scaled-2.jpg?v=1754415491"},{"product_id":"andy-milligan-collection","title":"The Dungeon of Andy Milligan Collection [9-Disc Blu-ray Box Set]","description":"\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHe’s been described as “The Fassbinder of 42\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003end\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Street” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eArtforum\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), “a celebration of hate” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBleeding Skull\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and “an unmatched voice from the underbelly of low-budget cinema” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRue Morgue)\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. More than a quarter century after his death, he remains perhaps the most divisive name in genre history. \u003c\/span\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e now presents the cranium-cleaving collection devoted to writer\/actor\/director \u003c\/span\u003e\u003cb\u003eAndy Milligan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – “\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ea gay sadist who pioneered New York’s avant-garde theater world and made astonishingly unique exploitation movies” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDiabolique Magazine\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – on \u003c\/span\u003e\u003cb\u003e8 Blu-rays featuring 14 surviving films from his NYC and London years, 10+ hours of trailers, outtakes, interviews \u0026amp; audio commentaries, a bonus CD and an all-new 128-page book by Stephen Thrower\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e that explores the profane madness behind it all\u003c\/span\u003e\u003cb\u003e. \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom his provocative underground work through his international scuzz-horror classics, experience the venomous legacy of the filmmaker \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTime Magazine\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e calls \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e“depraved, degenerate, desperate, damned” like never before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: The Ghastly Ones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Actor Hal Borske and Filmmaker Frank Henenlotter\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with CineFear.com's Keith Crocker\u003c\/li\u003e\n\u003cli\u003ePartial Audio Commentary with Filmmaker Fred Olen Ray\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eBLOOD RITES Alternate Title Sequence\u003c\/li\u003e\n\u003cli\u003eGhastly \u0026amp; Depraved - Interview with Marketing Wiz Samuel M. Sherman\u003c\/li\u003e\n\u003cli\u003eTrailer for Lost Milligan Film DEPRAVED!\u003c\/li\u003e\n\u003cli\u003eTalk Of The Trade - Interview with Early Milligan Actress Natalie Rogers\u003c\/li\u003e\n\u003cli\u003eTHE FILTHY FIVE - One German Language Reel of Lost Milligan Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 72\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: The Body Beneath \/ Nightbirds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Body Beneath Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Film Scholars Vic Pratt and Will Fowler\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Body Beneath Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 82\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNightbirds Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Actor Berwick Kaler \u0026amp; Film Scholar Stephen Thrower\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNightbirds Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 77\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 3: Torture Dungeon \/ Bloodthirsty Butchers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTorture Dungeon Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Milligan Historian Alex DiSanto\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTorture Dungeon Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 80\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBloodthirsty Butchers Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBloodthirsty Butchers Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 79\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 4: The Curse of the Full Moon \/ The Rats are Coming! The Werewolves are Here!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut (The Curse of the Full Moon)\u003c\/li\u003e\n\u003cli\u003eTheatrical Cut (The Rats are Coming! The Werewolves are Here!)\u003c\/li\u003e\n\u003cli\u003eThe World of Andy Milligan - Locations Featurette Narrated by Temple of Schlock's Chris Poggiali\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Curst of the Full Moon Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 73\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Rats are Coming! The Werewolves are Here! Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 5: Man With Two Heads \/ Guru, the Mad Monk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMan With Two Heads Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut\u003c\/li\u003e\n\u003cli\u003eParty Sequence - Alternate Version\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMan With Two Heads Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 89\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGuru, the Mad Monk Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with CineFear.com's Keith Crocker\u003c\/li\u003e\n\u003cli\u003eRemembering Andy Milligan - Interview with Set Photographer Tom Vozza\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGuru, the Mad Monk Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1 \/ 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 56\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 6: Legacy of Blood (Never Before Released Theatrical Cut) \/ Legacy of Horror (TV Cut)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Theatrical Cut (Legacy of Blood)\u003c\/li\u003e\n\u003cli\u003eLegacy of Horror (TV Cut)\u003c\/li\u003e\n\u003cli\u003eBlood or Horror - Interview with Executive Producer Ken Lane\u003c\/li\u003e\n\u003cli\u003eLegacy of Chris - Interview with Actor Chris Broderick\u003c\/li\u003e\n\u003cli\u003eTV Spot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLegacy of Blood Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 77\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLegacy of Horror Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 83\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 7: Fleshpot on 42nd Street \/ Seeds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBonus Feature:\u003c\/strong\u003e VAPORS (1965, 32 min)\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFleshpot on 42nd Street Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 87\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSeeds Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 84\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 8: Carnage \/ Blood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBonus Feature:\u003c\/strong\u003e TOGA PARTY (1979, 84 min)\u003c\/li\u003e\n\u003cli\u003eMONSTROSITY Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCarnage Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBlood Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 69\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 9: The Bearded Lady's Wake CD - Electronic Music by Frequent Milligan Collaborator Hal Borske\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cp\u003e\u003cb\u003eBonus: Andy Milligan's Venom (All New 128 page Book by Stephen Thrower)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40075482824774,"sku":"SEV0420BR","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/AndyMilliganBoxSet.jpg?v=1754415244"},{"product_id":"eurocrypt-christopher-lee","title":"The Eurocrypt of Christopher Lee Collection [9-Disc Blu-ray Box Set]","description":"\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eHe remains one of the most beloved horror\/fantasy icons in US\/UK pop culture history, but Christopher Lee delivered several of the most compelling, acclaimed and bizarre performances of his entire career in 1960s Europe. THE EUROCRYPT OF CHRISTOPHER LEE brings together five of these Lee classics - the 1964 gothic shocker CRYPT OF THE VAMPIRE; the 1964 cult hit CASTLE OF THE LIVING DEAD co-starring an unknown Donald Sutherland; 1962's celebrated SHERLOCK HOLMES AND THE DEADLY NECKLACE; 1967's lurid favorite THE TORTURE CHAMBER OF DR. SADISM and the rarely-seen 1963 oddity CHALLENGE THE DEVIL - with the 24 surviving episodes of the 1971 Film Polski anthology series THEATRE MACABRE hosted by Lee, all remastered from original negative materials with over 10 hours of trailers, rare promos, audio commentaries \u0026amp; vintage interviews, plus the CASTLE OF THE LIVING DEAD soundtrack and an all-new 88-page book by Lee biographer Jonathan Rigby.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 1: The Castle of the Living Dead (1964)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn the final film of his early ‘60s European period, \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stars as a 19\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eth\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e century Count who invites a theatrical troupe for a weekend of horrors that boasts an enthusiastically creepy performance by Lee, startling locations in Lazio, Italy’s\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOrsini-Odescalchi\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Castle and ‘Park of the Monsters’, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003esecond-unit direction by \u003c\/span\u003e\u003cb\u003eMichael Reeves\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (WITCHFINDER GENERAL) and the screen debut of \u003c\/span\u003e\u003cb\u003eDonald Sutherland\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e as both a doofus gendarme and a hunchbacked hag. \u003c\/span\u003e\u003cb\u003ePhilippe Leroy\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE NIGHT PORTER) and \u003c\/span\u003e\u003cb\u003eJacques Stany\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (VIOLENCE IN A WOMEN’S PRISON) co-star in this 1964 French-Italian co-production from American producer \u003c\/span\u003e\u003cb\u003ePaul Maslansky\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – who would go on to produce DEATH LINE and the POLICE ACADEMY movies – and fellow expat writer\/director \u003c\/span\u003e\u003cb\u003eWarren Kiefer\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – after whom Sutherland would name his son – \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the Italian negative for the first time ever.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features: \u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with \u003ci\u003eMondo Digital\u003c\/i\u003e's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e \u0026amp; Film Writer \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Film Writer \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eFrom the Castle to the Academy\u003c\/i\u003e – Interview with Master Producer \u003cstrong\u003ePaul Maslansky\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Castle of The Mystery Man\u003c\/i\u003e – \u003cstrong\u003eRoberto Curti\u003c\/strong\u003e, Author of \u003ci\u003eMavericks of Italian Cinema\u003c\/i\u003e, on Writer\/Director \u003cstrong\u003eWarren Kiefer\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBONUS:\u003c\/strong\u003e CD Soundtrack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 90\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 2: Challenge the Devil aka Katarsis (1963)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn the most obscure film of his early ‘60s Italian period – if not his entire career – \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stars in this brilliantly bizarre combination of neo-realist crime thriller, tawdry Christian melodrama, fizzy cabaret musical and trippy gothic horror, culminating in a gang of bongo-crazed delinquents menaced by a white-haired Lee as a sinister Victorian who may be Satan himself. \u003c\/span\u003e\u003cb\u003eGeorge Ardisson\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (HERCULES IN THE HAUNTED WORLD) stars in this staggering 1963 oddity that marked the sole screen credit of writer\/director \u003c\/span\u003e\u003cb\u003eGuiseppe Vegezzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, who attempted suicide shortly before its release. Also known as KATARSIS and little-seen for over 50 years, it is now \u003c\/span\u003e\u003cb\u003escanned in 2K from the Italian negative for the first time ever. \u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eDance with the Devil\u003c\/i\u003e – Interview with \u003cstrong\u003eRoberto Curti\u003c\/strong\u003e, Author of \u003ci\u003eMavericks of Italian Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Importance of Being Giorgio\u003c\/i\u003e – Interview with \u003cstrong\u003eGiorgio Ardisson\u003c\/strong\u003e Over Two Decades\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 79 \u003cspan data-mce-fragment=\"1\"\u003emins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 3: Crypt of the Vampire (1964)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn a lavish gothic shocker inspired by Sheridan Le Fanu’s immortal novella \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCarmilla\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e delivers a rare ‘hero’ turn as nobleman Count Karnstein whose foreboding castle teems with ancestral curses, unnatural desires, philosophical hunchbacks and grisly acts of vengeance. \u003c\/span\u003e\u003cb\u003eAdriana Ambesi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (FANGS OF THE LIVING DEAD) co-stars in this 1964 Spanish-Italian co-production – also known as TERROR IN THE CRYPT and CRYPT OF HORROR – directed by \u003c\/span\u003e\u003cb\u003eCamillo Mastrocinque\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (AN ANGEL FOR SATAN) as \u003c\/span\u003e\u003cb\u003eThomas Miller\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u0026amp; \u003c\/span\u003e\u003cb\u003eRobert Spafford\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e from a screenplay by giallo master \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (ALL THE COLORS OF THE DARK) as \u003c\/span\u003e\u003cb\u003eJulian Berry\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and Sergio Leone protégé \u003c\/span\u003e\u003cb\u003eTonino Valerii\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (MY NAME IS NOBODY) as \u003c\/span\u003e\u003cb\u003eRobert Bohr\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, now featuring \u003c\/span\u003e\u003cb\u003ea 2k scan from a fine-grain 35mm master print.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 85\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 4: Sherlock Holmes and the Deadly Necklace (1962)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShortly after their hit collaboration on THE HOUND OF THE BASKERVILLES, \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and director \u003c\/span\u003e\u003cb\u003eTerence Fisher\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (HORROR OF DRACULA) returned to Holmesiana for Lee’s sole feature film portrayal of the world’s greatest detective. Shot in Berlin with Hammer regular \u003c\/span\u003e\u003cb\u003eThorley Walters\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e as Dr. Watson, Lee considered it to be “one of the best things I’ve ever done because I tried to play Holmes really as he was written – as a very intolerant, argumentative, difficult man.”\u003c\/span\u003e \u003cb\u003eSenta Berger\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (WHEN WOMEN HAD TAILS) and \u003c\/span\u003e\u003cb\u003eIvan Desney\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE MARRIAGE OF MARIA BRAUN) co-star in this 1962 West German-French-Italian co-production produced by \u003c\/span\u003e\u003cb\u003eArtur Brauner\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (VAMPYROS LESBOS) from a screenplay by \u003c\/span\u003e\u003cb\u003eCurt\u003c\/b\u003e \u003cb\u003eSiodmak\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE WOLF MAN) and based on Sir Arthur Conan Doyle’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eValley Of Fear\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the German negative.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features: \u003c\/b\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Film Writers Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli\u003eTony Dalton Interviews Terence Fisher\u003c\/li\u003e\n\u003cli\u003eTony Dalton On Terence Fisher\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ German Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 86\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDiscs 5 \u0026amp; 6: Theatre Macabre (1971-1972)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e hosted this anthology television series originally produced by \u003c\/span\u003e\u003cb\u003eFilm Polski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (KNIFE IN THE WATER, THE TIN DRUM) in the tradition of ALFRED HITCHCOCK PRESENTS and BORIS KARLOFF’S THRILLER. Lee delivers the intro and outro for each half-hour at his imposing and often cheeky best, while the tales themselves – adapted from stories by Poe, Dostoevsky, Ambrose Bierce, Robert Louis Stevenson and Oscar Wilde – are written and\/or directed by filmmakers that include \u003c\/span\u003e\u003cb\u003eAndrzej Zulawski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (POSSESSION) and Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eAndrzej Wajda\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (MAN OF IRON). Dubbed into English and featuring ‘additional dialogue’ by Jesse Lasky Jr. (THE TEN COMMANDMENTS, 7 WOMEN FROM HELL) with new theme music by \u003c\/span\u003e\u003cb\u003eRon Goodwin\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (VILLAGE OF THE DAMNED, FRENZY), it has remained largely unseen since its brief airing on American TV in 1971. These 24 surviving episodes have now been \u003c\/span\u003e\u003cb\u003escanned in 2K from the original negatives.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003ePromo with \u003cstrong\u003eChristopher Lee\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 610 \u003cspan data-mce-fragment=\"1\"\u003emins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 7: The Torture Chamber of Dr. Sadism (1967)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stars as Count Regula, an insane nobleman found guilty of murdering a dozen virgins and drawn-and-quartered for his crimes. But when a lawyer – former Tarzan \u003c\/span\u003e\u003cb\u003eLex Barker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – is summoned to the Count’s castle 35 years later, he will unlock a “wildly entertaining” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBuried.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e) odyssey of torture, dismemberment and creepy Bavarian locations that is equal parts Mario Bava and Hieronymus Bosch. \u003c\/span\u003e\u003cb\u003eKarin Dor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (YOU ONLY LIVE TWICE) and \u003c\/span\u003e\u003cb\u003eDieter Eppler\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (SLAUGHTER OF THE VAMPIRES) \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eco-star in this 1967 “underrated gem” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Telltale Mind\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e) –\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e also known as CASTLE OF THE WALKING DEAD, BLOOD OF THE VIRGINS and THE BLOOD DEMON – directed by \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ekrimi\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e veteran \u003c\/span\u003e\u003cb\u003eHarald Reinl\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and loosely based on Poe’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Pit \u0026amp; The Pendulum\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the original German negative with all-new Special Features.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary by \u003ci\u003eMondo Digital\u003c\/i\u003e's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e and Film Writer \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Interview with Actress \u003cstrong\u003eKarin Dor\u003c\/strong\u003e (German with English subs)\u003c\/li\u003e\n\u003cli\u003eLocation Featurette\u003c\/li\u003e\n\u003cli\u003eGerman Theatrical Trailer\u003c\/li\u003e\n\u003cli\u003eTeaser Trailer\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eDie Schlangengrube - Die Burg des Grauens \u003c\/i\u003e– German Super 8 Digest Short\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eDie Schlangengrube des Grafen Dracula\u003c\/i\u003e – German Super 8 Digest Short\u003c\/li\u003e\n\u003cli\u003ePoster Gallery\u003c\/li\u003e\n\u003cli\u003eBehind the Scenes Still Gallery\u003c\/li\u003e\n\u003cli\u003eRestoration Slideshow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ German Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 84\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cstrong\u003eDisc 8: Relics From the Crypt\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA collection of interviews with Christopher Lee over the years and other related horror featurettes, including the first ever release of the recently unearthed 20 minute 1964 Swiss TV documentary 'HORROR!!!' featuring interviews with Lee, Boris Karloff, Vincent Price, Roy Ashton, Roger Corman and behind-the-scenes footage of THE GORGON and MASQUE OF THE RED DEATH.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHORROR!!! – 1964 Swiss Documentary Short by Pierre Koralnik Featuring Interviews with Christopher Lee, Boris Karloff, Vincent Price, Roger Corman and Roy Ashton (16 mins - French with English subtitles)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eBehind The Mask\u003c\/i\u003e – Christopher Lee Remembers Boris Karloff. New edit of unfinished 1991 documentary by Ian Rough (34 mins)\u003c\/li\u003e\n\u003cli\u003eCinescope 1976 Belgian TV interview with Sélim Sasson (52 mins - French with English subtitles)\u003c\/li\u003e\n\u003cli\u003eColin Grimshaw Interviews Christopher Lee in 1975 (16 mins)\u003c\/li\u003e\n\u003cli\u003e1985 Audio Interview with Christopher Lee, accompanied by stills from The Del Valle archive \u0026amp; video introduction with David Del Valle (20 mins)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMonsters \u0026amp; Vampires\u003c\/i\u003e – Interview with Pioneering Horror Movie Historian Alan Frank (15 mins)\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Crypt Keepers\u003c\/i\u003e – Making of Crypt of the Vampire Featurette with Screenwriter Ernesto Gastaldi, Assistant Director Tonino Valerii and Film Historian Fabio Melelli (34 mins - Italian with English subtitles)\u003c\/li\u003e\n\u003cli\u003e\"O Sole Mio \/ It's Now Or Never\" (3:45) \u0026amp; \"She'll Fall For Me\" (4:35) Christopher Lee \u0026amp; Gary Curtis Music Videos with optional Gary Curtis Audio Commentary\u003c\/li\u003e\n\u003cli\u003eOuttakes from TO THE DEVIL... A DAUGHTER \/ THEATRE OF DEATH 2001 DVD interview session covering the most frightening films ever, BLACK MASSES, POLICE ACADEMY 7 \u0026amp; More (19 mins)\u003c\/li\u003e\n\u003cli\u003eUniversity College Dublin 2011 Q\u0026amp;A with Sir Christopher Lee\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDisc 9: The Castle of the Living Dead Original Soundtrack CD \u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"youtube-responsive-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40075484004422,"sku":"SEV5387BR","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/EurocryptofChristopherLee.jpg?v=1754415419"},{"product_id":"folk-horror-box","title":"All the Haunts Be Ours: A Compendium of Folk Horror Vol. 1 [15-Disc Blu-ray Box Set]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe most comprehensive collection of its kind begins with the definitive genre documentary of our time, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKier-La Janisse\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s award-winning \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK \u0026amp; DAYS BEWITCHED. \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom there, experience \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e19 of the best-known, least-known, rarely-seen and thought-lost classics of folk horror\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e from around the world, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eall restored from the best available vault elements with Special Features \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003ethat include short films, audio commentaries and exclusive featurettes. The ultimate genre exploration continues with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ethe original WOODLANDS soundtrack by Jim Williams and a reading of the classic short story ‘The White People’ by actress Linda Hayden,\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e as well as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ea 126-page illustrated book\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e curated by Janisse and designed by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLuke Insect \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003efeaturing all-new writings by renowned film scholars, authors and historians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 1:\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eKier-La Janisse, USA, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e192 mins | 1.85 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish and Portuguese with English subtitles\u003cbr data-mce-fragment=\"1\"\u003eStereo\u003cbr data-mce-fragment=\"1\"\u003eHD Digital Master \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED explores the folk horror phenomenon and its culturally specific manifestations in international horror, from its first wave in the 1970s to today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eVideo Introduction By Writer\/Director\/Producer Kier-La Janisse \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(9 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAnimating Folk Horror\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — A Conversation with Ashley Thorpe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (12 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnimator Ashley Thorpe discusses his processes and inspirations for the animated sequences he created for the film.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake: \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhat is Folk Horror?\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(2 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eExpanded definitions of folk horror cut from the film’s introductory sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake: \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHarvest Hymns\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — The Sounds and Signals of Folk Horror\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (22 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHistorians and Composers—including Marc Wilkinson, John Cameron, Jim Williams, Pentagram Home Video and more—weigh in on the sounds of folk horror from trad to electronica. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake: \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTerra Assombrada\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — Expressions of Folk Horror in Brazil \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(7 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eFilmmaker Dennison Ramalho and Scholars Carlos Primati and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLaura Loguercio Cánepa\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e discuss the impact of Brazilian folk literature and songs on folk horror. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFolk Poetry\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWITCHFINDER GENERAL star Ian Ogilvy and BLOOD ON SATAN’S CLAW’s Linda Hayden recite classic folk poems set to Super 8 footage.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 2:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEYES OF FIRE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvery Crounse, USA, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e86 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish Mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003e4K restoration from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe seminal American folk horror film, unavailable on home video for decades, now debuts in a new 4K restoration. A rogue 18\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century preacher and his followers make their way downriver to establish a new settlement beyond the western frontier and encounter a forest enchanted by strange spirits that will bring an apocalyptic madness upon them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Colin Dickey, Author of “Ghostland: An American History In Haunted Places”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Secret Is In The Trees\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — “Nightmare USA” Author Stephen Thrower Interviews Avery Crounse \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(29 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCrying Blue Sky\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlternate Longer Cut restored in 2K from Director's personal 35mm answer print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Short Films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Legend Of Sleepy Hollow\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Sam Weiss, USA 1972) (13 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre icon John Carradine narrates this atmospheric animated adaptation of Washington Irving’s classic story, newly scanned from 16mm for this release by educational film archive AV Geeks. Courtesy of Pyramid Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTransformations\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Barbara Hirschfeld, USA 1972)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e (\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e8.5 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eA fascinating feminist experimental film shot on location in Vermont about a group of witches performing white magic. Courtesy of the Vermont Archive Movie Project (VAMP). \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003evamp.vtiff.org\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBackwoods\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Ryan Mackfall, UK 2018) (15 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA scholar drifts from his path and finds himself in a house he takes for deserted. Based on H.P. Lovecraft's “The Picture In The House.” Courtesy of Myskatonic Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLEPTIRICA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic, Serbia, 1973\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e65 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eSerbian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eHD master from Public Service Media Radio Television of Serbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased loosely on by Milovan Glišić’s classic 1880 Serbian vampire story \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter Ninety Years\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – which preceded Bram Stoker’s Dracula by nearly two decades – Djordje Kadijevic’s adaptation is a subversive, darkly erotic take on Glišić’s pastoral tale of a group of rural villagers beset upon by the infamous vampire Sava Savanovic, who has taken up residence in their local flour mill. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRadical Fairy Tales\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — Interview With Director Djordje Kadijevic\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus bonus short films newly remastered in HD from archival film elements at Public Service Media Radio Television of Serbia:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eŠtićenik\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,1973) (45 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA terrified young man is being pursued by a mysterious man in black. He hides out in nearby mental hospital, but can he escape his fate?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDiary Of An Inmate\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (10 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eŠtićenik\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eactor Milan Mihailovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDevičanska Svirka\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,1973) (60 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA man travelling through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePrisoner Of Song\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with Devičanska Svirka actor Goran Sultanovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWITCHHAMMER\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtakar Vávra, Czechoslovakia, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e107 mins | 2:35:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eCzech mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eHD restored master supplied by the Czech Film Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtakar Vávra’s film about 17\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century witch hunter Jindřich František Boblig and the horrors he visited on the small village of Velké Losiny has been called an Eastern European counterpart to Michael Reeves’ WITCHFINDER GENERAL and Michael Armstrong’s MARK OF THE DEVIL. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Czech Film Historian And Curator Irena Kovarova\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe \u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWomb\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e Of \u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWoman\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e Is The Gateway To Hell\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(22.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA filmed appreciation by essayist and critic Kat Ellinger and film historian Michael Brooke. Courtesy of Second Run Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Projection Booth Podcast \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(62 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe renowned film podcast’s episode on WITCHHAMMER, with host Mike White and guest critics Samm Deighan and Rahne Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eVIY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eKonstantin Ershov, Georgiy Kropachyov, Soviet Union, 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e76 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eRussian mono with optional English subtitles \/ English mono\u003cbr data-mce-fragment=\"1\"\u003eHD restored master supplied by Mosfilm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on the classic novella by Nikolai Gogol, VIY\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eremains the height of Soviet fantasy cinema\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e.\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e In 19th century Russia, a seminary student is forced to spend three nights with the corpse of a beautiful young witch. But when she rises from the dead to test his faith, it will summon a nightmare of fear, desire and the ultimate demonic mayhem. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom The Woods To The Cosmos\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — John Leman Riley On The History Of Soviet Fantasy And Sci-Fi Film \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(34 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Silent Short Films: \u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eSatan Exultant\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1917, 20 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Queen of Spades \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1916, 16 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Portrait \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1915, 8 mins) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLAKE OF THE DEAD\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eKåre Bergstrøm, Norway, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e77 mins | 2.40:1 | B\/W | Region Free\u003cbr data-mce-fragment=\"1\"\u003eNorwegian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConsidered a classic of Norwegian cinema, a group of colleagues venture to a remote cabin to look for a missing friend and are spooked by an old legend: that the cabin had belonged to a man who killed his sister and her lover and then drowned himself in the lake. Since then, it is said that anyone who stays in the cabin will be driven to the same fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Film Historians Jonathan Rigby And Kevin Lyons\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTILBURY\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eViðar Víkingsson, Iceland, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e57 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eIcelandic mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from the original negative at the Film Museum of Iceland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis made-for-TV film shares the Icelandic lore of the Tilbury, a creature who could be summoned by women in times of financial hardship and starvation. But the gifts of the Tilbury come with their own brand of destruction. Set in 1940, during the British occupation, a country boy discovers his childhood sweetheart is having an affair with a British soldier, but suspects it could be one of the evil creatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Director Viðar Víkingsson And Screenwriter Þórarinn Eldjárn, Moderated By Film Scholar Gudrun D. Whitehead\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWith Enough Tilbury Butter, Anything Is Good\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Interview With Karl Ágúst Úlfsson \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Boy From The Country\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Interview With Kristján Franklin Magnúss \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhite Spot In The Back Of The Head\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Viðar Víkingsson,\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e1979) (33 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis early student film from the director of TILBURY transposes the ghostly Icelandic legend of The Deacon of Dark River to 1970s France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“The Moon Fades, Death Rides”\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eViðar Víkingsson discusses the folkloric origins of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Spot In The Back Of The Head\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE DREAMING\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMario Andreacchio, Australia, 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from best surviving 35mm positive print \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia’s Kangaroo Island, one of them is shot evading police and taken to a local hospital. When the patient dies in her care, the doctor attending to her experiences strange visions relating to violent events from the past. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Director Mario Andreacchio, Moderated By Film Historian Jarret Gahan\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKADAICHA\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Bogle, Australia 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e88 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered from only surviving broadcast quality video master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough conceived as a commercial horror film, this tale of teens being condemned to death in their dreams by an Aboriginal magician as recompense for a housing development having been built on a sacred burial ground also serves as an admission of national guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Director James Bogle, Moderated By Veteran Film Journalist Michael Helms (\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFatal Visions\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Final Girl Of KADAICHA\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(13 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn audio interview with actress Zoe Carides, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eComposing KADAICHA\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(17.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn audio interview with composer Peter Westheimer, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBehind The Scenes Of KADAICHA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (7 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecently-unearthed footage of director James Bogle and the cast and crew in a typical day on set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCELIA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Turner, Australia, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e103 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from 35mm original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1950s Australia, after 9-year-old Celia hears the disturbing fairy tale of \"The Hobyahs\" in school, it colors her interpretation of real life conflicts such as her parents' struggling relationship, the threat of communism and the country's plague of rabbits. Ann Turner's award-winning film paints a disquieting picture of innocence trying to make sense of the harsh and complex world around her through escape into dark fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCELIA And Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (40 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new interview with director Ann Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom Crawfords To CELIA\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (17 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with veteran editor Ken Sallows  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Rabbit In Australia\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (24 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population, which includes the rabbit cull of the 1950s that serves as the backdrop for Ann Turner’s\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eCELIA\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIan Coughlan, Australia, 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e97 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from 16mm CRI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGetting its first official release since the VHS era, this Australian paranormal cult is unearthed! During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e birthday. Fast forward three years later to the week of her 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e: she gets a call from her mother that they're having a party to celebrate and they want her there... alone. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eExtended Interviews\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eFrom NOT QUITE HOLLYWOOD With Producer David Hannay And Cast Members Joanne Samuel And Belinda Giblin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Devil Down Under\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Satanic Panic In Australia From Rosaleen Norton To ALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new video essay narrated by film scholar Alexandra Heller-Nicholas, based on her chapter of the same name from the book\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e“Satanic Panic: Pop-Cultural Paranoia in the 1980s\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 8:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWILCZYCA\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarek Piestrak, Poland, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e103 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003ePolish mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA domestic hit in Poland on first release, Marek Piestrak’s stunning wintry werewolf film is a sexually-charged folktale that pits a 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century Polish patriot against the ghost of his unfaithful wife, who haunts him from beyond the grave as a she-wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eUnleashing The She-Wolf\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e An Interview With Director Marek Piestrak\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLOKIS: A MANUSCRIPT OF PROFESSOR WITTEMBACH\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eJanusz Majewski, Poland, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e100 mins | 1:66:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003ePolish mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA pastor and ethnographer visits a remote corner of 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century Lithuania where folk customs associated with the area’s pagan past still have a hold on the population. There he finds himself the guest of a strange old family consisting of a sadistic Count and his mad mother, who—legend has it—was raped by a bear on her wedding night; the Count himself reputed to be the product of this bestial assault.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWild Country Of The Were-Bear\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e An Interview With Director Janusz Majewski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 9:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCLEARCUT \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRyszard Bugajski, Canada, 1991\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e98 mins | 2.35:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 4K from 35mm answer print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA white lawyer arrives to a remote area in Northern Ontario to defend Indigenous activists who are blocking a logging company’s clearcut of old growth on their land. A pacifist by nature, and perceiving himself as sympathetic to Indigenous concerns, he finds his values shaken when he is paired with an angry, rogue Indigenous activist named Arthur (Graham Greene) who insists on kidnapping the head of the logging company to take him deep into the forest—where he hopes to teach him the price of his destruction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eArchival Video Introduction By Director Ryszard Bugajski\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtesy of Maria Mamona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Scholar And Anthropologist Shaawano Chad Uran (White Earth Anishinaabe)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Short films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad Of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Willie Dunn, 1968) (10 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOften referred to as Canada’s first music video, Mi’kmaq\/Scottish folk singer and activist Willie Dunn’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Ballad Of Crowfoot\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eFor \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e With Kevin Howes And Lawrence Dunn, Co-Producers Of \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCreation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eYou Are On Indian\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLand\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael Kanentakeron Mitchell\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 1969) (32 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA landmark film that documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou Are On Indian Land\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eConsume\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Mike Peterson, 2017) (20 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope) struggles to hang onto his land and Indigenous identity as his personal demons resurface and manifest in the form of the Wendigo spirit.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 10:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eIL DEMONIO\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrunello Rondi, Italy, 1963\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e98 mins | 1.85:1 | B\/W | Region Free\u003cbr data-mce-fragment=\"1\"\u003eItalian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored from the original negative at RAI TV in Rome\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA stunning story of obsessive love, set in a rural Southern Italian village where Christianity has integrated many of the old superstitious beliefs. Daliah Lavi (THE WHIP AND THE BODY) plays Purif, who is distraught when her lover is betrothed to another. Her erratic behavior is interpreted as demonic possession—leading the villagers to turn against her with physical and sexual violence. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eBy Film Historian Kat Ellinger\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“The Kid From A Kibbutz” —\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Daliah Lavi And The Road To IL DEMONIO\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(27.5 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eA newly-commissioned video essay written and narrated by film historian Tim Lucas and edited by filmmaker and programmer Chris O’Neill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOnce Upon A Time In Basilicata\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrunello Rondi biographer Alberto Pezzotta looks at IL DEMONIO and the themes that dominated the director’s eclectic career\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDARK WATERS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMariano Baino, Russia\/UK\/Ukraine\/Italy, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e89 minutes | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eItalian stereo with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Mariano Baino’s groundbreaking debut, a young Englishwoman drawn to an island in the Black Sea in an attempt to discover her mysterious connection to a remote convent—a crumbling edifice that has been constructed over a labyrinth of Lovecraftian horrors. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Writer\/Director Mariano Baino \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDeep Into The DARK WATERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (50 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe cast and crew recall the making of DARK WATERS in this archival documentary featurette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 11:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eA FIELD IN ENGLAND\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBen Wheatley, UK, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 2.35:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDuring the Civil War in 17th-Century England, a small group of deserters flee from a raging battle and are captured by an alchemist who forces them to help him find a hidden treasure. Crossing a vast mushroom circle, which provides their first meal, the group succumbs to the terrifying energies trapped inside the field. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Director Ben Wheatley, Producer Andy Starke And Sound Editor Martin Pavey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLetterboxd Magic Hour Episode One: Kier-La Janisse X Ben Wheatley\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (45 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBen Wheatley talks folk horror with WOODLANDS DARK AND DAYS BEWITCHED director Kier-La Janisse in this special online interview conducted for the release of Wheatley’s IN THE EARTH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePlease Hear Me\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e The Music of A FIELD IN ENGLAND\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (6 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposer Jim Williams and Ben Wheatley discuss the sounds and musical influences of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBen Wheatley In Conversation With Pete Tombs\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (23 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA fascinating discussion between Wheatley and film historian\/author (“Immoral Tales,” “Mondo Macabro”) Pete Tombs that gets deep into the DNA of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCamera Tests \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(10.5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eANCHORESS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChris Newby, UK, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e108 mins | 1.66:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eClosed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on the true story of Christine Carpenter, a 14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e-century peasant who becomes transfixed by a statue of the Virgin Mary, and petitions to be walled into a cell attached to the church as a religious hermit. Alone in her cell she receives dark and sensual visions, while in the outside world, her defiant mother (played by musician Toyah Wilcox) is accused of witchcraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLockdown 1329\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (13.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new video essay by ANCHORESS director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Short Trip To Shere\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eANCHORESS director Chris Newby documents the location of the real Christine Carpenter’s anchoress cell at St. James’ Church in Shere, England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 12:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePENDA’S FEN\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlan Clarke, UK, 1974\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 1:33:1 | Color | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlan Clark (Scum) directs David Rudkin's epic tale of myth and identity whereby a sanctimonious Vicar's son has a spiritual and sexual awakening after being visited by a series of angels, gargoyles, and the ghosts of Edward Elgar and a long-dead Pagan King. Penda's Fen is the most magical of ALL British Folk Horror films, what Scholar Sukhdev Sandhu called \"A lasting vision of heresy and pastoral horror.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAudio Commentary by James Machin and Matthew Hale, Editors of the book \"Of Mud \u0026amp; Flame: The Penda's Fen Sourcebook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Landscape of Feelings: The Road to Penda's Fen\u003c\/strong\u003e (16 mins)                                                                                                                                                     A Documentary on the making of Rudkin and Clarke's groundbreaking Drama, featuring interviews with Writer David Rudkin and Producer David Rose as well as contributions from Clarke collaborators such as Writer David Yallop, Actor Sean Chapman and Playwright David Leland. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePlus Bonus Short Film:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Pledge\u003c\/strong\u003e (Digby Rumsey, 1982) (22 mins)                                                                                                                                                                                      Based on the short story by early 20th Century Fantasy Writer Lord Dunsany, \u003cem data-mce-fragment=\"1\"\u003eThe Pledge\u003c\/em\u003e concerns a group of Highwaymen who make a pact to save the should of their  hanged partner. A dark, luscious film co-edited by an uncredited Peter Greenaway and featuring music by Michael Nyman. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eROBIN REDBREAST\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames MacTaggart, UK, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e76 mins| 1:33:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered from BBC protection tape master, the only surviving element\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVeteran British chiller writer John Bowen penned this legendarily terrifying BBC teleplay, now considered a precursor to THE WICKER MAN. Nora Palmer moves to a quiet village in England after a break-up. The locals are warm enough at first, but their sinister intentions are gradually revealed. Is Nora paranoid or is she the center of a wicked pagan plot of indescribable horror?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith William Fowler And Vic Pratt, Curators And Authors Of “The Bodies Beneath: The Flipside of British Film \u0026amp; Television”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eInterview With John Bowen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (12 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe celebrated writer discusses his career and the origins of ROBIN REDBREAST. Courtesy of the British Film Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus bonus short film:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sermon\u003c\/strong\u003e (Dean Puckett, 2018) (12 mins) In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBONUS CDs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eORIGINAL MOTION PICTURE SOUNDTRACK\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposed by Jim Williams \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE WHITE PEOPLE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy Arthur Machen\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRead by Linda Hayden\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusic by Timothy Fife and Missionary Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArthur Machen’s hugely influential short story, first published in 1904, in which a discussion between two men on the nature of \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eevil\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e leads to the revelation of a mysterious Green Book\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe diary of a young girl, in which she describes her initiation into a secret world of folklore and magic. Here the story is brought vividly to life with an incredible reading by Linda Hayden (BLOOD ON SATAN’S CLAW) and a remarkable original score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eALL THE HAUNTS BE OURS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e— 126+ Page Book\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCurated by \u003cstrong data-mce-fragment=\"1\"\u003eKier-La Janisse\u003c\/strong\u003e, this beautifully-illustrated book designed by Luke Insect features new writing by \u003cstrong data-mce-fragment=\"1\"\u003eAndy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette and Dejan Ognjanović\u003c\/strong\u003e alongside a selection of illuminating archival pieces and a breakdown of all the films in the set.\u003c\/span\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40075490066502,"sku":"SEV7672BR","price":170.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/AlltheHauntsBoxSet.jpg?v=1754415434"},{"product_id":"nasty-habits","title":"Nasty Habits: The Nunsploitation Collection [4-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp\u003eThroughout the ‘70s, Italian filmmakers fired a canon of blasphemy to launch what remains the most controversial genre of all. Partake of its unholy sacrament with these \u003cstrong\u003efour uncut\/uncensored Nunsploitation classics\u003c\/strong\u003e: In \u003cstrong\u003eSergio Bergonzelli’s CRISTIANA DEVIL NUN\u003c\/strong\u003e – here in two extreme versions – a born-again nymphomaniac finds pleasures of the flesh in a convent of the damned. \u003cstrong\u003eSuzy Kendall\u003c\/strong\u003e and \u003cstrong\u003eEleonora Giorgi\u003c\/strong\u003e star in \u003cstrong\u003eDomenico Paolella’s\u003c\/strong\u003e historically accurate and wholly amoral \u003cstrong\u003eSTORY OF A CLOISTERED NUN\u003c\/strong\u003e. Sleaze maestro \u003cstrong\u003eJoe D’Amato\u003c\/strong\u003e combines Sapphic lust, Satanic panic and pure filth for \u003cstrong\u003eIMAGES IN A CONVENT\u003c\/strong\u003e. And with \u003cstrong\u003eTHE TRUE STORY OF THE NUN OF MONZA\u003c\/strong\u003e, director \u003cstrong\u003eBruno Mattei\u003c\/strong\u003e fulfills ungodly vows of graphic sacrilege. Severin Films proudly presents this superfluity of depravity, each mastered with \u003cstrong\u003eall-new Special Features produced exclusively for this collection. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCRISTIANA DEVIL NUN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtended Italian Cut Of The Film With Optional Partial English Audio\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSisters Of Vice And Virtue: The Marquis de Sade And Nunsploitation - \u003c\/em\u003eVideo Essay By \u003cstrong\u003eLindsay Hallam\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono (X-Rated Cut) \/ Italian Mono with Partial English audio (Extended Italian Cut)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92 mins (X-Rated Cut) \/ 102 mins (Extended Italian Cut)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSTORY OF A CLOISTERED NUN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eDown The Well\u003c\/em\u003e: Interview With Actress \u003cstrong\u003eMartine Brochard \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Nun's Story\u003c\/em\u003e: Interview With Actress \u003cstrong\u003eEleonora Giorgi \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eWithin A Cloister\u003c\/em\u003e: Interview With Camera Operator \u003cstrong\u003eDaniele Nannuzzi \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles \/ Closed Captions\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 98 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIMAGES IN A CONVENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e, Author Of Daughters Of Darkness\u003c\/li\u003e\n\u003cli\u003e25 Minutes Of Deleted Scenes With Optional Commentary By \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: Italian Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 103 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHE TRUE STORY OF THE NUN OF MONZA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Cross And The Sin\u003c\/em\u003e: Interview With Screenwriter \u003cstrong\u003eClaudio Fragasso \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSister Zora\u003c\/em\u003e: Interview With Actress \u003cstrong\u003eZora Kerova\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: Italian Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 93 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40075490230342,"sku":"SEV7731BR","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/NastyHabitsBOX.jpg?v=1754415516"},{"product_id":"the-eurocrypt-of-christopher-lee-collection-2","title":"The Eurocrypt of Christopher Lee Collection 2 [7-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cp class=\"p1\"\u003eTo celebrate the centennial of \u003cb\u003eSir Christopher Lee\u003c\/b\u003e, \u003cb\u003eEurocrypt Collection 2\u003c\/b\u003e presents five of the most unexpected, underrated and underseen films of the iconic actor’s European career. Immediately following HORROR OF DRACULA, Lee reprised the role in the quirky 1959 Italian comedy \u003cb\u003eUNCLE WAS A VAMPIRE\u003c\/b\u003e. Lee speaks fluent German opposite \u003cb\u003eKlaus Kinski\u003c\/b\u003e for the crazed 1962 krimi \u003cb\u003eSECRET OF THE RED ORCHID\u003c\/b\u003e. In the 1974 UK psycho-thriller \u003cb\u003eDARK PLACES\u003c\/b\u003e, Lee toplines a cast that includes \u003cb\u003eJoan Collins\u003c\/b\u003e, \u003cb\u003eHerbert Lom\u003c\/b\u003e and \u003cb\u003eJane Birkin\u003c\/b\u003e. Lee’s final performance as The Count in the 1976 French comedy \u003cb\u003eDRACULA AND SON\u003c\/b\u003e can at last be seen in its superior \u003cb\u003eDirector’s Cut\u003c\/b\u003e, while the ultra-rare 1988 Dutch drama \u003cb\u003eMURDER STORY\u003c\/b\u003e brings Lee into the sex shoppes of Amsterdam. Each film has been \u003cb\u003eremastered from original negative materials\u003c\/b\u003e with \u003cb\u003eover 15 total hours of trailers, commentaries, alternate cuts, vintage interviews and new featurettes\u003c\/b\u003e, plus the \u003cb\u003eDRACULA AND SON\u003c\/b\u003e \u003cb\u003esoundtrack\u003c\/b\u003e and an all-new 100-page book by Lee biographer Jonathan Rigby.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 1: Uncle Was a Vampire (1959)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShortly after HORROR OF DRACULA, \u003cb\u003eChristopher Lee\u003c\/b\u003e accepted an offer from producer \u003cb\u003eMario Cecchi Gori\u003c\/b\u003e – whose 200+ films would include Argento’s OPERA and Oscar\u003cspan class=\"s1\"\u003e®\u003c\/span\u003e nominee IL POSTINO – to make his first Italian film and reprise his star-making role\u003cb\u003e: \u003c\/b\u003eHis Carpathian domicile bought by developers, Baron Roderico\u003cb\u003e \u003c\/b\u003e(Lee in full Hammer\/Dracula mode) flees to the ancestral castle owned by his impoverished nephew (diminutive ’50s comedy star \u003cb\u003eRenato Rascel\u003c\/b\u003e). But when the nephew sells this castle to luxury hoteliers, Uncle Prince of Darkness must withstand obnoxious tourists, bikini beauties and his own bloodsucking bellhop relative. \u003cb\u003eSylva Koscina\u003c\/b\u003e (HERCULES) and \u003cb\u003eSusanne Loret\u003c\/b\u003e (ATOM AGE VAMPIRE) co-star in this sexy spoof directed by\u003cb\u003e Steno\u003c\/b\u003e (famed for his films with Italian comic\u003cb\u003e \u003c\/b\u003eTotò), featuring the \u003cb\u003eUncut Theatrical Version scanned in 2K from the dupe negative \u003c\/b\u003eand\u003cb\u003e Alternate TV Version sourced from the broadcast tape master.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eUncle was a Vampire Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eCommedia Dracula All'Italiana\u003c\/i\u003e — Interview With European Film Scholar Dr. \u003cstrong\u003ePasquale Iannone\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s3\"\u003eAlternate Cut From Italian Broadcast Master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s3\"\u003eAlternate Cut Audio Commentary With Christopher Lee Biographer \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e And Hammer Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eUncle was a Vampire Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAspect ratio: 2.39:1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio: Italian Mono \/ Partial English Mono\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRegion Free\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRun time: 101 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 2: The Secret of the Red Orchid (1962)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e stars – speaking fluent German – in this off-the-wall 1962 krimi filmed in Hamburg and based on the Edgar Wallace novel \u003ci\u003eWhen The Gangs Came To London. \u003c\/i\u003eAs\u003ci\u003e \u003c\/i\u003erival Chicago mobsters – led by \u003cb\u003eKlaus Kinski\u003c\/b\u003e as ‘Pretty Boy Steve’ – unleash a spree of extortion, machine gun mayhem and murder across England, Scotland Yard summons a cunning FBI agent (Lee) to end the escalating gang war.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cb\u003eAdrian Hoven\u003c\/b\u003e (MARK OF THE DEVIL, CASTLE OF THE CREEPING FLESH), and \u003cb\u003eMarisa Mell\u003c\/b\u003e (DANGER: DIABOLIK) co-star in this “entertaining riff on the classic gangster genre” (\u003ci\u003eKrimi Film\u003c\/i\u003e), \u003cb\u003enow scanned in 2K from the dupe negative and presented with its English and German-language tracks for the first time ever in America.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eThe Secret of the Red Orchid Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With Mondo Digital's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e And \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e, Author Of \u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With Film Scholars \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003ci\u003eAnno Dracula\u003c\/i\u003e,\u003ci\u003e \u003c\/i\u003eAnd \u003cstrong\u003eBarry Forshaw\u003c\/strong\u003e, Author Of \u003ci\u003eEuro Noir\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eThe Secret of the Red Orchid Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAspect ratio: 1.66:1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio: German Mono \/ English Mono\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRegion A\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRun time: 84 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 3: Dark Places (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eChristopher Lee \u003c\/b\u003etoplines a cast that includes\u003cb\u003e Joan Collins, Herbert Lom \u003c\/b\u003eand \u003cb\u003eJane Birkin\u003c\/b\u003e in the 1974 UK production – directed by \u003cb\u003eDon Sharp\u003c\/b\u003e of RASPUTIN: THE MAD MONK and PSYCHOMANIA fame – that’s equal parts ‘old dark house’ supernatural shocker and Amicus-style all-star fun: When the former administrator of an asylum (\u003cb\u003eRobert Hardy, \u003c\/b\u003eaka ‘Cornelius Fudge’ of the HARRY POTTER films) inherits the crumbling estate of an elderly inmate, he’ll unlock a nightmare of lust, larceny, insanity and several murders grisly enough to warrant an ‘X’ certification from the BBFC. \u003cb\u003eJean Marsh\u003c\/b\u003e (THE CHANGELING, RETURN TO OZ) co-stars in this “overlooked entry amid the ‘70s Anglo-horror cycle” (\u003ci\u003eMoria Reviews\u003c\/i\u003e), \u003cb\u003enow scanned uncut in 4K from an internegative recently discovered in a London lab vault.\u003c\/b\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDark Places Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With Mondo Digital's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e And \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e, Author Of \u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eThe Cadogan Conversations\u003c\/i\u003e — Interview With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003ci\u003eChristopher Lee: The Authorised Screen History\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s3\"\u003eU.S. Teaser Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s3\"\u003eBrazilian TV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDark Places Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAspect ratio: 1.85:1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio: English Mono \/ French Mono\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRegion Free\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRun time: 91 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 4 \u0026amp; 5: Dracula and Son – Director’s Cut (1976) and U.S. Version (1979)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFor his tenth and final screen appearance as Dracula, \u003cb\u003eChristopher Lee\u003c\/b\u003e starred – speaking fluent French – in this slyly ingenious 1976 horror comedy based on a novel by \u003cb\u003eClaude Klotz\u003c\/b\u003e (THE HAIRDRESSER’S HUSBAND) and directed by Academy Award\u003cspan class=\"s1\"\u003e®\u003c\/span\u003e nominee \u003cb\u003eÉdouard Molinaro\u003c\/b\u003e (LA CAGE AUX FOLLES). But when the U.S. distributor re-cut and dubbed the film into a broad parody, it was deservedly met with universal disdain. Molinaro’s \u003cb\u003eDirector’s Cut\u003c\/b\u003e can now be experienced \u003cb\u003efor the first time ever in America\u003c\/b\u003e, \u003cb\u003elovingly restored in 4K from the original negative with both French \u0026amp; English audio tracks\u003c\/b\u003e.\u003cb\u003e Bernard Menez\u003c\/b\u003e (DAY FOR NIGHT), \u003cb\u003eMarie-Hélène Breillat\u003c\/b\u003e (LAST TANGO IN PARIS) and future writer\/director \u003cb\u003eCatherine Breillat\u003c\/b\u003e (ANATOMY OF HELL) co-star in this “charming satire” (\u003ci\u003eThe Christopher Lee Filmography\u003c\/i\u003e) featuring a sumptuous score by \u003cb\u003eVladimir Cosma\u003c\/b\u003e (DIVA) and\u003cb\u003e loaded with vintage \u0026amp; new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDracula and Son Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Christopher Lee Biographer \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e And Hammer Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary With \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eLet The Son Shine In\u003c\/i\u003e — Interview With Actor \u003cstrong\u003eBernard Menez\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eArchival French TV Interview With Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eThe Molinaro Tapes\u003c\/i\u003e — Archival Audio Interview With Director \u003cstrong\u003eÉdouard Molinaro\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eWho Was Claude Klotz?\u003c\/i\u003e — Filmmaker \u003cstrong\u003ePatrice Leconte\u003c\/strong\u003e On His Three-Time Co-Writer And Author Of The Novel \u003ci\u003eParis Vampire\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eArchival Interview With \u003cstrong\u003eClaude Klotz\u003c\/strong\u003e At A 1976 Presentation Of DRACULA AND SON In Marseille\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGerman Credit Sequences\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTV Spot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDracula and Son Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAspect ratio: 1.66:1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eEnglish Mono \/ French Mono\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRegion A\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003euntime: 99 mins (Director’s Cut) \/ 79 mins (U.S. Version)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 6: Dracula and Son Soundtrack\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 7: Murder Story (1989)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the lone feature film written \u0026amp; directed by ‘80s music video hitmakers \u003cb\u003eEddie Arno \u0026amp; Markus Innocenti\u003c\/b\u003e, \u003cb\u003eChristopher Lee\u003c\/b\u003e delivers a sly performance as a famous mystery novelist whose mentoring of an aspiring young writer (\u003cb\u003eAlexis Denisof\u003c\/b\u003e of GUARDIANS OF THE GALAXY and BUFFY THE VAMPIRE SLAYER\/ANGEL) will lead them both into an Amsterdam-based web of pornography, arson and a global conspiracy of cold-blooded murder. \u003cb\u003eBruce Boa\u003c\/b\u003e (THE EMPIRE STRIKES BACK, FULL METAL JACKET) co-stars in this 1989 Dutch\/British thriller produced by \u003cb\u003eTom Reeve\u003c\/b\u003e (DOG SOLDIERS), \u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 4K from the original negative.\u003c\/b\u003e As a \u003cb\u003ebonus\u003c\/b\u003e, \u003cb\u003eRod Taylor, Valerie Perrine \u003c\/b\u003eand Lee\u003cb\u003e \u003c\/b\u003estar in the ultra-rare 1989 Swedish giallo \u003cb\u003eMASK OF MURDER\u003c\/b\u003e, sourced from the best existing master.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMurder Story Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Co-Writers\/Co-Directors \u003cstrong\u003eEddie Arno\u003c\/strong\u003e And \u003cstrong\u003eMarkus Innocenti\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003ci\u003eA British Producer In Holland\u003c\/i\u003e — Interview With Producer \u003cstrong\u003eTom Reeve\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s3\"\u003e\u003cstrong\u003eBONUS FILM:\u003c\/strong\u003e MASK OF MURDER (1988) — Swedish Film Co-Starring \u003cstrong\u003eChristopher Lee\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMurder Story Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 90 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"youtube-responsive-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40075492950086,"sku":"SEV10463BR","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/EuroCrypt-of-Christopher-Lee-Volume-2-Box-Set-3D-Key-Art-scaled.jpg?v=1754415640"},{"product_id":"incredibly-strange-steckler-box","title":"The Incredibly Strange Films of Ray Dennis Steckler [10-Disc Blu-ray Box Set]","description":"\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cb\u003eSee:\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e the incredibly comprehensive \u003c\/span\u003e\u003cb\u003e10-disc career spanning collection\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e from producer\/director\/writer\/showman\/star \u003c\/span\u003e\u003cb\u003eRay Dennis Steckler\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e –\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e along with \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003enoms de cinéma\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e that included Sven Christian, Wolfgang Schmidt, Cindy Lou Sutters and Cash Flagg –\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e “an unheralded auteur misunderstood by the mainstream and de-legitimized by a critical community unable to appreciate his genius.” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePopMatters)\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cp\u003e\u003cb\u003eSee:\u003c\/b\u003e \u003cb\u003e20 incredibly strange films \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e–\u003c\/span\u003e\u003cb\u003e scanned in 4K\/2K from the best existing 35MM\/16MM vault elements, sole remaining prints and video masters \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e– including several rarely-seen, thought-lost or never-before-on-disc, plus\u003c\/span\u003e\u003cb\u003e all-new Special Features\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eaudio commentaries, a full-color book\u003c\/b\u003e \u003cb\u003eand more\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e that smashes the fun barrier!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSee:\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003ethe incredibly true story – \u003c\/span\u003e\u003cb\u003efilmed in Hallucinogenic Hypno-Vision \u0026amp; Terrorama!\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – behind \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eone of the most incomparable, unstoppable and wildly original talents in horror, exploitation, adult film and pop culture history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNew Book:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Incredibly Strange Filmmaker Who Stopped Living And Became A Mixed-Up Legend\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e written by Zack Carlson, co-author of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDestroy All Movies!!! \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eand \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBleeding Skull: A 1990s Trash-Horror Odyssey\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ewith contributions by Charles Devlin.\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1: Wild Guitar (1962)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBud Eagle Rocks\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With Actor \u003cstrong\u003eArch Hall, Jr.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Incredibly Strange Film Show\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Season 1, Episode 2: Ray Dennis Steckler\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMaster Of The Grind\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003eRun time: 90 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: The Incredibly Strange Creatures Who Stopped Living And Became Mixed-Up Zombies!!? (1963)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eJoe Bob Briggs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eJoe Bob Briggs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eCarolyn Brandt\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eVHS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTEENAGE PSYCHO MEETS BLOODY MARY Re-Release Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTEENAGE PSYCHO MEETS BLOODY MARY Radio Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.75:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003eRun time: 82 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 3: The Thrill Killers (1965)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eChristopher Wayne Curry\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Incredibly Strange Features Of Ray Dennis Steckler\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eConfessions Of A Thrill Killer\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With Actor \u003cstrong\u003eGary Kent\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eQ\u0026amp;A At The York Theatre, San Francisco\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternate Cut: THE MANIACS ARE LOOSE (77 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBehind The Scenes Footage With Commentary By \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTHE THRILL KILLERS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTHE MANIACS ARE LOOSE Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTHE MANIACS ARE LOOSE TV Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eRadio Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003eRun time: 70 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 4: Rat Pfink A Boo Boo (1965) \/ The Lemon Grove Kids (1967, 1969)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRat Pfink A Boo Boo:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With A\u003cstrong\u003earon AuBuchon\u003c\/strong\u003e, Webster University Professor Of Film Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFirst Lady Of Cult\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With Actress \u003cstrong\u003eCarolyn Brandt\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMondo Psychotronic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With Mondo Movies Label And Psychotronic Video Store Owner Bal Croce And Friends\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMonster Mags, B-Movies \u0026amp; Rock 'n' Roll\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Filmmaker \u003cstrong\u003eDon Glut\u003c\/strong\u003e On Ron Haydock And Ray\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOriginal Opening Footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eColor Footage Of Rat Pfink And Boo Boo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eThe Lemon Grove Kids:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTickles Talks\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With Daughter \u003cstrong\u003eLaura Steckler\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eText Card For Live Show\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFootage From Unreleased Fourth Segment\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eParade Footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003eGOOF ON THE LOOSE\u003c\/em\u003e — Short Film With Optional Director Commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRat Pfink and Boo Boo\/The Lemon Grove Kids Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003eAspect ratio: 1.85:1 \/ 1.33:1\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003eClosed Captions\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003eRegion Free\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003eRun time: 67 mins \/ 78 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 5: Body Fever (1969) \/ Sinthia: The Devil’s Doll (1969) \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBody Fever Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Dark Eyes Of London's \u003cstrong\u003eDavid Dent\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eCarolyn Brandt\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInterview With Ray Dennis Steckler At The York Theatre, San Francisco\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWork Print Footage From BLOODY JACK (Unfinished Film Started After BODY FEVER)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBody Fever\/Sinthia: The Devil's Doll Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.85:1 \/ 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRun time: 78 mins \/ 77 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 6: Blood Shack (1971)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternate Cut: THE CHOOPER (70 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eJoe Bob Briggs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eJoe Bob Briggs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eAaron AuBuchon\u003c\/strong\u003e, Webster University Professor Of Film Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eCarolyn Brandt\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003eRun time: 55 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 7: The Hollywood Strangler Meets The Skid Row Slasher (1980) \/ The Las Vegas Serial Killer (1987)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Hollywood Strangler Meets The Skid Row Slasher\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eJoe Bob Briggs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eJoe Bob Briggs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eCarolyn Brandt\u003c\/strong\u003e By \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHOLLYWOOD STRANGLER IN LAS VEGAS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eThe Las Vegas Serial Killer\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Actor \u003cstrong\u003eRon Jason\u003c\/strong\u003e Moderated By Severin Films' \u003cstrong\u003eDavid Gregory\u003c\/strong\u003e And Vinegar Syndrome's \u003cstrong\u003eJoe Rubin\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Las Vegas Thrill Killer\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With Actor \u003cstrong\u003eRon Jason\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSavage And Steckler\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Interview With Actress \u003cstrong\u003eGlenda Savage\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePromo For The Unfinished Film LAS VEGAS THRILL KILLER With Optional Commentary By \u003cstrong\u003eRon Jason\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eThe Hollywood Strangler Meets The Skid Row Slasher\/The Las Vegas Serial Killer Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRun time: 71 mins \/ 76 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 8: The Mad Love Life Of A Hot Vampire \/ Nazi Brothel \/ Love Life Of Hitler’s Nazis \/ Count Al-Kum \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cmeta charset=\"UTF-8\"\u003eThe Mad Love Life Of A Hot Vampire\/Nazi Brothel\/Love Life Of Hitler’s Nazis\/Count Al-Kum Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eRun time: 51 mins \/ 55 mins \/ 52 mins \/ 49 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSteckler Locations Tour Of Los Angeles And Las Vegas With Vinegar Syndrome's Joe Rubin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 9: Dr. Cock Luv \/ The Sexorcist’s Devil \/ Red Heat\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInterview With Actress \u003cstrong\u003eLovey Goldmine\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLost Film Productions Digest Versions Of FACE OF EVIL and SLASHED...\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDr. Cock Luv\/The Sexorcist’s Devil\/Red Heat Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRun time: 52 mins \/ 60 mins \/ 81 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 10: Summer Fun (1997) \/ Reading, Pennsylvania (2006) \/ One More Time (2008)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAMERICAN GRINDHOUSE Extended Interview With \u003cstrong\u003eRay Dennis Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInterview With\u003cstrong\u003e Elijah Drenner\u003c\/strong\u003e, Director Of AMERICAN GRINDHOUSE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNatasha Diakova's Screen Test For ONE MORE TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eRay Dennis Steckler Talks B-Movie Filmmaking At Las Vegas High School\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eJohnny Legend's Final Interview With Ray Dennis Steckler And Behind The Scenes Footage From ONE MORE TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Interview With \u003cstrong\u003eKatherine Steckler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMASCOT VIDEO By Filmmaker \u003cstrong\u003eJoaquin Montalvan\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSUMMER FUN Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eSummer Fun\/Reading, Pennsylvania\/One More Time Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAspect Ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eRun time: 61 mins \/ 257 mins \/ 66 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40115013386310,"sku":"RDSBOX","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/RDSBoxSet.jpg?v=1754415470"},{"product_id":"hopw-box","title":"House of Psychotic Women: Rarities Collection Volume 1 [5-Disc Blu-ray Box Set]","description":"\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 2012 \u003c\/span\u003e\u003cb\u003eKier-La Janisse\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e published \u003c\/span\u003e\u003cb\u003e\u003ci\u003eHouse of Psychotic Women\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, billed as “an autobiographical topography of female neurosis in horror and exploitation films.” It soon became one of the most “vital” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eTim Lucas, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVideo Watchdog\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e and “astonishing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaily Grindhouse\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003egenre tomes of all time. To mark the book’s 10\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eth\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e anniversary, award-winning writer\/programmer\/filmmaker Janisse (WOODLANDS DARK AND DAYS BEWITCHED) now presents four of the strongest and strangest explorations of onscreen delirium and hysteria, \u003c\/span\u003e\u003cb\u003eall\u003c\/b\u003e \u003cb\u003eon American Blu-ray for the first time\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in 1974’s \u003c\/span\u003e\u003cb\u003eIDENTIKIT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (aka THE DRIVER’S SEAT) \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eas a hostile woman who travels to Rome to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In the surreal 1986 Polish horror-comedy \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a female vampire discovers that love may be the \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ecruelest curse of all. \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in the startling 1975 amnesiac giallo \u003c\/span\u003e\u003cb\u003eFOOTPRINTS \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003efrom the director of THE FIFTH CORD. And British screenwriter and radical theatre icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003edirects\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e1972’s harrowing \u003c\/span\u003e\u003cb\u003eTHE OTHER SIDE OF THE UNDERNEATH. \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach film has been \u003c\/span\u003e\u003cb\u003erestored from original vault elements, with all-new introductions\u003c\/b\u003e \u003cb\u003eby the author\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003ehours of Special Features produced exclusively for this collection. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: Identikit (1974)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn what remains the most obscure, bizarre and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison of all\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003enominee \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE OFFENCE), \u003c\/span\u003e\u003cb\u003eMona Washbourne\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE COLLECTOR) and \u003c\/span\u003e\u003cb\u003eAndy Warhol\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e“unique, hallucinatory neo noir” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCult Film Freaks\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – barely released in America as THE DRIVER’S SEAT – directed by \u003c\/span\u003e\u003cb\u003eGiuseppe Patroni Griffi \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(‘TIS PITY SHE’S A WHORE), \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eadapted from the unnerving novella by \u003c\/span\u003e\u003cb\u003eMuriel Spark\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Prime Of Miss Jean Brodie\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003efeaturing cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(APOCALYPSE NOW, THE LAST EMPEROR), now \u003c\/span\u003e\u003cb\u003erestored in 4K\u003c\/b\u003e\u003cb\u003e by Severin Films. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With TCM Underground Curator \u003cstrong\u003eMillie De Chirico\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Lack Of Absence —\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Writer And Literary Historian \u003cstrong\u003eChandra Mayor\u003c\/strong\u003e On Muriel Spark And \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Driver's Seat\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 102 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 2: I Like Bats (1986)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDirected and co-written by \u003c\/span\u003e\u003cb\u003eGrzegorz Warchol\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e– the Polish actor best known for his performance in THREE COLORS: WHITE – this 1986 Perspektywa Film Group production combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos. \u003c\/span\u003e\u003cb\u003eKatarzyna Walter\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a happily single young vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eCo-scripted by feminist writer\/activist \u003c\/span\u003e\u003cb\u003eKrystyna Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and featuring poet, songwriter and cabaret icon \u003c\/span\u003e\u003cb\u003eJonasz Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e in his sole film role, \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003es\u003c\/b\u003e\u003cb\u003ecanned in 2K from the only 35mm print known to exist\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eKamila Wielebska\u003c\/strong\u003e, Actor And Co-Editor Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Story Of Sin: Surrealism In Polish Cinema\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.66.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: Polish Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 81 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: Footprints (1975) – U.S. Cut and Italian Cut\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn the most criminally underseen giallo of the ‘70s, \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (A LIZARD IN A WOMAN’S SKIN, FLAVIA THE HERETIC) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? \u003c\/span\u003e\u003cb\u003eNicoletta Elmi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (DEEP RED), \u003c\/span\u003e\u003cb\u003eEvelyn Stewart\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE SWEET BODY OF DEBORAH), \u003c\/span\u003e\u003cb\u003eLila Kedrova\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE TENANT) and \u003c\/span\u003e\u003cb\u003eKlaus Kinski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this “visually stunning gem” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMondo Digital\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – also known as FOOTPRINTS ON THE MOON – directed by \u003c\/span\u003e\u003cb\u003eLuigi Bazzoni\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE FIFTH CORD) with cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BIRD WITH THE CRYSTAL PLUMAGE), now \u003c\/span\u003e\u003cb\u003escanned in 4K from the original camera negatives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTo The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Actress\u003cstrong\u003e Ida Galli\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNicoletta Elmi: Italian Cinema's Imp Ascendent\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Video Essay By Film Scholars \u003cstrong\u003eAlexandra Heller-Nicholas\u003c\/strong\u003e And \u003cstrong\u003eCraig Martin\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio Commentary With Film Historian \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e (Italian Cut)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLight Of The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Cinematographer \u003cstrong\u003eVittorio Storaro\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 93 mins (U.S. Cut) \/ 96 mins (Italian Cut)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 5: The Other Side of the Underneath (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt’s been called “harrowing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), “seriously disturbing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlu-ray.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and “part documentary, part primal scream” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eScreen Slate\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e). More than half a century later, it remains all that and more: In 1972, screenwriter\/feminist\/radical theater icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e adapted her own multimedia stage production \"A New Communion for Freaks, Prophets and Witches\" into a nightmarish exploration of reason, chaos and her own battles with mental illness unlike anything audiences have seen before or since. \u003c\/span\u003e\u003cb\u003eSheila Allen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CHILDREN OF THE DAMNED), \u003c\/span\u003e\u003cb\u003eAnn Lynn\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BLACK TORMENT), renowned visual artist \u003c\/span\u003e\u003cb\u003ePenny Slinger\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and Arden herself star in the only British feature film of the 1970s solo-directed by a woman, recently \u003c\/span\u003e\u003cb\u003erestored in 2K by the British Film Institute.\u003c\/b\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Workprint Version Of The Film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSheila Allen\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNatasha Morgan\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Sequences\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePenny Slinger Live At The Miskatonic Institute of Horror Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003ePENNY SLINGER: OUT OF THE SHADOWS\u003c\/em\u003e Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 111 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBox Set Credits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCuration, Art Direction and Special Features Production: Kier-La Janisse\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDesign: David Levine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Thanks:\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eJacqueline Castel\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaniel Bird\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHarvey Fenton\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRichard Kovitch\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eEddie Muller\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelagh Rowan-Legg\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAndy Starke\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40197900468294,"sku":"SEV11078BR","price":73.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/HOPWBoxSet.jpg?v=1754415457"},{"product_id":"damaged-haunts-box","title":"All the Haunts Be Ours: A Compendium of Folk Horror Vol. 1 [DAMAGED Box Set]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePLEASE NOTE: THIS LISTING IS FOR A DAMAGED (DINGED\/DENTED) BLU-RAY BOX SET OF OUR ALL THE HAUNTS BE OURS RELEASE. WE WILL NOT ACCEPT RETURNS ON THIS PRODUCT.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe most comprehensive collection of its kind begins with the definitive genre documentary of our time, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKier-La Janisse\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s award-winning \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK \u0026amp; DAYS BEWITCHED. \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom there, experience \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e19 of the best-known, least-known, rarely-seen and thought-lost classics of folk horror\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e from around the world, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eall restored from the best available vault elements with Special Features \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003ethat include short films, audio commentaries and exclusive featurettes. The ultimate genre exploration continues with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ethe original WOODLANDS soundtrack by Jim Williams and a reading of the classic short story ‘The White People’ by actress Linda Hayden,\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e as well as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ea 126-page illustrated book\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e curated by Janisse and designed by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLuke Insect \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003efeaturing all-new writings by renowned film scholars, authors and historians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 1:\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eKier-La Janisse, USA, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e192 mins | 1.85 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish and Portuguese with English subtitles\u003cbr data-mce-fragment=\"1\"\u003eStereo\u003cbr data-mce-fragment=\"1\"\u003eHD Digital Master \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED explores the folk horror phenomenon and its culturally specific manifestations in international horror, from its first wave in the 1970s to today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eVideo Introduction By Writer\/Director\/Producer Kier-La Janisse \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(9 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAnimating Folk Horror\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — A Conversation with Ashley Thorpe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (12 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnimator Ashley Thorpe discusses his processes and inspirations for the animated sequences he created for the film.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake: \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhat is Folk Horror?\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(2 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eExpanded definitions of folk horror cut from the film’s introductory sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake: \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHarvest Hymns\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — The Sounds and Signals of Folk Horror\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (22 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHistorians and Composers—including Marc Wilkinson, John Cameron, Jim Williams, Pentagram Home Video and more—weigh in on the sounds of folk horror from trad to electronica. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake: \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTerra Assombrada\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — Expressions of Folk Horror in Brazil \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(7 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eFilmmaker Dennison Ramalho and Scholars Carlos Primati and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLaura Loguercio Cánepa\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e discuss the impact of Brazilian folk literature and songs on folk horror. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFolk Poetry\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWITCHFINDER GENERAL star Ian Ogilvy and BLOOD ON SATAN’S CLAW’s Linda Hayden recite classic folk poems set to Super 8 footage.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 2:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEYES OF FIRE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvery Crounse, USA, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e86 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish Mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003e4K restoration from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe seminal American folk horror film, unavailable on home video for decades, now debuts in a new 4K restoration. A rogue 18\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century preacher and his followers make their way downriver to establish a new settlement beyond the western frontier and encounter a forest enchanted by strange spirits that will bring an apocalyptic madness upon them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Colin Dickey, Author of “Ghostland: An American History In Haunted Places”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Secret Is In The Trees\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — “Nightmare USA” Author Stephen Thrower Interviews Avery Crounse \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(29 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCrying Blue Sky\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlternate Longer Cut restored in 2K from Director's personal 35mm answer print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Short Films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Legend Of Sleepy Hollow\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Sam Weiss, USA 1972) (13 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre icon John Carradine narrates this atmospheric animated adaptation of Washington Irving’s classic story, newly scanned from 16mm for this release by educational film archive AV Geeks. Courtesy of Pyramid Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTransformations\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Barbara Hirschfeld, USA 1972)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e (\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e8.5 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eA fascinating feminist experimental film shot on location in Vermont about a group of witches performing white magic. Courtesy of the Vermont Archive Movie Project (VAMP). \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003evamp.vtiff.org\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBackwoods\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Ryan Mackfall, UK 2018) (15 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA scholar drifts from his path and finds himself in a house he takes for deserted. Based on H.P. Lovecraft's “The Picture In The House.” Courtesy of Myskatonic Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLEPTIRICA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic, Serbia, 1973\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e65 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eSerbian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eHD master from Public Service Media Radio Television of Serbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased loosely on by Milovan Glišić’s classic 1880 Serbian vampire story \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter Ninety Years\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e – which preceded Bram Stoker’s Dracula by nearly two decades – Djordje Kadijevic’s adaptation is a subversive, darkly erotic take on Glišić’s pastoral tale of a group of rural villagers beset upon by the infamous vampire Sava Savanovic, who has taken up residence in their local flour mill. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRadical Fairy Tales\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — Interview With Director Djordje Kadijevic\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus bonus short films newly remastered in HD from archival film elements at Public Service Media Radio Television of Serbia:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eŠtićenik\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,1973) (45 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA terrified young man is being pursued by a mysterious man in black. He hides out in nearby mental hospital, but can he escape his fate?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDiary Of An Inmate\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (10 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eŠtićenik\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eactor Milan Mihailovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDevičanska Svirka\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,1973) (60 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA man travelling through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePrisoner Of Song\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with Devičanska Svirka actor Goran Sultanovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWITCHHAMMER\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtakar Vávra, Czechoslovakia, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e107 mins | 2:35:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eCzech mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eHD restored master supplied by the Czech Film Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtakar Vávra’s film about 17\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century witch hunter Jindřich František Boblig and the horrors he visited on the small village of Velké Losiny has been called an Eastern European counterpart to Michael Reeves’ WITCHFINDER GENERAL and Michael Armstrong’s MARK OF THE DEVIL. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Czech Film Historian And Curator Irena Kovarova\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe \u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWomb\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e Of \u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWoman\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e Is The Gateway To Hell\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(22.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA filmed appreciation by essayist and critic Kat Ellinger and film historian Michael Brooke. Courtesy of Second Run Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Projection Booth Podcast \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(62 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe renowned film podcast’s episode on WITCHHAMMER, with host Mike White and guest critics Samm Deighan and Rahne Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eVIY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eKonstantin Ershov, Georgiy Kropachyov, Soviet Union, 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e76 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eRussian mono with optional English subtitles \/ English mono\u003cbr data-mce-fragment=\"1\"\u003eHD restored master supplied by Mosfilm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on the classic novella by Nikolai Gogol, VIY\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eremains the height of Soviet fantasy cinema\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e.\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e In 19th century Russia, a seminary student is forced to spend three nights with the corpse of a beautiful young witch. But when she rises from the dead to test his faith, it will summon a nightmare of fear, desire and the ultimate demonic mayhem. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom The Woods To The Cosmos\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e — John Leman Riley On The History Of Soviet Fantasy And Sci-Fi Film \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(34 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Silent Short Films: \u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eSatan Exultant\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1917, 20 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Queen of Spades \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1916, 16 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Portrait \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1915, 8 mins) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLAKE OF THE DEAD\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eKåre Bergstrøm, Norway, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e77 mins | 2.40:1 | B\/W | Region Free\u003cbr data-mce-fragment=\"1\"\u003eNorwegian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConsidered a classic of Norwegian cinema, a group of colleagues venture to a remote cabin to look for a missing friend and are spooked by an old legend: that the cabin had belonged to a man who killed his sister and her lover and then drowned himself in the lake. Since then, it is said that anyone who stays in the cabin will be driven to the same fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Film Historians Jonathan Rigby And Kevin Lyons\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTILBURY\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eViðar Víkingsson, Iceland, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e57 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eIcelandic mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from the original negative at the Film Museum of Iceland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis made-for-TV film shares the Icelandic lore of the Tilbury, a creature who could be summoned by women in times of financial hardship and starvation. But the gifts of the Tilbury come with their own brand of destruction. Set in 1940, during the British occupation, a country boy discovers his childhood sweetheart is having an affair with a British soldier, but suspects it could be one of the evil creatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Director Viðar Víkingsson And Screenwriter Þórarinn Eldjárn, Moderated By Film Scholar Gudrun D. Whitehead\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWith Enough Tilbury Butter, Anything Is Good\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Interview With Karl Ágúst Úlfsson \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Boy From The Country\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Interview With Kristján Franklin Magnúss \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhite Spot In The Back Of The Head\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Viðar Víkingsson,\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e1979) (33 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis early student film from the director of TILBURY transposes the ghostly Icelandic legend of The Deacon of Dark River to 1970s France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“The Moon Fades, Death Rides”\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eViðar Víkingsson discusses the folkloric origins of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Spot In The Back Of The Head\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE DREAMING\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMario Andreacchio, Australia, 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from best surviving 35mm positive print \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia’s Kangaroo Island, one of them is shot evading police and taken to a local hospital. When the patient dies in her care, the doctor attending to her experiences strange visions relating to violent events from the past. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Director Mario Andreacchio, Moderated By Film Historian Jarret Gahan\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKADAICHA\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Bogle, Australia 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e88 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered from only surviving broadcast quality video master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough conceived as a commercial horror film, this tale of teens being condemned to death in their dreams by an Aboriginal magician as recompense for a housing development having been built on a sacred burial ground also serves as an admission of national guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Director James Bogle, Moderated By Veteran Film Journalist Michael Helms (\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFatal Visions\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Final Girl Of KADAICHA\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(13 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn audio interview with actress Zoe Carides, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eComposing KADAICHA\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(17.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn audio interview with composer Peter Westheimer, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBehind The Scenes Of KADAICHA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (7 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecently-unearthed footage of director James Bogle and the cast and crew in a typical day on set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCELIA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Turner, Australia, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e103 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from 35mm original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1950s Australia, after 9-year-old Celia hears the disturbing fairy tale of \"The Hobyahs\" in school, it colors her interpretation of real life conflicts such as her parents' struggling relationship, the threat of communism and the country's plague of rabbits. Ann Turner's award-winning film paints a disquieting picture of innocence trying to make sense of the harsh and complex world around her through escape into dark fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCELIA And Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (40 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new interview with director Ann Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom Crawfords To CELIA\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (17 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with veteran editor Ken Sallows  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Rabbit In Australia\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (24 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population, which includes the rabbit cull of the 1950s that serves as the backdrop for Ann Turner’s\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eCELIA\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIan Coughlan, Australia, 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e97 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from 16mm CRI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGetting its first official release since the VHS era, this Australian paranormal cult is unearthed! During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e birthday. Fast forward three years later to the week of her 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e: she gets a call from her mother that they're having a party to celebrate and they want her there... alone. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eExtended Interviews\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eFrom NOT QUITE HOLLYWOOD With Producer David Hannay And Cast Members Joanne Samuel And Belinda Giblin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Devil Down Under\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Satanic Panic In Australia From Rosaleen Norton To ALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new video essay narrated by film scholar Alexandra Heller-Nicholas, based on her chapter of the same name from the book\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e“Satanic Panic: Pop-Cultural Paranoia in the 1980s\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 8:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWILCZYCA\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarek Piestrak, Poland, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e103 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003ePolish mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA domestic hit in Poland on first release, Marek Piestrak’s stunning wintry werewolf film is a sexually-charged folktale that pits a 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century Polish patriot against the ghost of his unfaithful wife, who haunts him from beyond the grave as a she-wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eUnleashing The She-Wolf\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e An Interview With Director Marek Piestrak\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLOKIS: A MANUSCRIPT OF PROFESSOR WITTEMBACH\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eJanusz Majewski, Poland, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e100 mins | 1:66:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003ePolish mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA pastor and ethnographer visits a remote corner of 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e century Lithuania where folk customs associated with the area’s pagan past still have a hold on the population. There he finds himself the guest of a strange old family consisting of a sadistic Count and his mad mother, who—legend has it—was raped by a bear on her wedding night; the Count himself reputed to be the product of this bestial assault.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWild Country Of The Were-Bear\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e An Interview With Director Janusz Majewski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 9:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCLEARCUT \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRyszard Bugajski, Canada, 1991\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e98 mins | 2.35:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 4K from 35mm answer print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA white lawyer arrives to a remote area in Northern Ontario to defend Indigenous activists who are blocking a logging company’s clearcut of old growth on their land. A pacifist by nature, and perceiving himself as sympathetic to Indigenous concerns, he finds his values shaken when he is paired with an angry, rogue Indigenous activist named Arthur (Graham Greene) who insists on kidnapping the head of the logging company to take him deep into the forest—where he hopes to teach him the price of his destruction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eArchival Video Introduction By Director Ryszard Bugajski\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtesy of Maria Mamona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Scholar And Anthropologist Shaawano Chad Uran (White Earth Anishinaabe)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Short films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad Of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Willie Dunn, 1968) (10 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOften referred to as Canada’s first music video, Mi’kmaq\/Scottish folk singer and activist Willie Dunn’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Ballad Of Crowfoot\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eFor \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e With Kevin Howes And Lawrence Dunn, Co-Producers Of \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCreation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eYou Are On Indian\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLand\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael Kanentakeron Mitchell\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 1969) (32 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA landmark film that documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou Are On Indian Land\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eConsume\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Mike Peterson, 2017) (20 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope) struggles to hang onto his land and Indigenous identity as his personal demons resurface and manifest in the form of the Wendigo spirit.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 10:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eIL DEMONIO\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrunello Rondi, Italy, 1963\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e98 mins | 1.85:1 | B\/W | Region Free\u003cbr data-mce-fragment=\"1\"\u003eItalian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored from the original negative at RAI TV in Rome\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA stunning story of obsessive love, set in a rural Southern Italian village where Christianity has integrated many of the old superstitious beliefs. Daliah Lavi (THE WHIP AND THE BODY) plays Purif, who is distraught when her lover is betrothed to another. Her erratic behavior is interpreted as demonic possession—leading the villagers to turn against her with physical and sexual violence. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eBy Film Historian Kat Ellinger\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“The Kid From A Kibbutz” —\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e Daliah Lavi And The Road To IL DEMONIO\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003e(27.5 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eA newly-commissioned video essay written and narrated by film historian Tim Lucas and edited by filmmaker and programmer Chris O’Neill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOnce Upon A Time In Basilicata\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrunello Rondi biographer Alberto Pezzotta looks at IL DEMONIO and the themes that dominated the director’s eclectic career\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDARK WATERS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMariano Baino, Russia\/UK\/Ukraine\/Italy, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e89 minutes | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eItalian stereo with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Mariano Baino’s groundbreaking debut, a young Englishwoman drawn to an island in the Black Sea in an attempt to discover her mysterious connection to a remote convent—a crumbling edifice that has been constructed over a labyrinth of Lovecraftian horrors. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Writer\/Director Mariano Baino \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDeep Into The DARK WATERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (50 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe cast and crew recall the making of DARK WATERS in this archival documentary featurette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 11:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eA FIELD IN ENGLAND\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBen Wheatley, UK, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 2.35:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDuring the Civil War in 17th-Century England, a small group of deserters flee from a raging battle and are captured by an alchemist who forces them to help him find a hidden treasure. Crossing a vast mushroom circle, which provides their first meal, the group succumbs to the terrifying energies trapped inside the field. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith Director Ben Wheatley, Producer Andy Starke And Sound Editor Martin Pavey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLetterboxd Magic Hour Episode One: Kier-La Janisse X Ben Wheatley\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (45 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBen Wheatley talks folk horror with WOODLANDS DARK AND DAYS BEWITCHED director Kier-La Janisse in this special online interview conducted for the release of Wheatley’s IN THE EARTH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePlease Hear Me\u003c\/i\u003e\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e The Music of A FIELD IN ENGLAND\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (6 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposer Jim Williams and Ben Wheatley discuss the sounds and musical influences of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBen Wheatley In Conversation With Pete Tombs\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (23 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA fascinating discussion between Wheatley and film historian\/author (“Immoral Tales,” “Mondo Macabro”) Pete Tombs that gets deep into the DNA of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCamera Tests \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(10.5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eANCHORESS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChris Newby, UK, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e108 mins | 1.66:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eClosed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on the true story of Christine Carpenter, a 14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e-century peasant who becomes transfixed by a statue of the Virgin Mary, and petitions to be walled into a cell attached to the church as a religious hermit. Alone in her cell she receives dark and sensual visions, while in the outside world, her defiant mother (played by musician Toyah Wilcox) is accused of witchcraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLockdown 1329\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (13.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new video essay by ANCHORESS director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Short Trip To Shere\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eANCHORESS director Chris Newby documents the location of the real Christine Carpenter’s anchoress cell at St. James’ Church in Shere, England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e_________________________________________________________________________________________________________________\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 12:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePENDA’S FEN\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlan Clarke, UK, 1974\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 1:33:1 | Color | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlan Clark (Scum) directs David Rudkin's epic tale of myth and identity whereby a sanctimonious Vicar's son has a spiritual and sexual awakening after being visited by a series of angels, gargoyles, and the ghosts of Edward Elgar and a long-dead Pagan King. Penda's Fen is the most magical of ALL British Folk Horror films, what Scholar Sukhdev Sandhu called \"A lasting vision of heresy and pastoral horror.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAudio Commentary by James Machin and Matthew Hale, Editors of the book \"Of Mud \u0026amp; Flame: The Penda's Fen Sourcebook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Landscape of Feelings: The Road to Penda's Fen\u003c\/strong\u003e (16 mins)                                                                                                                                                     A Documentary on the making of Rudkin and Clarke's groundbreaking Drama, featuring interviews with Writer David Rudkin and Producer David Rose as well as contributions from Clarke collaborators such as Writer David Yallop, Actor Sean Chapman and Playwright David Leland. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePlus Bonus Short Film:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Pledge\u003c\/strong\u003e (Digby Rumsey, 1982) (22 mins)                                                                                                                                                                                      Based on the short story by early 20th Century Fantasy Writer Lord Dunsany, \u003cem data-mce-fragment=\"1\"\u003eThe Pledge\u003c\/em\u003e concerns a group of Highwaymen who make a pact to save the should of their  hanged partner. A dark, luscious film co-edited by an uncredited Peter Greenaway and featuring music by Michael Nyman. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eROBIN REDBREAST\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames MacTaggart, UK, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e76 mins| 1:33:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered from BBC protection tape master, the only surviving element\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVeteran British chiller writer John Bowen penned this legendarily terrifying BBC teleplay, now considered a precursor to THE WICKER MAN. Nora Palmer moves to a quiet village in England after a break-up. The locals are warm enough at first, but their sinister intentions are gradually revealed. Is Nora paranoid or is she the center of a wicked pagan plot of indescribable horror?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eWith William Fowler And Vic Pratt, Curators And Authors Of “The Bodies Beneath: The Flipside of British Film \u0026amp; Television”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eInterview With John Bowen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (12 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe celebrated writer discusses his career and the origins of ROBIN REDBREAST. Courtesy of the British Film Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus bonus short film:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sermon\u003c\/strong\u003e (Dean Puckett, 2018) (12 mins) In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBONUS CDs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eORIGINAL MOTION PICTURE SOUNDTRACK\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposed by Jim Williams \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE WHITE PEOPLE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy Arthur Machen\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRead by Linda Hayden\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusic by Timothy Fife and Missionary Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArthur Machen’s hugely influential short story, first published in 1904, in which a discussion between two men on the nature of \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eevil\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e leads to the revelation of a mysterious Green Book\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe diary of a young girl, in which she describes her initiation into a secret world of folklore and magic. Here the story is brought vividly to life with an incredible reading by Linda Hayden (BLOOD ON SATAN’S CLAW) and a remarkable original score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eALL THE HAUNTS BE OURS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e— 126+ Page Book\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCurated by \u003cstrong data-mce-fragment=\"1\"\u003eKier-La Janisse\u003c\/strong\u003e, this beautifully-illustrated book designed by Luke Insect features new writing by \u003cstrong data-mce-fragment=\"1\"\u003eAndy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette and Dejan Ognjanović\u003c\/strong\u003e alongside a selection of illuminating archival pieces and a breakdown of all the films in the set.\u003c\/span\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40328094351430,"sku":"DAMHAUNTS","price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/AlltheHauntsBoxSet_cd1158bf-2141-4748-90e1-2d65f2df14ad.jpg?v=1663707110"},{"product_id":"violent-streets-box","title":"Violent Streets: The Umberto Lenzi\/Tomas Milian Collection [8-Disc Blu-ray Box Set]","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eItalian director\u003c\/span\u003e\u003cb\u003e Umberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e had recently completed a landmark string of kinky gialli with Hollywood outcast Carroll Baker. Cuban-born\/Actor’s Studio-trained \u003c\/span\u003e\u003cb\u003eTomas Milian\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e had become one of Spaghetti Westerns’ most popular stars. But when these two notoriously mercurial talents came together for a series of shocking Poliziotteschi –reactionary crime films that reflected the political and sociocultural violence of 1970s Italy – they grabbed audiences by the throat, gunned down \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe conventions of the genre \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eand changed the emotional velocity of action cinema forever. This collection presents Lenzi \u0026amp; Milian’s five greatest collaborations, \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003erestored uncut and uncensored from the original negatives for the first time ever. \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1: ALMOST HUMAN (1974)\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eReleased in Italy under the title MILANO ODIA: LA POLIZIA NON-PUÒ SPARARE (MILAN HATES: THE POLICE CAN’T SHOOT), this first collaboration between director \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and star \u003c\/span\u003e\u003cb\u003eTomas Milian\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e remains both “a degenerate treat” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMondo Digital\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and “definitive Eurocrime” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDVD Talk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e): When a small-time criminal (a fearless performance by Milian) kidnaps a wealthy industrialist’s daughter, he’ll trigger a depraved spree of class warfare, sexual violence, mass murder and the rage of a police commissioner (\u003c\/span\u003e\u003cb\u003eHenry Silva\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e) determined to end the carnage. \u003c\/span\u003e\u003cb\u003eAnita Strindberg\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (YOUR VICE IS A LOCKED ROOM…) and \u003c\/span\u003e\u003cb\u003eRay Lovelock\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (LIVE LIKE A COP, DIE LIKE A MAN) co-star in “one of the peaks of the genre” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIndiewire\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) written by \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (ALL THE COLORS OF THE DARK) with a classic score by \u003c\/span\u003e\u003cb\u003eEnnio Morricone\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003enow scanned uncut from the original negative.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Screenwriter \u003cstrong\u003eErnesto Gastaldi\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Mondo Digital's \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e And \u003cstrong\u003eTroy Howarth\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eMake Them Die Slowly: The Kinetic Cinema of Umberto Lenzi\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eViolent Milan\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMilian Unleashed\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eTomas Milian\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA History Of Violence\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With \u003cstrong\u003eErnesto Gastaldi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eItalian American Gangster\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eHenry Silva\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect ratio: 2\u003cspan data-mce-fragment=\"1\"\u003e.35.1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRun time: 99\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: ALMOST HUMAN CD Soundtrack\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 3: SYNDICATE SADISTS (1975)\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn their second collaboration – released in Italy as IL GIUSTIZIERE SFIDA LA CITTÀ (THE VIGILANTE CHALLENGES THE CITY) – \u003c\/span\u003e\u003cb\u003eTomas Milian\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a biker named Rambo (the actor borrowed the name from David Morrell’s 1972 novel \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFirst Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) who avenges a friend’s murder by orchestrating a war between rival crime families. Director \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and screenwriter \u003c\/span\u003e\u003cb\u003eVincenzo Mannino\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (HOUSE ON THE EDGE OF THE PARK) pack the running time with a barrage of beatings, shootings, kidnappings and chases that raised the bar for ‘70s EuroCrime and “put modern action flicks to shame” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDVD Drive-In\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e). \u003c\/span\u003e\u003cb\u003eLuciano Catenacci (KILL, BABY… KILL!), Femi Benussi (BLOODY PIT OF HORROR) and Joseph Cotten (CITIZEN KANE) co-star in this “non-stop exciting thriller” (\u003c\/b\u003e\u003cb\u003e\u003ci\u003eEuropean Trash Cinema\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e) – \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ealso released as ONE JUST MAN and RAMBO’S REVENGE – \u003c\/span\u003e\u003cb\u003enow scanned uncut from the original negative.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFirst Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFamily Affair\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eIda Galli\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eKidnapped \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e– Interview With Actor \u003cstrong\u003eAlessandro Cocco\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eInterview With The Fascist\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eBruno Di Luia\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 2\u003cspan data-mce-fragment=\"1\"\u003e.35.1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 93\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 4: SYNDICATE SADISTS\/BROTHERS TILL WE DIE CD Soundtrack\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 5: FREE HAND FOR A TOUGH COP (1976)\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFollowing THE TOUGH ONES, this fourth collaboration between director \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and star \u003c\/span\u003e\u003cb\u003eTomas Milian\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – released as \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eIL\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eTRUCIDO E LO SPIRRO (THE CROOK AND THE COP)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e – introduced Milian’s iconic character of ‘Monnezza’ and served as the unacknowledged template for 48 HOURS: When a scheming convict (Milian) is sprung from prison by a hard-nosed cop (\u003c\/span\u003e\u003cb\u003eClaudio Cassinelli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e of WHAT HAVE THEY DONE TO YOUR DAUGHTERS?), they’ll team up to hunt down Monnezza’s former crime partner (\u003c\/span\u003e\u003cb\u003eHenry Silva\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e) who’s kidnapped a critically ill child. \u003c\/span\u003e\u003cb\u003eRobert Hundar\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CUT-THROATS NINE), \u003c\/span\u003e\u003cb\u003eNicoletta Machiavelli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (NO WAY OUT) and a murderer’s row of EuroCrime’s most recognizable character actors co-star in this “classic politziottesco packed full of fun action” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eStarburst\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) co-written by Lenzi and \u003c\/span\u003e\u003cb\u003eDardano Sacchetti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BEYOND), \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original negative. \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn The Asphalt Jungle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTough Guy Corrado\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – A Look At The Career of \u003cstrong\u003eCorrado Solari\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Father Of Monnezza\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Screenwriter \u003cstrong\u003eDardano Sacchetti\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-Held Camera For A Tough Cinematographer\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Cinematographer \u003cstrong\u003eNino Celeste\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMaking Movies\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Producer \u003cstrong\u003eUgo Tucci\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtended Bank Robbery Scene Sourced From The Original Negative\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 2\u003cspan data-mce-fragment=\"1\"\u003e.35.1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 92\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 6: THE CYNIC, THE RAT AND THE FIST (1977)\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor their penultimate collaboration, \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and producer \u003c\/span\u003e\u003cb\u003eLuciano Martino\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (EATEN ALIVE!) brought together \u003c\/span\u003e\u003cb\u003eTomas Milian\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e as a cold-blooded crime boss known as ‘The Chinaman,’ \u003c\/span\u003e\u003cb\u003eJohn Saxon\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e as a sadistic American mobster looking for his own piece of the action and \u003c\/span\u003e\u003cb\u003eMaurizio Merli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e as hot-headed rogue cop Leo Tanzi – first introduced in Lenzi’s THE TOUGH ONES – gunning for them both. \u003c\/span\u003e\u003cb\u003eRenzo Palmer\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (STREET LAW) and \u003c\/span\u003e\u003cb\u003eGabriella Lepori\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (5 WOMEN FOR THE KILLER) co-star in this “fantastic piece of Italian genre cinema and a definitive statement to the craftsmanship of Lenzi” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCinezilla\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eco-written by Lenzi, \u003c\/span\u003e\u003cb\u003eDardano Sacchetti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE NEW YORK RIPPER) and \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (ALL THE COLORS OF THE DARK) featuring an oft-sampled score by \u003c\/span\u003e\u003cb\u003eFranco Micalizzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (DEATH PROOF, DJANGO UNCHAINED), \u003c\/span\u003e\u003cb\u003enow scanned uncut in 2K from the original negative.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMerli vs. Milian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Man Of Action\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMe, Milian And Merli\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e on His Iconic Characters\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Writer, The Director And The Actor\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Screenwriter\u003cstrong\u003e Dardano Sacchetti\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHere Comes The Fist\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor John Saxon\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 2\u003cspan data-mce-fragment=\"1\"\u003e.35.1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 99\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 7: THE CYNIC, THE RAT AND THE FIST CD Soundtrack\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 8: BROTHERS TILL WE DIE (1978)\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor their final collaboration, \u003c\/span\u003e\u003cb\u003eUmberto Lenzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e directs his own razor-sharp screenplay while \u003c\/span\u003e\u003cb\u003eTomas Milian\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e delivers a brilliant dual performance reprising the roles of scheming lowlife Sergio ‘Er Monnezza’ Marazzi from FREE HAND FOR A TOUGH COP as well as his twin brother, hunchbacked sociopath Vincenzo ‘Il Gobbo’ Marazzi from THE TOUGH ONES. With Milian providing his own characters’ dialogue, it’s a potent odyssey of trans prostitutes, armed robberies, double crosses, randy Albanians, angry cops, insane asylums and some of the most startling pathos and politics in the history of the genre. \u003c\/span\u003e\u003cb\u003eIsa Danieli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (SWEPT AWAY), \u003c\/span\u003e\u003cb\u003eGuido Leontini\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (EMERGENCY SQUAD) and \u003c\/span\u003e\u003cb\u003eSolvi Stubing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (STRIP NUDE FOR YOUR KILLER) co-star in the long-unseen Lenzi\/Milian swansong\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003enow scanned uncut in 2K from the original negative. \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTomas And Tomas\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003eUmberto Lenzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHe Called Me 'The Tamer'\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Editor \u003cstrong\u003eEugenio Alabiso\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMusic And Bullets\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Composer \u003cstrong\u003eFranco Micalizzi\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeart Of Rome\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Composer \u003cstrong\u003eAntonello Venditti\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 2\u003cspan data-mce-fragment=\"1\"\u003e.35.1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 99\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40460586680390,"sku":"SEV12187BR","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/ViolentStreetsBOX.jpg?v=1754415699"},{"product_id":"danza-macabra-box","title":"Danza Macabra Vol. One: The Italian Gothic Collection [4-Disc Blu-ray Box Set]","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn a genre known for its castles, crypts and candelabras, Italian Gothic also embraced themes of violence, madness, and sexual deviance. With these 4 films, those impulses dare to go even deeper: In 1964’s \u003c\/span\u003e\u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eMONSTER OF THE OPERA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, director \u003c\/span\u003e\u003cb\u003eRenato Polselli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and screenwriter \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ecraft a surreal erotic shocker set within a contemporary dance troupe. Perhaps the genre’s rarest film, the berserk supernatural narrative of 1965’s \u003c\/span\u003e\u003cb\u003eTHE SEVENTH GRAVE \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ealso makes it among the strangest. For 1970’s \u003c\/span\u003e\u003cb\u003eSCREAM OF THE DEMON LOVER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, director \u003c\/span\u003e\u003cb\u003eJosé Luis Merino\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003egathers classic traditions, then strips them naked and ties them to a torture rack. And 1971’s \u003c\/span\u003e\u003cb\u003eLADY FRANKENSTEIN\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e delivers iconic EuroCult talent on both sides of the camera for one of the most luridly entertaining shockers of the decade. The films in this collection are \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003efully restored from their original negatives, with 12+ collective hours of Special Features.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: THE MONSTER OF THE OPERA (1964)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eConceived as a sequel to their landmark THE VAMPIRE AND THE BALLERINA, director \u003c\/span\u003e\u003cb\u003eRenato Polselli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE REINCARNATION OF ISABEL, DELIRIUM) and screenwriter \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (ALL THE COLORS OF THE DARK, LIBIDO) resurrected their gothic-fiend-stalks-a-theatrical-troupe framework for an over-the-top aria of reincarnated lovers, sheer nightgowns, sapphic hunger, interdimensional damnation and frenzied ‘opera’ that “looks like the fever dream of an oversexed choreographer” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFantastic Movie Musings\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e). \u003c\/span\u003e\u003cb\u003eMarco Mariani\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (TOMB OF TORTURE), \u003c\/span\u003e\u003cb\u003eGiuseppe Addobbati\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (NIGHTMARE CASTLE) and \u003c\/span\u003e\u003cb\u003eMilena Vukotic\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (BLOOD FOR DRACULA) star in this surreal and still potently erotic shocker \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 2K from the original negative, featuring an all-new interview with Gastaldi and more. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Kat Ellinger, Author of \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaughters Of Darkness\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTerror At The Opera \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e– Interview With Screenwriter Ernesto Gastaldi\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCapodimonte Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Italian Film Devotee Mark Thompson-Ashworth \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRadio Polselli\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Archival Audio Interview With Director Renato Polselli \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrench Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: \u003cspan data-mce-fragment=\"1\"\u003e1.66:1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 84\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 2: THE SEVENTH GRAVE (1965)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor more than 50 years, it has existed only via rumor, reputation and barely watchable bootlegs. It remains perhaps the strangest Italian Gothic ever made: The sole feature by enigmatic director \u003c\/span\u003e\u003cb\u003eGaribaldi Serra Caracciolo\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – here using the anglicized pseudonym ‘Finney Cliff’ –\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e combines familiar murder mystery elements of THE CAT AND THE CANARY with odd dollops of mad doctors, escaped lepers, giallo-style killings and one of the most strikingly original séance sequences in the entire genre. \u003c\/span\u003e\u003cb\u003eAntonio Casale\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (‘Bill Carson’ in THE GOOD, THE BAD AND THE UGLY), \u003c\/span\u003e\u003cb\u003eFerruccio Viotti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (SEX OF THE WITCH) and \u003c\/span\u003e\u003cb\u003eGianni Dei\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (PATRICK STILL LIVES) star in this fascinating rarity \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the recently discovered negative\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, with all-new Special Features that explore the bizarre circumstances behind the film’s production, release and half-century disappearance. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Rachael Nisbet, Film Critic And Co-Host Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFragments Of Fear\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeven Graves And A Mystery\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Film Historian Fabio Melelli\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Aesthetic With Giallo Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Video Essay By Gothic Scholar And Author Rachel Knightley\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: \u003cspan data-mce-fragment=\"1\"\u003e1.66:1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: Italian Mono\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 77\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 3: SCREAM OF THE DEMON LOVER (1970)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003cspan style=\"font-weight: 400;\"\u003eThough he made only two horror films, veteran writer\/director \u003c\/span\u003e\u003cb\u003eJosé Luis Merino\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE HANGING WOMAN) here embraces the genre’s classic elements and ravishes them to vivid extremes: \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen a beautiful biochemist (\u003c\/span\u003e\u003cb\u003eErna Schurer\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e of STRIP NUDE FOR YOUR KILLER) arrives at a foreboding castle to work for a sinister baron, she’ll unlock a nightmare of dark romance, sexual violence, grisly family secrets and some of the most perverse moments in ‘70s Gothic. \u003c\/span\u003e\u003cb\u003eCarlos Quiney\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (ZORRO THE INVINCIBLE), \u003c\/span\u003e\u003cb\u003eAgostina Belli \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(BLUEBEARD) and\u003c\/span\u003e\u003cb\u003e Enzo Fisichella\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (MALABIMBA) co-star in this Italian\/Spanish co-production – also known as\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e KILLERS OF THE CASTLE OF BLOOD and released in the U.S. by New World Pictures cut by nearly 20 minutes – \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the negative for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Rod Barnett, Film Historian And Co-Host Of \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNaschyCast\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Robert Monell, Writer And Editor Of \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eI'm In A Jess Franco State Of Mind\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eScream Erna Scream!\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress Erna Schurer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn The Castle Of Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Video Essay By Stephen Thrower, Author Of Books On Jess Franco And Lucio Fulci\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: \u003cspan data-mce-fragment=\"1\"\u003e1.85:1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 98\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 4: LADY FRANKENSTEIN (1971)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003cspan style=\"font-weight: 400;\"\u003eCo-produced by \u003c\/span\u003e\u003cb\u003eRoger Corman\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, “one of the most underrated horror movies of all time” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eClassic Horror\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) features ultra-lurid direction by American-International star \u003c\/span\u003e\u003cb\u003eMel Welles\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (LITTLE SHOP OF HORRORS) from a story by by \u003c\/span\u003e\u003cb\u003eDick Randall\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (PIECES), distinctive cinematography by \u003c\/span\u003e\u003cb\u003eRiccardo Pallottini\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CASTLE OF BLOOD) and score by \u003c\/span\u003e\u003cb\u003eAlessando Alessandroni\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE DEVIL’S NIGHTMARE),\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e a cast that includes Hollywood legend \u003c\/span\u003e\u003cb\u003eJoseph Cotten \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(CITIZEN KANE) alongside EuroCult icons \u003c\/span\u003e\u003cb\u003ePaul Müller \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(NIGHTMARE CASTLE),\u003c\/span\u003e\u003cb\u003e Herbert Fux \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(MARK OF THE DEVIL), \u003c\/span\u003e\u003cb\u003eMarino Masé\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (TENEBRAE) and \u003c\/span\u003e\u003cb\u003eMickey Hargitay \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(BLOODY PIT OF HORROR), and a titular performance by the remarkable \u003c\/span\u003e\u003cb\u003eRosalba Neri\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE DEVIL’S LOVER) for whom “only the monster she made could satisfy her strange desires!” \u003c\/span\u003e\u003cb\u003eLADY FRANKENSTEIN\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is\u003c\/span\u003e\u003cb\u003e now scanned in 2K from the original negative, with alternate scenes, all-new Special Features and much more. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Kat Ellinger, Author of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaughters Of Darkness\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Annie Rose Malamet, Film Scholar And Host Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eGirls, Guts, Giallo\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Alan Jones, Author Of \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDario Argento: The Man, The Myths \u0026amp; The Magic\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Kim Newman, Author Of \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eNightmare Movies\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMeet The Baroness\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Featurette With Actress Rosalba Neri And Film Historian Fabio Melelli\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003ePiecing Together LADY FRANKENSTEIN\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Lady And The Orgy\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Documentary Short On Director Mel Welles\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Truth About LADY FRANKENSTEIN\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e (2007) – German TV Documentary\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003eClothed Insert Shots\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eVideo Short Illustrating BBFC Censorship Cuts\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eItalian Opening Credits\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBigfilm Magazine\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e (1971) – Italian LADY FRANKENSTEIN Photo Novel\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003eExtensive Image Gallery\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eHome Video Gallery\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRadio Spots\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTV Spot\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTrailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: \u003cspan data-mce-fragment=\"1\"\u003e1.78:1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio: English Stereo \/ Italian Stereo\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 98\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40519969112134,"sku":"SEV12534BR","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/products\/DanzaMacabraBOX.jpg?v=1754415358"},{"product_id":"sensual-black-emanuelle-box","title":"The Sensual World of Black Emanuelle [15-Disc Blu-ray Box Set]","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eShe was the pleasure-seeking photojournalist – forever embodied by the exquisite Indonesian actress \u003c\/span\u003e\u003cb\u003eLaura Gemser\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, most frequently in collaboration with writer\/director \u003c\/span\u003e\u003cb\u003eJoe D’Amato\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – who would uncover an increasingly lurid world of sex cults, snuff films, cannibal jungles, women’s prisons, white slavers, depraved convents, and beyond to become the premier feminist icon in genre history. This landmark collection \u003c\/span\u003e\u003cb\u003eproduced by award-winning writer\/director Kier-La Janisse\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e now brings together 21 \u003c\/span\u003e\u003cb\u003eBLACK EMANUELLE \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003efilms, 2 adjacent titles starring EuroCult heroine \u003c\/span\u003e\u003cb\u003eAjita Wilson\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and the D’Amato documentary\u003c\/span\u003e\u003cb\u003e INFERNO ROSSO, most newly scanned, restored, and on Blu-ray for the first time in America. \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe journey continues with \u003c\/span\u003e\u003cb\u003e2 soundtrack CDs\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e curated exclusively for this release encompassing music by \u003c\/span\u003e\u003cb\u003eNico Fidenco \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eand more, the lavishly illustrated 356-page\u003c\/span\u003e \u003cb\u003e\u003ci\u003eTHE\u003c\/i\u003e\u003c\/b\u003e \u003cb\u003e\u003ci\u003eBLACK EMANUELLE BIBLE\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003edesigned by\u003c\/span\u003e\u003cb\u003e Luke Insect \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eand featuring new writings by noted film scholars and historians as well as Laura Gemser’s in-depth 1996 \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNocturno Magazine\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e interview, and over \u003c\/span\u003e\u003cb\u003e40 hours of Special Features\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e that include alternate versions, audio commentaries, video essays, a documentary on Gemser’s husband\/co-star \u003c\/span\u003e\u003cb\u003eGabriele Tinti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the ‘80s Gemser workout video \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLooking Good\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and much more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1: \u003c\/b\u003e\u003cb\u003eBLACK EMANUELLE (1975) \/ BLACK EMANUELLE 2 (1976)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cb\u003eBlack Emanuelle Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eXXX Inserts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Film Programmer \u003cstrong\u003eJazmyne Moreno\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eExoticizing Blackness And Erotic Sovereignty In BLACK EMANUELLE\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Adult Film Historian \u003cstrong\u003eMireille Miller-Young \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Am Your Black Queen\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Audio Interview With Actress \u003cstrong\u003eLaura Gemser \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Reluctant Icon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – A Tribute To Laura Gemser By Film Historians \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, \u003cstrong\u003eStephen Broomer\u003c\/strong\u003e And \u003cstrong\u003eManlio Gomarasca\u003c\/strong\u003e, With Animation By \u003cstrong\u003eLeslie Supnet\u003c\/strong\u003e And \u003cstrong\u003eAshley Thorpe \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlack Emanuelle’s Groove\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Composer \u003cstrong\u003eNico Fidenco \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Emanuelle Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 96\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBlack Emanuelle 2 Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eXXX Inserts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAdalberto AKA Bitto\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Film Historian \u003cstrong\u003eDavide Pulici \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDiva '70\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With \u003cstrong\u003eDagmar Lassander \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Emanuelle 2 Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 91\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: EMANUELLE IN BANGKOK (1976) \/ EMANUELLE IN AMERICA (1976)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eEmanuelle in Bangkok Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Professor Of Film \u003cstrong\u003eAaron AuBuchon\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Reflection Of The Times\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eDebra Berger\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIvan The Terrible\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Actor \u003cstrong\u003eIvan Rassimov\u003c\/strong\u003e Discusses EMANUELLE IN BANGKOK And EMANUELLE AROUND THE WORLD\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle in Bangkok Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 94\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEmanuelle in America Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Film Historian \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Audio Commentary With Film Historians \u003cstrong\u003eBruce Holecheck\u003c\/strong\u003e And \u003cstrong\u003eNathaniel Thompson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Danish Man\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eLars Bloch \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Confessions Of Diana Smith\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eMaria Piera Regoli\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Art Of Sexy \u0026amp; Gore\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Art Director \u003cstrong\u003eMarco Dentici \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Cutting Of The Flesh\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With FX Artist \u003cstrong\u003eGiannetto De Rossi \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Devil’s Trick\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Makeup Artist \u003cstrong\u003eMaurizio Trani \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Journalist\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – \u003cstrong\u003eMaria Pia Fusco\u003c\/strong\u003e And \u003cstrong\u003ePiero Vivarelli\u003c\/strong\u003e On The Origins Of D’Amato’s Emanuelle \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Naked City: Emanuelle In New York\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – A Location Tour With Journalist \u003cstrong\u003eMichael Gingold\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle in America Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 100\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 3: EMANUELLE AROUND THE WORLD (1977) \/ EMANUELLE AND THE LAST CANNIBALS (1977)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEmanuelle Around the World Special Features:\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAround The World With Emanuelle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Film Historian \u003cstrong\u003eStephen Thrower\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eI’m Not A Guru\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eLuigi Montefiori \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Beautiful One\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eGianni Macchia \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Tribute To Karin Schubert: The ‘Nackedei’ Actress\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Video Essay By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e And \u003cstrong\u003eStephen Broomer\u003c\/strong\u003e, Written By \u003cstrong\u003eJean-Luc Marret\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-weight: 400;\"\u003ePornification: Vie De Karin Schubert \u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle Around the World Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 102\u003cspan data-mce-fragment=\"1\"\u003e mins (Unrated Cut)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEmanuelle and the Last Cannibals Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary By Film Historian \u003cstrong\u003eStephen Thrower\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe World Of Nico Fidenco\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – An Interview With Composer \u003cstrong\u003eNico Fidenco\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Nun Among The Cannibals\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eAnnamaria Clementi\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDr. O’Brien M.D.\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eDonald O’Brien\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom Switzerland To Mato Grosso\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eMonica Zanchi \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDressed To Eat\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Costume Designer \u003cstrong\u003eSilvana Scandariato \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle and the Last Cannibals Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 93\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 4: PORNO NIGHTS OF THE WORLD (1977) \/ EMANUELLE AND THE PORNO NIGHTS OF THE WORLD (1978)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePorno Nights of the World Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMaster Of The World\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Co-Director \u003cstrong\u003eBruno Mattei \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAt The Dining Table\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Producer \u003cstrong\u003eFranco Gaudenzi \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Naked Eye: Sex And The Mondo Film\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Documentary With Film Historians \u003cstrong\u003eElizabeth Purchell\u003c\/strong\u003e, \u003cstrong\u003eMark Goodall\u003c\/strong\u003e And \u003cstrong\u003eJoe Rubin \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Opening Credit Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePorno Nights of the World Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 88\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEmanuelle and the Porno Nights of the World Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCrazy, Crazy World\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Makeup Artist \u003cstrong\u003ePietro Tenoglio \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter Hours With Joe D’Amato\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003eJoe D’Amato\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle and the Porno Nights of the World Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 85\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 5: SISTER EMANUELLE (1977) \/ EMANUELLE AND THE WHITE SLAVE TRADE (1978)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eSister Emaneulle Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Film Scholar \u003cstrong\u003eLindsay Hallam\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSister Emanuelle Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 93\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEmanuelle and the White Slave Trade Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Film Programmer \u003cstrong\u003eLars Nilsen\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Bohemian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eVenantino Venantini \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCome In Un Film: La Vera Storia Di Gabriele (Gastone) Tinti\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – 2016 Documentary By \u003cstrong\u003eRiccardo Marchesini \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle and the White Slave Trade Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 88\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 6: VIOLENCE IN A WOMEN'S PRISON (1982) \/ EMANUELLE IN PRISON (1985)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eViolence in a Women's Prison Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eArchival Interview With Director Bruno Mattei \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrawl In Women’s Block\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Writers Claudio Fragasso And Rossella Drudi \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTwo For One\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Producer Roberto Di Girolamo \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eRadio Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eViolence in a Women's Prison Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.78:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 98\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eEmanuelle in Prison Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Author And Critic \u003cstrong\u003eAnnie Choi\u003c\/strong\u003e And Film Editor \u003cstrong\u003ePerri Pivovar\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eJailhouse Rock\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Composer \u003cstrong\u003eLuigi Ceccarelli \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRazor Blade Smile\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003ePietro Angelo Pozzato \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFranca Stoppi: Matron Of Hell\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Video Essay Written And Narrated By Film Critic \u003cstrong\u003eRachael Nisbet \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle in Prison Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 88\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 7: BLACK COBRA (1976) \/ BLACK VELVET (1976)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlack Cobra Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Film Critic \u003cstrong\u003eSamm Deighan\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom Prague To Hong Kong\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eMichele Starck\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eJoe D’Amato\u003c\/strong\u003e At Eurofest\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Cobra Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 96\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBlack Velvet Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlack Velvet\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interviews With Stars \u003cstrong\u003eAnnie Belle\u003c\/strong\u003e And \u003cstrong\u003eAl Cliver \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Roots Of Evil\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Biographer \u003cstrong\u003eAlberto Pezzotta\u003c\/strong\u003e On Director Brunello Rondi \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Relationship Of Confusion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Film Critic \u003cstrong\u003eJoseph Fahim\u003c\/strong\u003e On VELLUTO NERO\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Opening Credit Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eItalian Theatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Theatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Velvet Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 2.35:1\u003c\/li\u003e\n\u003cli\u003eAudio: Partial English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 96\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 8: EMANUELLE'S PERVERSE OUTBURST (1983) \/ PORNO ESOTIC LOVE (1980)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEmanuelle's Perverse Outburst Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Author \u003cstrong\u003eBryan Connolly\u003c\/strong\u003e And Film Programmer \u003cstrong\u003eAmber Adams\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle's Perverse Outburst Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 97\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePorno Esotic Love Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Lovemaker\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eMark Shannon\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePorno Esotic Love Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 103\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 9: DIVINE EMANUELLE (1981)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDivine Emanuelle Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIncludes \u003cstrong\u003eFANATICO...WHEN THE GODDESS CALLS\u003c\/strong\u003e (Workprint of Christian Anders' Director's Cut)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDivine Emanuelle Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ French Mono (Divine Emanuelle Only)\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 99\u003cspan data-mce-fragment=\"1\"\u003e mins (Divine) \/ 104 mins (Fanatico)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 10: EMANUELLE: QUEEN OF THE DESERT (1982) \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEmanuelle: Queen of the Desert Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIncludes \u003cstrong\u003eTHE DIRTY SEVEN\u003c\/strong\u003e (Longer Alternate Cut Of The Film Under Its Original Title)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eViolent Cyprus\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor Giovanni Brusatori \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSunlight And Violence\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Cinematographer Nino Celeste \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLOOKING GOOD – Workout Video Hosted By Laura Gemser (58 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With Film And Television Historian Amanda Reyes And Podcaster Erik Threlfall\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle: Queen of the Desert Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 89\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 11: AMORE LIBERO - FREE LOVE (1974) \/ EMANUELLE - A WOMAN FROM A HOT COUNTRY (1978)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmore Libero - Free Love Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.77:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono \u003cstrong\u003e(TBC)\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eClosed Captions \u003cstrong\u003e(TBC)\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 86\u003cspan data-mce-fragment=\"1\"\u003e mins \u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e(TBC)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuelle - A Woman From a Hot Country Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Spanish Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 87\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 12: BLACK DEEP THROAT (1977) \/ PORNO NIGHTS OF THE WORLD N.2 (1978)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBlack Deep Throat Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAjita Wilson: An Elusive Icon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Video Essay By Film And Gender Studies Scholar \u003cstrong\u003eMatt Richardson\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Deep Throat Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 2.35:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 87\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePorno Nights of the World N.2 Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 94\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 13: INFERNO ROSSO: JOE D'AMATO ON THE ROAD OF EXCESS (2021) \/ SCANDALOUS EMANUELLE (1986)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cstrong data-mce-fragment=\"1\"\u003eInferno Rosso: Joe D'Amato on the Road of Excess \u003c\/strong\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eNicolas Winding Refn\u003c\/strong\u003e For Venice Film Festival Premiere \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTwo Of A Kind: Talking About Joe\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Director \u003cstrong\u003eManlio Gomarasca\u003c\/strong\u003e And \u003cstrong\u003eGiona A. Nazzaro\u003c\/strong\u003e (Artistic Director, Locarno Film Festival) In Conversation \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInferno Rosso: Joe D'Amato on the Road of Excess Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.78:1\u003c\/li\u003e\n\u003cli\u003eAudio: English 5.1 \/ Italian Stereo\u003c\/li\u003e\n\u003cli\u003eClosed Captions \/ English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 73\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eScandalous Emanuelle Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eScandalous Christina\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eJenny Tamburi \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePeeping Lilli\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actress \u003cstrong\u003eLilli Carati \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eScandalous Emanuelle Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 91\u003cspan data-mce-fragment=\"1\"\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 14: \u003c\/b\u003e\u003cb\u003eNICO FIDENCO’S GROOVE CD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 15: \u003c\/b\u003e\u003cb\u003eBLACK EMANUELLE’S RARITIES AND B-SIDES CD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eTHE BLACK EMANUELLE BIBLE\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eDesigned by \u003cstrong\u003eLuke Insect\u003c\/strong\u003e with a cover illustration by \u003cstrong\u003eKim Thompson\u003c\/strong\u003e, this fully illustrated 356-page book is the most substantial collection of writing ever devoted to the series, with essays by \u003cstrong\u003eKevin John Bozelka, Costas Constandinides, Rachel Harrison, Alexandra Heller-Nicholas, Kier-La Janisse, Jennifer Moorman, Xavier Aldana Reyes, Jorge Rivera-Gutiérrez\u003c\/strong\u003e and \u003cstrong\u003eErin Wiegand\u003c\/strong\u003e; additional capsule reviews by \u003cstrong\u003eBryan Connolly\u003c\/strong\u003e and \u003cstrong\u003eCraig Ledbetter\u003c\/strong\u003e; and archival interviews with actress \u003cstrong\u003eLaura Gemser\u003c\/strong\u003e and screenwriter \u003cstrong\u003eMaria Pia Fusco\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40582936035398,"sku":"SEV12868BR","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/BlackEmanuelleBOX1.jpg?v=1754415571"},{"product_id":"house-of-psychotic-women-rarities-collection-damaged-5-disc-blu-ray-box-set","title":"House of Psychotic Women Rarities Collection [DAMAGED 5-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePLEASE NOTE: THIS LISTING IS FOR A DAMAGED (DINGED\/DENTED) BLU-RAY BOX SET OF OUR HOUSE OF PSYCHOTIC WOMEN RARITIES COLLECTION RELEASE. WE WILL NOT ACCEPT RETURNS ON THIS PRODUCT.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIn 2012 \u003c\/span\u003e\u003cb\u003eKier-La Janisse\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e published \u003c\/span\u003e\u003cb\u003e\u003ci\u003eHouse of Psychotic Women\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, billed as “an autobiographical topography of female neurosis in horror and exploitation films.” It soon became one of the most “vital” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eTim Lucas, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eVideo Watchdog\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e and “astonishing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaily Grindhouse\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003egenre tomes of all time. To mark the book’s 10\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eth\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e anniversary, award-winning writer\/programmer\/filmmaker Janisse (WOODLANDS DARK AND DAYS BEWITCHED) now presents four of the strongest and strangest explorations of onscreen delirium and hysteria, \u003c\/span\u003e\u003cb\u003eall\u003c\/b\u003e \u003cb\u003eon American Blu-ray for the first time\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in 1974’s \u003c\/span\u003e\u003cb\u003eIDENTIKIT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (aka THE DRIVER’S SEAT) \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eas a hostile woman who travels to Rome to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In the surreal 1986 Polish horror-comedy \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a female vampire discovers that love may be the \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ecruelest curse of all. \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars in the startling 1975 amnesiac giallo \u003c\/span\u003e\u003cb\u003eFOOTPRINTS \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003efrom the director of THE FIFTH CORD. And British screenwriter and radical theatre icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003edirects\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e1972’s harrowing \u003c\/span\u003e\u003cb\u003eTHE OTHER SIDE OF THE UNDERNEATH. \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach film has been \u003c\/span\u003e\u003cb\u003erestored from original vault elements, with all-new introductions\u003c\/b\u003e \u003cb\u003eby the author\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003cb\u003ehours of Special Features produced exclusively for this collection. \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDisc 1: Identikit (1974)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn what remains the most obscure, bizarre and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – \u003c\/span\u003e\u003cb\u003eElizabeth Taylor\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe most dangerous liaison of all\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003enominee \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE OFFENCE), \u003c\/span\u003e\u003cb\u003eMona Washbourne\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE COLLECTOR) and \u003c\/span\u003e\u003cb\u003eAndy Warhol\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e“unique, hallucinatory neo noir” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCult Film Freaks\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – barely released in America as THE DRIVER’S SEAT – directed by \u003c\/span\u003e\u003cb\u003eGiuseppe Patroni Griffi \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(‘TIS PITY SHE’S A WHORE), \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eadapted from the unnerving novella by \u003c\/span\u003e\u003cb\u003eMuriel Spark\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Prime Of Miss Jean Brodie\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003efeaturing cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(APOCALYPSE NOW, THE LAST EMPEROR), now \u003c\/span\u003e\u003cb\u003erestored in 4K\u003c\/b\u003e\u003cb\u003e by Severin Films. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With TCM Underground Curator \u003cstrong\u003eMillie De Chirico\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Lack Of Absence —\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Writer And Literary Historian \u003cstrong\u003eChandra Mayor\u003c\/strong\u003e On Muriel Spark And \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Driver's Seat\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 102 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 2: I Like Bats (1986)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDirected and co-written by \u003c\/span\u003e\u003cb\u003eGrzegorz Warchol\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e– the Polish actor best known for his performance in THREE COLORS: WHITE – this 1986 Perspektywa Film Group production combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos. \u003c\/span\u003e\u003cb\u003eKatarzyna Walter\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as a happily single young vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eCo-scripted by feminist writer\/activist \u003c\/span\u003e\u003cb\u003eKrystyna Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and featuring poet, songwriter and cabaret icon \u003c\/span\u003e\u003cb\u003eJonasz Kofta\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e in his sole film role, \u003c\/span\u003e\u003cb\u003eI LIKE BATS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003es\u003c\/b\u003e\u003cb\u003ecanned in 2K from the only 35mm print known to exist\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eKamila Wielebska\u003c\/strong\u003e, Actor And Co-Editor Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Story Of Sin: Surrealism In Polish Cinema\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.66.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: Polish Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 81 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: Footprints (1975) – U.S. Cut and Italian Cut\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn the most criminally underseen giallo of the ‘70s, \u003c\/span\u003e\u003cb\u003eFlorinda Bolkan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (A LIZARD IN A WOMAN’S SKIN, FLAVIA THE HERETIC) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? \u003c\/span\u003e\u003cb\u003eNicoletta Elmi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (DEEP RED), \u003c\/span\u003e\u003cb\u003eEvelyn Stewart\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE SWEET BODY OF DEBORAH), \u003c\/span\u003e\u003cb\u003eLila Kedrova\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE TENANT) and \u003c\/span\u003e\u003cb\u003eKlaus Kinski\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this “visually stunning gem” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMondo Digital\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – also known as FOOTPRINTS ON THE MOON – directed by \u003c\/span\u003e\u003cb\u003eLuigi Bazzoni\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE FIFTH CORD) with cinematography by three-time Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003e winner \u003c\/span\u003e\u003cb\u003eVittorio Storaro\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BIRD WITH THE CRYSTAL PLUMAGE), now \u003c\/span\u003e\u003cb\u003escanned in 4K from the original camera negatives.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTo The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Actress\u003cstrong\u003e Ida Galli\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNicoletta Elmi: Italian Cinema's Imp Ascendent\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e — Video Essay By Film Scholars \u003cstrong\u003eAlexandra Heller-Nicholas\u003c\/strong\u003e And \u003cstrong\u003eCraig Martin\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio Commentary With Film Historian \u003cstrong\u003eKat Ellinger\u003c\/strong\u003e (Italian Cut)\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLight Of The Moon \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e— Interview With Cinematographer \u003cstrong\u003eVittorio Storaro\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono \/ Italian Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions \/ English Subtitles\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion A\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 93 mins (U.S. Cut) \/ 96 mins (Italian Cut)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 5: The Other Side of the Underneath (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt’s been called “harrowing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), “seriously disturbing” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlu-ray.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and “part documentary, part primal scream” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eScreen Slate\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e). More than half a century later, it remains all that and more: In 1972, screenwriter\/feminist\/radical theater icon \u003c\/span\u003e\u003cb\u003eJane Arden\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e adapted her own multimedia stage production \"A New Communion for Freaks, Prophets and Witches\" into a nightmarish exploration of reason, chaos and her own battles with mental illness unlike anything audiences have seen before or since. \u003c\/span\u003e\u003cb\u003eSheila Allen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CHILDREN OF THE DAMNED), \u003c\/span\u003e\u003cb\u003eAnn Lynn\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE BLACK TORMENT), renowned visual artist \u003c\/span\u003e\u003cb\u003ePenny Slinger\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and Arden herself star in the only British feature film of the 1970s solo-directed by a woman, recently \u003c\/span\u003e\u003cb\u003erestored in 2K by the British Film Institute.\u003c\/b\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eIntroduction By \u003cstrong\u003eKier-La Janisse\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHouse Of Psychotic Women\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Workprint Version Of The Film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSheila Allen\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNatasha Morgan\u003c\/strong\u003e Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtended Sequences\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePenny Slinger Live At The Miskatonic Institute of Horror Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003ePENNY SLINGER: OUT OF THE SHADOWS\u003c\/em\u003e Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33.1\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eClosed Captions\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRegion Free\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eRuntime: 111 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBox Set Credits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCuration, Art Direction and Special Features Production: Kier-La Janisse\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDesign: David Levine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Thanks:\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eJacqueline Castel\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaniel Bird\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eHarvey Fenton\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRichard Kovitch\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eEddie Muller\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelagh Rowan-Legg\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAndy Starke\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40610714976326,"sku":"DAMSEV11078BR","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/HOPWBoxSet_0d3ebb5a-f424-4c46-a5b7-e7b6e4c6b821.jpg?v=1685651204"},{"product_id":"cushing-curiosities","title":"Cushing Curiosities [6-Disc Blu-ray Box Set]","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom Hammer Films to STAR WARS, he\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eremains one of genre films’ best-loved actors. Now celebrate six of the most unexpected, rarely seen and decidedly curious performances from the legendary career of \u003c\/span\u003e\u003cb\u003ePETER CUSHING\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: Cushing delivers a rare villain turn in the 1960 aviation thriller \u003c\/span\u003e\u003cb\u003eCONE OF SILENCE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. That same year, Cushing brought gentle dignity to The Boulting Brothers’ cold-war drama \u003c\/span\u003e\u003cb\u003eSUSPECT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In 1962’s \u003c\/span\u003e\u003cb\u003eTHE MAN WHO FINALLY DIED\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Cushing co-stars opposite Stanley Baker as a former Nazi hiding a grave post-war secret. Cushing returns to his iconic role of \u003c\/span\u003e\u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e in these six surviving episodes of the 1968 BBC-TV series. The oft-maligned 1971 shocker \u003c\/span\u003e\u003cb\u003eBLOODSUCKERS\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e can now be reassessed for the first time in its \u003c\/span\u003e\u003cb\u003eRestored Extended Version\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. And Cushing portrays a vampire for the first and only time in 1974’s off-the-wall erotic comedy \u003c\/span\u003e\u003cb\u003eTENDER DRACULA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, premiering here in its \u003c\/span\u003e\u003cb\u003eDirector’s Cut\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Each disc has been mastered from original vault elements with \u003c\/span\u003e\u003cb\u003eover 16 total hours of trailers, commentaries, vintage interviews, location features and more\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, plus the all-new 200-page book \u003c\/span\u003e\u003cb\u003ePETER CUSHING: A PORTRAIT IN SIX SKETCHES\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e by award-winning horror film historian \u003c\/span\u003e\u003cb\u003eJonathan Rigby.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1: CONE OF SILENCE (1960) \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn one of his rare villain roles – and hailed by the British Film Institute as one of his “10 Essential Films” – \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e stars as an arrogant pilot who attempts to undermine the investigation into the cause of an airline disaster. Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ewinner \u003c\/span\u003e\u003cb\u003eGeorge Sanders\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (PSYCHOMANIA), Oscar\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003enominee \u003c\/span\u003e\u003cb\u003eMichael Craig\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (TURKEY SHOOT), \u003c\/span\u003e\u003cb\u003eElizabeth Seal\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (VAMPIRE CIRCUS), \u003c\/span\u003e\u003cb\u003eAndré Morell\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE HOUND OF THE BASKERVILLES) and \u003c\/span\u003e\u003cb\u003eBernard Lee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (‘M’ in the James Bond films) co-star in “a film that still resonates today” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eShades of Gray\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) directed by former Hitchcock editor and Academy Award\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e®\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e nominee \u003cb data-mce-fragment=\"1\"\u003eCharles Frend\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE CRUEL SEA) – released in America as TROUBLE IN THE SKY and inspired by true events –\u003c\/span\u003e\u003cb\u003e now featuring a new 2K scan from the dupe negative by the BFI and three hours of rare interviews, newsreels and more. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNewsreel Of Peter Cushing And His Miniature Soldiers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eIllustrated Audio Interviews\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003ePeter Cushing On \u003c\/span\u003e\u003ci style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eThe Funster Show\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e With \u003cstrong\u003ePaul Carrington\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eThe Guardian\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Interview With \u003cstrong\u003ePeter Cushing \u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan\u003ePeter Cushing Interviewed By \u003cstrong\u003eTony Dalton\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003cem\u003eTerence Fisher: Master Of Gothic Cinema\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci style=\"font-size: 0.875rem;\"\u003eCushing's View\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e – 1973 Interview With Peter Cushing On Whitstable And His Late Wife Helen\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: SUSPECT (1960) \/ THE MAN WHO FINALLY DIED (1962)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e delivered two of his finest non-horror performances in these early ‘60s dramas: In \u003c\/span\u003e\u003cb\u003eSUSPECT\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e leads \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ea team of research biologists who may be plotting to sell government secrets to a foreign power. \u003c\/span\u003e\u003cb\u003eDonald Pleasence\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eIan Bannen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (IDENTIKIT) and \u003c\/span\u003e\u003cspan\u003e\u003cb\u003eSpike Milligan\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e co-star in this “damn good thriller” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eShameless Self Expression\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e)\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eproduced and directed by\u003c\/span\u003e\u003cb\u003e The Boulting Brothers \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(BRIGHTON ROCK).\u003c\/span\u003e \u003cb\u003eTHE MAN WHO FINALLY DIED\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e sees Cushing in one of his most sinister roles as the family friend of a jazz pianist (\u003c\/span\u003e\u003cb\u003eStanley Baker\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e) who uncovers a post-war conspiracy of suspicious deaths, switched identities and a shocking Nazi past. \u003c\/span\u003e\u003cb\u003eMai Zetterling\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE WITCHES), and \u003c\/span\u003e\u003cb\u003eNigel Green\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE SKULL) co-star in this stylish suspense thriller directed by \u003c\/span\u003e\u003cb\u003eQuentin Lawrence\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE TROLLENBERG TERROR), with both films \u003c\/span\u003e\u003cb\u003escanned in 2K from the original negatives by Studio Canal.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary For SUSPECT With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary For THE MAN WHO FINALLY DIED With \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAnno Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And \u003cstrong\u003eBarry Forshaw\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrit Noir\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1 (Suspect) \/ 2.35:1 (The Man Who Finally Died)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 81 mins (Suspect) \/ 100 mins (The Man Who Finally Died)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDiscs 3 \u0026amp; 4: SHERLOCK HOLMES (1968)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHaving first portrayed the legendary detective for Hammer Films in 1959, \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e enthusiastically returned to the role of Sherlock Holmes for this 1968 BBC television series co-starring \u003c\/span\u003e\u003cb\u003eNigel Stock\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE LOST CONTINENT) as Dr. Watson. Though most of the shows were forever lost, these six surviving episodes – including the two-part \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Hound of The Baskervilles\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e adapted by award-winning playwright \u003c\/span\u003e\u003cb\u003eHugh Leonard\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – showcase Cushing at his elementary best, with guest stars that include \u003c\/span\u003e\u003cb\u003eMadge Ryan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (A CLOCKWORK ORANGE), \u003c\/span\u003e\u003cb\u003eAnn Bell\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE WITCHES), \u003c\/span\u003e\u003cb\u003eNick Tate\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (SPACE: 1999) and \u003c\/span\u003e\u003cb\u003eGary Raymond\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (JASON AND THE ARGONAUTS). This definitive presentation of \u003c\/span\u003e\u003cb\u003eSHERLOCK HOLMES\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – which also includes the classic cases \u003c\/span\u003e\u003cb\u003e\u003ci\u003eA Study in Scarlet\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Blue Carbuncle\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003e\u003ci\u003eThe Boscombe Valley Mystery\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003eand\u003c\/span\u003e \u003cb\u003e\u003ci\u003eThe Sign of Four\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e –\u003c\/span\u003e\u003c\/i\u003e \u003cb\u003eis now scanned from BBC tape protection masters. \u003c\/b\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentaries For All Episodes Featuring \u003cstrong\u003eKim Newman\u003c\/strong\u003e, Author Of \u003cem\u003eAnno\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDracula\u003c\/em\u003e, \u003cstrong\u003eBarry Forshaw,\u003c\/strong\u003e Author Of \u003cem\u003eBrit Noir\u003c\/em\u003e And \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e, Author Of\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStarring Sherlock Holmes: A Century Of The Master Detective On Screen\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll Episodes Available With BBC Countdown Clock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIllustrated Peter Cushing Audio Interview With \u003cstrong\u003eDavid Stuart Davies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eLost Segments With Optional Commentary By \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian Kevin Lyons\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.33:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 308 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 5: BLOODSUCKERS (1971)\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ePerhaps the most maligned and misunderstood horror film of \u003c\/span\u003e\u003cb\u003ePeter Cushing’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e career, this notorious 1971 shocker can now be re-evaluated via \u003c\/span\u003e\u003cb\u003ethe longest version ever assembled\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: When a brilliant young Oxford professor disappears while researching in Greece, his mentor (Cushing) launches an investigation that will trigger a nightmare of ritual sacrifice, sadomasochistic perversion, deranged academia and one of the most unique takes on vampirism in genre history. \u003c\/span\u003e\u003cb\u003ePatrick Macnee\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTHE AVENGERS\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), \u003c\/span\u003e\u003cb\u003eAlex Davion\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE PLAGUE OF THE ZOMBIES) and \u003c\/span\u003e\u003cb\u003eEdward Woodward\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (THE WICKER MAN) co-star in this infamous drama directed by \u003c\/span\u003e\u003cb\u003eRobert Hartford-Davis\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (CORRUPTION) – originally known as INCENSE FOR THE DAMNED in the UK and FREEDOM SEEKERS in the US – \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original negative with additional elements from a recently discovered 35mm vault print\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – \u003c\/span\u003e\u003cb\u003eincluding the uncut psychedelic orgy sequence\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e –\u003c\/span\u003e\u003cb\u003e for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSTRANGER IN THE CITY (1961) – Short Film By \u003cstrong\u003eRobert Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDaddy's Girl\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director Robert Hartford-Davis’ Daughter, \u003cstrong\u003eJean Hartford-Davis\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBite Me!\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Tigon: Blood On A Budget Author \u003cstrong\u003eJohn Hamilton\u003c\/strong\u003e on Robert Hartford-Davis \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Trip\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Uncredited Drug Orgy Actress \u003cstrong\u003eFrançoise Pascal\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFREEDOM SEEKER Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 83 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 6: TENDER DRACULA (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNever before available on disc in North America, the first and only film in which \u003c\/span\u003e\u003cb\u003ePeter Cushing \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eportrayed a vampire is also the most unapologetically bizarre movie of his entire career: When horror’s biggest star (Cushing) announces his retirement from the genre, two dimwit screenwriters and a pair of sexy actresses are dispatched to the actor’s castle for a lavish\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e farce d’horreur érotique\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\"\u003eof violence, whippings, orgies, tender romance and a devilishly dignified performance by Cushing, even while spanking the bare bottom of French starlet \u003c\/span\u003e\u003cb\u003eMiou-Miou\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e \u003cb\u003eAlida Valli\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (SUSPIRIA, EYES WITHOUT A FACE) and \u003c\/span\u003e\u003cb\u003eBernard Menez\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (DRACULA AND SON) co-star\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ein\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003ethe sole feature film directed by award-winning producer \u003c\/span\u003e\u003cb\u003ePierre Grunstein\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e (TESS, THE DIVING BELL AND THE BUTTERFLY) – also released as CONFESSIONS OF A BLOOD DRINKER and THE BIG SCARE – \u003c\/span\u003e\u003cb\u003enow restored by Pathé, scanned in 2K from the original Paris vault negative and authorized by the director.\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio Commentary With \u003cstrong\u003eJonathan Rigby\u003c\/strong\u003e, Author Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eEnglish Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, And Horror Historian \u003cstrong\u003eKevin Lyons\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLove Me Tender, Dracula\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Director \u003cstrong\u003ePierre Grunstein\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMenez of Speaking\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e – Interview With Actor \u003cstrong\u003eBernard Menez\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAspect ratio: 1.66:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: English Mono \/ French\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClosed Captions \/ English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003eRun time: 89 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40676858789958,"sku":"SEV13939BR","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/CushingCurositiesBOX2.jpg?v=1754415356"},{"product_id":"the-dungeon-of-andy-milligan-collection-damaged-9-disc-blu-ray-box-set","title":"The Dungeon of Andy Milligan Collection [DAMAGED 9-Disc Blu-ray Box Set]","description":"\u003cdiv class=\"block paragraph\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv class=\"block paragraph\"\u003e\n\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePLEASE NOTE: THIS ITEM CONTAINS DAMAGE TO THE OUTER BOX. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHe’s been described as “The Fassbinder of 42\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003end\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e Street” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eArtforum\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e), “a celebration of hate” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBleeding Skull\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) and “an unmatched voice from the underbelly of low-budget cinema” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRue Morgue)\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. More than a quarter century after his death, he remains perhaps the most divisive name in genre history. \u003c\/span\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e now presents the cranium-cleaving collection devoted to writer\/actor\/director \u003c\/span\u003e\u003cb\u003eAndy Milligan\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e – “\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ea gay sadist who pioneered New York’s avant-garde theater world and made astonishingly unique exploitation movies” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eDiabolique Magazine\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e) – on \u003c\/span\u003e\u003cb\u003e8 Blu-rays featuring 14 surviving films from his NYC and London years, 10+ hours of trailers, outtakes, interviews \u0026amp; audio commentaries, a bonus CD and an all-new 128-page book by Stephen Thrower\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e that explores the profane madness behind it all\u003c\/span\u003e\u003cb\u003e. \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrom his provocative underground work through his international scuzz-horror classics, experience the venomous legacy of the filmmaker \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTime Magazine\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e calls \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e“depraved, degenerate, desperate, damned” like never before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: The Ghastly Ones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Actor Hal Borske and Filmmaker Frank Henenlotter\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with CineFear.com's Keith Crocker\u003c\/li\u003e\n\u003cli\u003ePartial Audio Commentary with Filmmaker Fred Olen Ray\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eBLOOD RITES Alternate Title Sequence\u003c\/li\u003e\n\u003cli\u003eGhastly \u0026amp; Depraved - Interview with Marketing Wiz Samuel M. Sherman\u003c\/li\u003e\n\u003cli\u003eTrailer for Lost Milligan Film DEPRAVED!\u003c\/li\u003e\n\u003cli\u003eTalk Of The Trade - Interview with Early Milligan Actress Natalie Rogers\u003c\/li\u003e\n\u003cli\u003eTHE FILTHY FIVE - One German Language Reel of Lost Milligan Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 72\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: The Body Beneath \/ Nightbirds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Body Beneath Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Film Scholars Vic Pratt and Will Fowler\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Body Beneath Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 82\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNightbirds Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Actor Berwick Kaler \u0026amp; Film Scholar Stephen Thrower\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNightbirds Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 77\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 3: Torture Dungeon \/ Bloodthirsty Butchers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTorture Dungeon Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Milligan Historian Alex DiSanto\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTorture Dungeon Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 80\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBloodthirsty Butchers Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBloodthirsty Butchers Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 79\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 4: The Curse of the Full Moon \/ The Rats are Coming! The Werewolves are Here!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut (The Curse of the Full Moon)\u003c\/li\u003e\n\u003cli\u003eTheatrical Cut (The Rats are Coming! The Werewolves are Here!)\u003c\/li\u003e\n\u003cli\u003eThe World of Andy Milligan - Locations Featurette Narrated by Temple of Schlock's Chris Poggiali\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Curst of the Full Moon Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 73\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Rats are Coming! The Werewolves are Here! Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 5: Man With Two Heads \/ Guru, the Mad Monk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMan With Two Heads Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Director's Cut\u003c\/li\u003e\n\u003cli\u003eParty Sequence - Alternate Version\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMan With Two Heads Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 89\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGuru, the Mad Monk Special Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with CineFear.com's Keith Crocker\u003c\/li\u003e\n\u003cli\u003eRemembering Andy Milligan - Interview with Set Photographer Tom Vozza\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGuru, the Mad Monk Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1 \/ 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 56\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 6: Legacy of Blood (Never Before Released Theatrical Cut) \/ Legacy of Horror (TV Cut)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eNever Before Released Theatrical Cut (Legacy of Blood)\u003c\/li\u003e\n\u003cli\u003eLegacy of Horror (TV Cut)\u003c\/li\u003e\n\u003cli\u003eBlood or Horror - Interview with Executive Producer Ken Lane\u003c\/li\u003e\n\u003cli\u003eLegacy of Chris - Interview with Actor Chris Broderick\u003c\/li\u003e\n\u003cli\u003eTV Spot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLegacy of Blood Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 77\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLegacy of Horror Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 83\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 7: Fleshpot on 42nd Street \/ Seeds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBonus Feature:\u003c\/strong\u003e VAPORS (1965, 32 min)\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFleshpot on 42nd Street Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 87\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSeeds Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 84\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 8: Carnage \/ Blood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBonus Feature:\u003c\/strong\u003e TOGA PARTY (1979, 84 min)\u003c\/li\u003e\n\u003cli\u003eMONSTROSITY Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCarnage Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 92\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBlood Disc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.85:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 69\u003cspan\u003e mins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 9: The Bearded Lady's Wake CD - Electronic Music by Frequent Milligan Collaborator Hal Borske\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp\u003e\u003cb\u003eBonus: Andy Milligan's Venom (All New 128 page Book by Stephen Thrower)\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40715861983302,"sku":"DAMSEV0420BR","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/AndyMilliganBoxSet_8de068fa-5c37-410a-8d23-81a43d803d44.jpg?v=1753233081"},{"product_id":"danza-macabra-vol-two-the-italian-gothic-collection-8-disc-4k-uhd-blu-ray-box-set","title":"Danza Macabra Vol. Two: The Italian Gothic Collection [8-Disc 4K UHD + Blu-ray Box Set]","description":"\u003ch3 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cb\u003e3 CLASSIC FILMS.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e1 LANDMARK MINI-SERIES.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eRediscovered. Restored. Reclaimed. \u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn this second collection of Italian Gothic shockers, you’re invited to grab your candelabra and enter cobweb-shrouded worlds of violence, madness and sexual deviance that remain unmatched in genre history: Gothic goddess \u003c\/span\u003e\u003cb\u003eBarbara Steele\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stars in \u003c\/span\u003e\u003cb\u003eAntonio Margheriti’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e certified masterpiece \u003c\/span\u003e\u003cb\u003eCASTLE OF BLOOD\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and its Italian version \u003c\/span\u003e\u003cb\u003eDANZA MACABRA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003cb\u003eboth restored and\u003c\/b\u003e \u003cb\u003escanned in 4K and presented in UHD for the first time ever\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003cb\u003eJEKYLL\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e is 1969’s award-winning four-part RAI-TV \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003esceneggiati\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e from \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ewriter\/director\/star \u003c\/span\u003e\u003cb\u003eGiorgio Albertazzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e that contemporizes the classic tale of man’s darkest impulses. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWriter\/director \u003c\/span\u003e\u003cb\u003eCorrado Farina\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e reinvents the Dracula legend as a modern-day capitalist conspiracy with his startling and long out-of-print 1971 debut \u003c\/span\u003e\u003cb\u003eTHEY HAVE CHANGED THEIR FACE\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e. And a sizzling \u003c\/span\u003e\u003cb\u003eRosalba Neri\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e is seduced by Satan himself in 1972’s \u003c\/span\u003e\u003cb\u003eTHE DEVIL’S LOVER\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, finally available restored and uncut. All four titles are \u003c\/span\u003e\u003cb\u003enow presented in their North American Premieres, newly mastered from the best available elements with over 13 collective hours of Special Features\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDiscs 1-3: CASTLE OF BLOOD (1964) \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIt was begun by \u003c\/span\u003e\u003cb\u003eSergio Corbucci\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (DJANGO), completed by \u003c\/span\u003e\u003cb\u003eAntonio Margheriti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE LONG HAIR OF DEATH) and remains one of the true masterpieces of Gothic Horror. Now both versions – the Italian \u003c\/span\u003e\u003cb\u003eDANZA MACABRA\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and the U.S. release \u003c\/span\u003e\u003cb\u003eCASTLE OF BLOOD\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – can be experienced like never before: When a cynical journalist accepts a wager that he won’t survive the night in a haunted castle, it will unlock an odyssey of sexual torment, undead vengeance and a dark seductress (the legendary \u003c\/span\u003e\u003cb\u003eBarbara Steele\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e) who surrenders the gravest of pleasures. \u003c\/span\u003e\u003cb\u003eGeorges Rivière\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE VIRGIN OF NUREMBERG) co-stars in “a classic cornerstone of the EuroHorror Renaissance” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDVD Savant\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e), \u003c\/span\u003e\u003cb\u003escanned in 4k from the original negative and restored by Cinématographique Lyre in collaboration with \u003c\/b\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cb\u003e, with 3+ hours of new and archival Special Features that include a selected scene commentary by Steele.  \u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Disc Specs:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRuntime: 91 mins (DANZA MACABRA), 83 mins (CASTLE OF BLOOD)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDANZA MACABRA Audio: Italian Mono, Partial English Mono \/ Optional English Subtitles, Closed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCASTLE OF BLOOD Audio: English Mono \/ Closed Captions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRegion A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 1: UHD (Films + Special Features)\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio Commentary With Rod Barnett Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eNaschyCast\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e And \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Bloody Pit\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, And \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAdrian Smith\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 2: Blu-ray (DANZA MACABRA + Special Features)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio Commentary With Rod Barnett Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eNaschyCast\u003c\/span\u003e\u003c\/i\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAnd The Bloody Pit\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, And \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAdrian Smith\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSelected Scene Commentary With Actress Barbara Steele And Barbara Steele Archivist Russ Lanier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eExploring The Castle Of Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Interview With Stephen Thrower, Author Of Books On Jess Franco And Lucio Fulci\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 3: Blu-ray (CASTLE OF BLOOD + Special Features)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Director Who Didn't Like Blood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Interview With Edoardo Margheriti, Son Of Director Antonio Margheriti\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eEnigmatic Elegance: Unveiling The Haunting Legacy Of Barbara Steele In The Italian Gothic\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Video Essay By Rachael Nisbet, Film Critic And Co-Host Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFragments Of Fear\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eReturn To The Castle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Location Featurette\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAntonio Margheriti Remembers CASTLE OF BLOOD And Barbara Steele\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTrailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDiscs 4 \u0026amp; 5: \u003c\/b\u003e\u003cb\u003eJEKYLL\u003c\/b\u003e\u003cb\u003e (1969) \u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn 1969, Italian actor\/writer\/director \u003c\/span\u003e\u003cb\u003eGiorgio Albertazzi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – best known to international audiences as the star of LAST YEAR AT MARIENBAD – took Robert Louis Stevenson’s gothic novella and transformed it into a four-part contemporary allegory of duality, depravity and man’s darkest impulses: When a series of brutal attacks are committed by a lunatic named Edward Hyde, the investigation leads to molecular biologist Henry Jekyll. But have the doctor’s unorthodox experiments unlocked even greater horrors? \u003c\/span\u003e\u003cb\u003eMassimo Girotti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (BARON BLOOD, LAST TANGO IN PARIS), \u003c\/span\u003e\u003cb\u003eUrsula Davis\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (AN ANGEL FOR SATAN) and \u003c\/span\u003e\u003cb\u003eMarina Berti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (NIGHT TRAIN MURDERS) co-star in this award-winning \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003esceneggiati\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003efeaturing stark black \u0026amp; white cinematography by future Poliziottesci maestro \u003c\/span\u003e\u003cb\u003eStelvio Massi, now presented from RAI-TV tape masters with new English subtitles for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRuntime: 262 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio: Italian Mono \/ Optional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRegion A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAspect Ratio: 1.33:1 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDr. Jekyll And Mr. Albertazzi\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Interview With Actor Giuliano Disperati\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBuilding The World Of JEKYLL\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Interview With Set Designer Emanuele Taglietti \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Double Spiral Staircase Of Jekyll And Hyde\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Video Essay By \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eJoseph Dwyer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cb\u003eDisc 6:\u003c\/b\u003e \u003cb\u003eTHEY HAVE CHANGED THEIR FACE (1971)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThough he made only two feature films, writer\/director\/novelist \u003c\/span\u003e\u003cb\u003eCorrado Farina\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (BABA YAGA) rocked the Italian horror genre with his “astounding” (\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTaliesin Meets The Vampires\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e) and long out-of-print 1971 debut: A mid-level automotive company employee is summoned to the mountain villa of owner Giovanni Nosferatu (\u003c\/span\u003e\u003cb\u003eAdolfo Celi\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e of THUNDERBALL and DANGER: DIABOLIK fame) only to discover a glossy netherworld where capitalism is the new vampirism, consumers are its unwitting victims and escape may be impossible. \u003c\/span\u003e\u003cb\u003eGiuliano \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eDisperati\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (VIOLENT ROME) and \u003c\/span\u003e\u003cb\u003eGeraldine Hooper\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (DEEP RED) co-star in this startling reinvention of the Dracula mythos co-written by \u003c\/span\u003e\u003cb\u003eGiulio Berruti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (KILLER NUN) and influenced by Farina’s earlier career as an advertising executive, \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the best-existing 35mm elements\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – approved by his son, RAI film critic and preservationist \u003c\/span\u003e\u003cb\u003eAlberto Farina\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – \u003c\/span\u003e\u003cb\u003efor the first time ever in America. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRuntime: 96 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio: Italian Mono \/ Optional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRegion A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio Commentary With Director Corrado Farina Moderated By Alberto Farina\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio Commentary With Kat Ellinger, Author of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDaughters Of Darkness\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Farina Method\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Interview With Film Critic Alberto Farina, Son Of Director Corrado Farina\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBloodsucking Capitalists\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Interview With Actor Giuliano Disperati And Editor\/Screenwriter Giulio Berruti \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOuttakes Of De Sade \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShort Films By Corrado Farina\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIL FIGLIO DI DRACULA (THE SON OF DRACULA)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGIRO GIRO TONDO (RING AROUND THE ROSIE)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIL CANTICO DELLE CREATURE (THE CANTICLE OF THE CREATURES)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePRAISED BE MY LORD – Documentary Directed By Corrado Farina (84 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCommercials Directed By Corrado Farina\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 7: THE DEVIL’S LOVER (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePreviously available only in edited versions and poor-quality transfers, it remains one of the most obscure and bizarre Italian gothics of the ‘70s: When\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ea trio of\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003efree-spirited\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eyoung\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ewomen – led by\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ea smoldering\u003c\/span\u003e\u003cb\u003e Rosalba Neri \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eof LADY FRANKENSTEIN fame – insist on spending the night in a castle rumored to be owned by the Devil himself, their cobweb-and-candelabra lark triggers a nightmare of lust, violence, vampirism and the ultimate ecstasy of Satanic seduction. \u003c\/span\u003e\u003cb\u003eEdmund Purdom\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (FRANKENSTEIN’S CASTLE OF FREAKS), \u003c\/span\u003e\u003cb\u003eRobert Woods \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e(COUNTESS PERVERSE) and \u003c\/span\u003e\u003cb\u003eCarla Mancini\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (ERIKA) co-star in this unique shocker \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“taken from the theatrical work of the Grand Guignol” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e– \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ealso known as LUCIFERA: DEMON LOVER – written\/directed by \u003c\/span\u003e\u003cb\u003ePaolo Lombardo\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (THE EMBALMER), produced by \u003c\/span\u003e\u003cb\u003eDick Randall\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (PIECES) and featuring a soundtrack by \u003c\/span\u003e\u003cb\u003eElvio Monti\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (CRISTIANA DEVIL NUN), \u003c\/span\u003e\u003cb\u003enow scanned uncut in 2K from the vault negative for the first time ever in America. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRuntime: 78 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio: Italian Mono \/ Optional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRegion A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAudio Commentary With Annie Rose Malamet, Film Scholar And Host Of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGirls, Guts, Giallo\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLady Of The Night: The Feminism Of Rosalba Neri\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Video Essay By \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAlexandra Heller-Nicholas\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOut Of The Woods\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e – Interview With Actor Robert Woods\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eDisc 8: THE DEVIL’S LOVER Soundtrack CD\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":40734601543750,"sku":"SEV14277UH","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DM2_3D_TEMP.png?v=1754415362"},{"product_id":"the-game-of-clones-bruceploitation-collection-vol-1-7-disc-blu-ray-box-set-book-non-web-exclusive","title":"The Game of Clones: Bruceploitation Collection Vol. 1 [7-Disc Blu-ray Box Set + Book]","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThe webstore exclusive 8-disc version of GAME OF CLONES has sold out. Please note that this listing is for the 7-disc version.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e“Many films tried to capitalize on the popularity of Bruce Lee.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSome amped up the craziness as far as it would go.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eOthers played it straight, delivering seriously good films.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAt its best, Bruceploitation was some of the most \u003cbr\u003e\u003c\/b\u003e\u003cb\u003euninhibited and exciting martial arts cinema of the age.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eDen Of Geek\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e7 DISC COLLECTION\u003c\/strong\u003e \u003cspan\u003eINCLUDES\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e12 RESTORED BRUCEPLOITATION CLASSICS\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003ePLUS\u003c\/span\u003e\u003cb\u003e THE AWARD-WINNING DOCUMENTARY\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cstrong\u003eENTER THE CLONES OF BRUCE\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eWITH\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e100 PAGE BOOK OF ESSAYS, POSTERS \u0026amp; RARE PHOTOS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAND\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eOVER\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e22 COMBINED HOURS OF SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003eHours after Bruce Lee’s death, Bruceploitation was born. And for the next 10 years, talented martial artists were enlisted to mimic iconic aspects of Lee’s life, style and mannerisms. Fueled by equal parts deception and demand, these films instead created one of the most wildly entertaining sub-genres in movie history. \u003cspan class=\"s1\"\u003e\u003cb\u003eTHE GAME OF CLONES\u003c\/b\u003e: \u003cb\u003eBRUCEPLOITATION COLLECTION VOLUME 1\u003c\/b\u003e now presents \u003cb\u003e12 of the very best – and frequently very bizarre – films starring Bruce Li, Bruce Le, Dragon Lee, Bruce Liang and more, all restored for the first time ever from original elements. \u003c\/b\u003eThen in the “fascinating gem of a documentary” (\u003ci\u003eCulture Mix\u003c\/i\u003e) \u003cb\u003eENTER THE CLONES OF BRUCE, \u003c\/b\u003edirector\u003cb\u003e David Gregory\u003c\/b\u003e tracks down the surviving Bruces – along with martial arts legends, producers, directors, distributors, historians and more – to reveal the entire shocking and bittersweet saga behind a celluloid phenomenon that still refuses to die.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 1:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eENTER THE CLONES OF BRUCE (2023)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 94 mins\u003cbr\u003eStereo Audio \/ English Subtitles, Chinese Subtitles, French Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Co-Executive Producer\/Director David Gregory, Co-Producers Frank Djeng, Vivian Wong And Michael Worth And Director Of Photography Jim Kunz\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eWorking At Shaw Brothers\u003c\/i\u003e – Outtakes With Godfrey Ho, David Chiang, Yasuaki Kurata, Lee Chiu, Lo Meng, Mars And Phillip Ko\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eBruce Lee And I\u003c\/i\u003e – Outtakes With Sammo Hung, Phillip Ko, Yasuaki Kurata, Mars, Angela Mao, Andre Morgan, Lee Tso Nam And More\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eThe Lost World Of Kung Fu Film Negatives\u003c\/i\u003e – Outtakes With Godfrey Ho, Joseph Lai, Angela Mao, Lee Tso Nam And Film Preservationists\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eBruce's Hong Kong\u003c\/i\u003e – Location Tour With Frank Djeng\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 2:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTHE CLONES OF BRUCE LEE (1980)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 90 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.40:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Michael Worth And Frank Djeng, Co-Producers Of ENTER THE CLONES OF BRUCE; Bruce Lee Historian Brandon Bentley; Chris Poggiali, Co-Author Of \u003ci\u003eThese Fists Break Bricks\u003c\/i\u003e; Matthew Whitaker, Co-Host Of \u003ci\u003eThe Clones Cast\u003c\/i\u003e; Action Film Historian Mike Leeder; Stunt Coordinator\/Author John Kreng; And Rick Benn, Brother Of Actor Jon T. Benn\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eThe Big Boss Remembered\u003c\/i\u003e – Interview With Actor Jon T. Benn\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eENTER THREE DRAGONS (1978)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 87 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eENTER THE GAME OF DEATH (1978)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 90 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003ePartial Audio Commentary With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eScene Specific Commentary With Actor Chi Ling Chiu\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eKung Fu Movie Hustle\u003c\/i\u003e – Interview With Chi Ling Chiu\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eTalking A Good Game\u003c\/i\u003e – Roundtable Discussion With Martial Artists\/Kung Fu Film Experts Tatevik Hunanyan, John Kreng, Ron Strong And Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eGOODBYE, BRUCE LEE: HIS LAST GAME OF DEATH (1975)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 83 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Frank Djeng, Co-Producer Of ENTER THE CLONES OF BRUCE, With Contributions From Chris Poggiali, Co-Author Of \u003ci\u003eThese Fists Break Bricks\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eThe Last Kung Fu Picture Show\u003c\/i\u003e – The Bay Area's Movie Theater Era\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRadio Spot\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTHE DRAGON LIVES AGAIN (1977)\u003cbr\u003e\u003c\/b\u003eRuntime: 91 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.39:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Michael Worth And Frank Djeng, Co-Producers Of ENTER THE CLONES OF BRUCE\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eDeleted Scenes From French Version\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Essay By Cult Cinema Critic Lovely Jon\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eBRUCE AND THE IRON FINGER (1979)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 89 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.39:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eMy First Bruceploitation\u003c\/i\u003e – Roundtable Discussion With Martial Artists\/Kung Fu Film Experts Tatevik Hunanyan, John Kreng, Ron Strong And Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eHong Kong Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCHALLENGE OF THE TIGER (1980)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 89 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Actor\/Director\/Bruceploitation Expert Michael Worth And Film Historian C. Courtney Joyner\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCAMEROON CONNECTION (1984)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 91 mins\u003cbr\u003eFrench Mono \/ English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Writer\/\u003ci\u003eCriterion Reflections Podcast\u003c\/i\u003e Host David Blakeslee\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eLights... Cameroon... Action!\u003c\/i\u003e – The Life And Films Of Alphonse Beni\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2022 Q\u0026amp;A With Alphonse Beni At Cine Club N'Kah\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSUPER DRAGON: THE BRUCE LEE STORY (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 93 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003ePartial Audio Commentary With Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTV Spot\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTHE DRAGON LIVES (1976)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 87 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.39:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Actress Caryn White Stedman And Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Interview With \"He’s A Legend, He’s A Hero\" Songwriter Anders Gustav Nelsson\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eThe Taiwan Connection\u003c\/i\u003e – Interview With Caryn White Stedman\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eBruce Biopics\u003c\/i\u003e – Roundtable Discussion With Martial Artists\/Kung Fu Film Experts Tatevik Hunanyan, John Kreng, Ron Strong And Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTV Spots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTHE DRAGON, THE HERO (1980)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 87 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Director Godfrey Ho And Actor\/Director\/Bruceploitation Expert Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eGodfrey, The Hero\u003c\/i\u003e – Interview With Director Godfrey Ho\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eRAGE OF THE DRAGON (1980)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 90 mins\u003cbr\u003eEnglish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary With Actor\/Director\/Bruceploitation Expert Michael Worth With Contributions From Chris Poggiali, Co-Author Of \u003ci\u003eThese Fists Break Bricks\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eKung Fu Theaters\u003c\/i\u003e – Roundtable Discussion With Martial Artists\/Kung Fu Film Experts Tatevik Hunanyan, John Kreng, Ron Strong And Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003ci\u003eSeverin's Kung Fu Theater\u003c\/i\u003e With Michael Worth\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":41435588100166,"sku":"SEV15660BR-NON","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/GoC_3D_74c1b676-5dff-4c3f-b9f2-0b2bea72d4e1.png?v=1754415647"},{"product_id":"danza-macabra-vol-three-the-spanish-gothic-collection-4-disc-blu-ray-box-set","title":"Danza Macabra Vol. Three: The Spanish Gothic Collection [4-Disc Blu-ray Box Set]","description":"\u003cp style=\"text-align: center;\" class=\"p1\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003e“Ever since Buñuel and Dalí sliced open an eye \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ewith UN CHIEN ANDALOU, Spanish cinema has assaulted \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ethe audience with some of the most powerful imagery \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ewithin the history of horror.”\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eFangoria \u003c\/i\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003e4 RESTORED CLASSICS. \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e8+ HOURS OF SPECIAL FEATURES.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eLO MEJOR DEL HORROR GÓTICO ESPAÑOL.\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSpain’s tradition of Gothic Horror – particularly during the Franco dictatorship – was characterized by daring concepts, lush visuals, extreme sexuality and a startling aesthetic all its own. These four classic shockers from the 1970s represent the genre at its most audacious: In \u003cb\u003eNECROPHAGOUS\u003c\/b\u003e, the debut feature by writer\/director \u003cb\u003eMiguel Madrid\u003c\/b\u003e, a fractured family in a crumbling castle conceals a grisly graveyard secret. The anthology film \u003cb\u003eCAKE OF BLOOD\u003c\/b\u003e – never previously available outside of Spain – presents a quartet of supernatural tales by four young filmmakers. Hammer Films director \u003cb\u003eJohn Gilling \u003c\/b\u003ebrings his inimitable style to the occult thriller in \u003cb\u003eCROSS OF THE DEVIL\u003c\/b\u003e. And a terminally ill woman is enticed by eternal life in \u003cb\u003eLeón Klimovsky’s\u003c\/b\u003e vampire masterwork, \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eNIGHT OF THE WALKING DEAD\u003c\/b\u003e. Each film in this collection has been \u003cb\u003escanned from its original negative\u003c\/b\u003e \u003cb\u003e– with over 8 hours of Special Features – for the first time ever in America. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 1: NECROPHAGOUS (1971)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe most misunderstood Spanish gothic shocker of the early ‘70s can now be reassessed like never before: A young nobleman (\u003cb\u003eBill Curran\u003c\/b\u003e) returns to his crumbling family castle, only to learn that his wife has died giving birth to their stillborn child. But why is her coffin empty? What follows is a uniquely told shocker of grief, lust, dark secrets and the hungers of the grave. \u003cb\u003eFrank Braña\u003c\/b\u003e (PIECES), \u003cb\u003eVictor Israel\u003c\/b\u003e (THE HOUSE THAT SCREAMED) and \u003cb\u003eBeatriz Elorrieta\u003c\/b\u003e (BLOOD HUNT) co-star in this debut feature by writer\/director \u003cb\u003eMiguel Madrid\u003c\/b\u003e (THE KILLER OF DOLLS) – also known as THE BUTCHER OF BINBROOK and released in America by Independent-International as GRAVEYARD OF HORROR – \u003cb\u003enow scanned in \u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e4K\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e from the recently discovered negative for the first time ever. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 87 mins\u003cbr\u003eEnglish Mono, Spanish Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003eAudio Commentary With Andy Marshall-Roberts, Host Of \u003ci\u003eThe Nasty Pasty\u003c\/i\u003e Podcast\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eSomething You've Never Seen\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eThe First Horror Film Festival In The World\u003c\/i\u003e – Remembrance By Maria Pilar Rafáles, Daughter Of Sitges Film Festival Founder Antonio Rafáles\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003eTrailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 2: CAKE OF BLOOD (1971)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith Spanish cinema still under the oppressive Franco regime, four filmmakers banded together to create a horror anthology that examined classic themes through transgressive perceptions: Directed by \u003cb\u003eJosé María Vallés\u003c\/b\u003e, \u003cb\u003eTAROT \u003c\/b\u003estars\u003cb\u003e Julián Ugarte\u003c\/b\u003e (ALL THE COLORS OF THE DARK) in a grim tale of fanaticism set in the Middle Ages. \u003cb\u003eEusebio Poncela \u003c\/b\u003e(THE CANNIBAL MAN) and \u003cb\u003eMarisa Paredes\u003c\/b\u003e (ALL ABOUT MY MOTHER) star in \u003cb\u003eVICTOR FRANKENSTEIN\u003c\/b\u003e, a unique take on Mary Shelley’s classic directed by \u003cb\u003eEmilio Martínez-Lázaro \u003c\/b\u003e(THE OTHER SIDE OF THE BED). \u003cb\u003eTERROR AMONG CHRISTIANS\u003c\/b\u003e, directed by \u003cb\u003eFrancesc Bellmunt\u003c\/b\u003e, is a jolting vampire allegory set during Roman times. \u003cb\u003eJaime Chávarri \u003c\/b\u003e– co-writer of VAMPYROS LESBOS and future icon of New Spanish Cinema –\u003cb\u003e \u003c\/b\u003edirects\u003cb\u003e \u003c\/b\u003ethe twisted ghost story\u003cb\u003e THE DANCE OR EMOTIONAL SURVIVALS\u003c\/b\u003e starring \u003cb\u003eLuis Ciges\u003c\/b\u003e (THE CREATURE). Never available outside of Spain, \u003cb\u003eCAKE OF BLOOD\u003c\/b\u003e is \u003cb\u003enow scanned in \u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e4K\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e from the original negative for the first time ever. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 90 mins\u003cbr\u003eSpanish Mono \/ English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 2.35:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003eAudio Commentary With Rod Barnett Of \u003ci\u003eNaschyCast\u003c\/i\u003e And \u003ci\u003eThe Bloody Pit\u003c\/i\u003e, And Dr. Adrian Smith, Co-Author Of \u003ci\u003eNorman J. Warren: Gentleman of Terror\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eMy Generation\u003c\/i\u003e – Interview With Actress Marisa Paredes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eI Just Wanted To Have Fun\u003c\/i\u003e – Interview With Co-Director Jaime Chávarri\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eTo Whoever Wants To Watch\u003c\/i\u003e – Interview With Actor José Lifante\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eAn Arthouse UFO\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 3: CROSS OF THE DEVIL (1974)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"s3\"\u003eIn the early ‘70s, Spanish horror icon \u003cb\u003eJacinto Molina\u003c\/b\u003e (aka \u003cb\u003ePaul Naschy\u003c\/b\u003e) wrote a screenplay for a Knights Templar film to compete with the popular BLIND DEAD series. Meanwhile, Hammer Films director \u003cb\u003eJohn Gilling\u003c\/b\u003e – whose hits for the UK studio included THE PLAGUE OF THE ZOMBIES and THE REPTILE – had retired to Spain. Molina shared his script with Gilling, who took over the project without Molina. The rarely seen result is a sumptuous tale of supernatural horror in which a writer (\u003c\/span\u003e\u003cb\u003eRamiro Oliveros\u003c\/b\u003e of THE PYJAMA GIRL CASE) plagued by violent nightmares investigates the murder of his sister by an ancient occult order. \u003cspan class=\"s3\"\u003e\u003cb\u003eCarmen Sevilla\u003c\/b\u003e (NO ONE HEARD THE SCREAM), \u003cb\u003eEmma Cohen\u003c\/b\u003e (THE CANNIBAL MAN) and \u003cb\u003eEduardo Fajardo\u003c\/b\u003e (THE KILLER MUST KILL AGAIN) co-star in Gilling’s final film as director, \u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 4K from the negative with English subtitles for the first time ever. \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 97 mins\u003cbr\u003eSpanish Mono \/ English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003eAudio Commentary With Kim Newman, Author Of \u003ci\u003eAnno Dracula\u003c\/i\u003e, And Barry Forshaw, Author Of \u003ci\u003eBrit Noir\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eFascinated By Bécquer\u003c\/i\u003e – Interview With Screenwriter Juan José Porto\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eThe Real Templar Knights Movie\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eFantasy And Imagination: The Legacy Of Gustavo Adolfo Bécquer\u003c\/i\u003e – Video Essay By Xavier Aldana Reyes, Author Of \u003ci\u003eSpanish Gothic: National Identity, Collaboration And Cultural Adaptation\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 4: THE NIGHT OF THE WALKING DEAD (1975)\u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThough best known for his collaborations with Spanish horror star Jacinto Molina\/Paul Naschy, Argentinian director \u003cb\u003eLeón Klimovsky\u003c\/b\u003e also crafted several of Spain’s finest vampire films of the ‘70s, especially this “magnificent” (\u003ci\u003eTaliesin Meets The Vampires\u003c\/i\u003e) 1975 gothic classic: In a 19\u003cspan class=\"s4\"\u003e\u003csup\u003eth\u003c\/sup\u003e\u003c\/span\u003e century village ruled by superstition, a vulnerable young woman \u003cspan class=\"s3\"\u003e(\u003cb\u003eEmma Cohen\u003c\/b\u003e of HORROR RISES FROM THE TOMB) is seduced into an aristocratic family of the sensuous undead. \u003cb\u003eCarlos Ballesteros\u003c\/b\u003e (José Ramón Larraz’ THE VOYEUR) and \u003cb\u003eBarta Barri\u003c\/b\u003e (THE PEOPLE WHO OWN THE DARK) co-star in this sexy\/stylish\/violent shocker – also known as STRANGE LOVE OF THE VAMPIRES and ripe for rediscovery after decades of edited prints and bad transfers – \u003cb\u003enow scanned in 2K from the negative for the first time ever. \u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 88 mins\u003cbr\u003eEnglish Stereo, Spanish Stereo \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eA Deadly Invitation To Another Dimension\u003c\/i\u003e – Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eLeo's Signature\u003c\/i\u003e – Interview With Writer Juan José Porto\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eDead Man Walking\u003c\/i\u003e – Interview With Actor José Lifante\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003ci\u003eSpain's Cinematic Vampires\u003c\/i\u003e – Video Essay By Xavier Aldana Reyes, Author Of \u003ci\u003eSpanish Gothic: National Identity, Collaboration And Cultural Adaptation\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s2\"\u003e\u003c\/span\u003eAlternate Spanish Credit Sequence\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp align=\"center\"\u003e\u003cspan style=\"color: #000000; font-family: Calibri; font-size: medium;\"\u003eOriginal Keyart for CAKE OF BLOOD, CROSS OF THE DEVIL and THE NIGHT OF THE WALKING DEAD Created by Mark Spears\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":41675825250374,"sku":"SEV15835BR","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DanzaMacabraV3_3D.jpg?v=1754415360"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-vol-2-13-disc-blu-ray-box-set-hardback-book","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 [13-Disc Blu-ray Box Set + Hardcover Book]","description":"\u003cp style=\"text-align: center;\" class=\"p1\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003e“All folk horror is unified by a central theme: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eThat contemporary society is a crust \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eover something dark, inexplicable, other.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFolk horror, like the old ways, \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ewill find you before you find it.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eAustin Chronicle\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again: \u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e brings together \u003cb\u003e24 films representing 18 countries\u003c\/b\u003e for more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the \u003cb\u003eWorldwide Premieres\u003c\/b\u003e of the \u003cb\u003eSeverin Films\u003c\/b\u003e productions \u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e directed by \u003cb\u003eSean Hogan\u003c\/b\u003e and the documentary \u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e directed by \u003cb\u003eDavid Gregory\u003c\/b\u003e; \u003cb\u003e55+ combined hours of new and archival Special Features \u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a \u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e by luminaries that include \u003cb\u003eRamsey Campbell\u003c\/b\u003e, \u003cb\u003eCassandra Khaw\u003c\/b\u003e and \u003cb\u003eEden\u003c\/b\u003e \u003cb\u003eRoyce\u003c\/b\u003e with illustrations by \u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator \u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eBoxed set design by \u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1: \u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOn The Lych Way\u003c\/i\u003e – Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eEPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOUR SELVES UNKNOWN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 45 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.9:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Film Historian Chris Alexander\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Maria J. Pérez Cuervo, Founding Editor Of \u003ci\u003eHellebore Magazine\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStone Warnings\u003c\/i\u003e – Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e – Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e – Interview With Soundtrack Composer John Cameron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eRiding Free\u003c\/i\u003e – Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2: \u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Chesya Burke, Author Of \u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of \u003ci\u003eNine Bar Blues\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Magical Place\u003c\/i\u003e – Interview With Composer Phil Sawyer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHole In The Wall\u003c\/i\u003e – Character Notes By Screenwriter Charné Porter\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSWIMMER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 90 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e – Interview With Producer Barney Rosenzweig\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eSilver Strings\u003c\/i\u003e – Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eManly Of The Mountains\u003c\/i\u003e – Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOccult Appalachia\u003c\/i\u003e – Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's \u003ci\u003eJohn The Balladeer\u003c\/i\u003e Stories\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 98 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3: \u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Projection Booth\u003c\/i\u003e Episode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And \u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA WITCH DRUM\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE NIGHTSIDE OF THE SKY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWITH THE REINDEER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 68 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Finnish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eHAIDA CARVER\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNALUJUK NIGHT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Haida 5.1, Haida Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4: \u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIgniting The Fire\u003c\/i\u003e – Interview With Director Jamil Dehlavi\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Silent One Speaks\u003c\/i\u003e – Archival Interview With Actor Nabil Shaban\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e – Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Djinn Revisited\u003c\/i\u003e – Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e – Interview With Scholar Syeda Momina Masood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTOWERS OF SILENCE\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eQÂF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 84 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5: \u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eShaman's Eyes\u003c\/i\u003e – Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PRESENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 112 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Korean Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTelling Our Stories\u003c\/i\u003e – A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKINDIL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 76 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Arabic 5.1 Surround\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6: \u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Jasper Sharp, Author Of \u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eScratched \u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Vampire Cat\u003c\/i\u003e – The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMAN-EATER MOUNTAIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 87 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Japanese Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e – Interview With Director Nonzee Nimibutr\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Thai 5.1, Thai Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7: \u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024)\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e – Female Ghosts Of The Malay Archipelago\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWHITE SONG\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 106 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8: \u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eFRANTIŠEK HRUBÍN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.37:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e – The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e – Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 92 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9: \u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e – Video Essay By Peter Bebergal, Author Of \u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDIBBUK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 94 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e – Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKratt Test Footage\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBOUNDARY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eJOURNEY THROUGH SETOMAA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMIDVINTERBLOT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 115 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10: \u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Frank Lafond\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eUn Tournage LITAN\u003c\/i\u003e – Archival Making-Of Made For Antenne 2\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e – 1982 Episode Of \u003ci\u003eTemps X\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Director Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eProduction Stills And Concept Illustrations\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 70 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11: \u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLOVE FROM MOTHER ONLY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e – Interview With Director Pedro Olea\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eEmpowered Woman\u003c\/i\u003e – Interview With Actress Silvia Munt\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlaying The Villain\u003c\/i\u003e – Interview With Actor Iñaki Miramón\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eInvoking The Akelarre\u003c\/i\u003e – Dr. Antonio Lázaro-Reboll, Author Of \u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 97 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12: \u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e – Interview With Director Wil Aaron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e – Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e – Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBLOOD ON THE STARS\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReunion Hotel\u003c\/i\u003e – BLOOD ON THE STARS Cast Reunion From \u003ci\u003eGwesty Aduniad\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 46 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Welsh Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13: \u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Actress Venetia Stevenson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBurn Witch, Burn! A Tribute To John Llewellyn Moxey\u003c\/i\u003e – Video Essay By TV Historian Amanda Reyes And Filmmaker Chris O'Neill\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 78 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Filipino Film Historian Andrew Leavold\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eITIM: AN EXPLORATION IN CINEMA – Archival Documentary\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePortrayal Of Guilt\u003c\/i\u003e – Filipino Film Scholar Anne Frances N. Sangil On The Darkness Of THE RITES OF MAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 107 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Tagalog Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42088133296198,"sku":"SEV16428BR","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/ATHBO2_Slipcase_3D.jpg?v=1753306950"},{"product_id":"house-of-psychotic-women-rarities-collection-volume-2-4-disc-blu-ray-box-set","title":"House of Psychotic Women: Rarities Collection Volume 2 [4-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“A NEW FEMINIST ESSENTIAL…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAs more ‘Psychotic Women’ films are released, \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eour understanding of what Kier-La Janisse intended \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eto accomplish when she popularized that phrase must expand \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eto include new depictions of female madness in cinema.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003ePaste Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p5\"\u003e\u003cb\u003eRESTORED FROM ORIGINAL SOURCE ELEMENTS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 10+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eIn this second collection inspired by her “groundbreaking” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) book that “forever changed the landscape of film analysis” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e), producer\/curator \u003cb\u003eKier-La Janisse\u003c\/b\u003e presents a new quartet of international classics – along with nearly 11 combined hours of Special Features – that explores startling depictions of female neurosis on screen: \u003cspan class=\"s2\"\u003e\u003cb\u003eAmanda Plummer\u003c\/b\u003e gives a searing performance as a disturbed drifter on a cross-country killing spree in \u003cb\u003eBUTTERFLY KISS\u003c\/b\u003e, the breakthrough debut from director \u003cb\u003eMichael Winterbottom\u003c\/b\u003e. L\u003c\/span\u003eegendary Czech actress\u003cb\u003e Iva Janžurová\u003c\/b\u003e\u003cspan class=\"s2\"\u003e portrays a pair of rival sisters in \u003c\/span\u003e\u003cb\u003eJuraj Herz’\u003c\/b\u003e\u003cspan class=\"s2\"\u003e crazed gothic melodrama \u003cb\u003eMORGIANA\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e. \u003c\/b\u003eIn\u003cb\u003e Ben Maddow\u003c\/b\u003e, \u003cb\u003eSidney Meyers\u003c\/b\u003e and \u003cb\u003eJoseph Strick’s\u003c\/b\u003e\u003cspan class=\"s2\"\u003e ‘dramatized documentary’ \u003cb\u003eTHE SAVAGE EYE\u003c\/b\u003e, \u003cb\u003eBarbara Baxley\u003c\/b\u003e stars as a bitter divorcee adrift in Los Angeles’ dark underbelly. And with the landmark Spanish thriller \u003cb\u003eTHE GLASS CEILING \u003c\/b\u003estarring\u003cb\u003e Carmen Sevilla\u003c\/b\u003e, writer\/director \u003cb\u003eEloy de la Iglesia \u003c\/b\u003ecrafts an unsettling story of paranoia, madness and murder. All 4 films in \u003cb\u003eHOUSE OF PSYCHOTIC WOMEN RARITIES COLLECTION VOLUME 2\u003c\/b\u003e have been \u003cb\u003escanned from their original camera negatives\u003c\/b\u003e and are \u003cb\u003epresented on Blu-ray for the first time ever in North America\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eDisc 1: BUTTERFLY KISS (1994)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn his “breathtakingly original” (\u003ci\u003eVariety\u003c\/i\u003e) debut feature, writer\/director \u003cb\u003eMichael Winterbottom\u003c\/b\u003e (24 HOUR PARTY PEOPLE, THE KILLER INSIDE ME) shocked audiences with the startling drama \u003ci\u003eThe New York Times\u003c\/i\u003e called “a twisted British answer to THELMA \u0026amp; LOUISE”: \u003cb\u003eAmanda Plummer\u003c\/b\u003e (PULP FICTION) delivers “a brave performance that \u003cspan class=\"s1\"\u003esears itself permanently into the viewer's consciousness” (\u003ci\u003eAustin Chronicle\u003c\/i\u003e) as a disturbed drifter whose seduction of a lonely convenience store clerk \u003c\/span\u003e(an equally daring \u003cb\u003eSaskia Reeves\u003c\/b\u003e of \u003ci\u003eSlow Horses\u003c\/i\u003e) triggers a cross-country odyssey of obsession, madness and murder.\u003cb\u003e Ricky Tomlinson \u003c\/b\u003e(RIFF-RAFF) co-stars in this “provocative masterpiece” (\u003ci\u003eThe Advocate\u003c\/i\u003e) co-written by 2x BAFTA nominee \u003cb\u003eFrank Cottrell-Boyce\u003c\/b\u003e (WELCOME TO SARAJEVO) and featuring cinematography by 2x Oscar\u003cspan class=\"s2\"\u003e®\u003c\/span\u003e nominee \u003cb\u003eSeamus McGarvey\u003c\/b\u003e (ATONEMENT), \u003cb\u003enow scanned in 2K from the original camera negative by The British Film Institute\u003c\/b\u003e and approved by Winterbottom and McGarvey.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 88 mins\u003cbr\u003eEnglish Stereo | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Writer Frank Cottrell-Boyce\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Kat Ellinger\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween Everyday And The Extreme\u003c\/i\u003e – Michael Winterbottom On Directing BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eNo Judgement \u003c\/i\u003e– Amanda Plummer Remembers Portraying Eunice\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eYou're Not Judith\u003c\/i\u003e – Saskia Reeves On Portraying Miriam\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePestilence Through Petrol\u003c\/i\u003e – Julie Baines On Producing BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFront Light And Black Sky\u003c\/i\u003e – Seamus McGarvey On Shooting BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003ePLEASURES OF WAR (Ruth Lingford, 1998)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\u003cb\u003eDisc 2: MORGIANA (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eFrom internationally award-winning filmmaker \u003cb\u003eJuraj Herz\u003c\/b\u003e (THE CREMATOR, THE NINTH HEART) comes this “haunting” (\u003ci\u003eSenses Of Cinema\u003c\/i\u003e), “gorgeously baroque” (\u003ci\u003eStarburst\u003c\/i\u003e) and “deliriously exciting cult gem” (\u003ci\u003eCulture Fix\u003c\/i\u003e), considered to be the final film of the Czech New Wave: When their wealthy father dies, cruelly jealous Viktorie will lead her naïvely trusting sister Klára – both portrayed in “a frightening, stellar performance” (\u003ci\u003eAt The Mansion Of Madness\u003c\/i\u003e) by legendary Czech actress\u003cb\u003e Iva Janžurová \u003c\/b\u003e– into a gothic nightmare of deception, blackmail and murder. \u003cb\u003eJosef Abrhám\u003c\/b\u003e (Václav Havel’s LEAVING) and \u003cb\u003eJosef Somr\u003c\/b\u003e (CLOSELY WATCHED TRAINS) co-star in this “terrific chamber piece that horror fans still haven't caught up to” \u003ci\u003e(Mondo Digital),\u003c\/i\u003e \u003cb\u003enewly scanned in 4K from the original camera negative by The National Film Archive in Prague. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 101 mins\u003cbr\u003eCzech Mono | English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.37:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Stranger With My Face Festival Director Briony Kidd And Cerise Howard, Co-Founder Of The Czech And Slovak Film Festival Of Australia\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLittle Drop Of Poison –\u003c\/i\u003e Actress Iva Janžurová Remembers MORGIANA\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Stone Forest\u003c\/i\u003e – Newly Commissioned Short Film On Shooting Location Pobiti Kamani, Animated By Leslie Supnet And Narrated By Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNIGHTMARES – Juraj Herz' 1970 Vampire Rock Musical Made For Czech TV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eREST IN PEACE (Rachel Amodeo, 1998) New 2K Scan Of This Cult Favorite By Rachel Amodeo And Dame Darcy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\u003cb\u003eDisc 3: THE SAVAGE EYE (1959)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn 1959, a trio of outsider filmmakers – formerly blacklisted screenwriter \u003cb\u003eBen Maddow\u003c\/b\u003e (THE ASPHALT JUNGLE), Oscar\u003cspan class=\"s2\"\u003e® \u003c\/span\u003enominated editor\/director \u003cb\u003eSidney Meyers\u003c\/b\u003e (THE QUIET ONE) and future Oscar\u003cspan class=\"s2\"\u003e® \u003c\/span\u003ewinning director \u003cb\u003eJoseph Strick\u003c\/b\u003e (INTERVIEWS WITH MY LAI VETERANS) – wrote, produced, edited and directed the ‘dramatized documentary’ that \u003ci\u003eSan Francisco Cinematheque\u003c\/i\u003e calls “a masterpiece of verité cinema”:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAdrift and bitter after her recent divorce, a woman (\u003cb\u003eBarbara Baxley\u003c\/b\u003e of NORMA RAE and NASHVILLE) confronts the grim realities of existence amongst the poetic grotesqueries of urban Los Angeles. The voice of \u003cb\u003eGary Merrill \u003c\/b\u003e(ALL ABOUT EVE)\u003cb\u003e \u003c\/b\u003eco-stars in\u003cb\u003e \u003c\/b\u003ethis “unique and unusual must-see” (\u003ci\u003eFilmFanatic\u003c\/i\u003e) – filmed on location by a team of cinematographers that included 2x Academy Award\u003cspan class=\"s2\"\u003e® \u003c\/span\u003ewinner \u003cb\u003eHaskell Wexler\u003c\/b\u003e (MEDIUM COOL) – \u003cb\u003enow scanned in 4K by Severin Films from the original camera negative provided by the Academy Film Archive\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 67 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Curator\/Historian Elizabeth Purchell\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJudith X\u003c\/i\u003e – Locations Video Essay By \u003ci\u003eEsotouric\u003c\/i\u003e's Kim Cooper\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Co-Director Joseph Strick\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTrailers From Hell\u003c\/i\u003e Commentary By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Films\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eINTERVIEWS WITH MY LAI VETERANS (Joseph Strick, 1970)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Director Joseph Strick On INTERVIEWS WITH MY LAI VETERANS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMISS CANDACE HILLIGOSS' FLICKERING HALO (Vincenzo Core And Fabio Scacchioli, 2011)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eDisc 4: THE GLASS CEILING (1971)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn his landmark 1971 feature, writer\/director \u003cb\u003eEloy de la Iglesia\u003c\/b\u003e – who would go on to create such subversively disturbing films as CANNIBAL MAN, THE CREATURE and the Quinqui classics NAVAJEROS and EL PICO 1 \u0026amp; 2 – brought an unnerving new perspective to female madness: When her husband leaves on a business trip, a frustrated housewife – an award-winning performance by \u003cb\u003eCarmen Sevilla\u003c\/b\u003e, star of CROSS OF THE DEVIL and NO ONE HEARD THE SCREAM – begins to obsess over unfamiliar noises in their apartment building and suspects that an upstairs neighbor has committed murder. \u003cb\u003eDean Selmier\u003c\/b\u003e (THE BLOOD SPATTERED BRIDE), \u003cb\u003ePatty Shepard\u003c\/b\u003e (CRYPT OF THE LIVING DEAD), \u003cb\u003eFernando Cebrián\u003c\/b\u003e \u003cspan class=\"s5\"\u003e(TRISTANA) and \u003cb\u003eEmma Cohen\u003c\/b\u003e (HORROR RISES FROM THE TOMB) co-star in this milestone Spanish thriller, \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the original camera negative.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 95 mins\u003cbr\u003eEnglish Mono, Spanish Mono | Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Shelagh Rowan-Legg, Author Of A Forthcoming Monograph On Director Eloy De La Iglesia, And \u003ci\u003eFaculty of Horror\u003c\/i\u003e's Alexandra West\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eConnected At The Soul\u003c\/i\u003e – Patty Shepard As Remembered By Her Sister, Judith Chapman\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Scenes From The TV Version\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eANTA MUJER (Agustí Villaronga, 1976)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBox Set Credits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCuration, Art Direction and Special Features Production: Kier-La Janisse \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOuter Box Design - Hauntlove\u003cbr\u003eWrap Design - David Levine\u003cbr\u003eSpecial Features Head Editor - Stuart Linver\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSpecial Thanks\u003c\/strong\u003e\u003cbr\u003eJulie Baines \u003cbr\u003eHarvey Fenton\u003cbr\u003eGil Garagnon\u003cbr\u003eJuraj Machálek\u003cbr\u003eLeoš Morávek\u003cbr\u003eJayne Pilling\u003cbr\u003eAmanda Reyes\u003cbr\u003eAlberto Sedano\u003cbr\u003eBetsy Strick\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42518248652870,"sku":"SEV17730BR","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/HOPWv2_3D.jpg?v=1753306109"},{"product_id":"bloody-legend-the-complete-cliff-twemlow-collection-9-disc-blu-ray-cd-box-set","title":"Bloody Legend: The Complete Cliff Twemlow Collection [9-Disc Blu-ray + CD Box Set]","description":"\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-offset-key=\"572go-0-0\"\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"fn78i\" data-offset-key=\"572go-0-0\"\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“Welcome to the story of Cliff Twemlow,\u003cbr\u003e\u003c\/b\u003e\u003cb\u003ethe unlikeliest movie mogul you’ve never heard of… until now.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eHe is finally going to get the recognition he has always deserved.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eAmerican Cinematheque\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" style=\"text-align: center;\"\u003e\u003cb\u003e11 FEATURE FILMS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e9 BLU-RAYS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eINCLUDING\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e THE AWARD-WINNING DOCUMENTARY\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eMANCUNIAN MAN\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 13+ HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e BONUS ‘PETER RENO’ CD \u003c\/b\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eCliff Twemlow\u003c\/b\u003e was a nightclub bouncer, composer, novelist, actor, filmmaker and unsung ‘80s UK legend. For more than a decade, the unstoppable Manchester native – along with a devoted team of local doormen, martial artists, variety performers, models, girlfriends, gym friends, family members and B-listers – created his own low-budget shot-on-video empire via a bollock-bashing oeuvre of gangster films, horror movies, spy thrillers, sci-fi epics and beyond. This first-ever \u003cb\u003eIntervision Picture Corp.\u003c\/b\u003e box set brings together every film by “The Orson Welles of Eccles” – including his infamous Section 3 ‘video nasty’ \u003cb\u003eG.B.H.\u003c\/b\u003e\/\u003cb\u003eGRIEVOUS BODILY HARM\u003c\/b\u003e – sourced from their original tape masters, as well as 2023’s “sweet, moving and very, very funny” (\u003ci\u003eDeadline Hollywood\u003c\/i\u003e) documentary \u003cb\u003eMANCUNIAN MAN: THE LEGENDARY LIFE OF CLIFF TWEMLOW\u003c\/b\u003e directed by \u003cb\u003eJake West\u003c\/b\u003e, plus unfinished projects, \u003cb\u003eover 13 hours of Special Features\u003c\/b\u003e, \u003cb\u003ea CD featuring Cliff’s music from DAWN OF THE DEAD and much more.  \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 1: MANCUNIAN MAN: THE LEGENDARY LIFE OF CLIFF TWEMLOW \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAdditional Scenes\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eManchester Locations Tour\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Swedish Connection\u003c\/i\u003e – Interview with Jonathan Sisson On G.B.H.’s First-Time\/Last-Time Investors\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Pike Rediscovered\u003c\/i\u003e – The Hunt For The Mechanical Monster\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eManchester Premiere\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLondon World Premiere\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eGlasgow Premiere\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eImage Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 124 mins\u003cbr\u003eEnglish Stereo | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 2: TUXEDO WARRIOR\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOuttakes\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eGag Reel\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 93 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 3: G.B.H.\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Actor Brian Sterling-Vete And Cult Movie Historian David Flint\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Credits Sequence\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTeaser Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PIKE TV Special\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eMASON'S WAR Promo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 89 mins (Original Director’s Cut) \/ 74 mins (UK Release Version)\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 4: TARGET: EVE ISLAND \/ THE IBIZA CONNECTION\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTARGET: EVE ISLAND Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Actor Brian Sterling-Vete And Producer Martin De Rooy\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFor The Love Of Cliff – \u003c\/i\u003eAudio Commentary Outtake With Brian Sterling-Vete,\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003eMartin De Rooy And Severin Films’ Carl Daft\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eGranada Tourism Promo\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Credits Sequence\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRushes\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 1\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eTrailer 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTARGET: EVE ISLAND Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 84 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE IBIZA CONNECTION Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Howard Arundel And Cult Movie Historian David Flint\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eActor Brett Sinclair’s Ibiza Videos\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE IBIZA CONNECTION Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 93 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 5: THE AFRICAN RUN \/ MOON STALKER \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE AFRICAN RUN Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eScene Breakdowns – Compilation Of New Scenes With Detailed Production\/Location Notes\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Credits Sequence\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDavid Ball Test Footage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE AFRICAN RUN Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 94 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eMOON STALKER Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Actor Brian Sterling-Vete And Cult Movie Historian David Flint\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Credits Sequence\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE BLIND SIDE OF GOD Promo\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eHARRISING MOMENTS – Jerry Harris Showreel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eMOON STALKER Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 91 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 6: THE HITMAN \/ THE EYE OF SATAN\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE HITMAN Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Credits Sequence\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE HITMAN Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 89 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE EYE OF SATAN Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBloopers\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 1\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eTrailer 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE EYE OF SATAN Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 79 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 7: FIRESTAR: FIRST CONTACT \/ TOKYO SUNRISE\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eFIRESTAR: FIRST CONTACT Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDeleted Fight Scene\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eFIRESTAR: FIRST CONTACT Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 94 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTOKYO SUNRISE Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMaking-Of\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOuttakes\/Bloopers\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003ePromo 1\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003ePromo 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTOKYO SUNRISE Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 21 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1, 1.33:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 8: G.B.H. 2: LETHAL IMPACT\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Feature\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eBAD WEEKEND – Cliff’s Final Production, An Unreleased Short Film Intended As A Half-Hour TV Pilot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 99 mins (Pre-Release Version) | 110 mins (Special Edition)\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 9: FITNESS OVER 40 \/ THE ART OF NUDE MASSAGE\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eFITNESS OVER 40 Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 55 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eTHE ART OF NUDE MASSAGE Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 46 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p6\"\u003e\u003cb\u003eDisc 10: THE PETER RENO TAPES CD\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eKeyart designed by Matt Needle\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":42901901770822,"sku":"SEV18267BR","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/BloodyLegend_3DLarge.jpg?v=1753305835"},{"product_id":"high-tension-four-films-by-lamberto-bava-4-disc-blu-ray-cd-box-set","title":"High Tension: Four Films by Lamberto Bava [4-Disc Blu-ray + CD Box Set]","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“THROUGHOUT HIS CAREER, LAMBERTO BAVA \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eHAS LEFT A UNIQUE MARK WITH HIS ABILITY \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eTO CREATE TERRIFYINGLY HAUNTING ATMOSPHERES. \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eHE HAS INFLUENCED GENERATIONS OF GENRE FILMMAKERS.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThe Sitges International Film Festival\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE BLU-RAY PREMIERE\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eOF\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e THE INFAMOUS ANTHOLOGY SERIES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eDIRECTED BY LAMBERTO BAVA\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eIn the late ‘80s, \u003cb\u003eLamberto Bava\u003c\/b\u003e agreed to direct a four-part anthology series for Italian TV under the title \u003cb\u003e\u003ci\u003eHigh Tension\u003c\/i\u003e\u003c\/b\u003e. But when executives saw the completed features’ extreme themes and graphic violence, their broadcast was blocked for nearly a decade and they have only existed as grey market bootlegs since. \u003cb\u003eSeverin Films\u003c\/b\u003e now presents their \u003cb\u003eOfficial Worldwide Blu-ray Premiere\u003c\/b\u003e: \u003cb\u003eTomas Arana\u003c\/b\u003e stars as a horror director stalked by evil forces in \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003ePRINCE OF TERROR\u003c\/b\u003e, written by \u003cb\u003eDardano Sacchetti\u003c\/b\u003e and featuring grisly FX by \u003cb\u003eSergio Stivaletti\u003c\/b\u003e. In \u003cb\u003eTHE MAN WHO WOULDN’T DIE\u003c\/b\u003e, adapted\u003cbr\u003efrom a short story by poliziotteschi novelist Giorgio Scerbanenco, the survivor of a home invasion seeks vengeance. \u003cb\u003eDaria Nicolodi\u003c\/b\u003e stars in \u003cb\u003eSCHOOL OF FEAR \u003c\/b\u003eabout a student academy with a dark secret. And in the giallo shocker \u003cb\u003eEYE WITNESS\u003c\/b\u003e, \u003cb\u003eBarbara Cupisti\u003c\/b\u003e stars as a blind woman who sees a murder. All four films are \u003cb\u003escanned in 2K from the original camera negatives with Italian and first-time ever English tracks\u003c\/b\u003e, plus \u003cb\u003eover 5 hours of Special Features\u003c\/b\u003e and a \u003cb\u003eSoundtrack CD curated by Simon Boswell \u003c\/b\u003efeaturing music from \u003ci\u003eHigh Tension\u003c\/i\u003e, THE MASK OF SATAN, DEMONS 2, DELIRIUM and more.\u003c\/p\u003e\n\u003cp class=\"p11\" style=\"text-align: center;\"\u003e\u003cb\u003e4 FILMS RESTORED UNCUT\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e5+ HOURS OF ALL-NEW SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003ePLUS\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e BONUS \u003ci\u003eBOSWELL\/BAVA\u003c\/i\u003e SOUNDTRACK CD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p13\"\u003e\u003cb\u003eDisc 1: THE PRINCE OF TERROR\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cspan class=\"s1\"\u003eFor the first film in the series, director \u003cb\u003eLamberto Bava\u003c\/b\u003e and screenwriter \u003cb\u003eDardano Sacchetti \u003c\/b\u003e(THE BEYOND, DEMONS) delivered “a wild ride” (\u003ci\u003eEuro Fever\u003c\/i\u003e) that’s part home-invasion thriller, part supernatural shocker and one totally over-the-top gorehound blast: ‘Prince of Terror’ Vincent Omen (\u003cb\u003eTomas Arana\u003c\/b\u003e of THE CHURCH and THE SECT) is cinema’s top horror director. But when a disgruntled screenwriter – a no-holds-barred performance by \u003cb\u003eDavid Brandon\u003c\/b\u003e of STAGEFRIGHT – attacks Omen and his family in their secluded villa, it will unleash a grisly maelstrom of graphic brutality courtesy of special effects maestro \u003cb\u003eSergio Stivaletti \u003c\/b\u003e(THE MASK OF SATAN, CEMETERY MAN). \u003cb\u003eCarole André\u003c\/b\u003e (YOR: THE HUNTER FROM THE FUTURE) co-stars in “one of the rarest of Bava’s ‘80s horrors” (\u003ci\u003eThe Bloody Pit of Horror\u003c\/i\u003e), \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 2K from the original camera negative\u003c\/b\u003e \u003cb\u003ewith a first time-ever English language track. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 92 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With \u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of \u003ci\u003eSo Deadly, So Perverse: 50 Years Of Italian Giallo Films\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Adventure Of Anfri\u003c\/i\u003e – Interview With Director Lamberto Bava On \u003ci\u003eHigh Tension\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eWe Call Him Maestro\u003c\/i\u003e – Lamberto Bava On THE PRINCE OF TERROR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p13\"\u003e\u003cb\u003eDisc 2: THE MAN WHO WOULDN’T DIE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003eIn the early ‘70s, the legendary \u003cb\u003eMario Bava\u003c\/b\u003e began adapting a savage short story by \u003ci\u003epoliziotteschi\u003c\/i\u003e\u003cspan class=\"s1\"\u003e novelist \u003cb\u003eGiorgio Scerbanenco\u003c\/b\u003e (CALIBER 9) for a film project. When \u003cb\u003eLamberto Bava\u003c\/b\u003e eventually directed it in 1989 – from a screenplay by \u003cb\u003eGianfranco Clerici\u003c\/b\u003e (HOUSE ON THE EDGE OF THE PARK, THE NEW YORK RIPPER) – Italian TV refused to broadcast the violent thriller for nearly 20 years: \u003c\/span\u003eAfter an art heist in a luxury villa goes horrifically wrong, a gang member (\u003cb\u003eGino Concari\u003c\/b\u003e of Andrea Bianchi’s MASSACRE) left for dead will hunt down his accomplices in a mission of brutal revenge. \u003cb\u003eKeith Van Hoven\u003c\/b\u003e (Fulci’s THE HOUSE OF CLOCKS), \u003cb\u003eLino Salemme\u003c\/b\u003e (DEMONS) and \u003cb\u003eMartine Brochard\u003c\/b\u003e (THE VIOLENT PROFESSIONALS) co-star in “the rarest film in the \u003ci\u003eHigh Tension\u003c\/i\u003e series” (\u003ci\u003eFilmTV\u003c\/i\u003e), \u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 2K from the original camera negative\u003c\/b\u003e \u003cb\u003ewith a first time-ever English language track. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 95 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Scerbanenco Touch\u003c\/i\u003e – Interview With Director Lamberto Bava\u003c\/li\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStephen King Italian Style\u003c\/i\u003e – Interview With Screenwriter Dardano Sacchetti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p13\"\u003e\u003cb\u003eDisc 3: SCHOOL OF FEAR\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003eIn the most unsettlingly creepy film of the quartet, producer\/director \u003cb\u003eLamberto Bava \u003c\/b\u003e– along with screenwriters \u003cb\u003eRoberto Gandus\u003c\/b\u003e (MACABRE, PAPAYA: LOVE GODDESS OF THE CANNIBALS), \u003cb\u003eDardano Sacchetti\u003c\/b\u003e (THE PSYCHIC, ZOMBIE), \u003cb\u003eGiorgio Stegani\u003c\/b\u003e (CANNIBAL HOLOCAUST, EYE WITNESS) and composer \u003cb\u003eSimon Boswell\u003c\/b\u003e (DEMONS 2, SANTA SANGRE) – present a private academy where the curriculum is defined by unadulterated evil: When an idealistic young teacher (\u003cb\u003eAlessandra Acciai\u003c\/b\u003e of Luigi Cozzi’s THE BLACK CAT) arrives mid-semester at an exclusive school, she’ll anger the stern principal (Italian horror icon \u003cb\u003eDaria Nicolodi\u003c\/b\u003e), unlock a nightmare of trauma and discover that child’s play can be the deadliest game of all. \u003cb\u003eStefano De Sando\u003c\/b\u003e (Bava\/Cozzi’s \u003ci\u003eNight Shift\u003c\/i\u003e) co-stars in this “absolutely wild” (\u003ci\u003eB\u0026amp;S About Movies\u003c\/i\u003e) shocker, \u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 2K from the original camera negative\u003c\/b\u003e \u003cb\u003ewith a first time-ever English language track.  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 100 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Tale Of Evil Children\u003c\/i\u003e – Interview With Director Lamberto Bava\u003c\/li\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlay The Game\u003c\/i\u003e – Interview With Screenwriter Roberto Gandus\u003c\/li\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eWhen Bava Met Boswell\u003c\/i\u003e – Interview With Composer Simon Boswell\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eDisc 4: BOSWELL\/BAVA Compilation CD\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p13\"\u003e\u003cb\u003eDisc 5: EYE WITNESS\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p18\"\u003eFor his final film in the \u003ci\u003eHigh Tension\u003c\/i\u003e series, director \u003cb\u003eLamberto Bava\u003c\/b\u003e crafted a unique twist on the giallo genre with a screenplay by \u003cb\u003eGiorgio Stegani\u003c\/b\u003e (SCHOOL OF FEAR, CANNIBAL HOLOCAUST) and \u003cb\u003eMassimo De Rita\u003c\/b\u003e (BLASTFIGHTER, STREET LAW) from a story by Bava, a haunting score by \u003cb\u003eSimon Boswell \u003c\/b\u003e(PHENOMENA, STAGEFRIGHT) and an outstanding performance by \u003cb\u003eBarbara Cupisti\u003c\/b\u003e of CEMETERY MAN, THE CHURCH and OPERA fame: When a blind woman (Cupisti) is the only witness to a murder, the cops – and the killer – set their sights on ending her ordeal forever. \u003cb\u003eMary Sellers\u003c\/b\u003e (THE MASK OF SATAN), \u003cb\u003eAlessio Orano\u003c\/b\u003e (LISA AND THE DEVIL) and \u003cb\u003eAntonella Antinori \u003c\/b\u003e(BURIAL GROUND) co-star in “one of the best Bava films ever” (\u003ci\u003eItaloCinema\u003c\/i\u003e),\u003cb\u003e now\u003c\/b\u003e \u003cb\u003escanned in 2K from the original camera negative\u003c\/b\u003e \u003cb\u003ewith a first time-ever English language track.  \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 100 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With \u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of \u003ci\u003eSo Deadly, So Perverse: 50 Years Of Italian Giallo Films\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Last Giallo\u003c\/i\u003e – Interview With Director Lamberto Bava\u003c\/li\u003e\n\u003cli class=\"li16\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove Is Blind\u003c\/i\u003e – Interview With Actress Barbara Cupisti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eArtwork designed by Eric Adrian Lee\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":43596902563910,"sku":"SEV18352BR","price":73.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/HighTension_3D.jpg?v=1753305787"},{"product_id":"danza-macabra-volume-four-the-italian-gothic-collection-7-disc-blu-ray-box-set-6-blu-ray-1-cd","title":"Danza Macabra Vol. Four: The Italian Gothic Collection [7-Disc Blu-ray Box Set: (6) Blu-ray + (1) CD]","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“Sure, Gothic horror has castles, crypts and candelabras, \u003c\/b\u003e\u003cb\u003ebut the genre – especially in Italy – includes lots of other delicious, devilish delicacies.\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eThese fascinating and varied films have seen a home media renaissance in the past few years, \u003c\/b\u003e\u003cb\u003eand Severin Films has been at the forefront.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eNerdist\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" style=\"text-align: center;\"\u003e\u003cb\u003e4 ITALIAN GOTHIC CLASSICS ON 7 DISCS \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eItalian Gothic takes some very unexpected turns down cobwebbed corridors with this all-new quartet of classics, \u003cb\u003enow\u003c\/b\u003e \u003cb\u003erestored in UHD for the first time ever:\u003c\/b\u003e Queen of Italian Horror \u003cb\u003eBarbara Steele\u003c\/b\u003e stars in \u003cb\u003eMassimo Pupillo\u003c\/b\u003e’s\u003cb\u003e \u003c\/b\u003egrisly \u003cb\u003eTERROR-CREATURES FROM THE GRAVE\u003c\/b\u003e, presented in both its U.S. and Italian versions on 3 discs. Director \u003cb\u003eFilippo Walter Ratti \u003c\/b\u003emelds\u003cb\u003e \u003c\/b\u003eclassic gothic tropes with explicit ‘70s sexuality in \u003cb\u003eNIGHT OF THE DAMNED\u003c\/b\u003e. \u003cb\u003eMark Damon\u003c\/b\u003e and \u003cb\u003eRosalba Neri\u003c\/b\u003e consummate the ultimate Satanic mayhem in \u003cb\u003eTHE DEVIL’S WEDDING NIGHT\u003c\/b\u003e from director \u003cb\u003eLuigi Batzella\u003c\/b\u003e and cinematographer\/2\u003cspan class=\"s2\"\u003e\u003csup\u003end\u003c\/sup\u003e\u003c\/span\u003e unit director \u003cb\u003eJoe D’Amato. \u003c\/b\u003eAnd\u003cb\u003e \u003c\/b\u003eHollywood legend \u003cb\u003eCarroll Baker\u003c\/b\u003e stars in \u003cb\u003eCorrado Farina\u003c\/b\u003e’s pop art erotic shocker \u003cb\u003eBABA YAGA\u003c\/b\u003e, a 4-disc set that includes the first-ever release of a \u003cb\u003ePiero Umiliani\u003c\/b\u003e soundtrack compilation. \u003cb\u003eAll four films have been scanned in 4K from their original camera negatives with more than 12 hours of new and archival Special Features curated exclusively for this collection.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\" style=\"text-align: center;\"\u003e\u003cb\u003eRESTORED UNCUT \u0026amp; UNCENSORED \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003eWITH \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e12+ COMBINED HOURS OF SPECIAL FEATURES,\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eALTERNATE VERSIONS, SOUNDTRACK CD \u0026amp; MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 1–2: TERROR-CREATURES FROM THE GRAVE (1965)\u003cbr\u003e\u003c\/b\u003eAfter decades of murky transfers and cut prints, this “scary” (\u003ci\u003eAt the Mansion of Madness\u003c\/i\u003e), “impressive” (\u003ci\u003eRock! Shock! Pop!\u003c\/i\u003e) and “haunting” (\u003ci\u003eSurgeons of Horror\u003c\/i\u003e) favorite starring The Queen of Italian Horror \u003cb\u003eBarbara Steele\u003c\/b\u003e is fully uncut on \u003cb\u003eBlu-ray for the first time ever: \u003c\/b\u003eDeep within the cursed villa of a dead spiritualist, the legacy of the Black Plague will unleash a torrent of madness, murder and the vengeance of the undead. \u003cb\u003eWalter Brandi \u003c\/b\u003e(SLAUGHTER OF THE VAMPIRES), \u003cb\u003eRiccardo Garrone\u003c\/b\u003e (LA DOLCE VITA) and \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (CASTLE OF THE LIVING DEAD) co-star in this “damn creepy and surprisingly brutal” (\u003ci\u003eScream Magazine\u003c\/i\u003e)\u003cb\u003e \u003c\/b\u003echiller directed by \u003cb\u003eMassimo Pupillo\u003c\/b\u003e (BLOODY PIT OF HORROR) – in both its \u003cb\u003eU.S. and Italian versions\u003c\/b\u003e featuring multiple different death scenes – \u003cb\u003enewly scanned in 4K from the original camera negative with nearly 3 hours of Special Features including a selected scene commentary with Ms. Steele.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 90 mins (Italian Cut), 85 mins (U.S. Cut)\u003cbr\u003eItalian Cut: Italian Mono, Partial English Mono \/ Optional English Subtitles, Closed Captions\u003cbr\u003eU.S. Cut: English Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eAudio Commentary With Rod Barnett Of \u003ci\u003eNaschyCast\u003c\/i\u003e And \u003ci\u003eThe Bloody Pit\u003c\/i\u003e, And Dr. Adrian Smith, Co-Author Of \u003ci\u003eNorman J. Warren: Gentleman of Terror\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: Blu-ray (Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eGrave Secrets\u003c\/i\u003e – Featurette With Director Massimo Pupillo, Actor Riccardo Garrone And Film Historian Fabio Melelli\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eSelected Scene Commentary With Actress Barbara Steele And Barbara Steele Archivist Russ Lanier\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eGrave Influence\u003c\/i\u003e – Video Essay By Matt Rogerson, Author \u003ci\u003eOf The Vatican Versus Horror Movies \u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eThe Original Boutique Video Label\u003c\/i\u003e – Film Critic Alan Jones On Vampix\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eItalian Trailer\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: \u003c\/b\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003eNIGHT OF THE DAMNED\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e (1971) \u003cbr\u003e\u003c\/b\u003eOne of the most obscure – and badly bootlegged – shockers of the Italian gothic genre is \u003cb\u003enow restored uncut and uncensored on Blu-ray for the first time ever: \u003c\/b\u003eWhen a mystery-solving journalist (\u003cb\u003ePierre Brice\u003c\/b\u003e of MILL OF THE STONE WOMEN) and his wife (\u003cb\u003ePatrizia Viotti \u003c\/b\u003eof AMUCK!) are summoned to the creepy castle of a dying friend, they’ll find themselves trapped in a nightmare of ancestral curses, modern witchcraft and demonic sapphic carnage, much of which proved too extreme even for Italian censors. \u003cb\u003eAngela De Leo\u003c\/b\u003e (JULIETTE DE SADE) co-stars in this “memorably bizarre” (\u003ci\u003eEuro Fever\u003c\/i\u003e) blend of classic gothic tropes and ’70s sexual insanity directed by \u003cb\u003eFilippo Walter Ratti\u003c\/b\u003e (MONDO EROTICO), \u003cb\u003escanned in 4K from the original camera negative with 2+ hours of Special Features that include newly discovered Satanic Orgy Outtakes. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 87 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eAudio Commentary With Rod Barnett And Troy Guinn, Film Historians\/Co-Hosts Of \u003ci\u003eNaschyCast\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Castle Of Saint Lambert\u003c\/i\u003e – Interview With Film Historian Fabio Melelli\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eThe Desired And The Damned\u003c\/i\u003e – Video Essay By Matt Rogerson, Author Of \u003ci\u003eThe Vatican Versus Horror Movies \u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eSatanic Orgy Outtakes\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: \u003c\/b\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003eTHE DEVIL’S WEDDING NIGHT\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e (1973) \u003cbr\u003e\u003c\/b\u003eAn over-the-top performance by co-writer\/star \u003cb\u003eMark Damon\u003c\/b\u003e (BLACK SABBATH) in a dual role. A career-best \u003cb\u003eRosalba Neri \u003c\/b\u003e(LADY FRANKENSTIEN) as a bisexual vampire queen. Lurid direction by\u003cb\u003e Luigi Batzella \u003c\/b\u003e(THE BEAST IN HEAT) with startling imagery by cinematographer\/second unit director\u003cb\u003e Joe D’Amato \u003c\/b\u003e(BEYOND THE DARKNESS). A “truly trippy cult favorite” (\u003ci\u003eDVD Drive-In\u003c\/i\u003e) with “a bounty of babes and blood” (\u003ci\u003e10K Bullets\u003c\/i\u003e)\u003cb\u003e restored uncut and uncensored on Blu-ray for the first time ever: \u003c\/b\u003eWhen an 18\u003cspan class=\"s2\"\u003e\u003csup\u003eth\u003c\/sup\u003e\u003c\/span\u003e century scholar (Damon) discovers the location of a mythical ring, he and his rogue twin (also Damon) race to Dracula’s castle where they are seduced by a depraved Countess (Neri). But who will survive her ultimate ceremony of the damned? \u003cb\u003eXiro Papas \u003c\/b\u003e(FRANKENSTEIN’S CASTLE OF FREAKS) co-stars in this “Italian exploitation horror classic” (\u003ci\u003eDVD Beaver\u003c\/i\u003e), \u003cb\u003enow scanned in 4K from the original camera negative with 2+ hours of Special Features.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 84 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eAudio Commentary With Martyn Conterio, Author Of \u003ci\u003eBlack Sunday\u003c\/i\u003e, And Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eCountess Rosalba\u003c\/i\u003e – Interview With Star Rosalba Neri\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eThe Wedding Guest\u003c\/i\u003e – Interview With Cinematographer Aristide Massaccesi (aka Joe D'Amato)\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eThe Wedding Tale\u003c\/i\u003e – Interview With Producer Franco Gaudenzi\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eAn Open Letter To Rosalba Neri's Tits\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas, Author Of \u003ci\u003e1000 Women In Horror, 1895-2018\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eItalian Trailer\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 5–7: BABA YAGA (1973)\u003cbr\u003e\u003c\/b\u003eIt’s been called “achingly beautiful” (\u003ci\u003eDVD Talk\u003c\/i\u003e), “twisted and trippy” (\u003ci\u003eRock! Shock! Pop!\u003c\/i\u003e) and “an unforgettable, joyous ride” (\u003ci\u003eSex Gore Mutants\u003c\/i\u003e). Now the gothic erotic classic from writer\/director \u003cb\u003eCorrado Farina\u003c\/b\u003e (THEY HAVE CHANGED THEIR FACE) based on the S\u0026amp;M \u003ci\u003efumetto\u003c\/i\u003e by \u003cb\u003eGuido Crepax\u003c\/b\u003e looks and sounds better than ever before: Academy Award\u003cspan class=\"s6\"\u003e®\u003c\/span\u003e nominee \u003cb\u003eCarroll Baker\u003c\/b\u003e (BABY DOLL, ORGASMO) stars as the titular witch who seduces a swinging photographer \u003cspan class=\"s5\"\u003e(French model\/singer \u003cb\u003eIsabelle De Funès\u003c\/b\u003e) into a maelstrom of sexual obsession, pop art perversity and some of the most uniquely unnerving images in the entire genre. \u003c\/span\u003e\u003cb\u003eLuigi Montefiori\u003c\/b\u003e (ANTHROPOPHAGOUS) co-stars in “the sexy ‘70s film that attacks a dozen major fetishes in 83 minutes” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e)\u003cspan class=\"s5\"\u003e \u003cb\u003enewly scanned in 4K from the original camera negative, with the first-ever release \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eof a soundtrack compilation by \u003c\/b\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003ePiero Umiliani plus over 4 hours of revealing audio commentaries, interviews, short films and more.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 83 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 5: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eAudio Commentary With Emma Westwood, Editor Of \u003ci\u003eBride Of Frankenstein\u003c\/i\u003e, And Film Scholar Sally Christie\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eFarina And Valentina\u003c\/i\u003e – Interview With Director Corrado Farina\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eValentina, BABA YAGA And Dad\u003c\/i\u003e – Interview With Film Critic Alberto Farina, Son Of Corrado Farina\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eThe Milan Witch Project\u003c\/i\u003e – Interview With Actor Luigi Montefiori\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eA Filmmaking Friendship\u003c\/i\u003e – Interview With Editor\/Co-Screenwriter Giulio Berruti\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 6: Blu-ray (Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eThe Gaze Bewitched\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas, Author Of \u003ci\u003eThe Cinema Coven: Witches, Witchcraft And Women's Filmmaking\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003e\u003ci\u003eShort Village Magazine\u003c\/i\u003e Interview With Corrado Farina And Alberto Farina\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eAlternate\/Extended Scenes\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003ePhoto Gallery\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eComic Book Comparisons\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cspan class=\"s7\"\u003eCorrado Farina Short Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eFREUD IN COLOR (1970)\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eSCIENCE FICTION IS US (1970)\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s4\"\u003e\u003c\/span\u003eIT WAS CALLED EARTH (1963)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 7: \u003ci\u003eQuattro Di Umiliani\u003c\/i\u003e Soundtrack Compilation CD\u003c\/b\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":43460846190662,"sku":"SEV18780BR","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DanzaMacabraV4_BD_3D.jpg?v=1753305474"},{"product_id":"danza-macabra-volume-four-the-italian-gothic-collection-11-disc-box-set-4-4k-uhd-6-blu-ray-1-cd","title":"Danza Macabra Vol. Four: The Italian Gothic Collection [11-Disc Box Set: (4) 4K UHD + (6) Blu-ray + (1) CD]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“Sure, Gothic horror has castles, crypts and candelabras, \u003c\/b\u003e\u003cb\u003ebut the genre – especially in Italy – includes lots of other delicious, devilish delicacies.\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eThese fascinating and varied films have seen a home media renaissance in the past few years, \u003c\/b\u003e\u003cb\u003eand Severin Films has been at the forefront.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eNerdist\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\"\u003e\u003cb\u003eTHE WORLDWIDE \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eUHD PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eOF\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 4 ITALIAN GOTHIC CLASSICS ON 11 DISCS \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eItalian Gothic takes some very unexpected turns down cobwebbed corridors with this all-new quartet of classics, \u003cb\u003enow\u003c\/b\u003e \u003cb\u003erestored in UHD for the first time ever:\u003c\/b\u003e Queen of Italian Horror \u003cb\u003eBarbara Steele\u003c\/b\u003e stars in \u003cb\u003eMassimo Pupillo\u003c\/b\u003e’s\u003cb\u003e \u003c\/b\u003egrisly \u003cb\u003eTERROR-CREATURES FROM THE GRAVE\u003c\/b\u003e, presented in both its U.S. and Italian versions on 3 discs. Director \u003cb\u003eFilippo Walter Ratti \u003c\/b\u003emelds\u003cb\u003e \u003c\/b\u003eclassic gothic tropes with explicit ‘70s sexuality in \u003cb\u003eNIGHT OF THE DAMNED\u003c\/b\u003e. \u003cb\u003eMark Damon\u003c\/b\u003e and \u003cb\u003eRosalba Neri\u003c\/b\u003e consummate the ultimate Satanic mayhem in \u003cb\u003eTHE DEVIL’S WEDDING NIGHT\u003c\/b\u003e from director \u003cb\u003eLuigi Batzella\u003c\/b\u003e and cinematographer\/2\u003cspan class=\"s3\"\u003e\u003csup\u003end\u003c\/sup\u003e\u003c\/span\u003e unit director \u003cb\u003eJoe D’Amato. \u003c\/b\u003eAnd\u003cb\u003e \u003c\/b\u003eHollywood legend \u003cb\u003eCarroll Baker\u003c\/b\u003e stars in \u003cb\u003eCorrado Farina\u003c\/b\u003e’s pop art erotic shocker \u003cb\u003eBABA YAGA\u003c\/b\u003e, a 4-disc set that includes the first-ever release of a \u003cb\u003ePiero Umiliani\u003c\/b\u003e soundtrack compilation. \u003cb\u003eAll four films have been scanned in 4K from their original camera negatives with more than 12 hours of new and archival Special Features curated exclusively for this collection.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p7\"\u003e\u003cb\u003eRESTORED UNCUT \u0026amp; UNCENSORED \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eWITH \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e12+ COMBINED HOURS OF SPECIAL FEATURES,\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eALTERNATE VERSIONS, SOUNDTRACK CD \u0026amp; MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 1–3: TERROR-CREATURES FROM THE GRAVE (1965)\u003cbr\u003e\u003c\/b\u003eAfter decades of murky transfers and cut prints, this “scary” (\u003ci\u003eAt the Mansion of Madness\u003c\/i\u003e), “impressive” (\u003ci\u003eRock! Shock! Pop!\u003c\/i\u003e) and “haunting” (\u003ci\u003eSurgeons of Horror\u003c\/i\u003e) favorite starring The Queen of Italian Horror \u003cb\u003eBarbara Steele\u003c\/b\u003e comes to \u003cb\u003eUHD for the first time ever: \u003c\/b\u003eDeep within the cursed villa of a dead spiritualist, the legacy of the Black Plague will unleash a torrent of madness, murder and the vengeance of the undead. \u003cb\u003eWalter Brandi \u003c\/b\u003e(SLAUGHTER OF THE VAMPIRES), \u003cb\u003eRiccardo Garrone\u003c\/b\u003e (LA DOLCE VITA) and \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (CASTLE OF THE LIVING DEAD) co-star in this “damn creepy and surprisingly brutal” (\u003ci\u003eScream Magazine\u003c\/i\u003e)\u003cb\u003e \u003c\/b\u003echiller directed by \u003cb\u003eMassimo Pupillo\u003c\/b\u003e (BLOODY PIT OF HORROR) – in both its \u003cb\u003eU.S. and Italian versions\u003c\/b\u003e featuring multiple different death scenes – \u003cb\u003enewly scanned in 4K from the original camera negative with nearly 3 hours of Special Features including a selected scene commentary with Ms. Steele.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 90 mins (Italian Cut), 85 mins (U.S. Cut)\u003cbr\u003eItalian Cut: Italian Mono, Partial English Mono \/ Optional English Subtitles, Closed Captions\u003cbr\u003eU.S. Cut: English Mono \/ Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Rod Barnett Of \u003ci\u003eNaschyCast\u003c\/i\u003e And \u003ci\u003eThe Bloody Pit\u003c\/i\u003e, And Dr. Adrian Smith, Co-Author Of \u003ci\u003eNorman J. Warren: Gentleman of Terror\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Rod Barnett Of \u003ci\u003eNaschyCast\u003c\/i\u003e And \u003ci\u003eThe Bloody Pit\u003c\/i\u003e, And Dr. Adrian Smith, Co-Author Of \u003ci\u003eNorman J. Warren: Gentleman of Terror\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: Blu-ray (Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eGrave Secrets\u003c\/i\u003e – Featurette With Director Massimo Pupillo, Actor Riccardo Garrone And Film Historian Fabio Melelli\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eSelected Scene Commentary With Actress Barbara Steele And Barbara Steele Archivist Russ Lanier\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eGrave Influence\u003c\/i\u003e – Video Essay By Matt Rogerson, Author \u003ci\u003eOf The Vatican Versus Horror Movies \u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Original Boutique Video Label\u003c\/i\u003e – Film Critic Alan Jones On Vampix\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eItalian Trailer\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 4 \u0026amp; 5: \u003c\/b\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eNIGHT OF THE DAMNED\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e (1971) \u003cbr\u003e\u003c\/b\u003eOne of the most obscure – and badly bootlegged – shockers of the Italian gothic genre is \u003cb\u003enow restored uncut and uncensored in UHD for the first time ever: \u003c\/b\u003eWhen a mystery-solving journalist (\u003cb\u003ePierre Brice\u003c\/b\u003e of MILL OF THE STONE WOMEN) and his wife (\u003cb\u003ePatrizia Viotti \u003c\/b\u003eof AMUCK!) are summoned to the creepy castle of a dying friend, they’ll find themselves trapped in a nightmare of ancestral curses, modern witchcraft and demonic sapphic carnage, much of which proved too extreme even for Italian censors. \u003cb\u003eAngela De Leo\u003c\/b\u003e (JULIETTE DE SADE) co-stars in this “memorably bizarre” (\u003ci\u003eEuro Fever\u003c\/i\u003e) blend of classic gothic tropes and ’70s sexual insanity directed by \u003cb\u003eFilippo Walter Ratti\u003c\/b\u003e (MONDO EROTICO), \u003cb\u003escanned in 4K from the original camera negative with 2+ hours of Special Features that include newly discovered Satanic Orgy Outtakes. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 87 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Rod Barnett And Troy Guinn, Film Historians\/Co-Hosts Of \u003ci\u003eNaschyCast\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 5: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Rod Barnett And Troy Guinn, Film Historians\/Co-Hosts Of \u003ci\u003eNaschyCast\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Castle Of Saint Lambert\u003c\/i\u003e – Interview With Film Historian Fabio Melelli\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Desired And The Damned\u003c\/i\u003e – Video Essay By Matt Rogerson, Author Of \u003ci\u003eThe Vatican Versus Horror Movies \u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eSatanic Orgy Outtakes\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 6 \u0026amp; 7: \u003c\/b\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eTHE DEVIL’S WEDDING NIGHT\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e (1973) \u003cbr\u003e\u003c\/b\u003eAn over-the-top performance by co-writer\/star \u003cb\u003eMark Damon\u003c\/b\u003e (BLACK SABBATH) in a dual role. A career-best \u003cb\u003eRosalba Neri \u003c\/b\u003e(LADY FRANKENSTIEN) as a bisexual vampire queen. Lurid direction by\u003cb\u003e Luigi Batzella \u003c\/b\u003e(THE BEAST IN HEAT) with startling imagery by cinematographer\/second unit director\u003cb\u003e Joe D’Amato \u003c\/b\u003e(BEYOND THE DARKNESS). A “truly trippy cult favorite” (\u003ci\u003eDVD Drive-In\u003c\/i\u003e) with “a bounty of babes and blood” (\u003ci\u003e10K Bullets\u003c\/i\u003e)\u003cb\u003e in UHD for the first time ever: \u003c\/b\u003eWhen an 18\u003cspan class=\"s3\"\u003e\u003csup\u003eth\u003c\/sup\u003e\u003c\/span\u003e century scholar (Damon) discovers the location of a mythical ring, he and his rogue twin (also Damon) race to Dracula’s castle where they are seduced by a depraved Countess (Neri). But who will survive her ultimate ceremony of the damned? \u003cb\u003eXiro Papas \u003c\/b\u003e(FRANKENSTEIN’S CASTLE OF FREAKS) co-stars in this “Italian exploitation horror classic” (\u003ci\u003eDVD Beaver\u003c\/i\u003e), \u003cb\u003enow scanned in 4K from the original camera negative with 2+ hours of Special Features.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 84 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 6: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Martyn Conterio, Author Of \u003ci\u003eBlack Sunday\u003c\/i\u003e, And Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eItalian Trailer\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 7: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Martyn Conterio, Author Of \u003ci\u003eBlack Sunday\u003c\/i\u003e, And Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eCountess Rosalba\u003c\/i\u003e – Interview With Star Rosalba Neri\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Wedding Guest\u003c\/i\u003e – Interview With Cinematographer Aristide Massaccesi (aka Joe D'Amato)\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Wedding Tale\u003c\/i\u003e – Interview With Producer Franco Gaudenzi\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eAn Open Letter To Rosalba Neri's Tits\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas, Author Of \u003ci\u003e1000 Women In Horror, 1895-2018\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eItalian Trailer\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 8–11: BABA YAGA (1973)\u003cbr\u003e\u003c\/b\u003eIt’s been called “achingly beautiful” (\u003ci\u003eDVD Talk\u003c\/i\u003e), “twisted and trippy” (\u003ci\u003eRock! Shock! Pop!\u003c\/i\u003e) and “an unforgettable, joyous ride” (\u003ci\u003eSex Gore Mutants\u003c\/i\u003e). Now the gothic erotic classic from writer\/director \u003cb\u003eCorrado Farina\u003c\/b\u003e (THEY HAVE CHANGED THEIR FACE) based on the S\u0026amp;M \u003ci\u003efumetto\u003c\/i\u003e by \u003cb\u003eGuido Crepax\u003c\/b\u003e is \u003cb\u003epresented in UHD for the first time ever\u003c\/b\u003e: Academy Award\u003cspan class=\"s7\"\u003e®\u003c\/span\u003e nominee \u003cb\u003eCarroll Baker\u003c\/b\u003e (BABY DOLL, ORGASMO) stars as the titular witch who seduces a swinging photographer \u003cspan class=\"s6\"\u003e(French model\/singer \u003cb\u003eIsabelle De Funès\u003c\/b\u003e) into a maelstrom of sexual obsession, pop art perversity and some of the most uniquely unnerving images in the entire genre. \u003c\/span\u003e\u003cb\u003eLuigi Montefiori\u003c\/b\u003e (ANTHROPOPHAGOUS) co-stars in “the sexy ‘70s film that attacks a dozen major fetishes in 83 minutes” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e)\u003cspan class=\"s6\"\u003e \u003cb\u003enewly scanned in 4K from the original camera negative, with the first-ever release \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eof a soundtrack compilation by \u003c\/b\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003ePiero Umiliani plus over 4 hours of revealing audio commentaries, interviews, short films and more.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 83 mins\u003cbr\u003eEnglish Mono, Italian Mono \/ Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 8: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Emma Westwood, Editor Of \u003ci\u003eBride Of Frankenstein\u003c\/i\u003e, And Film Scholar Sally Christie\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 9: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Emma Westwood, Editor Of \u003ci\u003eBride Of Frankenstein\u003c\/i\u003e, And Film Scholar Sally Christie\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eFarina And Valentina\u003c\/i\u003e – Interview With Director Corrado Farina\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eValentina, BABA YAGA And Dad\u003c\/i\u003e – Interview With Film Critic Alberto Farina, Son Of Corrado Farina\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Milan Witch Project\u003c\/i\u003e – Interview With Actor Luigi Montefiori\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eA Filmmaking Friendship\u003c\/i\u003e – Interview With Editor\/Co-Screenwriter Giulio Berruti\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 10: Blu-ray (Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Gaze Bewitched\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas, Author Of \u003ci\u003eThe Cinema Coven: Witches, Witchcraft And Women's Filmmaking\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eShort Village Magazine\u003c\/i\u003e Interview With Corrado Farina And Alberto Farina\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAlternate\/Extended Scenes\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003ePhoto Gallery\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eComic Book Comparisons\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cspan class=\"s8\"\u003eCorrado Farina Short Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eFREUD IN COLOR (1970)\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eSCIENCE FICTION IS US (1970)\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eIT WAS CALLED EARTH (1963)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 11: \u003ci\u003eQuattro Di Umiliani\u003c\/i\u003e Soundtrack Compilation CD\u003c\/b\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":43460868800582,"sku":"SEV18765UH","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DanzaMacabraV4_UHD_3D.jpg?v=1753305430"},{"product_id":"saga-erotica-the-emmanuelle-collection-11-disc-box-set-4-4k-uhd-5-blu-ray-2-cd","title":"Saga Erotica: The Emmanuelle Collection [11-Disc Box Set: (4) 4K UHD + (5) Blu-ray + (2) CD]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“THE ETERNAL EMBODIMENT\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eOF SEXUAL LIBERATION.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003ePremière\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e11\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e DISC COLLECTION \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cb\u003eTHE UHD PREMIERES OF 4 CLASSIC FILMS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 15+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e2\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e SOUNDTRACK CDs\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 128 PAGE BOOKLET\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eThe world’s most iconic erotica has only one name, and her sexually seismic saga begins here: The 1974 global breakthrough film \u003cb\u003eEMMANUELLE\u003c\/b\u003e – presented in its\u003cb\u003e Original Theatrical Version \u003c\/b\u003eand\u003cb\u003e Director’s Cut\u003c\/b\u003e – marked the debuts of star \u003cb\u003eSylvia Kristel\u003c\/b\u003e and director \u003cb\u003eJust Jaeckin \u003c\/b\u003eand forever changed depictions of female sensuality on screen. Kristel returned in 1975’s \u003cb\u003eEMMANUELLE 2\u003c\/b\u003e featuring a lush soundtrack by Academy Award\u003cspan class=\"s3\"\u003e®\u003c\/span\u003e winner \u003cb\u003eFrancis Lai\u003c\/b\u003e. The original trilogy bids farewell with 1977’s \u003cb\u003eGOODBYE EMMANUELLE\u003c\/b\u003e, again starring Kristel and featuring a score by the legendary \u003cb\u003eSerge Gainsbourg\u003c\/b\u003e. The final film is also the first, as \u003cb\u003eErika Blanc\u003c\/b\u003e stars in the \u003cspan class=\"s4\"\u003erarely seen and darkly provocative 1969 Italian production \u003c\/span\u003e\u003cb\u003eI, EMMANUELLE\u003c\/b\u003e, \u003cspan class=\"s4\"\u003einspired by the then-newly published memoir by \u003cb\u003eEmmanuelle Arsan\u003c\/b\u003e. All 4 films in this \u003cb\u003elimited edition collection\u003c\/b\u003e are \u003cb\u003enow scanned in 4K from their original camera negatives\u003c\/b\u003e, \u003cb\u003ewith 15+ combined hours of new \u0026amp; archival Special Features, 2 Bonus Soundtrack CDs and a 128 page booklet of essays, Sylvia Kristel artwork and more. \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDiscs 1–3: EMMANUELLE (1974)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eIt launched the iconic careers of director \u003cb\u003eJust Jaeckin\u003c\/b\u003e and star \u003cb\u003eSylvia Kristel\u003c\/b\u003e,\u003cb\u003e \u003c\/b\u003eredefined cultural perceptions of ‘adult entertainment’\u003cb\u003e \u003c\/b\u003eand transformed female sexuality on screen forever. Now “the seminal film of ‘70s erotic cinema” (\u003ci\u003eDVD Talk\u003c\/i\u003e) can be experienced \u003cb\u003ein UHD\u003c\/b\u003e \u003cb\u003efor the first time in North America\u003c\/b\u003e: Based on the bestselling memoir by \u003cb\u003eEmmanuelle Arsan\u003c\/b\u003e, a diplomat’s wife (Kristel) unlocks her deepest carnal desires in the bedrooms and backrooms of Bangkok. This 3 disc presentation includes the\u003cb\u003e Original Theatrical Version\u003c\/b\u003e and\u003cb\u003e Director’s Cut\u003c\/b\u003e – which removes the one sequence filmed without Jaeckin’s permission – \u003cb\u003eboth scanned in 4K from the original camera negative by StudioCanal\u003c\/b\u003e and approved by camera operator \u003cb\u003eRobert Fraisse\u003c\/b\u003e, with over 6 hours of Special Features that include a revealing new featurette on Arsan, the U.S. Premiere of the 2000 documentary \u003cb\u003eA HARD LOOK\u003c\/b\u003e directed by \u003cb\u003eAlex Cox\u003c\/b\u003e (REPO MAN) and much more.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc Specs\u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins (Original Theatrical Version), 93 mins (Director’s Cut)\u003cbr\u003eFrench Mono, English Mono \/ Optional English Subtitles, Closed Captions\u003cbr\u003eUHD: Region Free, Blu-ray Disc 1: Region A, Blu-ray Disc 2: Region Free\u003cbr\u003eAspect Ratio: 1.66:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc 1: UHD (Films + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Elizabeth Purchell (Director's Cut Only)\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eFrench Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc 2: Blu-ray (Films + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Elizabeth Purchell (Director's Cut Only)\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eA Slightly Scandalous Character\u003c\/i\u003e – Interview With Actress Marika Green\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eProducing EMMANUELLE\u003c\/i\u003e – Interview With Producer Yves Rousset-Rouard\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eFilming EMMANUELLE\u003c\/i\u003e – Interview With Camera Operator Robert Fraisse\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eFabric \u0026amp; Fantasy: Costume As Character Development\u003c\/i\u003e – Video Essay By Fashion And Costume Historian Elissa Rose\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Channel\u003c\/i\u003e – Actress Liane Curtis On Her Mother, Dubbing Artist Paulette Rubinstein\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eInterview With Marayat Rollet-Andriane (aka Emmanuelle Arsan) On The Set Of THE SAND PEBBLES (1966)\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Joys Of Emmanuelle, Part 1\u003c\/i\u003e – Interviews With Star Sylvia Kristel, Director Just Jaeckin And Producer Yves Rousset-Rouard\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eFrench Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc 3: Blu-ray (Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eSigned, Emmanuelle Arsan\u003c\/i\u003e – Interview With Camille Moreau, Author Of \u003ci\u003eEmmanuelle Arsan: Biography of a Pseudonym\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eInterview With Director Just Jaeckin For FILMO TV\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eA HARD LOOK (2000) – TV Documentary By Filmmaker Alex Cox\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eEmmanuelle In Ontario\u003c\/i\u003e – Video Essay On The Canadian Censorship Battle By Journalist Eric Veillette\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDiscs 4–6: EMMANUELLE 2 (1975)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eSylvia Kristel\u003c\/b\u003e returns in the role that made her an icon, this time\u003cb\u003e \u003c\/b\u003ewith a sweeping soundtrack by Oscar\u003cspan class=\"s6\"\u003e®\u003c\/span\u003e winner \u003cb\u003eFrancis Lai\u003c\/b\u003e (LOVE STORY, A MAN AND A WOMAN) and several of the most sensuous sequences of the decade, \u003cb\u003epresented in UHD\u003c\/b\u003e \u003cb\u003efor the first time ever:\u003c\/b\u003e Emmanuelle joins her husband in Hong Kong, where she will discover new realms of desire including the legendary massage scene featuring \u003cb\u003eLaura Gemser\u003c\/b\u003e that would inspire the BLACK EMANUELLE series. \u003cb\u003eUmberto Orsini \u003c\/b\u003e(GOODBYE EMMANUELLE) and \u003cb\u003eVenantino Venantini \u003c\/b\u003e(EMANUELLE AND THE WHITE SLAVE TRADE) co-star in the international erotic classic directed by fashion photographer \u003cb\u003eFrancis Giacobetti\u003c\/b\u003e “that pushes softcore boundaries to their limits” (\u003ci\u003eDVD Beaver\u003c\/i\u003e), \u003cb\u003enow scanned in 4K from the original camera negative by StudioCanal\u003c\/b\u003e and approved by cinematographer \u003cb\u003eRobert Fraisse\u003c\/b\u003e, with \u003cspan class=\"s1\"\u003e\u003cb\u003e3+ hours of new \u0026amp; archival Special Features\u003c\/b\u003e\u003c\/span\u003e that include on-set interviews with Kristel, rare behind-the-scenes footage and Giacobetti’s final interview before his death, plus a\u003cb\u003e Bonus Soundtrack CD \u003c\/b\u003eand more\u003cb\u003e.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 91 mins\u003cbr\u003eFrench Mono, English Mono \/ Optional English Subtitles, Closed Captions\u003cbr\u003eUHD: Region Free, Blu-ray: Region A\u003cbr\u003eAspect Ratio: 2.35:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc 4: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Elizabeth Purchell And Filmmaker Gillian Wallace Horvat\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eInternational Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc 5: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Elizabeth Purchell And Filmmaker Gillian Wallace Horvat\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Interview With Director Francis Giacobetti\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eProducing EMMANUELLE 2 \u003c\/i\u003e– Interview With Producer Yves Rousset-Rouard\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eFilming EMMANUELLE 2\u003c\/i\u003e – Interview With Cinematographer Robert Fraisse\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eMondo Emmanuelle\u003c\/i\u003e – Ethnography And Softcore With Dr. Jennifer Moorman, Assistant Professor Of Communication And Media Studies\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eFilming Report For Swiss TV\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Joys Of Emmanuelle, Part 2\u003c\/i\u003e – Interviews With Star Sylvia Kristel And Producer Yves Rousset-Rouard\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eInternational Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eRadio Spots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 6: Soundtrack CD\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDiscs \u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e7–8\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: GOODBYE EMMANUELLE (1977)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eThe original erotic saga ends here, with \u003cb\u003eSylvia Kristel\u003c\/b\u003e saying goodbye to the role that embodied cinematic sensuality with a score by the legendary \u003cb\u003eSerge Gainsbourg\u003c\/b\u003e – featuring the main title theme \u003cspan class=\"s7\"\u003eperformed by Gainsbourg \u0026amp; \u003cb\u003eJane Birkin\u003c\/b\u003e –\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003epresented in UHD\u003c\/b\u003e \u003cb\u003efor the first time ever: \u003c\/b\u003eNow living in the stunning Seychelles, Emmanuelle and her husband (\u003cb\u003eUmberto Orsini\u003c\/b\u003e) test the bonds of their open marriage via their most sensual couplings yet. \u003cb\u003eAlexandra Stewart\u003c\/b\u003e (DAY FOR NIGHT) and \u003cb\u003eCharlotte Alexandra\u003c\/b\u003e (IMMORAL TALES) co-star in “the beautifully lensed final entry in the trilogy” (\u003ci\u003eBlu-ray.com\u003c\/i\u003e) directed by \u003cb\u003eFrançois Leterrier\u003c\/b\u003e (PRIVATE SCREENING), \u003cb\u003escanned in 4K from the original camera negative by StudioCanal\u003c\/b\u003e with \u003cb\u003eover 2 hours of Special Features\u003c\/b\u003e that include archival interviews, an exploration of the series’ music, a revealing a new featurette on Kristel’s life \u0026amp; career and more.\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 98 mins\u003cbr\u003eFrench Mono, English Mono \/ Optional English Subtitles, Closed Captions\u003cbr\u003eUHD: Region Free, Blu-ray: Region A\u003cbr\u003eAspect Ratio: 2.35:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc 7: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Writer\/Professor Of Modern Culture And Media Dr. Veronica Fitzpatrick\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eInternational Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDisc 8: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Writer\/Professor Of Modern Culture And Media Dr. Veronica Fitzpatrick\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eBeyond Emmanuelle: Sylvia Kristel's Life And Career\u003c\/i\u003e – Interviews With Jeremy Richey, Author Of \u003ci\u003eSylvia Kristel: From Emmanuelle To Chabrol\u003c\/i\u003e, And Leila Wimmer, Senior Lecturer In Film Studies At London Metropolitan University\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eAudio Erotica\u003c\/i\u003e – The Music Of The Emmanuelle Series With Soundtrack Journalist Daniel Schweiger\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eThe Joys Of Emmanuelle, Part 3\u003c\/i\u003e – Interviews With Star Sylvia Kristel And Producer Yves Rousset-Rouard\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eInternational Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eU.S. Trailer\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eRadio Spots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003eDiscs \u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e9–11\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: I, EMMANUELLE (1969)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p13\"\u003e\u003cspan class=\"s9\"\u003eThe first-ever Emmanuelle movie is this virtually unknown and rarely seen 1969 Italian production inspired by the then-newly published memoir by \u003cb\u003eEmmanuelle Arsan\u003c\/b\u003e: In a career-best performance by \u003cb\u003eErika Blanc \u003c\/b\u003eof THE DEVIL’S NIGHTMARE and THE NIGHT EVELYN CAME OUT OF THE GRAVE fame, a despondent newswoman in search of tenderness takes on multiple lovers in a cold world of loveless contradictions. \u003cb\u003eAdolfo Celi\u003c\/b\u003e (THUNDERBALL, DANGER: DIABOLIK) and \u003cb\u003eSandro Pizzochero\u003c\/b\u003e (THE SLASHER IS THE SEX MANIAC) co-star in this “thoughtful, realistic and anything-but-typical sex flick” (\u003ci\u003eVideo Vacuum\u003c\/i\u003e) directed by \u003cb\u003eCesare Canevari\u003c\/b\u003e (THE GESTAPO’S LAST ORGY) from a screenplay co-written by journalist\/activist\/folksinger \u003cb\u003eGraziella Di Prospero \u003c\/b\u003ewith a score by\u003cb\u003e Gianni Ferrio \u003c\/b\u003e(DEATH WALKS AT MIDNIGHT), \u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 4K from the original camera negative \u003c\/b\u003ewith nearly \u003cb\u003e3 hours of Special Features\u003c\/b\u003e that include rare archival interviews with Canevari and Blanc, plus a \u003cb\u003eBonus Soundtrack CD\u003c\/b\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 98 mins\u003cbr\u003eItalian Mono, English Mono \/ Optional English Subtitles, Closed Captions\u003cbr\u003eUHD: Region Free, Blu-ray: Region A\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003eHDR10\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDisc 9\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Dr. Alexandra Heller-Nicholas\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDisc 10\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of \u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Dr. Alexandra Heller-Nicholas\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eA Director À La Française\u003c\/i\u003e – Interview With Director Cesare Canevari\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eMemoirs Of Emmanuelle\u003c\/i\u003e – Interview With Actress Erika Blanc\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eA Man For Emmanuelle\u003c\/i\u003e – Interview With Actor Sandro Pizzochero\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eProtagonist And Subject\u003c\/i\u003e – Video Essay By Filmmaker Carl Elsaesser\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003e\u003ci\u003eConcerning Emmanuelle\u003c\/i\u003e – Archival Interview With Cesare Canevari\u003c\/li\u003e\n\u003cli class=\"li8\"\u003e\n\u003cspan class=\"s5\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eDisc 11\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Soundtrack CD\u003c\/b\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":43806894194758,"sku":"SEV19507UH","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/SagaErotica_3D.jpg?v=1757730299"},{"product_id":"exorcismo-defying-a-dictator-raising-hell-in-post-franco-spain-10-disc-blu-ray-box-set-book","title":"Exorcismo: Defying a Dictator \u0026 Raising Hell in Post-Franco Spain [10-Disc Blu-ray Box Set + Book]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e19 FEATURE FILMS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eON\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 10 DISCS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eIncluding the award-winning documentary\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p3\"\u003e\u003cb\u003eEXORCISMO: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eThe Transgressive Legacy of Clasificada “S” \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\"\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003ePlus \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e168-Page Book\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eand\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 21+ Combined Hours of Special Features\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eUnder the Franco dictatorship, Spain’s rigid censorship laws controlled all national entertainment. But following Franco’s death in 1975, certain films began to embody a period in Spanish history when cinematic expression became political freedom. Spanish audiences considered these films – featuring graphic explorations of sex, violence and horror – to be a cultural ‘exorcismo.’ These 18 films, including landmark features directed by \u003cb\u003eEloy de la Iglesia\u003c\/b\u003e, \u003cb\u003eLeón Klimovsky\u003c\/b\u003e, \u003cb\u003eJavier Aguirre \u003c\/b\u003eand \u003cb\u003eEugenio Martín\u003c\/b\u003e, range from those that dared to actively subvert the oppressive regime through the post-Franco era of ‘70s\/’80s exploitation excess. Also included is the award-winning \u003cb\u003eSeverin Films\u003c\/b\u003e original documentary \u003cb\u003eEXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA “S”\u003c\/b\u003e narrated by \u003cb\u003eIggy Pop\u003c\/b\u003e, in which writer\/producer\/director \u003cb\u003eAlberto Sedano\u003c\/b\u003e explores the history behind the notorious rating that rocked Spanish culture, changed the face of genre films and left its mark on global cinema forever. The majority of the titles in this unprecedented collection are \u003cb\u003eWorldwide Blu-ray Premieres\u003c\/b\u003e \u003cb\u003escanned in 4K from original camera negatives, curated with a 168-page book and over 21 combined hours of new \u0026amp; archival Special Features. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: Exorcismo: The Transgressive Legacy of Clasificada \"S\" \/ Far from the Trees (Lejos de los árboles)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eExorcismo: The Transgressive Legacy of Clasificada \"S\" Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eExorcismo: The Transgressive Legacy of Clasificada \"S\" Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 123 mins\u003cbr\u003eAudio: Spanish \/ English 5.1, Spanish \/ English Stereo\u003cbr\u003eSubtitles: English For Spanish Audio, English For All Audio\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eFar from the Trees Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 103 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 2: The Bell from Hell (La campana del infierno) \/ Creation of the Damned (El refugio del miedo)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe Bell from Hell Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Rod Barnett, Film Historian And Co-Host Of \u003ci\u003eNaschyCast\u003c\/i\u003e, And Robert Monell, Writer And Editor Of \u003ci\u003eI'm In A Jess Franco State Of Mind\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eCensorship And Curses\u003c\/i\u003e – Film Scholar Dr. Álex Mendíbil On THE BELL FROM HELL\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eLUCIANO (1965) – Short Film Co-Written\/Directed By Claudio Guerín, Director Of THE BELL FROM HELL\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe Bell from Hell Disc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 97 mins\u003cbr\u003eAudio: Spanish Mono, English Mono\u003cbr\u003eSubtitles: English, English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eCreation of the Damned Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Antonio Lázaro-Reboll, Author Of \u003ci\u003eSpanish Horror Film\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eI'm Proud Of My Films\u003c\/i\u003e – Interview With Director José Ulloa\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eBeing There\u003c\/i\u003e – Interview With Camera Assistant Paco Marín \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eStill Gallery\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eCreation of the Damned Disc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: Spanish Mono, English Mono\u003cbr\u003eSubtitles: English, English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 3: The Devil's Exorcist (El juego del diablo) \/ After... Part One: Can't You Be Left Alone? (Después de... Primera parte: No se os puede dejar solos?)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe Devil’s Exorcist Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003ePlay Film With Alternate Opening\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Shelagh Rowan-Legg, Author Of \u003ci\u003eThe Spanish Fantastic\u003c\/i\u003e, And Film Critic\/Educator Simon Laperrière\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Daring Film\u003c\/i\u003e – Interview With Actor Jack Taylor\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eHorror Comes From The Church\u003c\/i\u003e – Interview With Cinematographer José Luis Alcaine\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eSound Experiments\u003c\/i\u003e – Interview With Composer José Nieto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe Devil’s Exorcist Disc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 84 mins\u003cbr\u003eAudio: Spanish Mono, English Mono\u003cbr\u003eSubtitles: English, English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eAfter... Part One: Can't You Be Left Alone? Disc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 4: The People Who Own the Dark (Último deseo)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe People Who Own the Dark Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Rod Barnett And Troy Guinn, Film Historians\/Co-Hosts Of \u003ci\u003eNaschyCast \u003c\/i\u003e(Spanish Cut Only)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eJoking On Set\u003c\/i\u003e – Interview With Actor Antonio Mayans\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Unique Iconography In Spanish Terror\u003c\/i\u003e – Ángel Sala, Head Of Programming At The Sitges Film Festival, On THE PEOPLE WHO OWN THE DARK\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe People Who Own the Dark Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 100 mins (Spanish Cut) \/ 83 mins (U.S. Cut)\u003cbr\u003eAudio: Spanish Mono (Spanish Cut Only) \/ English Mono (U.S. Cut Only)\u003cbr\u003eSubtitles: English (Spanish Cut Only) \/ English SDH (U.S. Cut Only)\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1 (Spanish Cut Only) \/ 1.85:1 (U.S. Cut Only)\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 5: Battered Flesh (Carne apaleada) \/ The Priest (El sacerdote)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eBattered Flesh Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Shelagh Rowan-Legg, Author Of \u003ci\u003eThe Spanish Fantastic\u003c\/i\u003e, And Spanish Cinema Professor\/Scholar Alejandro Melero\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Spain To Break\u003c\/i\u003e – Interview With Actress Sandra Alberti\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eBattered Flesh Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 99 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe Priest Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eThe Socialist Priest\u003c\/i\u003e – Interview With Actor Emilio Gutiérrez Caba\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Provocative Filmmaker\u003c\/i\u003e – Interview With Actor Martín Garrido Ramis\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eEL OTRO LUIS (1975) – Short Film By Eloy De La Iglesia’s Friend And Collaborator Alejo Loren\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThe Priest Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 100 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 6: Sins of a Nympho (Bacanal en directo) \/ Dimorfo\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSins of a Nympho Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eI Regret Nothing\u003c\/i\u003e – Interview With Assistant Director Alejo Loren\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSins of a Nympho Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 85 mins\u003cbr\u003eAudio: Spanish Stereo\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDimorfo Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eThe Haunted Cartoonist – \u003c\/i\u003eSpanish Film Scholar Dr. Álex Mendíbil On The Films Of Rodjara\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAlternate Credit Sequences\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDimorfo Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 95 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 7: Bloody Sex (Sexo sangriento) \/ Morbus\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eBloody Sex Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eBabylon Blue: An Illustrated History Of Adult Cinema\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Bohemian Life\u003c\/i\u003e – Interview With Producer Gloria Sancho\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eLobby Card Gallery\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eBloody Sex Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 82 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eMorbus Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eSex And Horror\u003c\/i\u003e – Interview With Director Ignasi P. Ferré \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Well-Deserved Recognition\u003c\/i\u003e – Interview With Actress Carmen Serret\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTHE EVIL FACES OF VĺCTOR ISRAEL (2010) – Archival Documentary\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eMorbus Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 87 mins\u003cbr\u003eAudio: Catalan Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 8: Faces (Rostros) \/ Triangle of Lust (Desnuda ante el espejo)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eFaces Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eAn Unclassifiable Movie\u003c\/i\u003e – Ángel Sala, Head Of Programming At The Sitges Film Festival, On FACES\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eFaces Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 93 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eTriangle of Lust Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eBabylon Blue: An Illustrated History Of Adult Cinema\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eExtended\/Alternate Scenes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eTriangle of Lust Disc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 91 mins\u003cbr\u003eAudio: Spanish Mono, English Mono\u003cbr\u003eSubtitles: English, English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 9: That House in the Outskirts (Aquella casa en las afueras) \/ Supernatural (Sobrenatural)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThat House in the Outskirts Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Very Strong Character – \u003c\/i\u003eInterview With Actress Silvia Aguilar\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eThat House in the Outskirts Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 101 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSupernatural Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With David Flint, Editor Of \u003ci\u003eDesperate Living\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eSupernatural Effects\u003c\/i\u003e – Interview With Actor Máximo Valverde\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eEnglish Title Sequence \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTV Spot\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSupernatural Disc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 90 mins\u003cbr\u003eAudio: Spanish Mono, English Mono\u003cbr\u003eSubtitles: English, English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 10: Poppers \/ After... Part Two: Tied Up and Tied Up Well (Después de... Segunda parte: Atado y bien atado)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003ePoppers Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Bold And Delirious Movie – \u003c\/i\u003eInterview With Art Director Javier Fernández\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eA Film Like No Other – \u003c\/i\u003eInterview With Assistant Director Eduardo Campoy\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003ePoppers Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 83 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eAfter... Part Two: Tied Up and Tied Up Well Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 103 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":43884226019398,"sku":"SEV20023BR","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/Exorcismo_3D.jpg?v=1759877140"},{"product_id":"the-eurocrypt-of-christopher-lee-collection-3-7-disc-box-set-1-4k-uhd-6-blu-rays-book","title":"The Eurocrypt of Christopher Lee Collection 3 [7-Disc Box Set: (1) 4K UHD + (6) Blu-rays + Book]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“People sometimes come up to me and say,\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e‘I’ve seen all your films, Mr. Lee.’\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAnd I say, ‘Oh no you haven’t.’”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eChristopher Lee\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\"\u003e\u003cb\u003e7 DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 6 RARELY SEEN FILMS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eUHD \u0026amp; BLU-RAY PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eALTERNATE VERSIONS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e 16 HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eNEW 142-PAGE BOOK\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn the biggest and most diverse\u003cb\u003e EUROCRYPT \u003c\/b\u003eyet, explore 6 feature films that further define \u003cb\u003eSir Christopher Lee\u003c\/b\u003e as one of the most iconic actors of all time. The teensploitation classic \u003cb\u003eBEAT GIRL\u003c\/b\u003e,\u003cb\u003e \u003c\/b\u003ein the \u003cspan class=\"s2\"\u003e\u003cb\u003eOriginal Theatrical \u0026amp; Extended UK Cuts\u003c\/b\u003e,\u003c\/span\u003e stars Lee as the wolfish operator of a Soho strip club. Lee portrays a sleazy blackmailer in\u003cb\u003e THE HANDS OF ORLAC\u003c\/b\u003e,\u003cb\u003e \u003c\/b\u003epresented here in its separate \u003cb\u003eFrench \u0026amp; UK Versions. \u003c\/b\u003eDirected by\u003cb\u003e Antonio Margheriti \u003c\/b\u003eand starring Lee as a disfigured madman,\u003cb\u003e The Worldwide UHD\/Blu-ray Premiere\u003c\/b\u003e of \u003cb\u003eTHE VIRGIN OF NUREMBERG \u003c\/b\u003eis a 2-disc collection that sets new standards in Italian Gothic cruelty. \u003cb\u003eARABIAN ADVENTURE\u003c\/b\u003e is director \u003cb\u003eKevin Connor\u003c\/b\u003e’s all-star family adventure showcasing Lee as a dastardly Caliph. Lee is a menacing teacher at an exclusive boys boarding school in \u003cb\u003eA FEAST AT MIDNIGHT\u003c\/b\u003e, directed by\u003cb\u003e Justin Hardy\u003c\/b\u003e. With recollections by family, friends and Lee himself, \u003cb\u003eTHE LIFE AND DEATHS OF CHRISTOPHER LEE\u003c\/b\u003e is a wildly unique documentary that reveals the screen legend like never before. Each film in this collection has been \u003cb\u003escanned from superior vault elements \u003c\/b\u003ewith \u003cb\u003e16 combined hours of Special Features \u003c\/b\u003eand the\u003cb\u003e 142-page book, \u003ci\u003eChristopher Lee: Eight Decades of a Dark Horse\u003c\/i\u003e\u003c\/b\u003e \u003cb\u003eby Jonathan Rigby.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: BEAT GIRL (1959)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e“Mad about ‘Beat’! Living for ‘Kicks’! This could be your teenage daughter!” In the landmark UK ‘Adults Only’ classic, \u003cb\u003eChristopher Lee\u003c\/b\u003e is “fantastically dangerous” (\u003ci\u003eMeat Hook Cinema\u003c\/i\u003e) as the predatory owner of a Soho strip joint with eyes for a spoiled 16-year-old gasser – “an incredible performance” (\u003ci\u003eLouder Than War\u003c\/i\u003e) by \u003cb\u003eGillian Hills\u003c\/b\u003e of BLOW-UP and Yé-Yé fame – with her own hunger for cool cats, hot sounds and deadly thrills that shock the squares. Pop star \u003cb\u003eAdam Faith\u003c\/b\u003e, \u003cb\u003ePeter McEnery\u003c\/b\u003e (ENTERTAINING MR. SLOANE), \u003cb\u003eShirley Ann Field\u003c\/b\u003e (PEEPING TOM) and \u003cb\u003eOliver Reed\u003c\/b\u003e co-star – with a way-out jazz\/rockabilly\/surf guitar score by \u003cb\u003eThe John Barry Seven\u003c\/b\u003e – in “one of the coolest flicks ever made about the London scene” (\u003ci\u003eShock Cinema\u003c\/i\u003e), directed by \u003cb\u003eEdmond T. Greville\u003c\/b\u003e (THE HANDS OF ORLAC) and featuring \u003cb\u003eboth the Original Theatrical \u0026amp; Extended UK Cuts scanned in 4K by The British Film Institute\u003c\/b\u003e with \u003cb\u003enearly 3 hours of Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAudio Commentary With Christopher Lee Biographer Jonathan Rigby And Hammer Historian Kevin Lyons (Extended Cut Only)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eInterview With Actress Gillian Hills\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLondon After Dark: The Sinful Soho Of The Sixties\u003c\/i\u003e – An Exploration By David Flint, Author Of \u003ci\u003eBabylon Blue: An Illustrated History Of Adult Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 88 mins (Theatrical Cut) \/ 92 mins (Extended Cut)\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: THE HANDS OF ORLAC (1960)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn this third film adaptation of the \u003cb\u003eMaurice Renard\u003c\/b\u003e novel – a French\/UK co-production filmed in two separate versions by different cinematographers with alternate supporting casts – \u003cb\u003eMel Ferrer\u003c\/b\u003e (BLOOD AND ROSES, EATEN ALIVE) stars as a famed concert pianist whose hands are destroyed in a plane crash. But when he receives transplants from a recently executed strangler, his murderous new mitts attract the attention of a sleazy illusionist turned blackmailer (a scene-stealing \u003cb\u003eChristopher Lee\u003c\/b\u003e). \u003cb\u003eFelix Aylmer\u003c\/b\u003e (THE MUMMY), \u003cb\u003eSir Donald Wolfit\u003c\/b\u003e (BLOOD OF THE VAMPIRE), \u003cb\u003eDany Carrel \u003c\/b\u003e(MILL OF THE STONE WOMEN)\u003cb\u003e \u003c\/b\u003eand \u003cb\u003eDonald Pleasence\u003c\/b\u003e co-star in this “cracking good entertainment” (\u003ci\u003eFrenchFilms.org\u003c\/i\u003e) directed by \u003cb\u003eEdmond T. Greville\u003c\/b\u003e (BEAT GIRL), featuring \u003cb\u003ethe UK Cut scanned in 4K from the original camera negative by The British Film Institute\u003c\/b\u003e \u003cb\u003eand\u003c\/b\u003e \u003cb\u003erestored by Severin Films\u003c\/b\u003e, \u003cb\u003ethe longer French Cut supplied \u003c\/b\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eby Rene Chateau Productions and 2+ hours of all-new Special Features\u003c\/b\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Christopher Lee Biographer Jonathan Rigby And Hammer Historian Kevin Lyons (French Cut Only)\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHand Scare: A Portrait Of French Writer Maurice Renard\u003c\/i\u003e – Interview With Merveilleux-Scientifique Specialist Fleur Hopkins-Loféron\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLocations Of ORLAC\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 104 mins (French Cut) \/ 95 mins (UK Cut)\u003cbr\u003eAudio: French Mono (French Cut Only) \/ English Mono (UK Cut Only)\u003cbr\u003eSubtitles: English (French Cut Only) \/ English SDH (UK Cut Only)\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 3-4: THE VIRGIN OF NUREMBERG (1963)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eAfter years of challenging licensor negotiations and exhaustive vault searches, \u003cb\u003eSeverin Films\u003c\/b\u003e is proud to present the long-out-of-print jewel of \u003cb\u003eChristopher Lee\u003c\/b\u003e’s\u003cb\u003e \u003c\/b\u003eItalian horror period \u003cb\u003ein UHD for the first time ever\u003c\/b\u003e: From director \u003cb\u003eAntonio Margheriti\u003c\/b\u003e (CASTLE OF BLOOD) and credited screenwriter \u003cb\u003eErnesto Gastaldi\u003c\/b\u003e (ALL THE COLORS OF THE DARK) comes a jaw-dropping shocker of ancestral castles and dank dungeons, sexual terror and extreme sadism, and Lee at his most sinister as a disfigured caretaker who may be the black-hooded torturer known as ‘The Punisher.’ \u003cb\u003eGeorges Rivière\u003c\/b\u003e (MINNESOTA CLAY) and \u003cb\u003eRossanna Podestà\u003c\/b\u003e (SODOM AND GOMORRAH) co-star in \u003cspan class=\"s2\"\u003e“Margheriti’s underappreciated classic and a galvanizing moment of mid-‘60s Italian Gothic” (\u003ci\u003eKinoeye\u003c\/i\u003e) – released in America as HORROR CASTLE –\u003cb\u003e now scanned uncut in 4K from the interpositive\u003c\/b\u003e with \u003cb\u003enearly 2 hours of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With \u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of \u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With \u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of \u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eMargheriti's Horror Castle\u003c\/i\u003e – Interview With Director Antonio Margheriti\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Iron Maiden\u003c\/i\u003e – Interview With Film Historian Fabio Melelli And Screenwriter Ernesto Gastaldi With Audio Excerpts From Antonio Margheriti\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 84 mins\u003cbr\u003eAudio: Italian Mono \/ English Mono\u003cbr\u003eSubtitles: English \/ English SDH\u003cbr\u003eUHD: Region Free \/ Blu-ray: Region A\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003e4K Video: HDR10\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 5: ARABIAN ADVENTURE (1979)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eIn the 1979 family favorite that \u003ci\u003eVariety\u003c\/i\u003e called “STAR WARS with flying carpets,” producer\/director \u003cb\u003eKevin Connor\u003c\/b\u003e (THE LAND THAT TIME FORGOT), screenwriter \u003cb\u003eBrian Hayles\u003c\/b\u003e (\u003ci\u003eDoctor Who\u003c\/i\u003e), production designer \u003cb\u003eElliott Scott\u003c\/b\u003e (INDIANA JONES AND THE LAST CRUSADE) and cinematographer \u003cb\u003eAlan Hume\u003c\/b\u003e (RETURN OF THE JEDI) craft a “colorful and charming” (\u003ci\u003eDVD Talk\u003c\/i\u003e) world of beautiful princesses, handsome princes, thrilling chases, daring escapes and a deliciously over-the-top \u003cb\u003eChristopher Lee\u003c\/b\u003e as the evil caliph. \u003cb\u003eEmma Samms\u003c\/b\u003e (\u003ci\u003eDynasty\u003c\/i\u003e), \u003cb\u003eMilo O’Shea\u003c\/b\u003e (BARBARELLA), \u003cb\u003eOliver Tobias\u003c\/b\u003e (FIRESTAR: FIRST CONTACT), award-winning UK\/Bollywood filmmaker \u003cb\u003ePuneet Sira\u003c\/b\u003e, \u003cb\u003eJohn Wyman\u003c\/b\u003e (TUXEDO WARRIOR), \u003cb\u003eJohn Ratzenberger\u003c\/b\u003e (\u003ci\u003eCheers\u003c\/i\u003e) and \u003cb\u003eArt Malik\u003c\/b\u003e (THE JEWEL IN THE CROWN) co-star – with Special Guest Appearances by \u003cb\u003eMickey Rooney\u003c\/b\u003e, \u003cb\u003eCapucine\u003c\/b\u003e and \u003cb\u003ePeter Cushing\u003c\/b\u003e – in this “whimsical example of old-school filmmaking” (\u003ci\u003eCinema Retro), \u003c\/i\u003e\u003cb\u003enow scanned in 2K from the original camera negative\u003c\/b\u003e with \u003cb\u003eover 3 hours of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Kevin Connor Moderated By Severin Films' David Gregory\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Princess Adventure\u003c\/i\u003e – Interview With Actress Emma Samms\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eArabian Adventurer\u003c\/i\u003e – Interview With Actor Puneet Sira\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eArabian Zoom –\u003c\/i\u003e Virtual Reunion Between Kevin Connor, Emma Samms And Puneet Sira\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE MANY FACES OF CHRISTOPHER LEE – 1996 Documentary\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 1\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 98 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 6: A FEAST AT MIDNIGHT (1994)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn the “funny, charming and truly delightful” (\u003ci\u003eKids Out\u003c\/i\u003e) debut feature by co-writer\/director \u003cb\u003eJustin Hardy\u003c\/b\u003e – son of legendary THE WICKER MAN director \u003cb\u003eRobin Hardy\u003c\/b\u003e – \u003cb\u003eChristopher Lee\u003c\/b\u003e stars as the menacing teacher at an exclusive boy’s boarding school where the bullied new student (\u003cb\u003eFreddie Findlay\u003c\/b\u003e) learns to stand up for himself by forming an after-hours culinary club in the off-limits kitchen. \u003cb\u003eRobert Hardy\u003c\/b\u003e (‘Cornelius Fudge’ in the HARRY POTTER movies), \u003cb\u003eSamuel West\u003c\/b\u003e (\u003ci\u003eAll Creatures Great \u0026amp; Small\u003c\/i\u003e), \u003cb\u003eEdward Fox\u003c\/b\u003e (DAY OF THE JACKAL) and \u003cb\u003eJulie Dreyfus\u003c\/b\u003e (KILL BILL: VOLUME 1 \u0026amp; 2) co-star in this 1994 comedy that’s “terrific fun for all the family” (\u003ci\u003eDaily Star\u003c\/i\u003e), \u003cb\u003enow scanned in 4K from the original camera negative\u003c\/b\u003e \u003cb\u003ewith nearly 2 hours of Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Co-Writer\/Director Justin Hardy And Co-Writer\/Producer Yoshi Nishio\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 106 mins\u003cbr\u003eAudio: English Stereo\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 7: THE LIFES AND DEATH OF CHRISTOPHER LEE (2023)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s2\"\u003eFrom his curious boyhood and mysterious military service through his legendary film career and beyond, “few people in the history of the world have lived such eventful lives as the late, great \u003cb\u003eChristopher Lee\u003c\/b\u003e” (\u003ci\u003eEye For Film\u003c\/i\u003e). In this “fascinating and brilliantly crafted documentary” (\u003ci\u003eCinedump\u003c\/i\u003e),\u003cb\u003e \u003c\/b\u003ewriter\/director\u003cb\u003e Jon Spira\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003eu\u003cspan class=\"s2\"\u003etilizes archival footage, unique animations, copious clips, one remarkable marionette, an uncanny narration performed by \u003cb\u003ePeter Serafinowicz\u003c\/b\u003e (SHAUN OF THE DEAD, GUARDIANS OF THE GALAXY) and frank interviews with family, friends and fans that include \u003cb\u003ePeter Jackson\u003c\/b\u003e, \u003cb\u003eJoe Dante\u003c\/b\u003e, \u003cb\u003eJohn Landis, Caroline Munro, Harriet Walter, Jonathan Rigby, Paul Maslansky \u003c\/b\u003eand more to reveal unknown sides of the cinema icon for whom on-screen deaths became a way of life. “It’s a deeply human project with a cinematic soul derived from the man himself\u003c\/span\u003e\u003cspan class=\"s5\"\u003e”\u003c\/span\u003e\u003cspan class=\"s2\"\u003e (\u003ci\u003eGeek Vibes Nation\u003c\/i\u003e), now with \u003cb\u003enearly 4 hours of Special Features\u003c\/b\u003e that include an audio commentary, a British Film Institute Q\u0026amp;A, extended interviews and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Jon Spira And Producer Hank Starrs\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBFI Q\u0026amp;A With Jon Spira, Hank Starrs And Christopher Lee Biographer Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eExtended Interviews With Juan Aneiros, Gary Curtis, Joe Dante, Peter Jackson, John Landis, Paul Maslansky And Harriet Walter\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 102 mins\u003cbr\u003eAudio: English 5.1, English Stereo\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44022759948358,"sku":"SEV20065UH","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/Eurocrypt3_Exploded_1080x1080Large.jpg?v=1761893598"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-vol-2-13-disc-blu-ray-box-set-hardcover-book-copy","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 [DAMAGED Box Set]","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePLEASE NOTE: THIS LISTING IS FOR A DAMAGED (DINGED\/DENTED) BLU-RAY BOX SET OF OUR ALL THE HAUNTS BE OURS RELEASE. WE WILL NOT ACCEPT RETURNS ON THIS PRODUCT.\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“All folk horror is unified by a central theme: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eThat contemporary society is a crust \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eover something dark, inexplicable, other.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFolk horror, like the old ways, \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ewill find you before you find it.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eAustin Chronicle\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again: \u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e brings together \u003cb\u003e24 films representing 18 countries\u003c\/b\u003e for more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the \u003cb\u003eWorldwide Premieres\u003c\/b\u003e of the \u003cb\u003eSeverin Films\u003c\/b\u003e productions \u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e directed by \u003cb\u003eSean Hogan\u003c\/b\u003e and the documentary \u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e directed by \u003cb\u003eDavid Gregory\u003c\/b\u003e; \u003cb\u003e55+ combined hours of new and archival Special Features \u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a \u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e by luminaries that include \u003cb\u003eRamsey Campbell\u003c\/b\u003e, \u003cb\u003eCassandra Khaw\u003c\/b\u003e and \u003cb\u003eEden\u003c\/b\u003e \u003cb\u003eRoyce\u003c\/b\u003e with illustrations by \u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator \u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eBoxed set design by \u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1: \u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOn The Lych Way\u003c\/i\u003e – Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eEPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOUR SELVES UNKNOWN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 45 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.9:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Film Historian Chris Alexander\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Maria J. Pérez Cuervo, Founding Editor Of \u003ci\u003eHellebore Magazine\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStone Warnings\u003c\/i\u003e – Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e – Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e – Interview With Soundtrack Composer John Cameron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eRiding Free\u003c\/i\u003e – Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2: \u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Chesya Burke, Author Of \u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of \u003ci\u003eNine Bar Blues\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Magical Place\u003c\/i\u003e – Interview With Composer Phil Sawyer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHole In The Wall\u003c\/i\u003e – Character Notes By Screenwriter Charné Porter\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSWIMMER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 90 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e – Interview With Producer Barney Rosenzweig\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eSilver Strings\u003c\/i\u003e – Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eManly Of The Mountains\u003c\/i\u003e – Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOccult Appalachia\u003c\/i\u003e – Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's \u003ci\u003eJohn The Balladeer\u003c\/i\u003e Stories\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 98 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3: \u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Projection Booth\u003c\/i\u003e Episode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And \u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA WITCH DRUM\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE NIGHTSIDE OF THE SKY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWITH THE REINDEER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 68 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Finnish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eHAIDA CARVER\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNALUJUK NIGHT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Haida 5.1, Haida Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4: \u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIgniting The Fire\u003c\/i\u003e – Interview With Director Jamil Dehlavi\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Silent One Speaks\u003c\/i\u003e – Archival Interview With Actor Nabil Shaban\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e – Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Djinn Revisited\u003c\/i\u003e – Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e – Interview With Scholar Syeda Momina Masood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTOWERS OF SILENCE\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eQÂF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 84 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5: \u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eShaman's Eyes\u003c\/i\u003e – Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PRESENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 112 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Korean Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTelling Our Stories\u003c\/i\u003e – A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKINDIL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 76 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Arabic 5.1 Surround\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6: \u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Jasper Sharp, Author Of \u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eScratched \u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Vampire Cat\u003c\/i\u003e – The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMAN-EATER MOUNTAIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 87 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Japanese Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e – Interview With Director Nonzee Nimibutr\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Thai 5.1, Thai Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7: \u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024)\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e – Female Ghosts Of The Malay Archipelago\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWHITE SONG\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 106 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8: \u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eFRANTIŠEK HRUBÍN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.37:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e – The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e – Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 92 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9: \u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e – Video Essay By Peter Bebergal, Author Of \u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDIBBUK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 94 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e – Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKratt Test Footage\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBOUNDARY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eJOURNEY THROUGH SETOMAA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMIDVINTERBLOT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 115 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10: \u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Frank Lafond\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eUn Tournage LITAN\u003c\/i\u003e – Archival Making-Of Made For Antenne 2\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e – 1982 Episode Of \u003ci\u003eTemps X\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Director Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eProduction Stills And Concept Illustrations\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 70 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11: \u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLOVE FROM MOTHER ONLY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e – Interview With Director Pedro Olea\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eEmpowered Woman\u003c\/i\u003e – Interview With Actress Silvia Munt\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlaying The Villain\u003c\/i\u003e – Interview With Actor Iñaki Miramón\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eInvoking The Akelarre\u003c\/i\u003e – Dr. Antonio Lázaro-Reboll, Author Of \u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 97 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12: \u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e – Interview With Director Wil Aaron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e – Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e – Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBLOOD ON THE STARS\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReunion Hotel\u003c\/i\u003e – BLOOD ON THE STARS Cast Reunion From \u003ci\u003eGwesty Aduniad\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 46 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Welsh Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13: \u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Actress Venetia Stevenson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBurn Witch, Burn! A Tribute To John Llewellyn Moxey\u003c\/i\u003e – Video Essay By TV Historian Amanda Reyes And Filmmaker Chris O'Neill\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 78 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Filipino Film Historian Andrew Leavold\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eITIM: AN EXPLORATION IN CINEMA – Archival Documentary\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePortrayal Of Guilt\u003c\/i\u003e – Filipino Film Scholar Anne Frances N. Sangil On The Darkness Of THE RITES OF MAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 107 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Tagalog Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44078420656198,"sku":"DAMHAUNTS2","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/ATHBO2_Slipcase_3D.jpg?v=1753306950"},{"product_id":"gutter-auteur-the-lost-legacy-of-andy-milligan-3-disc-blu-ray-box-set","title":"Gutter Auteur: The Lost Legacy of Andy Milligan [3-Disc Blu-ray Box Set]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003e“A connoisseur of the depraved, he managed to create\u003cbr\u003e\u003c\/b\u003e\u003cb\u003ea unique oeuvre that defies and defiles common decency\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eat a level that is both shocking and admirable.”\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eScreen Anarchy\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p3\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p4\"\u003e\u003cb\u003e3 DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eINCLUDES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e2 THOUGHT-LOST FILMS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePLUS \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eTHE ACCLAIMED DOCUMENTARY\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eTHE DEGENERATE:\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eTHE LIFE AND FILMS OF ANDY MILLIGAN\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 2 RARELY SEEN MOVIE PROJECTS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003eAND \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003e5+\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e COMBINED HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s5\"\u003ePioneer. Outsider. Auteur. \u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eAndy Milligan\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s5\"\u003e clawed his way from the depths of ‘60s independent cinema straight to the abyss of grindhouse infamy like no other filmmaker in history. In this all-new collection of \u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eWorldwide Disc Premieres\u003c\/b\u003e, \u003cb\u003eSeverin Films\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s5\"\u003e presents two thought-lost-forever features written, produced and directed by “The Fassbinder of 42\u003c\/span\u003e\u003cspan class=\"s6\"\u003e\u003csup\u003end\u003c\/sup\u003e\u003c\/span\u003e\u003cspan class=\"s5\"\u003e Street” (\u003ci\u003eArtforum\u003c\/i\u003e): 1967’s post-nuke nihilism THE DEGENERATES – recently discovered in a Brussels vault – and the 1968 underground psychodrama KISS ME, KISS ME, KISS ME! – found in an Amsterdam archive – \u003c\/span\u003e\u003cspan class=\"s4\"\u003eare\u003c\/span\u003e\u003cspan class=\"s5\"\u003e both restored from their only surviving film elements. Then in the acclaimed 2025 documentary THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN, experience “\u003c\/span\u003ean eye-opening look into one of the weirder and darker corners of cinema history” (\u003ci\u003eRogerEbert.com\u003c\/i\u003e). Also included is \u003cspan class=\"s5\"\u003ethe early Milligan project COMPASS ROSE and 1979’s rarely seen Staten Island gothic HOUSE OF SEVEN BELLES, plus \u003c\/span\u003e\u003cspan class=\"s4\"\u003eover 5\u003c\/span\u003e\u003cspan class=\"s5\"\u003e combined hours of Special Features that reveal even more of the sordid saga behind “one of exploitation’s most fascinating figures” (\u003ci\u003eMorbidly Beautiful\u003c\/i\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cspan class=\"s7\"\u003e\u003cb\u003eDisc 1: THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eSpecial Features for THE DEGENERATE: \u003cspan class=\"s4\"\u003eTHE LIFE AND FILMS OF ANDY MILLIGAN\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li11\"\u003e\n\u003ci\u003eTeam Degenerate – \u003c\/i\u003eQ\u0026amp;A With Directors Josh Johnson And Grayson Tyler Johnson, \u003ci\u003eThe Ghastly One\u003c\/i\u003e Author Jimmy McDonough And Milligan Collaborators Hope Stansbury, Natalie Rogers, Ken Lane And John Borske At The 2025 Tribeca Film Festival World Premiere\u003c\/li\u003e\n\u003cli class=\"li9\"\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p11\"\u003e\u003cspan class=\"s5\"\u003eFeature Specs for THE DEGENERATE: \u003c\/span\u003eTHE LIFE AND FILMS OF ANDY MILLIGAN\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li12\"\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eRuntime: 102 mins\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p11\"\u003e \u003c\/p\u003e\n\u003cp class=\"p11\"\u003e\u003cspan class=\"s7\"\u003e\u003cb\u003eDisc 2: THE DEGENERATES \/ COMPASS ROSE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s7\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cspan class=\"s5\"\u003eSpecial Features for\u003c\/span\u003e \u003cspan class=\"s4\"\u003eTHE DEGENERATES\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003eAudio Commentary \u003cspan class=\"s4\"\u003eWith Milligan\u003c\/span\u003e Expert Alex DiSanto\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\n\u003cspan class=\"s5\"\u003e\u003ci\u003eTwo Weeks In Woodstock\u003c\/i\u003e – \u003c\/span\u003eInterview With Actress Laura Cunningham\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\n\u003cspan class=\"s5\"\u003e\u003ci\u003eTrauma At Tribeca \u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e– \u003c\/i\u003e2025 Tribeca Film Festival Introduction To THE DEGENERATES \/ KISS ME, KISS ME, KISS ME! Re-Premiere By Jimmy McDonough, Author Of\u003ci\u003e The Ghastly One\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\n\u003cspan class=\"s5\"\u003e\u003ci\u003eSin Sisters '66\u003c\/i\u003e – \u003c\/span\u003eInterview With Stephen Thrower, Author Of\u003cspan class=\"s5\"\u003e \u003c\/span\u003e\u003ci\u003eNightmare USA\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003eLobby Card Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p12\"\u003e\u003cspan class=\"s5\"\u003eSpecial Feature for\u003c\/span\u003e COMPASS ROSE\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li11\"\u003e\n\u003cspan class=\"s5\"\u003e\u003ci\u003eAuricon Ego Death \u003c\/i\u003e– \u003c\/span\u003eInterview With Stephen Thrower, Author Of\u003cspan class=\"s5\"\u003e \u003c\/span\u003e\u003ci\u003eNightmare USA\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p12\"\u003e\u003cspan class=\"s5\"\u003eFeature Specs for\u003c\/span\u003e THE DEGENERATES \/ COMPASS ROSE\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li12\"\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eRuntime: THE DEGENERATES 64 mins \/ COMPASS ROSE 73 mins\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p11\"\u003e \u003c\/p\u003e\n\u003cp class=\"p11\"\u003e\u003cspan class=\"s7\"\u003e\u003cb\u003eDisc 3: KISS ME, KISS ME, KISS ME! \/ HOUSE OF SEVEN BELLES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s7\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cspan class=\"s5\"\u003eSpecial Features for\u003c\/span\u003e KISS ME, KISS ME, KISS ME!\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li12\"\u003eAudio Interview With Andy Milligan \u003cspan class=\"s4\"\u003eBy Author Stéphane Bourgoin, October 10, 1975\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li12\"\u003e\n\u003ci\u003eMagic Time!\u003c\/i\u003e – \u003cspan class=\"s4\"\u003eInterview With Actor Peter Ratray\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li12\"\u003e\n\u003ci\u003eDove And Divine\u003c\/i\u003e – Interview With Actress Natalie Rogers\u003c\/li\u003e\n\u003cli class=\"li12\"\u003e\n\u003ci\u003eMilligan Illustrated\u003c\/i\u003e – \u003cspan class=\"s5\"\u003e \u003c\/span\u003e\u003cspan class=\"s4\"\u003eInterview With Stephen Thrower, Author Of\u003c\/span\u003e\u003cspan class=\"s5\"\u003e \u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eNightmare USA\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li12\"\u003e\n\u003ci\u003eLicentious Lunacy\u003c\/i\u003e – \u003cspan class=\"s4\"\u003eInterview With Milligan Expert Alex DiSanto\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p12\"\u003e\u003cspan class=\"s5\"\u003eSpecial Features for\u003c\/span\u003e HOUSE OF SEVEN BELLES\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li11\"\u003e\n\u003cspan class=\"s5\"\u003e\u003ci\u003eAll About The Frocks\u003c\/i\u003e – \u003c\/span\u003eInterview With Stephen Thrower, Author Of\u003cspan class=\"s5\"\u003e \u003c\/span\u003e\u003ci\u003eNightmare USA\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p12\"\u003e\u003cspan class=\"s5\"\u003eFeature Specs for\u003c\/span\u003e KISS ME, KISS ME, KISS ME! \/ HOUSE OF SEVEN BELLES\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li12\"\u003eAspect Ratio: KISS ME, KISS ME, KISS ME! 1.33:1 \/ HOUSE OF SEVEN BELLES 1.66:1\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eRuntime: KISS ME, KISS ME, KISS ME! 78 mins \/ HOUSE OF SEVEN BELLES 92 mins\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li12\"\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44541033644102,"sku":"SEV20672BR","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/GutterAuteur_3D.jpg?v=1769764877"},{"product_id":"antonio-margheriti-the-jungles-of-doom-his-80s-adventure-films-3-films-in-limited-edition-collection-slipcase","title":"ANTONIO MARGHERITI \u0026 THE JUNGLES OF DOOM:  HIS ‘80s ADVENTURE FILMS [3 4K UHD Films in Limited Edition Collection Slipcase]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp class=\"p3\" style=\"text-align: center;\"\u003e\u003cb\u003e“THE INDIANA JONES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eOF ITALIAN ACTION MOVIES.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eMonster Hunter\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\" style=\"text-align: center;\"\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE MARGHERITI \u003c\/b\u003e\u003cb\u003eADVENTURE TRILOGY \u003cbr\u003ehoused in a glossy\u003cspan\u003e, rigid slipcase with thumb notch\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eFor more than four decades, \u003cb\u003eAntonio Margheriti\u003c\/b\u003e was a maestro of gothic horror, westerns, giallo, sci-fi and beyond. And in the immediate wake of RAIDERS OF THE LOST ARK, Margheriti directed three over-the-top action-adventure films that can only be described as ‘Indiana Jonesploitation’: In \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eHUNTERS OF THE GOLDEN COBRA\u003c\/b\u003e, \u003cb\u003eDavid Warbeck\u003c\/b\u003e and \u003cb\u003eJohn Steiner\u003c\/b\u003e star as a pair of WWII rogues in search of an ancient relic with supernatural powers. Warbeck and Steiner return in \u003cb\u003eTHE ARK OF THE SUN GOD\u003c\/b\u003e to raid a mountaintop temple and snatch \u003cspan class=\"s3\"\u003eThe Scepter\u003c\/span\u003e of Gilgamesh. \u003cb\u003eChristopher Connelly\u003c\/b\u003e and \u003cb\u003eLee Van Cleef\u003c\/b\u003e face booby traps, double-crosses and exploding miniatures to hunt a priceless jewel called The Ruby of Gloom in \u003cb\u003eJUNGLE RAIDERS. \u003c\/b\u003eAll three films are \u003cb\u003enewly scanned in 4K from their original camera negatives \u003c\/b\u003ewith \u003cb\u003e2+ hours of new and archival Special Features\u003c\/b\u003e curated exclusively for this collection\u003cb\u003e.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 class=\"p11\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE HUNTERS OF THE GOLDEN COBRA\u003c\/b\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\" style=\"text-align: center;\"\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eTHE \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eWORLDWIDE UHD PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p13\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eFor the first film in his Indiana Jonesploitation Trilogy, Italian maestro \u003cb\u003eAntonio Margheriti\u003c\/b\u003e (CASTLE OF BLOOD, THE VIRGIN OF NUREMBERG) delivers “full-throttle action” (\u003ci\u003eThe Gentlemen’s Blog\u003c\/i\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003e to\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e Midnite Cinema\u003c\/i\u003e) starring \u003cb\u003eDavid Warbeck\u003c\/b\u003e (THE BEYOND) and \u003cb\u003eJohn Steiner\u003c\/b\u003e (NIGHT OF THE SHARKS) as a cocky pair of WWII adventurers blasting their way through deadly traps, double-crosses and daring escapes in search of a supernatural relic known as The Golden Cobra. \u003cb\u003eAlmanta Suska\u003c\/b\u003e (\u003cspan class=\"s3\"\u003eTHE\u003c\/span\u003e NEW YORK RIPPER) and \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (STRIKE COMMANDO) co-star in this “fun and entertaining knock-off” (\u003ci\u003eThe Grindhouse Cinema Database\u003c\/i\u003e) from producer \u003cb\u003eGianfranco Couyoumdjian\u003c\/b\u003e (ZOMBIE, ALIEN FROM THE DEEP) and screenwriter \u003cb\u003eTito Carpi\u003c\/b\u003e (\u003cspan class=\"s3\"\u003eRAIDERS OF ATLANTIS\u003c\/span\u003e, THE SHARK HUNTER), \u003cb\u003enow scanned in 4K from the original camera negative with over an hour of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cspan class=\"s5\"\u003eSpecial Features for THE \u003c\/span\u003eHUNTERS OF THE GOLDEN COBRA\u003cspan class=\"s5\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p15\"\u003eDisc 1: UHD\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li15\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p15\"\u003eDisc 2: Blu-ray\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eThe Path Of The Cobra\u003c\/i\u003e – Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eBloodline Of The Cobra\u003c\/i\u003e – Interview With Second Camera Assistant Davide Mancori\u003c\/li\u003e\n\u003cli class=\"li17\"\u003e1996 Festival Of Fantastic Films Award Presentation And Q\u0026amp;A With David Warbeck\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eVideo Essay By Rob Hill, Author Of \u003ci\u003eThe Bad Movie Bible\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p14\"\u003e\u003cspan class=\"s5\"\u003eFeature Specs for THE \u003c\/span\u003eHUNTERS OF THE GOLDEN COBRA\u003cspan class=\"s5\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li18\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRuntime: 95 mins\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eAudio: English Mono, Italian Mono\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eSubtitles: \u003cspan class=\"s3\"\u003eEnglish SDH, English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRegion: UHD: A\/B\/C, Blu-ray: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p11\" style=\"text-align: center;\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE ARK OF THE SUN GOD\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p23\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE NORTH AMERICAN\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eUHD \u0026amp; BLU-RAY PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eINCLUDES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eBONUS SOUNDTRACK CD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eFor his follow-up to THE HUNTERS OF THE GOLDEN COBRA\u003cb\u003e, \u003c\/b\u003edirector \u003cb\u003eAntonio Margheriti\u003c\/b\u003e puts a Bondian spin on Indiana Jonesploitation for an Italian\/Turkish co-production of “undeniably great fun” (\u003ci\u003eThe EOFFTV Review\u003c\/i\u003e), \u003cb\u003enow in UHD for the first time ever \u003c\/b\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003ein North America\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e:\u003c\/b\u003e \u003cb\u003eDavid Warbeck\u003c\/b\u003e (THE BEYOND) stars as a master burglar recruited by a wealthy collector (\u003cb\u003eJohn Steiner\u003c\/b\u003e of TENEBRE) to raid a mountaintop temple and steal the mythical\u003cspan class=\"s3\"\u003e Scepter\u003c\/span\u003e of Gilgamesh. But first, this suave safecracker will have to survive car chases, kidnappings, elaborate traps and an ancient curse that promises to destroy anyone who dares to breach the golden tomb. \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (ALIEN FROM THE DEEP) co-stars in this “cult fanatics’ lost treasure” (\u003ci\u003eBlood Brothers Films\u003c\/i\u003e) co-written by\u003cb\u003e Giovanni Simonelli\u003c\/b\u003e (JUNGLE RAIDERS) and \u003cspan class=\"s3\"\u003e\u003cb\u003eGiovanni \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003ePaolucci \u003c\/b\u003e(SHOCKING DARK), \u003cb\u003enewly\u003c\/b\u003e \u003cb\u003escanned in 4K from the original camera negative\u003c\/b\u003e with an hour of new and archival Special Features plus a \u003cb\u003eBonus Soundtrack CD\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p18\"\u003e\u003cspan class=\"s4\"\u003eSpecial Features for\u003c\/span\u003e THE \u003cspan class=\"s6\"\u003eARK OF THE SUN GOD\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp class=\"p15\"\u003eDisc 1: UHD\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li15\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p15\"\u003eDisc 2: Blu-ray\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eSecond Unit Chronicles\u003c\/i\u003e – Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eRaiders Of The Sun God\u003c\/i\u003e – Interview With Writer Giovanni Paolucci\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eAntonio Margheriti Recalls David Warbeck\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p17\"\u003eDisc 3: THE HUNTERS OF THE GOLDEN COBRA \u0026amp; THE ARK OF THE SUN GOD Soundtrack CD\u003c\/p\u003e\n\u003cp class=\"p18\"\u003e\u003cspan class=\"s4\"\u003eFeature Specs for\u003c\/span\u003e THE \u003cspan class=\"s6\"\u003eARK OF THE SUN GOD\u003c\/span\u003e\u003cspan class=\"s4\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li18\"\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRuntime: 98 mins\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eAudio: English Mono, Italian Mono\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eSubtitles: \u003cspan class=\"s3\"\u003eEnglish SDH, English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRegion: UHD: A\/B\/C, Blu-ray: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p11\" style=\"text-align: center;\"\u003e\n\u003cspan class=\"s1\"\u003e\u003cb\u003eJUNGLE RAIDERS\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p23\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE \u003c\/b\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003eWORLDWIDE\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e UHD\/BLU-RAY PREMIERES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p26\"\u003e\u003cb\u003e \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eFor the final film in his Indiana Jonesploitation Trilogy, director \u003cb\u003eAntonio Margheriti\u003c\/b\u003e unleashed a “fun and fast-paced” (\u003ci\u003eGood Efficient Butchery\u003c\/i\u003e) jungle adventure that became a \u003cspan class=\"s3\"\u003eVHS-era\u003c\/span\u003e favorite, \u003cb\u003enow in UHD for the first time ever\u003c\/b\u003e. \u003cb\u003eChristopher Connelly \u003c\/b\u003e(RAIDERS OF ATLANTIS) stars as a cynical safari guide who leads gullible millionaires on bogus treasure hunts in Malaysia. But when a crafty U.S. government operative (the legendary \u003cb\u003eLee Van Cleef\u003c\/b\u003e) blackmails him into finding the mythic Ruby of Gloom, they’ll battle death cults, double-crosses, unstable volcanoes and exploding refineries to snatch the jewel from maniacal pirates. \u003cb\u003eMarina Costa\u003c\/b\u003e (THE FINAL EXECUTIONER) and \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (DOUBLE TARGET) co-star in this “utterly charming” (\u003ci\u003eB\u0026amp;S About Movies\u003c\/i\u003e) action hit written by \u003cb\u003eGiovanni Simonelli\u003c\/b\u003e (\u003cspan class=\"s3\"\u003eTHE\u003c\/span\u003e ARK OF THE SUN GOD, A CAT IN THE BRAIN) and originally released in America by Cannon Films, \u003cb\u003enewly scanned in 4K from the original camera negative.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p18\"\u003e\u003cspan class=\"s4\"\u003eSpecial Features for\u003c\/span\u003e \u003cspan class=\"s6\"\u003eJUNGLE RAIDERS\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp class=\"p15\"\u003eDisc 1: UHD\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li15\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p15\"\u003eDisc 2: Blu-ray\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eThe Ruby Trail\u003c\/i\u003e – Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eItalian Credit Sequence\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p18\"\u003e\u003cspan class=\"s4\"\u003eFeature Specs for\u003c\/span\u003e \u003cspan class=\"s6\"\u003eJUNGLE RAIDERS\u003c\/span\u003e\u003cspan class=\"s4\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li18\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRuntime: 101 mins\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eAudio: English Mono, Italian Mono\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eSubtitles: \u003cspan class=\"s3\"\u003eEnglish SDH, English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRegion: UHD: A\/B\/C, Blu-ray: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44541062905926,"sku":"MargheritiboxUH","price":112.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/AntonioMargheriti_3D.jpg?v=1769767793"},{"product_id":"the-hunters-of-the-golden-cobra-2-disc-4k-uhd","title":"The Hunters of the Golden Cobra [2-Disc 4K UHD]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp class=\"p3\" style=\"text-align: center;\"\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eTHE \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eWORLDWIDE UHD PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p13\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eFor the first film in his Indiana Jonesploitation Trilogy, Italian maestro \u003cb\u003eAntonio Margheriti\u003c\/b\u003e (CASTLE OF BLOOD, THE VIRGIN OF NUREMBERG) delivers “full-throttle action” (\u003ci\u003eThe Gentlemen’s Blog\u003c\/i\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003e to\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e Midnite Cinema\u003c\/i\u003e) starring \u003cb\u003eDavid Warbeck\u003c\/b\u003e (THE BEYOND) and \u003cb\u003eJohn Steiner\u003c\/b\u003e (NIGHT OF THE SHARKS) as a cocky pair of WWII adventurers blasting their way through deadly traps, double-crosses and daring escapes in search of a supernatural relic known as The Golden Cobra. \u003cb\u003eAlmanta Suska\u003c\/b\u003e (\u003cspan class=\"s3\"\u003eTHE\u003c\/span\u003e NEW YORK RIPPER) and \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (STRIKE COMMANDO) co-star in this “fun and entertaining knock-off” (\u003ci\u003eThe Grindhouse Cinema Database\u003c\/i\u003e) from producer \u003cb\u003eGianfranco Couyoumdjian\u003c\/b\u003e (ZOMBIE, ALIEN FROM THE DEEP) and screenwriter \u003cb\u003eTito Carpi\u003c\/b\u003e (\u003cspan class=\"s3\"\u003eRAIDERS OF ATLANTIS\u003c\/span\u003e, THE SHARK HUNTER), \u003cb\u003enow scanned in 4K from the original camera negative with over an hour of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p14\"\u003e\u003cspan class=\"s5\"\u003eSpecial Features for THE \u003c\/span\u003eHUNTERS OF THE GOLDEN COBRA\u003cspan class=\"s5\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p15\"\u003eDisc 1: UHD\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li15\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p15\"\u003eDisc 2: Blu-ray\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eThe Path Of The Cobra\u003c\/i\u003e – Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eBloodline Of The Cobra\u003c\/i\u003e – Interview With Second Camera Assistant Davide Mancori\u003c\/li\u003e\n\u003cli class=\"li17\"\u003e1996 Festival Of Fantastic Films Award Presentation And Q\u0026amp;A With David Warbeck\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eVideo Essay By Rob Hill, Author Of \u003ci\u003eThe Bad Movie Bible\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p14\"\u003e\u003cspan class=\"s5\"\u003eFeature Specs for THE \u003c\/span\u003eHUNTERS OF THE GOLDEN COBRA\u003cspan class=\"s5\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li18\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRuntime: 95 mins\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eAudio: English Mono, Italian Mono\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eSubtitles: \u003cspan class=\"s3\"\u003eEnglish SDH, English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRegion: UHD: A\/B\/C, Blu-ray: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44542439489606,"sku":"SEV20609UH","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/HuntersGold_3D.jpg?v=1769767793"},{"product_id":"jungle-raiders-2-disc-4k-uhd","title":"Jungle Raiders [2-Disc 4K UHD]","description":"\u003cdiv data-offset-key=\"572go-0-0\" data-editor=\"fn78i\" data-block=\"true\" class=\"block paragraph\"\u003e\n\u003cdiv data-offset-key=\"572go-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cp class=\"p23\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE \u003c\/b\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003eWORLDWIDE\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e UHD\/BLU-RAY PREMIERES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p26\"\u003e\u003cb\u003e \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eFor the final film in his Indiana Jonesploitation Trilogy, director \u003cb\u003eAntonio Margheriti\u003c\/b\u003e unleashed a “fun and fast-paced” (\u003ci\u003eGood Efficient Butchery\u003c\/i\u003e) jungle adventure that became a \u003cspan class=\"s3\"\u003eVHS-era\u003c\/span\u003e favorite, \u003cb\u003enow in UHD for the first time ever\u003c\/b\u003e. \u003cb\u003eChristopher Connelly \u003c\/b\u003e(RAIDERS OF ATLANTIS) stars as a cynical safari guide who leads gullible millionaires on bogus treasure hunts in Malaysia. But when a crafty U.S. government operative (the legendary \u003cb\u003eLee Van Cleef\u003c\/b\u003e) blackmails him into finding the mythic Ruby of Gloom, they’ll battle death cults, double-crosses, unstable volcanoes and exploding refineries to snatch the jewel from maniacal pirates. \u003cb\u003eMarina Costa\u003c\/b\u003e (THE FINAL EXECUTIONER) and \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (DOUBLE TARGET) co-star in this “utterly charming” (\u003ci\u003eB\u0026amp;S About Movies\u003c\/i\u003e) action hit written by \u003cb\u003eGiovanni Simonelli\u003c\/b\u003e (\u003cspan class=\"s3\"\u003eTHE\u003c\/span\u003e ARK OF THE SUN GOD, A CAT IN THE BRAIN) and originally released in America by Cannon Films, \u003cb\u003enewly scanned in 4K from the original camera negative.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p18\"\u003e\u003cspan class=\"s4\"\u003eSpecial Features for\u003c\/span\u003e \u003cspan class=\"s6\"\u003eJUNGLE RAIDERS\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp class=\"p15\"\u003eDisc 1: UHD\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li15\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p15\"\u003eDisc 2: Blu-ray\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li17\"\u003e\n\u003ci\u003eThe Ruby Trail\u003c\/i\u003e – Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eItalian Credit Sequence\u003c\/li\u003e\n\u003cli class=\"li17\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p18\"\u003e\u003cspan class=\"s4\"\u003eFeature Specs for\u003c\/span\u003e \u003cspan class=\"s6\"\u003eJUNGLE RAIDERS\u003c\/span\u003e\u003cspan class=\"s4\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li18\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRuntime: 101 mins\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eAudio: English Mono, Italian Mono\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eSubtitles: \u003cspan class=\"s3\"\u003eEnglish SDH, English\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li18\"\u003eRegion: UHD: A\/B\/C, Blu-ray: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44542452432966,"sku":"SEV20610UH","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/JungleRaiders_3D.jpg?v=1769767793"},{"product_id":"suzzanna-empress-of-darkness-3-disc-blu-ray-box-set","title":"Suzzanna: Empress of Darkness [3-Disc Blu-ray Box Set]","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“SUZZANNA WAS MORE THAN A HORROR ICON.\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSHE WILL FOREVER BE INDONESIA’S \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eREIGNING QUEEN OF DARKNESS.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eVice\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" style=\"text-align: center;\"\u003e\u003cb\u003e6 FILMS ON 3 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFEATURING\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eTHE NORTH AMERICAN DISC PREMIERES OF\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e4 SUZZANNA HORROR CLASSICS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePLUS\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e HER FINAL FEATURE FILM\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eTHE AWARD-WINNING DOCUMENTARY\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eShe’s known as “an icon” (\u003ci\u003eHi-Def Digest\u003c\/i\u003e), “a cult legend” (\u003ci\u003eGizmodo\u003c\/i\u003e) and “an inspiration for modern scream queens” (\u003ci\u003eThe Final Girls\u003c\/i\u003e). Nearly two decades after her passing, she remains “Indonesia’s Ultimate Queen of Horror” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e). In this 3 disc\/6 film collection, discover \u003cb\u003eSuzzanna\u003c\/b\u003e for the very first time…or as you’ve never experienced her before: In \u003cb\u003ePACT WITH THE FORCES OF DARKNESS\u003c\/b\u003e, Suzzanna stars as a woman who returns from the dead for violent revenge, complete with knockoff Freddy Krueger glove. Suzzanna portrays a regal reptile empress and her mortal twin sister in the wild \u003cb\u003eWHITE CROCODILE QUEEN\u003c\/b\u003e. \u003cb\u003eMALAM SATU SURO\u003c\/b\u003e and \u003cb\u003eKLIWON FRIDAY NIGHT\u003c\/b\u003e both star Suzzanna in her most famous role as the grisly ghost of feminist vengeance, \u003cb\u003eSundelbolong\u003c\/b\u003e. And in the “fascinating” (\u003ci\u003eCinapse\u003c\/i\u003e) \u003cb\u003eSeverin Films\u003c\/b\u003e documentary \u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e, director \u003cb\u003eDavid Gregory\u003c\/b\u003e peels back every startling layer of her controversial life, death and legacy.\u003cspan class=\"s3\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003eThe 4\u003cb\u003e \u003c\/b\u003eSoraya Productions\u003cb\u003e \u003c\/b\u003ehave been\u003cb\u003e scanned in 2K from their original camera negatives \u003c\/b\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003ein English-friendly versions\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e for the first time ever in America, with over 3 hours of Special Features \u003c\/b\u003ethat include revealing interviews, expert analysis and Suzzanna’s final film, \u003cb\u003eGHOST AMBULANCE\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: Pact with the Forces of Darkness \/ White Crocodile Queen\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“\u003c\/b\u003e\u003cb\u003e\u003ci\u003ePACT WITH THE FORCES OF DARKNESS\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eIS SUZZANNA IN TOP FORM …\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eShe is amazing in this must-see for lovers of Indonesian horror.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eNinja Dixon\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p7\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003ci\u003e“WHITE CROCODILE QUEEN\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e IS CLASSIC SUZZANNA…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eShe exudes both authoritative menace and disquieting regal calm while wreaking supernatural havoc upon the mortal world.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eDie, Danger, Die, Die, Kill!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE NORTH AMERICAN DISC PREMIERES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e“The Queen of Indonesian horror” (\u003cspan class=\"s1\"\u003e\u003ci\u003eCollider)\u003c\/i\u003e stars in two classic films from the latter part of her legendary career featuring three of her most provocative performances of all: \u003c\/span\u003e\u003cb\u003eSuzzanna \u003c\/b\u003ehas the time of her life as a woman who returns from the dead – complete with eye-popping special effects and Freddy Krueger-style razor glove – to avenge her family’s massacre in \u003cspan class=\"s1\"\u003e\u003cb\u003ePACT WITH THE FORCES OF DARKNESS\u003c\/b\u003e \u003c\/span\u003efrom writer\/director \u003cb\u003eSisworo Gautama Putra\u003c\/b\u003e (SATAN’S SLAVE, MALAM SATU SURO).\u003cspan class=\"s1\"\u003e \u003c\/span\u003eIn \u003cb\u003eWHITE CROCODILE QUEEN\u003c\/b\u003e, directed by \u003cb\u003eH. Tjut Djalil\u003c\/b\u003e (MYSTICS IN BALI, LADY TERMINATOR), \u003cb\u003eSuzzanna \u003c\/b\u003etriumphs in a dual role as a malevolent reptile empress who possesses the body of her sexually uninhibited twin sister to unleash savage retribution on the men who murdered their parents. Both \u003cb\u003eSoraya Productions \u003c\/b\u003eare \u003cspan class=\"s1\"\u003e\u003cb\u003enow scanned in 2K from their original camera negatives in English-friendly versions for the first time ever in America.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003ePact with the Forces of Darkness Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eRuntime: 85 mins\u003cbr\u003eAudio: Indonesian Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.39:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eWhite Crocodile Queen Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eRuntime: 98 mins\u003cbr\u003eAudio: Indonesian Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.39:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 2: Malam Satu Suro \/ Kliwon Friday Night\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“WHOLLY UNIQUE AND TERRIFYING…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eMALAM SATU SORO is a rare horror film \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ethat elicits as many ugly sobs as it does screams.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eThe Final Girls\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“SUZZANNA’S MOST FAMOUS ROLE…\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWith her kabuki-esque pallor, long raven hair and flowing white gown, she could have walked out of any post-\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eRINGU\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e Japanese shocker.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003eSuburban Pagans\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTWO INDONESIAN HORROR CLASSICS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSTARRING SUZZANNA AS SUNDELBOLONG\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn her most iconic role of all, “\u003cspan class=\"s1\"\u003eIndonesia’s greatest scream queen” (\u003ci\u003eWhitlock \u0026amp; Pope)\u003c\/i\u003e stars as folkloric ghoul \u003cb\u003eSundelbolong\u003c\/b\u003e – literally ‘ghost with hole’, the vengeful spirit of a rape victim whose long black hair hides the maggot-infested opening in her back through which her baby was born – in these two classic ‘80s shockers: In \u003cb\u003eMALAM SATU SORO\u003c\/b\u003e, \u003c\/span\u003e\u003cb\u003eSuzzanna\u003c\/b\u003e brings supernatural carnage to the big city when a violent kidnapping unlocks Sundelbolong’s maternal fury. In \u003cb\u003eKLIWON FRIDAY NIGHT\u003c\/b\u003e, \u003cb\u003eSuzzanna\u003c\/b\u003e is an agoraphobic author whose haunting by Sundelbolong triggers a nightmare of dark secrets and demonic mayhem. Both films are directed by the legendary \u003cb\u003eSisworo Gautama Putra\u003c\/b\u003e (SATAN’S SLAVE, PACT WITH THE FORCES OF DARKNESS) and are \u003cb\u003enow\u003c\/b\u003e \u003cb\u003escanned in 2K from their original camera negatives \u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ein English-friendly versions\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e for the first time ever in America.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eMalam Satu Suro \/ Kliwon Friday Night Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e: Female Ghosts Of The Malay Archipelago – Interview With Filmmaker Katrina Irawati Graham And Dr. Rosalind Galt, Author Of \u003ci\u003eAlluring Monsters: The Pontianak And Cinemas Of Decolonization\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eMalam Satu Suro Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eRuntime: 84 mins\u003cbr\u003eAudio: Indonesian Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.39:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eKliwon Friday Night Disc Specs: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eRuntime: 89 mins\u003cbr\u003eAudio: Indonesian Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.39:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 3: Suzzanna: The Queen of Black Magic \/ Ghost Ambulance\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“AN EXCELLENT NEW DOCUMENTARY…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eIt chronicles the fascinating life and times of the cult film actress whose off-screen persona was often conflated with her wild onscreen antics.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eSlant Magazine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“A REALITY AS FASCINATING \u003cbr\u003e\u003c\/b\u003e\u003cb\u003eAS THE FILMS SHE MADE…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eDavid Gregory focuses on yet another intriguing genre subject \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ethat more cinephiles should know about.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eCineapse\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE AWARD-WINNING DOCUMENTARY\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWITH 3+ HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eINCLUDING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eTHE FINAL SUZZANNA FILM\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003eGHOST AMBULANCE\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eShe starred in 42 movies and is still hailed as ‘The Queen of Indonesian Horror’. But who was Suzanna Martha Frederika van Osch, beloved by the Asian world as \u003cb\u003eSuzzanna\u003c\/b\u003e yet virtually unknown outside it? In this “stellar” (\u003ci\u003eHi-Def Digest\u003c\/i\u003e) \u003cb\u003eSeverin Films\u003c\/b\u003e documentary from director \u003cb\u003eDavid Gregory \u003c\/b\u003e(ENTER THE CLONES OF BRUCE, BLOOD \u0026amp; FLESH: THE REEL LIFE \u0026amp; GHASTLY DEATH OF AL ADAMSON), discover the enigmatic horror star best known for portraying vengeful spirits from Indonesian folklore, demons whose supernatural retribution are widely believed to have influenced her controversial life and mysterious death. Through exclusive interviews with family, colleagues, filmmakers and historians, as well as “gloriously over-the-top” (\u003ci\u003eGizmodo\u003c\/i\u003e) clips from her classic films, Gregory unearths the legacy of “Indonesia’s eternal queen of darkness” (\u003ci\u003eVice\u003c\/i\u003e), complete with \u003cb\u003eover 3 hours of revealing Special Features\u003c\/b\u003e that include Suzzanna’s final film, \u003cb\u003eGHOST AMBULANCE\u003c\/b\u003e.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSuzzanna: The Queen of Black Magic Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003eDavid Gregory Introduction At Jakarta Film Week Screening, October 2024\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSuzzanna: The Queen of Black Magic Disc Specs: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eRuntime: 88 mins\u003cbr\u003eAudio: Indonesian Stereo\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eGhost Ambulance Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003eThe Making Of GHOST AMBULANCE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eShowBiz On Location\u003c\/i\u003e Interviews With Cast And Crew\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003eGHOST AMBULANCE \u003ci\u003eSilet \u003c\/i\u003eInterview With Actors Suzzanna And Clift Sangra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003ePromo Clips\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li11\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eGhost Ambulance Disc Specs: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eRuntime: 88 mins\u003cbr\u003eAudio: Indonesian Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44695338975302,"sku":"SEV20737BR","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/SuzzannaSlipcase_3DLarge.jpg?v=1772181875"},{"product_id":"sangster-directs-hammer-7-disc-box-set-3-4k-uhd-4-blu-ray-book","title":"Sangster Directs Hammer [7-Disc Box Set: (3) 4K UHD + (4) Blu-ray + Book] (North America Only)","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“THE MARK THAT JIMMY SANGSTER LEFT ON THE GENRE IS DEEPER THAN ANY VAMPIRE’S BITE.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eScreen Anarchy\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE NORTH AMERICAN UHD PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eOF\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 3 CLASSIC FILMS ON 7 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e AN ALL-NEW 312-PAGE BOOK \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 19 COMBINED HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eWith screenplays for such ‘50s\/’60s \u003cb\u003eHammer Films\u003c\/b\u003e classics as THE CURSE OF FRANKENSTEIN, HORROR OF DRACULA, THE MUMMY and more, he became one of the very best writers in the genre. But when \u003cb\u003eJimmy Sangster\u003c\/b\u003e returned to Hammer in the ‘70s to direct the only feature films of his career, he delivered three of the most unique shockers in the studio’s history: In \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eHORROR OF FRANKENSTEIN \u003c\/b\u003estarring \u003cb\u003eRalph Bates\u003c\/b\u003e as the sociopathic monster maker, Sangster brings both black humor and deep red dismemberment to Mary Shelley’s iconic tale. Sangster takes fanged lesbian desires to seductive new levels with \u003cb\u003eLUST FOR A VAMPIRE\u003c\/b\u003e, featuring \u003cb\u003eYutte Stensgaard \u003c\/b\u003eas the titular bloodsucker. \u003cb\u003eJudy Geeson\u003c\/b\u003e, \u003cb\u003eRalph Bates\u003c\/b\u003e, \u003cb\u003eJoan Collins\u003c\/b\u003e and the legendary \u003cb\u003ePeter Cushing\u003c\/b\u003e star in Sangster’s acclaimed \u003cb\u003eFEAR IN THE NIGHT\u003c\/b\u003e, a taut psycho-thriller with a dark giallo edge. Each film is presented\u003cb\u003e in UHD for the first time ever in North America\u003c\/b\u003e, \u003cb\u003enow scanned in 4K from their original camera negatives by StudioCanal. \u003c\/b\u003eThis collection also includes \u003cb\u003ethe 312-page book \u003c\/b\u003e\u003cb\u003e\u003ci\u003eHorror! Lust! Fear! Sangster\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e featuring essays, interviews, comic adaptations and more\u003c\/b\u003e, plus \u003cb\u003e19 combined hours of comprehensive new \u0026amp; archival Special Features\u003c\/b\u003e \u003cb\u003eproduced and curated by Severin Films.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: THE HORROR OF FRANKENSTEIN UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 2: THE HORROR OF FRANKENSTEIN Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With \u003ci\u003eVideo Watchdog\u003c\/i\u003e's Tim Lucas \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFrankenstein, Dracula And Me \u003c\/i\u003e– Archival Interview With Actress Veronica Carlson\u003ci\u003e \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eReunion Panel At 1997 Festival Of Fantastic Films Manchester With Director Jimmy Sangster, Actor Dave Prowse And Actress Veronica Carlson, Moderated By Wayne Kinsey \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eYounger Frankenstein\u003c\/i\u003e – Interview With 2nd Assistant Director Nicholas Granby, Camera Operator Neil Binney, Production Runner Philip Campbell And Co-Writer Jeremy Burnham\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eOne Frankenstein After Another: 125 Years of Cinematic Adaptations\u003c\/i\u003e – Illustrated Audio Essay By Gillian Wallace Horvat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Life And Work Of Mary Shelley\u003c\/i\u003e – Interview With Dr. Emma Liggins, Co-Director Of The Manchester Centre For Gothic Studies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Unhallowed Arts: The Creation Myth Of Mary Shelley\u003c\/i\u003e – Interview With Gothic Scholar Dr. \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eColin Azariah-Kribbs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eVintage Behind-The-Scenes From Hammer Films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate TV Opening Credits\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eSCARS OF DRACULA\/THE HORROR OF FRANKENSTEIN Double Feature TV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 3: LUST FOR A VAMPIRE UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 4: LUST FOR A VAMPIRE Blu-ray\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Director Jimmy Sangster And Actress Suzanna Leigh, Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The 1970s\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eIllustrated Archival Audio Interview With Actress Yutte Stensgaard By Michael Augustine-Reed With Accompanying Career-Spanning Still Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLive, Love, Lust\u003c\/i\u003e – Interview With Actress Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGothic Girl\u003c\/i\u003e – Interview With Actress Kirsten Lindholm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Times\u003c\/i\u003e – Interview With Actor Christopher Neame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eA Bit Of Fun\u003c\/i\u003e – Interview With Actress Erica Beale\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eLust Mel\u003c\/i\u003e – Interview With Actress Mel Churcher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eRunning Blood\u003c\/i\u003e – Interview With Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eGates Of Karnstein Castle\u003c\/i\u003e – Archival Interview With Screenwriter Tudor Gates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Invisible Prince: The Life \u0026amp; Legacy Of J. Sheridan Le Fanu\u003c\/i\u003e – Interview With Dr. William Hughes, Gothic Scholar \u0026amp; Co-Editor Of \u003ci\u003eOpen Graves, Open Minds: Representations Of Vampires And The Undead From The Enlightenment To The Present Day\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eStrange Love\u003c\/i\u003e – Carmen Maria Machado, \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCo-Author Of \u003ci\u003eIt Came From The Closet: Queer Reflections On Horror\u003c\/i\u003e\u003c\/span\u003e, Reframes The Sapphic Vampire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSchool Of The Heaving Bosom: Education, Eroticism and LUST FOR A VAMPIRE\u003c\/i\u003e – Video Essay By Dr. Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAlternate Version Of Lesbian Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e \u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 5: FEAR IN THE NIGHT UHD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003e4K Video: Dolby Vision\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 6: FEAR IN THE NIGHT Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Producer\/Co-Writer\/Director Jimmy Sangster Moderated By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With David Flint, Author Of \u003ci\u003eTen Years Of Terror: British Horror Films Of The Seventies\u003c\/i\u003e And Mayhem Film Festival's Chris Cooke \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003ePeter Cushing Discusses Hammer In Archival Audio Interview With Denis Meikle, Author Of \u003ci\u003eA History Of Horrors: The Rise \u0026amp; Fall Of The House Of Hammer\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Gaslighter’s Playbook: Real And Imagined Horrors In FEAR IN THE NIGHT\u003c\/i\u003e – Video Essay by Dr. Alexandra Heller Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eFun In The Day\u003c\/i\u003e – Interviews With Camera Operator Neil Binney And Production Runner Philip Campbell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 94 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p12\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 7: Bonus Blu-ray\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003eHAMMER \u0026amp; BEYOND: THE JIMMY SANGSTER LEGACY – 2026 Documentary By Hammer Historian Marcus Hearn \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eThe Man From Bristol: Ralph Bates Remembered\u003c\/i\u003e – Interviews With Actress\/Wife Virginia Wetherell And Composer\/Son Will Bates, Narrated By LUST FOR A VAMPIRE Co-Star Judy Matheson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eJoan Collins: Queen Of The Horror Films\u003c\/i\u003e – Interviews With \u003ci\u003eHouse Of Psychotic Women \u003c\/i\u003eAuthor Kier-La Janisse And Telefilm Historian Amanda Reyes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer In The U.S.A.\u003c\/i\u003e – Film Historian C. Courtney Joyner On The Studio's Stateside Distribution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eHammer Scribe\u003c\/i\u003e – Archival Interview With Director Jimmy Sangster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eSapphic Blood Suckers: A Cinematic History Of The Lesbian Vampire Trope\u003c\/i\u003e With Annie Rose Malamet, Film Scholar And Host Of \u003ci\u003eGirls, Guts, Giallo\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eI Coined \"The Karnstein Trilogy\"\u003c\/i\u003e – Interview With David Pirie, Author Of \u003ci\u003eA Heritage Of Horror\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44798965448774,"sku":"SEV21028UH","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/SangsterHammer_UHD_3D.jpg?v=1775193854"},{"product_id":"the-worlds-of-lucile-hadzihalilovic-4-disc-blu-ray-box-set","title":"The Worlds of Lucile Hadžihalilović [4-Disc Blu-ray Box Set + Book]","description":"\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eONE OF THE MOST DISTINCTIVE, ENCHANTINGLY SINISTER BODIES OF WORK IN MODERN FILM.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eBritish Film Institute\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cb\u003e4 DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e 4+ COMBINED HOURS OF SPECIAL FEATURES AND 60-PAGE COMPANION BOOK\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eTHE WORLDS OF LUCILE HADŽIHALILOVIĆ\u003c\/b\u003e presents a comprehensively immersive journey through the filmography of \u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e, “\u003c\/span\u003e\u003cspan\u003ean artist of radical gentleness whose films each resemble a delicately poisoned fairy tale” (\u003ci\u003eLe Monde\u003c\/i\u003e). Originally known for her collaborations as editor and producer for longtime partner \u003cb\u003eGaspar Noé\u003c\/b\u003e, \u003c\/span\u003e\u003cspan\u003ewriter\/director \u003c\/span\u003e\u003cspan\u003eHadžihali\u003cwbr\u003elović\u003c\/wbr\u003e\u003c\/span\u003e\u003cspan\u003e’s own internationally acclaimed quartet of features craft poetically surreal tales where dreams and nightmares are layered in embraces of tenderness and terror. Two of the four films in this collection are \u003cb\u003eNorth American Blu-ray Premieres \u003c\/b\u003eand include\u003cb\u003e over 4 combined hours of fascinating Special Features plus a 60-page \u003cmeta charset=\"utf-8\"\u003ecompanion book featuring all-new essays by Saffron Maeve, Alison Taylor and Stephen Thrower.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003eDisc 1: \u003cb\u003eINNOCENCE\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“BEAUTIFUL AND PROVOCATIVE…\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eA mesmerizing work that is at once eerie and beautiful, a film that often seems like PICNIC AT HANGING ROCK as directed by David Lynch.”\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eReeling Reviews \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE NORTH AMERICAN BLU-RAY PREMIERE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e’s breakthrough debut is a dreamlike descent into a secluded boarding school where nostalgia and dread intertwine for “a surreal and unexpectedly euphoric” (\u003ci\u003eSight \u0026amp; Sound\u003c\/i\u003e) examination of young sisterhood. César, BAFTA and Academy Award\u003c\/span\u003e\u003cspan class=\"s6\"\u003e®\u003c\/span\u003e\u003cspan class=\"s1\"\u003e winner \u003cb\u003eMarion Cotillard\u003c\/b\u003e stars in this “haunting and hypnotic fairy tale” (\u003ci\u003eSeattle Post-Intelligencer\u003c\/i\u003e) that \u003ci\u003eIndiewire \u003c\/i\u003ehails as \u003c\/span\u003e\u003cspan class=\"s2\"\u003e“at once a feminist parable and bedtime story that unfolds like a crouching animal, waiting to pounce.” \u003cb\u003eINNOCENCE\u003c\/b\u003e is\u003c\/span\u003e\u003cspan class=\"s1\"\u003e accompanied by two of Hadžihalilović’s acclaimed shorts, \u003cb\u003eDE NATURA\u003c\/b\u003e and \u003cb\u003eNECTAR\u003c\/b\u003e, both featuring personal introductions. Viewers can further explore this world through \"Innocence Explained\" by young actress \u003cb\u003eZoé Auclair\u003c\/b\u003e, a scholarly video essay by \u003cb\u003eAlexandra Heller-Nicholas\u003c\/b\u003e and a Q\u0026amp;A recorded at the IFC Center In October 2025.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eShort Film DE NATURA With Introduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eShort Film NECTAR With Introduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInnocence Explained By Actress Zoé Auclair \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eVideo Essay By Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eQ\u0026amp;A At The IFC Center \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 122 mins\u003cbr\u003eAudio: French Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003eDisc 2: \u003cb\u003eEVOLUTION\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“AN IMPECCABLE, CREEPY \u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND GENUINELY TRANSPORTING MOVIE.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e’s second feature is minimalist body horror about a boy who uncovers a mysterious world of inhuman biology and haunting transformation. \u003cb\u003eJulie-Marie Parmentier\u003c\/b\u003e (MURDEROUS MAIDS, FAREWELL MY QUEEN) stars in the startling film that has been described as “\u003c\/span\u003e\u003cspan class=\"s7\"\u003ea gynocentric nightmare” (\u003ci\u003eChicago Reader\u003c\/i\u003e), “a singular, daring vision” (\u003ci\u003eArizona Republic\u003c\/i\u003e) and “a wondrous dream constantly on the verge of a nightmare” (\u003ci\u003eIndiewire\u003c\/i\u003e). \u003c\/span\u003e\u003cspan class=\"s1\"\u003eThis disc provides deep technical insight with a discussion between Hadžihalilović and cinematographer \u003cb\u003eManu Dacosse\u003c\/b\u003e, alongside an interview with co-writer \u003cb\u003eAlanté Kavaïté\u003c\/b\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eDiscussion Between Cinematographer Manu Dacosse And Director Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Writer Alanté Kavaïté\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 81 mins\u003cbr\u003eAudio: French Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003eDisc 3: EARWIG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“IT SPLITS THE DIFFERENCE BETWEEN\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTENDERNESS AND TERROR.”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThe Ringer\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eTHE NORTH AMERICAN BLU-RAY PREMIERE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s1\"\u003eThe third feature and English-language debut by “the emergent champion of slow-burn, surrealist cinema” (\u003ci\u003eThe Guardian\u003c\/i\u003e) is\u003cb\u003e \u003c\/b\u003ea Kafkaesque fable of fatherhood, isolation and teeth made of ice. \u003cb\u003ePaul Hilton\u003c\/b\u003e (LADY MACBETH), \u003cb\u003eRomola Garai\u003c\/b\u003e (SUFFRAGETTE) and \u003cb\u003eAlex Lawther\u003c\/b\u003e (THE IMITATION GAME) star in \u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e’s surreal neo-noir that \u003ci\u003eThe New York Times\u003c\/i\u003e calls “a trip down the darkest of rabbit holes,”\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eaccompanied by what \u003ci\u003eSight \u0026amp; Sound\u003c\/i\u003e hails as “enigmatic, oneiric visions that burrow their way into darker crevices of the viewer’s consciousness.” Adapted from the novel by \u003cb\u003eBrian Catling\u003c\/b\u003e (\u003ci\u003eThe Vorrh\u003c\/i\u003e), EARWIG is deconstructed through Special Features that include interviews with the director, co-writer \u003cb\u003eGeoff Cox\u003c\/b\u003e and cinematographer \u003cb\u003eJonathan Ricquebourg\u003c\/b\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Co-Writer Geoff Cox\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Cinematographer Jonathan Ricquebourg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 114 mins\u003cbr\u003eAudio: English Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English Closed Captions\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003cbr\u003eDisc 4: THE ICE TOWER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s5\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cb\u003e“HADŽIHALILOVIĆ’S MOST ACCESSIBLE FILM TO DATE…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eA hypnotic mediation of coruscating, crystalline beauty. This is\u003cbr\u003e\u003c\/b\u003e\u003cb\u003enot so much a film you watch as one you wake up from, shivering.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eRogerEbert.com\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eTwo decades after the stunning breakthrough of INNOCENCE, \u003cb\u003eMarion Cotillard\u003c\/b\u003e reunites with writer\/director \u003cb\u003eLucile Hadžihalilović\u003c\/b\u003e for her award-winning fourth feature, a meta-fantasy freely inspired by Hans Christian Andersen's \u003ci\u003eThe Snow Queen\u003c\/i\u003e. \u003cb\u003eClara Pacini\u003c\/b\u003e, \u003cb\u003eAugust Diehl\u003c\/b\u003e (INGLOURIOUS BASTERDS) and \u003cspan class=\"s2\"\u003e\u003cb\u003eGaspar Noé \u003c\/b\u003eco-star\u003cb\u003e \u003c\/b\u003ein this “mesmerizing and unnerving masterpiece in which r\u003c\/span\u003eeality, cinema, and fantasy become one of a kind” (\u003ci\u003eCollider\u003c\/i\u003e) from “a filmmaker \u003cspan class=\"s8\"\u003ewith an uncompromising voice — one that continues to whisper strange, scary things into our ears” (\u003ci\u003eThe Hollywood Reporter\u003c\/i\u003e)\u003c\/span\u003e. This final disc contains introspective content, including an interview by \u003cb\u003eBeatrice Loayaza\u003c\/b\u003e, two additional Q\u0026amp;As from the IFC Center, a second video essay by \u003cb\u003eAlexandra Heller-Nicholas\u003c\/b\u003e and a technical interview with \u003cb\u003eJonathan Ricquebourg\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eIntroduction By Lucile Hadžihalilović\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Cinematographer Jonathan Ricquebourg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eInterview With Lucile Hadžihalilović By Beatrice Loayaza\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003e2 Q\u0026amp;As At The IFC Center\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eVideo Essay By Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s1\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p5\"\u003e\u003cb\u003eDisc Specs: \u003cbr\u003e\u003c\/b\u003eRuntime: 117 mins\u003cbr\u003eAudio: French \u0026amp; English Dolby DTS HD-Master Audio\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Default Title","offer_id":44833479426118,"sku":"YVP-041","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/LUCILE_BD_3D.jpg?v=1775193854"},{"product_id":"disco-italiana-4-disc-blu-ray-box-set-w-le-slipcase","title":"Disco Italiana [4-Disc Blu-ray Box Set (Incl. CD Soundtrack) w\/LE Slipcase]","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE DISC PREMIERES\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eOF\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e THREE ITALIAN DISCOSPLOITATION CLASSICS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e5+ HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eBONUS SOUNDTRACK CD\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFrom the country that brought you Sharksploitation, Nunsploitation and Indiana Jonesploitation comes the white-suited subgenre that stayed alive for less than 18 months. \u003cb\u003eSeverin Films\u003c\/b\u003e is now struttingly proud to resurrect this trio of \u003cb\u003eItalian Discosploitation\u003c\/b\u003e \u003cb\u003eclassics, on disc for the first time ever\u003c\/b\u003e: \u003cb\u003eAMERICAN FEVER\u003c\/b\u003e, starring \u003cb\u003eMircha Carven\u003c\/b\u003e, \u003cb\u003eZora Kerova\u003c\/b\u003e and co-written by \u003cb\u003eGeorge Eastman\/Luigi Montefiori\u003c\/b\u003e,\u003cb\u003e \u003c\/b\u003eboldly\u003cb\u003e \u003c\/b\u003econfronts a young man’s disco dreams. The deliriously cheesy \u003cb\u003eGREASE ROCK\u003c\/b\u003e fearlessly blends comedy, action, drama, surreal dance-offs and non-stop music. And in the now-restored \u003cb\u003eComplete Version\u003c\/b\u003e of \u003cb\u003eJOHN TRAVOLTO: THE FACE WITH 2 LEFT FEET\u003c\/b\u003e, \u003cb\u003eGiuseppe Spezia \u003c\/b\u003e– who bears an uncanny resemblance to the American star – goofily pursues disco DJ \u003cb\u003eIlona Staller\u003c\/b\u003e (aka adult star\/politician \u003cb\u003eCicciolina\u003c\/b\u003e) with a little help from his friends. All three films in this collection have been \u003cb\u003escanned in 4K from their original camera negatives and include 5+ combined hours of Special Features plus a JOHN TRAVOLTO Bonus Soundtrack CD.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 class=\"p4\"\u003e\u003cb\u003eDisc 1: AMERICAN FEVER\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“SATURDAY NIGHT FEVER, ITALIAN STYLE…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eIt depicts lives of distant dreams in Italy, all with a little hair gel and \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ea white suit like John Travolta. The last 5 minutes are incredible”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eOrrerea\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE HOME VIDEO PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eThe very first Italian Discosploitation film is also the closest in tone to SATURDAY NIGHT FEVER, thanks in large part to its smart screenplay co-written by \u003cb\u003eGeorge Eastman\/Luigi Montefiori\u003c\/b\u003e (ANTHROPOPHAGOUS, ABSURD): \u003cb\u003eMircha Carven\u003c\/b\u003e (SS EXPERIMENT LOVE CAMP, DEATH WILL HAVE YOUR EYES) stars as Tony, gas station attendant by day and king of the Rome discos at night. But Tony’s dreams of becoming a movie star in America are complicated by his best friend’s deepening debt to loan sharks, his growing relationship with an ambitious beauty (\u003cb\u003eZora Kerova\u003c\/b\u003e of CANNIBAL FEROX and TERROR EXPRESS) and the cold-hearted realities of the Italian film industry. \u003cb\u003eGianni Medici\u003c\/b\u003e (FANGS OF THE LIVING DEAD) co-stars in this surprisingly grim drama directed by \u003cb\u003eClaudio Giorgi\u003c\/b\u003e (A MAN FOR SALE), \u003cb\u003enow scanned in 4K from the original camera negative for the first time ever. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li5\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Film Historians Nathaniel Thompson And Howard S. Berger \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eAll About The Music: The Birth Of Disco And The Road To Italy's AMERICAN FEVER\u003c\/i\u003e – Interview With Alan Jones, Author Of \u003ci\u003eDiscomania: Fantastic Beats And Where To Find Them \u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 91 mins\u003cbr\u003eAudio: English Mono, Italian Mono\u003cbr\u003eSubtitles: English SDH, English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003ch3 class=\"p4\"\u003e\u003cb\u003eDisc 2: GREASE ROCK\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“A TERRIFICALLY ENJOYABLE EXPERIENCE…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eA crazy Italian disco knock-off with insanely cheezy charms, \u003cbr\u003e\u003c\/b\u003e\u003cb\u003ewacky dancing, mind-blowing music and more cool stuff.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eEuro Fever\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE DISC PREMIERE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn his first and only film, \u003cb\u003eMonty Ray Garrison\u003c\/b\u003e delivers a star-making performance as Robbie, a goofy yet charming rogue who loves his sidecar motorcycle, hair grease, and disco. But when he meets a high-class American (\u003cb\u003eAuretta Gay\u003c\/b\u003e of ZOMBIE fame in her screen debut), he’ll pursue her through a polyester odyssey of tight outfits, insane dance-offs, rival gangs, car chases, J\u0026amp;B, a disco cover version of ‘Satisfaction’ and the big King \u0026amp; Queen of Rock Contest. \u003cb\u003eFiamma Maglione\u003c\/b\u003e (EATEN ALIVE!) and pop star \u003cb\u003eCecilia Buonocore \u003c\/b\u003eco-star\u003cb\u003e \u003c\/b\u003ein this defiantly \u003ci\u003eWTF? \u003c\/i\u003emash-up directed by \u003cb\u003eMichele Massimo Tarantini\u003c\/b\u003e (MASSACRE IN DINOSAUR VALLEY, A MAN CALLED MAGNUM) and featuring wall-to-wall music by \u003cb\u003eGianfranco Reverberi\u003c\/b\u003e (THE REINCARNATION OF ISABEL, DELIRIUM), \u003cb\u003enow scanned in 4K from the original camera negative for the first time ever. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li5\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Film Historians Nathaniel Thompson And Eugenio Ercolani \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eBrillantina Is The Word\u003c\/i\u003e – Interview With Alan Jones, Author Of \u003ci\u003eDiscomania: Fantastic Beats And Where To Find Them \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\u003cspan class=\"s3\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 91 mins\u003cbr\u003eAudio: English Mono, Italian Mono\u003cbr\u003eSubtitles: English SDH, English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003ch3 class=\"p4\"\u003e\u003cb\u003eDisc 3: JOHN TRAVOLTO: THE FACE WITH 2 LEFT FEET\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003e“ENJOYABLY LUDICROUS AND COMICALLY INSANE…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eFrom first frame to last, it will have you incredulously wide-eyed, mouth-gaped, constantly thinking, ‘WHAT THE @#$%??’”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eCinema Headcheese\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cb\u003eTHE WORLDWIDE DISC PREMIERE\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eOF THE COMPLETE VERSION\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ePLUS\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e BONUS SOUNDTRACK CD\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eThe most infamous Italian Discosploitation film of all is “everything you would imagine such a thing to be” (\u003ci\u003eDangerous Minds\u003c\/i\u003e) and then some: In his sole leading role, \u003cb\u003eGuiseppe Spezia\u003c\/b\u003e stars as clumsy wallflower Gianni who spends his nights at ‘John’s Fever’ hopelessly in love with the club’s beautiful DJ (adult film star\/Parliamentarian \u003cb\u003eIlona Staller\u003c\/b\u003e, aka \u003cb\u003eCicciolina\u003c\/b\u003e). But after his friends give him a complete makeover, Gianni becomes a dead-ringer for a certain American movie star who just might win the heart of a disco queen. \u003cspan class=\"s2\"\u003e\u003cb\u003eMassimo Vanni\u003c\/b\u003e (RATS: NIGHT OF TERROR), \u003cb\u003eSonia Viviani \u003c\/b\u003e(NIGHTMARE CITY) and \u003cb\u003eAngelo Infanti\u003c\/b\u003e (THE GODFATHER) co-star in this “treasure of Travoltasploitation” (\u003ci\u003eCinetarium\u003c\/i\u003e) directed by \u003cb\u003eNeri Parenti\u003c\/b\u003e (FRACCHIA VS. DRACULA) from a screenplay by \u003cb\u003eGiovanni Simonelli\u003c\/b\u003e (A CAT IN THE BRAIN, JUNGLE RAIDERS) and Oscar\u003c\/span\u003e\u003cspan class=\"s3\"\u003e®\u003c\/span\u003e\u003cspan class=\"s2\"\u003e nominee \u003cb\u003eMassimo Franciosa\u003c\/b\u003e (THE FOUR DAYS OF NAPLES, SPASMO), \u003cb\u003enow scanned in 4K from the original negative for the first time ever with a Bonus Soundtrack CD. \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li5\"\u003e\u003cspan class=\"s3\"\u003eAudio Commentary With Film Historians Nathaniel Thompson, Eugenio Ercolani And Howard S. Berger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li5\"\u003e\n\u003ci\u003eThe Show Is Over: JOHN TRAVOLTO And The End Of The 'Disco Film'\u003c\/i\u003e – Interview With Alan Jones, Author Of \u003ci\u003eDiscomania: Fantastic Beats And Where To Find Them\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li5\"\u003eU.S. Trailer\u003c\/li\u003e\n\u003cli class=\"li5\"\u003eItalian Trailer\u003c\/li\u003e\n\u003cli class=\"li5\"\u003eBonus Disc: Soundtrack CD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eRuntime: 100 mins\u003cbr\u003eAudio: English Mono, Italian Mono\u003cbr\u003eSubtitles: English SDH, English\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44970373808198,"sku":"SEV21214BR","price":53.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DiscoItaliano_Slipcase_3D.jpg?v=1777593849"},{"product_id":"antonio-margheriti-the-jungles-of-doom-his-80s-adventure-films-3-blu-rays-in-limited-edition-collection-slipcase-1","title":"ANTONIO MARGHERITI \u0026 THE JUNGLES OF DOOM:  HIS ‘80s ADVENTURE FILMS [3 Blu-rays in Limited Edition Collection Slipcase]","description":"\u003cp class=\"p3\" style=\"text-align: center;\"\u003e\u003cb\u003e“THE INDIANA JONES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eOF ITALIAN ACTION MOVIES.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eMonster Hunter\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\" style=\"text-align: center;\"\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003ch1 class=\"p6\" style=\"text-align: center;\"\u003e\n\u003cb\u003eTHE MARGHERITI \u003c\/b\u003e\u003cb\u003eADVENTURE TRILOGY \u003c\/b\u003e\n\u003c\/h1\u003e\n\u003cp class=\"p6\" style=\"text-align: center;\"\u003e\u003cstrong\u003ehoused in a glossy, rigid slipcase with thumb notch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eFor more than four decades, \u003cb\u003eAntonio Margheriti\u003c\/b\u003e was a maestro of gothic horror, westerns, giallo, sci-fi and beyond. And in the immediate wake of RAIDERS OF THE LOST ARK, Margheriti directed three over-the-top action-adventure films that can only be described as ‘Indiana Jonesploitation’: In \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eHUNTERS OF THE GOLDEN COBRA\u003c\/b\u003e, \u003cb\u003eDavid Warbeck\u003c\/b\u003e and \u003cb\u003eJohn Steiner\u003c\/b\u003e star as a pair of WWII rogues in search of an ancient relic with supernatural powers. Warbeck and Steiner return in \u003cb\u003eTHE ARK OF THE SUN GOD\u003c\/b\u003e to raid a mountaintop temple and snatch \u003cspan class=\"s3\"\u003eThe Scepter\u003c\/span\u003e of Gilgamesh. \u003cb\u003eChristopher Connelly\u003c\/b\u003e and \u003cb\u003eLee Van Cleef\u003c\/b\u003e face booby traps, double-crosses and exploding miniatures to hunt a priceless jewel called The Ruby of Gloom in \u003cb\u003eJUNGLE RAIDERS. \u003c\/b\u003eAll three films are \u003cb\u003enewly scanned in 4K from their original camera negatives \u003c\/b\u003ewith \u003cb\u003e2+ hours of new and archival Special Features\u003c\/b\u003e curated exclusively for this collection\u003cb\u003e.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 class=\"p11\" style=\"text-align: center;\"\u003eThe Ark of the Sun God [Blu-ray]\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE NORTH AMERICAN\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eBLU-RAY PREMIERE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFor his follow-up to THE HUNTERS OF THE GOLDEN COBRA, director \u003cb\u003eAntonio Margheriti\u003c\/b\u003e puts a Bondian spin on Indiana Jonesploitation for an Italian\/Turkish co production of “undeniably great fun” (\u003ci\u003eThe EOFFTV Review\u003c\/i\u003e), \u003cb\u003enow on Blu-ray for the first time ever in North America\u003c\/b\u003e: \u003cb\u003eDavid Warbeck\u003c\/b\u003e (THE BEYOND) stars as a master burglar recruited by a wealthy collector (\u003cb\u003eJohn Steiner\u003c\/b\u003e of TENEBRE) to raid a mountaintop temple and steal the mythical Scepter of Gilgamesh. But first, this suave safecracker will have to survive car chases, kidnappings, elaborate traps and an ancient curse that promises to destroy anyone who dares to breach the golden tomb. \u003cb\u003eLuciano Pigozzi \u003c\/b\u003e(ALIEN FROM THE DEEP) co-stars in this “cult fanatics’ lost treasure” (\u003ci\u003eBlood Brothers Films\u003c\/i\u003e) co-written by Giovanni Simonelli (JUNGLE RAIDERS) and \u003cb\u003eGiovanni Paolucci\u003c\/b\u003e (SHOCKING DARK), \u003cb\u003enewly scanned in 4K from the original camera negative with an hour of new and archival Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eBlu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eSecond Unit Chronicles\u003c\/i\u003e – Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eRaiders Of The Sun God\u003c\/i\u003e – Interview With Writer Giovanni Paolucci\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAntonio Margheriti Recalls David Warbeck\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 98 mins\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: \u003cmeta charset=\"utf-8\"\u003eEnglish Mono, Italian Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles, Closed Captions\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 1.85:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e\n\u003ch3 class=\"p11\" style=\"text-align: center;\"\u003eThe Hunters of the Golden Cobra [Blu-ray]\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE NORTH AMERICAN BLU-RAY PREMIERE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor the first film in his Indiana Jonesploitation Trilogy, Italian maestro \u003cb\u003eAntonio Margheriti\u003c\/b\u003e (CASTLE OF BLOOD, THE VIRGIN OF NUREMBERG) delivers “full-throttle action” (\u003ci\u003eThe Gentlemen’s Blog to Midnite Cinema\u003c\/i\u003e) starring \u003cb\u003eDavid Warbeck\u003c\/b\u003e (THE BEYOND) and \u003cb\u003eJohn Steiner\u003c\/b\u003e (NIGHT OF THE SHARKS) as a cocky pair of WWII adventurers blasting their way through deadly traps, double-crosses and daring escapes in search of a supernatural relic known as The Golden Cobra. \u003cb\u003eAlmanta Suska\u003c\/b\u003e (THE NEW YORK RIPPER) and \u003cb\u003eLuciano Pigozzi\u003c\/b\u003e (STRIKE COMMANDO) co-star in this “fun and entertaining knock-off” (\u003ci\u003eThe Grindhouse Cinema Database\u003c\/i\u003e) from producer \u003cb\u003eGianfranco Couyoumdjian\u003c\/b\u003e (ZOMBIE, ALIEN FROM THE DEEP) and screenwriter \u003cb\u003eTito Carpi \u003c\/b\u003e(RAIDERS OF ATLANTIS, THE SHARK HUNTER), \u003cb\u003enow scanned in 4K from the original camera negative with over an hour of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eBlu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Path Of The Cobra\u003c\/i\u003e – Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eBloodline Of The Cobra\u003c\/i\u003e – Interview With Second Camera Assistant Davide Mancori\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e1996 Festival Of Fantastic Films Award Presentation And Q\u0026amp;A With David Warbeck\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eVideo Essay By Rob Hill, Author Of \u003ci\u003eThe Bad Movie Bible \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 95 mins\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: \u003cmeta charset=\"utf-8\"\u003eEnglish Mono, Italian Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles, Closed Captions\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 2.35:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\" class=\"p23\"\u003eJungle Raiders [Blu-ray]\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\" class=\"p1\"\u003e\u003cb\u003eTHE WORLDWIDE BLU-RAY PREMIERE\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor the final film in his Indiana Jonesploitation Trilogy, director \u003cb\u003eAntonio Margheriti\u003c\/b\u003e unleashed a “fun and fast-paced” (\u003ci\u003eGood Efficient Butchery\u003c\/i\u003e) jungle adventure that became a VHS-era favorite, \u003cb\u003enow on Blu-ray for the first time ever\u003c\/b\u003e: \u003cb\u003eChristopher Connelly\u003c\/b\u003e (RAIDERS OF ATLANTIS) stars as a cynical safari guide who leads gullible millionaires on bogus treasure hunts in Malaysia. But when a crafty U.S. government operative (the legendary \u003cb\u003eLee Van Cleef\u003c\/b\u003e) blackmails him into finding the mythic Ruby of Gloom, they’ll battle death cults, unstable volcanoes and exploding refineries to snatch the jewel from maniacal pirates. \u003cb\u003eMarina Costa\u003c\/b\u003e (THE FINAL EXECUTIONER) and \u003cb\u003eLuciano Pigozzi \u003c\/b\u003e(DOUBLE TARGET) co-star in this “utterly charming” (\u003ci\u003eB\u0026amp;S About Movies\u003c\/i\u003e) action hit written by \u003cb\u003eGiovanni Simonelli\u003c\/b\u003e (THE ARK OF THE SUN GOD, A CAT IN THE BRAIN) and originally released in America by Cannon Films, \u003cb\u003enewly scanned in 4K from the original camera negative.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cb\u003eBlu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Ruby Trail \u003c\/i\u003e– Interview With Assistant Director Edoardo Margheriti\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eItalian Credit Sequence\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eRuntime: 101 mins\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAudio: \u003cmeta charset=\"utf-8\"\u003eEnglish Mono, Italian Mono\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles, Closed Captions\u003c\/li\u003e\n\u003cli\u003eRegion A\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAspect Ratio: 2.25:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e*All foreign-language featurettes are subtitled in English.\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44972343722054,"sku":"MargheritiboxBR","price":78.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/AntonioMargheriti_3D.jpg?v=1769767793"},{"product_id":"danza-macabra-vol-five-the-spanish-gothic-collection-5-disc-blu-ray-box-set","title":"Danza Macabra Vol. Five: The Spanish Gothic Collection [5-Disc Blu-ray Box Set]","description":"\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“STEP GINGERLY INTO THE DARK WOODS AND BEWARE OF HANDS THRUST UP FROM THE EARTH…\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWith THE SPANISH GOTHIC COLLECTION, \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eSeverin unearths and resurrects obscure gems that serve \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ea tasty treat for EuroHorror junkies and other children of the night.”\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003ePop Matters\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p5\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e 5 DISC COLLECTION\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e4 UNCUT GOTHIC HORROR CLASSICS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eAND \u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e10+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s1\"\u003eFor \u003cb\u003eVolume Five\u003c\/b\u003e of this “essential series of Euro-Gothic tastiness” (\u003ci\u003eMondo Digital\u003c\/i\u003e), \u003cb\u003eSeverin Films\u003c\/b\u003e returns to the cemeteries, catacombs and cobwebbed castles of Spanish cinema for an all-new exploration of Gothic Horror excellence: In the \u003cb\u003eNorth American Disc Premiere \u003c\/b\u003eof 1964’s \u003cb\u003eSTRANGE VOYAGE\u003c\/b\u003e, director \u003c\/span\u003e\u003cb\u003eFernando Fernán Gómez \u003c\/b\u003ecrafts a macabre true-crime shocker featuring a poignant performance by none other than \u003cb\u003eJess Franco\u003c\/b\u003e\u003cspan class=\"s6\"\u003e. The disturbing 1971 drama \u003cb\u003eEXORCISM’S DAUGHTER\u003c\/b\u003e is presented in its \u003cb\u003ecomplete U.S. Version \u003c\/b\u003e– now featuring the infamous orgy sequence – as well as \u003cb\u003ethe original Spanish Version LAS MELANCÓLICAS\u003c\/b\u003e, \u003cb\u003eboth\u003c\/b\u003e \u003cb\u003eon disc for the first time ever\u003c\/b\u003e. \u003cb\u003eTHE DRACULA SAGA\u003c\/b\u003e is 1973’s grisly reinvention of vampiric damnation from the legendary \u003cb\u003eLeón Klimovsky, uncut in North America for the first time ever\u003c\/b\u003e.\u003c\/span\u003e And in 1985’s acclaimed \u003cb\u003eTHE\u003c\/b\u003e \u003cb\u003eTURN OF THE SCREW\u003c\/b\u003e, controversial director \u003cb\u003eEloy de la Iglesia\u003c\/b\u003e adapts Henry James’ classic novella with a startling psychosexual twist. Each film in this collection has been \u003cb\u003escanned from original camera negatives or archival 35mm prints\u003c\/b\u003e, with \u003cb\u003e10+ combined hours\u003c\/b\u003e of new audio commentaries, video essays, interview featurettes and more.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 1: STRANGE VOYAGE (1964)\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp align=\"center\"\u003e\u003cb\u003e\u003cspan\u003e“AN UNMITIGATED MASTERPIECE…\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eFernán Gómez' directs a perfect blend of black comedy and \u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003egrotesque drama. It remains one of the best films in Spanish cinema.”\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e39escalones\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp align=\"center\"\u003e\u003cb\u003e\u003cspan\u003eTHE NORTH AMERICAN DISC PREMIERE\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eWITH\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e2+ HOURS OF SPECIAL FEATURES\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003e\u003c\/b\u003eIn 1964, renowned novelist, playwright and actor \u003cb\u003eFernando Fernán Gómez\u003c\/b\u003e directed his most controversial film, “a truly remarkable”\u003cspan class=\"s7\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e(\u003ci\u003eCinemagavia\u003c\/i\u003e) gothic horror black comedy based on a shocking true crime, condemned by government censors upon its release and featuring a surprisingly poignant performance by none other than \u003cb\u003eJess Franco\u003c\/b\u003e: In an old dark house on the outskirts of a rural village, a matriarch cruelly bullies her two childlike adult siblings. But when dread leads to murder, will repression and deceit bring about the most depraved acts of all? \u003cb\u003eCarlos Larrañaga\u003c\/b\u003e (THE PRIDE AND THE PASSION), \u003cb\u003eTota Alba\u003c\/b\u003e (STRANGE LOVE OF THE VAMPIRES), \u003cb\u003eLina Canalejas\u003c\/b\u003e (BLOOD HUNT) and \u003cb\u003eMaría Luisa Ponte \u003c\/b\u003e(EUGENIE)\u003cb\u003e \u003c\/b\u003eco-star in this “masterpiece of artistic subversion” (\u003ci\u003eThe Postmodern Pelican\u003c\/i\u003e), \u003cb\u003enow scanned in 2K from the original camera negative with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Dr. Adrian Smith, Co-Author Of \u003ci\u003eNorman J. Warren: Gentleman Of Terror\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eA 'Rara Avis' Duo\u003c\/i\u003e – Ángel Sala, Head Of Programming At The Sitges Film Festival, On Fernando Fernán Gómez \u0026amp; Jess Franco\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eThe Multifaceted Mind Of Fernando Fernán Gómez \u003c\/i\u003e– Filmmaker Helena de Llanos On The Work And Legacy Of Her Grandfather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eFacing The Sun: STRANGE VOYAGE's Promise Of Broken Dreams\u003c\/i\u003e – Video Essay By Andy Marshall-Roberts, Host Of \u003ci\u003eThe Nasty Pasty\u003c\/i\u003e Podcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eRuntime: 92 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDiscs 2 – 3\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: EXORCISM’S DAUGHTER (1971)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cb\u003e\u003cspan\u003e“OFTEN ASTONISHING…\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eThe cast is incredible, and the film dares to do things \u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003ethat major productions wouldn’t have the audacity to do.”\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003eHypnosemaschinen\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cb\u003e\u003cspan\u003eTWO COMPLETE VERSIONS ON DISC \u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eFOR THE FIRST TIME EVER\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eWITH\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e 2+ HOURS OF SPECIAL FEATURES\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eWhat was deceptively marketed in North America as an EXORCIST rip-off is in fact one of Spain’s most unsettling genre films of the ‘70s: Driven to madness by a horrific childhood trauma, a young woman (\u003cb\u003eAnalía Gadé\u003c\/b\u003e of IN THE EYE OF THE HURRICANE) is committed to a brutal insane asylum from which there may be no escape. \u003cb\u003eFrancisco Rabal\u003c\/b\u003e (SORCERER, DAGON), \u003cb\u003eEspartaco Santoni\u003c\/b\u003e (THE FEAST OF SATAN) and \u003cb\u003eHelga Liné \u003c\/b\u003e(THE VAMPIRES NIGHT ORGY) co-star in this “disturbing” (\u003ci\u003eMondo Digital\u003c\/i\u003e) gothic drama written and directed by \u003cb\u003eRafael Moreno Alba\u003c\/b\u003e (DREAM KISS), \u003cb\u003epresented in its original Spanish Version LAS MELANCÓLICAS scanned in 4K from the original camera negative\u003c\/b\u003e plus \u003cb\u003ethe complete U.S. Version \u003c\/b\u003e(also known as THE HOUSE OF INSANE WOMEN) with additional footage\u003cb\u003e \u003c\/b\u003e–\u003cb\u003e including the infamous inmate orgy sequence \u003c\/b\u003e– \u003cb\u003enow sourced from an archival 35mm print,\u003c\/b\u003e \u003cb\u003ewith over 2 hours of new Special Features.\u003c\/b\u003e \u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDisc 2\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: Spanish Version + Special Feature\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 111 mins\u003cbr\u003eAudio: Spanish Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDisc 3\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: U.S. Version + Special Features\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Matt Rogerson, Author Of \u003ci\u003eThe Vatican Versus Horror Movies\u003c\/i\u003e And \u003ci\u003eFulci’s Inferno: Faith In The Films Of A Horror And Giallo Auteur\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eA Film That Stands Apart\u003c\/i\u003e – An Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eMadwoman In The Attic: EXORCISM'S DAUGHTER And The Female Gothic\u003c\/i\u003e – Video Essay By Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 96 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cspan class=\"s6\"\u003e\u003cb\u003eDisc 4\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e: THE DRACULA SAGA (1973)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cb\u003e\u003cspan\u003e“GORY, GRITTY AND BEAUTIFULLY GOTHIC…\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eAn intoxicating horror experience that melds new and classic ideas \u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eto hit all the right notes for EuroHorror fans.”\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003eAt The Mansion of Madness\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cb\u003e\u003cspan\u003eTHE NORTH AMERICAN BLU-RAY PREMIERE\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eWITH\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e 2+ HOURS OF SPECIAL FEATURES\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eFrom famed director \u003cb\u003eLeón Klimovsky\u003c\/b\u003e (THE NIGHT OF THE WALKING DEAD, THE PEOPLE WHO OWN THE DARK) comes the daring gothic shocker hailed as “one of the most original vampire films in Spanish horror cinema” (\u003ci\u003eCine Maldito\u003c\/i\u003e): When Dracula’s pregnant granddaughter (\u003cb\u003eTina Sáinz\u003c\/b\u003e) and her upstanding husband (\u003cb\u003eTony Isbert\u003c\/b\u003e of TRAGIC CEREMONY)\u003cb\u003e \u003c\/b\u003earrive at the Count’s castle, it will birth a nightmare of profane seduction, ancestral damnation and inconceivable vampiric carnage. \u003cb\u003eHelga Liné \u003c\/b\u003e(THE LORELEY’S GRASP), \u003cb\u003eMaría Kosty\u003c\/b\u003e (NIGHT OF THE SEAGULLS) and \u003cb\u003eNarciso Ibáñez Menta \u003c\/b\u003e(THE BEAST MUST DIE)\u003cb\u003e \u003c\/b\u003eco-star in this “bizarre Spanish gem” (\u003ci\u003eBloody Pit of Horror\u003c\/i\u003e) co-written by \u003cb\u003eEmilio Martínez Lázaro\u003c\/b\u003e (CAKE OF BLOOD) and \u003cb\u003eJuan Tébar\u003c\/b\u003e (THE LEGEND OF BLOOD CASTLE), \u003cb\u003enow scanned in 2K from the original camera negative with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Rod Barnett And Troy Guinn, Film Historians\/Co-Hosts Of \u003ci\u003eNaschyCast \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eKlimovsky's Vampires – \u003c\/i\u003eAn Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003ci\u003e \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eThe Spanish Hammer: The Rise And Fall Of Profilmes\u003c\/i\u003e – Interview With Profilmes Production And Sales Executive Lluís Ferrando \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eInheritance As Horror: Blood, Tradition And The Gothic In THE DRACULA SAGA\u003c\/i\u003e – Video Essay By Kat Ellinger, Author Of \u003ci\u003eDaughters Of Darkness\u003c\/i\u003e \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 92 mins\u003cbr\u003eAudio: English Mono, Spanish Mono\u003cbr\u003eSubtitles: English SDH, English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc 5: THE TURN OF THE SCREW (1985)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cb\u003e“DE LA IGLESIA CREATES \u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003eTHE PERFECT ATMOSPHERE…\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003eThe film is a ‘turn’ that goes beyond James’ original story, \u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003emaking it even more insane and disturbing.”\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003ci\u003eSpanish Fear\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003eTHE NORTH AMERICAN DISC PREMIERE\u003cbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eWITH\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003cspan\u003e3+ HOURS OF SPECIAL FEATURES\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eFrom \u003cb\u003eEloy de la Iglesia\u003c\/b\u003e – writer\/director of such controversial classics as CANNIBAL MAN, THE GLASS CEILING, NO ONE HEARD THE SCREAM, NAVAJEROS and EL PICO – comes the startling 1985 adaptation of Henry James’ classic novella of gothic horror: After dropping out of seminary, a spiritually conflicted young man (\u003cspan class=\"s1\"\u003e\u003cb\u003ePedro Mari Sánchez\u003c\/b\u003e of CREATION OF THE DAMNED) is hired to teach a pair of wealthy orphans in their remote seaside mansion. But when he begins to believe that the estate is haunted by the ghost of the previous cruel caretaker, it will unlock an ordeal of lost innocence, forbidden desire and immoral terror. \u003c\/span\u003e\u003cb\u003eQueta Claver \u003c\/b\u003e(THE PRIEST) co-stars in this provocative shocker – “a thoughtful drama with shades of SALÒ” (\u003ci\u003eBeyond Boundaries\u003c\/i\u003e) – \u003cb\u003enow scanned in 4K from the original camera negative with over 3 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eAudio Commentary With Matt Rogerson, Author Of \u003ci\u003eThe Vatican Versus Horror Movies\u003c\/i\u003e And \u003ci\u003eFulci’s Inferno: Faith In The Films Of A Horror And Giallo Auteur\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eRepression And Tragedy \u003c\/i\u003e– An Appreciation By Ángel Sala, Head Of Programming At The Sitges Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eOne In Four Hundred\u003c\/i\u003e – Interview With Actor Asier Hernández\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eThe Role Of My Dreams\u003c\/i\u003e – Interview With Actress Cristina Goyanes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003e\u003ci\u003eHead Full Of Phantoms\u003c\/i\u003e – Video Essay By Xavier Aldana Reyes, Author Of \u003ci\u003eSpanish Gothic: National Identity, Collaboration And Cultural Adaptation\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s8\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p10\"\u003eRuntime: 118 mins\u003cbr\u003eAudio: Spanish\/Basque Mono\u003cbr\u003eSubtitles: English\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p10\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000; font-family: Calibri; font-size: medium;\"\u003eOuter Box Design by Luke Insect\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000; font-family: Calibri; font-size: medium;\"\u003eSTRANGE VOYAGE Keyart by Zoë van Dijk\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":45089595686982,"sku":"SEV21029BR","price":73.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/DanzaMacabraV5_3D.png?v=1779950295"},{"product_id":"al-adamson-the-masterpiece-collection-blu-ray-box-set","title":"Al Adamson: The Masterpiece Collection [13-Disc Blu-ray Box Set]","description":"\u003cdiv class=\"block paragraph\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn the \u003cb\u003eAl Adamson\u003c\/b\u003e spirit of re-jiggering a project for maximum audience pleasure, \u003cb\u003eSeverin Films\u003c\/b\u003e is proud to present the reconfigured return of our long-out-of-print \u003cb\u003eAL ADAMSON: THE MASTERPIECE COLLECTION!\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003ePlease Note: BLOOD OF DRACULA’S CASTLE, NURSES FOR SALE and the \u003ci\u003eBlood \u0026amp; Flesh Files\u003c\/i\u003e book are not included in this version. All other films and Special Features are the same as the original release.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" style=\"text-align: center;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eAl Adamson: The Masterpiece Collection\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e is an alarming release presenting nearly 30 of the director’s misbegotten ‘masterpieces’ in beautifully restored transfers with enough added attractions to choke a horse. For students of the lurid underbelly of motion picture production, it’s a fascinating ride – especially when it goes off the rails.\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e”\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003eTrailers From Hell\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s3\"\u003e\u003cb\u003eAL ADAMSON: THE MASTERPIECE COLLECTION REDUX\u003c\/b\u003e is \u003ci\u003estill \u003c\/i\u003ethe most comprehensive Blu-ray box set ever dedicated to the works of a single genre filmmaker\u003cb\u003e, \u003c\/b\u003efeaturing \u003c\/span\u003e\u003cspan class=\"s4\"\u003e29\u003c\/span\u003e\u003cspan class=\"s3\"\u003e remastered Adamson films on \u003c\/span\u003e\u003cspan class=\"s4\"\u003e13\u003c\/span\u003e\u003cspan class=\"s3\"\u003e discs, plus trailers, audio commentaries, the award-winning 2019 documentary feature \u003cb\u003eBLOOD \u0026amp; FLESH: THE REEL LIFE \u0026amp; GHASTLY DEATH OF AL ADAMSON\u003c\/b\u003e and more. Exhaustively compiled, Adamson’s oeuvre spans a wild beyond belief world of bloody brains, vicious cowboys, naughty nurses, decrepit actors, sexy stewardesses, mad scientists, brutal bikers, Blaxploitation mayhem, kung fu killers and “scenes so SICK the Movies could never show them before!”\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 1: Blood \u0026amp; Flesh: The Reel Life \u0026amp; Ghastly Death Of Al Adamson \/ The Female Bunch\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlood \u0026amp; Flesh: The Reel Life \u0026amp; Ghastly Death Of Al Adamson Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eThe Cowboy Life Of Denver Dixon \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eRuss Tamblyn's Melted TV \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eManson \u0026amp; Screaming Angels \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eThe Prophetic Screenplay Makes Gary Kent Testify\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eBeyond This Earth\u003c\/i\u003e Promo Reel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Female Bunch Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eThe Bunch Speaks Out\u003c\/i\u003e Featurette \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eExtended Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlood \u0026amp; Flesh: The Reel Life \u0026amp; Ghastly Death Of Al Adamson Disc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 101 mins\u003cbr\u003eAudio: English 5.1, English Stereo\u003cbr\u003eSubtitles: English SDH, Spanish, French\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.77:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Female Bunch Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 84 mins\u003cbr\u003eAudio: English Mono, Spanish Mono, German Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 2: Psycho A Go-Go \/ The Fiend With The Electronic Brain \/ Blood Of Ghastly Horror \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003ePsycho A Go-Go Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Fiend With The Electronic Brain Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate MAN WITH THE SYNTHETIC BRAIN Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlood Of Ghastly Horror Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003ePsycho A Go-Go Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 84 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Fiend With The Electronic Brain Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 98 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlood Of Ghastly Horror Disc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 86 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 3: Halfway To Hell \/ Five Bloody Graves \/ Horror Of the Blood Monsters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eFive Bloody Graves Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eOutside Of Tucson\u003c\/i\u003e – Interview With Actor\/Screenwriter Robert Dix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003ePartial Archival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate FIVE BLOODY DAYS TO TOMBSTONE Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eHorror Of the Blood Monsters Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003ePartial Archival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate SPACE MISSION OF THE LOST PLANET Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eHalfway To Hell Disc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 67 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.77:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eFive Bloody Graves Disc Specs: \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eRuntime: 87 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eHorror Of The Blood Monsters Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 85 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 4: The Fakers \/ Hell’s Bloody Devils\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Fakers Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate SMASHING THE CRIME SYNDICATE Title Sequence \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eHell’s Bloody Devils Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer \/ Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eSam Sherman Interviews Actor John Gabriel \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Fakers Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 95 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eHell’s Bloody Devils Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 90 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 5: Dracula vs. Frankenstein \/ Brain Of Blood\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDracula vs. Frankenstein Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eZandor And Friends\u003c\/i\u003e – Interviews With Stars Zandor Vorkov \u0026amp; John Bloom, Producer Samuel M. Sherman, Director of Photography Gary Graver \u0026amp; Son, Sean Graver \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eFeed Your Head! Lose Your Head! \u003c\/i\u003e–\u003ci\u003e \u003c\/i\u003eAn Appreciation By Cult Film Historian Howard S. Berger \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eMonster Protest Home Movie Footage \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eSam Sherman Interviews Forry Ackerman \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots (Including Triple Feature Of DRACULA VS FRANKENSTEIN \/ FRANKENSTEIN'S BLOODY TERROR \/ HORROR OF THE BLOOD MONSTERS)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBrain Of Blood Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003ePartial Archival Audio Commentary with Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eMemories Of Blood\u003c\/i\u003e – Interviews With Director Al Adamson, Producer Samuel M. Sherman, Actor Zandor Vorkov And More\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p7\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDracula vs. Frankenstein Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 91 mins\u003cbr\u003eAudio: English Mono, Spanish Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBrain Of Blood Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 87 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 6: Satan’s Sadists \/ Angels’ Wild Women\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eSatan’s Sadists Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eAngels’ Wild Women Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eSatan’s Sadists Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 87 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eAngels’ Wild Women Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 85 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 7: Naughty Stewardesses \/ Blazing Stewardesses\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eNaughty Stewardesses Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eFly Girls\u003c\/i\u003e – The Stewardess As Lifestyle Icon In The Golden Age Of Exploitation Film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eCombo Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlazing Stewardesses Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate THE GREAT TRUCK ROBBERY Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eCombo TV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eBEDROOM STEWARDESSES Selected Scenes Directed by Al Adamson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots (For NAUGHTY STEWARDESSES, BLAZING STEWARDESSES, BEDROOM STEWARDESSES \u0026amp; NAUGHTY \/ BLAZING Combo)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eNaughty Stewardesses Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 105 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlazing Stewardesses Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 98 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 8: Girls For Rent \/ Jessi’s Girls\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eGirls For Rent Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eArchival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate I SPIT ON YOUR CORPSE Title Sequence \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eJessi’s Girls Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eGirls For Rent Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 91 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eJessi’s Girls Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 84 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 9: Black Heat \/ The Dynamite Brothers\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlack Heat Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003ePartial Archival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate GIRLS HOTEL Title Sequence \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate THE MURDER GANG Title Sequence \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Dynamite Brothers Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlack Heat Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 95 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eThe Dynamite Brothers Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 90 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 10: Mean Mother \/ Uncle Tom’s Cabin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eMean Mother Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003ePartial Archival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eThe Joy Of Marilyn Joi\u003c\/i\u003e – Interview With Actress Marilyn Joi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eUncle Tom’s Cabin Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eMean Mother Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 87 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eUncle Tom’s Cabin Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 98 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 11: Black Samurai \/ Death Dimension\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlack Samurai Special Feature:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDeath Dimension Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAlternate DIMENSION DE LA MORT Title Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eBlack Samurai Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 84 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDeath Dimension Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 88 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 12: Sunset Cove \/ Cinderella 2000 \/ Nurse Sherri\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eSunset Cove Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eSunset Toolbox\u003c\/i\u003e – Interview With Producer Tony DiDio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eCinderella 2000 Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003ePartial Archival Audio Commentary With Producer\/Distributor Samuel M. Sherman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spots\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eNurse Sherri Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eDR. DRACULA Selected Scenes Directed by Al Adamson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eRadio Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eSunset Cove Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 87 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eCinderella 2000 Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 103 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion \u003cspan class=\"s6\"\u003eA\u003cbr\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eNurse Sherri Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 84 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion \u003cspan class=\"s6\"\u003eA\u003cbr\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eDisc 13: Carnival Magic \/ Lost\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eCarnival Magic Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eA Boon To Science \u003c\/i\u003e–\u003ci\u003e \u003c\/i\u003eA Critical Appreciation By Zack Carlson \u0026amp; Lars Nilsen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eAudio Commentary With Producer Elvin Feltner\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eLost Special Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003e\u003ci\u003eThe Happy Hobo\u003c\/i\u003e – Rushes For Promo From Unproduced Adamson Kids Film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li10\"\u003e\u003cspan class=\"s5\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eCarnival Magic Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 86 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p8\"\u003e\u003cb\u003eLost Disc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p11\"\u003eRuntime: 92 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\/B\/C\u003cbr\u003eAspect Ratio: 1.33:1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":45240002183238,"sku":"SEV21901BR","price":170.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/AlAdamson_Redux_Slipcase_3D.png?v=1782533235"},{"product_id":"the-sacred-the-cursed-the-joko-anwar-collection-4-disc-blu-ray-box-set","title":"The Sacred \u0026 The Cursed: The Joko Anwar Collection [4-Disc Blu-ray Box Set]","description":"\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cb\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a release date of 11\/24\/26. We anticipate webstore orders containing this item to begin shipping around or earlier than the release date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e“ONE OF THE WORLD’S LEADING GENRE AUTEURS.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eScreen Anarchy\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e4 OF JOKO ANWAR’S MOST ACCLAIMED FILMS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFROM\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e DIRECTOR-APPROVED MASTERS \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 10+ COMBINED HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s2\"\u003eHe’s the award-winning writer\/producer\/director who’s been called “truly brilliant” (\u003ci\u003eHeaven of\u003c\/i\u003e \u003ci\u003eHorror\u003c\/i\u003e), “a filmmaker who dares to walk where few have gone” (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eIndependent Observer\u003c\/i\u003e) and\u003c\/span\u003e “one of the best working in the genre today” (\u003ci\u003eVoices from the Balcony\u003c\/i\u003e). Now for the first time ever, \u003cb\u003eSeverin Films\u003c\/b\u003e brings together a quartet of classics by\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003cspan class=\"s3\"\u003e“The Indonesian Master of Horror”\u003c\/span\u003e\u003cspan class=\"s2\"\u003e (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eBloody Disgusting\u003c\/i\u003e) \u003cb\u003eJoko Anwar\u003c\/b\u003e: Anwar’s global breakthrough \u003cb\u003eSATAN’S SLAVES\u003c\/b\u003e redefined Indonesian cinema and remains a modern horror milestone. Far more than just a sequel, \u003cb\u003eSATAN’S SLAVES 2: COMMUNION\u003c\/b\u003e is an over-the-top and wickedly grisly haunted house masterpiece. \u003cb\u003eIMPETIGORE\u003c\/b\u003e, his love letter to the genre, shattered taboos and shocked international audiences like never before. And with the neo-noir hit \u003cb\u003eDEAD TIME\u003c\/b\u003e, Anwar merges supernatural folklore with contemporary terrors to craft a visually stunning nightmare. All four films are presented from\u003cb\u003e masters approved by Anwar\u003c\/b\u003e, \u003cb\u003ewith over 10 combined hours of Special Features produced exclusively for this collection\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: SATAN’S SLAVES (2017)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFor his 2017 breakthrough, \u003cb\u003eJoko Anwar\u003c\/b\u003e took the 1980 classic by Sisworo Gautama Putra and reinvented its themes of supernatural folklore to deliver an “extraordinary” (\u003cspan class=\"s2\"\u003e\u003ci\u003eMalevolent Dark\u003c\/i\u003e), “take-no-prisoners” (\u003ci\u003eSlash Film\u003c\/i\u003e), “deliciously creepy spectacle oozing with Satanic inspiration” (\u003ci\u003eDread Central\u003c\/i\u003e\u003c\/span\u003e)\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003ethat shattered box-office records \u003c\/span\u003eand single-handedly launched The New Golden Age of Indonesian Horror: When the matriarch of a struggling family dies after a mysterious illness, it will unlock a slow-burning nightmare of ancestral superstition, occult carnage a\u003cspan class=\"s2\"\u003end several of the most “gloriously crafted scares” (\u003ci\u003eWarped Perspective\u003c\/i\u003e) in modern horror history.\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (IMPETIGORE) and \u003cb\u003eBront Palarae\u003c\/b\u003e (GHOST IN THE CELL) star in “one of the best remakes of the last decade” (\u003ci\u003eHorror News\u003c\/i\u003e) and “a nerve-jangling good time where the mayhem hardly lets up” (\u003ci\u003eDaily Dead\u003c\/i\u003e), now\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003epresented from \u003c\/span\u003e\u003cb\u003ea master approved by the writer\/director with over 2 hours of Special Features\u003c\/b\u003e.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eThe Mother, Spirituality And World Music\u003c\/i\u003e – Interview With Actress Ayu Laksmi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Gope T. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo, English 5.1, English Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English, English SDH\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: SATAN’S SLAVES 2: COMMUNION (2022)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFive years after SATAN’S SLAVES broke box-office records and forever redefined Indonesian horror, \u003cb\u003eJoko Anwar\u003c\/b\u003e crafted his follow-up hailed as “truly disturbing” (\u003ci\u003eGizmodo\u003c\/i\u003e), “darker and more macabre than before” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e) and “one of the few sequels that totally surpasses the original” (\u003ci\u003eNerdly\u003c\/i\u003e): Having barely escaped their rural Satanic nightmare, the Suwono family now lives in a decrepit Jakarta apartment building that seethes with urban dread, grisly secrets and demonic havoc where the damned find no solace, evil demands its harvest and “\u003cspan class=\"s2\"\u003eevery scene is punctuated with horrific visions that you can’t unsee” (\u003ci\u003eThe Scariest Things\u003c\/i\u003e)\u003ci\u003e. \u003c\/i\u003eSATAN’S SLAVES stars\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e, \u003cb\u003eEndy Arfian\u003c\/b\u003e,\u003cb\u003e Nasar Anuz, Bront Palarae\u003c\/b\u003e, \u003cb\u003eEgi Fedly\u003c\/b\u003e and \u003cb\u003eAyu Laksmi\u003c\/b\u003e return for “\u003cspan class=\"s2\"\u003ea wickedly malevolent slice of Indonesian horror that’s right on in its razor-toothed execution” (\u003ci\u003eSlash Film\u003c\/i\u003e),\u003ci\u003e \u003c\/i\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003epresented \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003efrom a master approved by the writer\/director with 3 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Sunil G. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eArchival Making-Of Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRuntime: 119 mins\u003c\/li\u003e\n\u003cli\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli\u003eSubtitles: English\u003c\/li\u003e\n\u003cli\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: IMPETIGORE (2019)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFollowing SATAN’S SLAVES, his HBO Asia series \u003ci\u003eFolklore\u003c\/i\u003e and the superhero blockbuster GUNDALA, \u003cb\u003eJoko Anwar\u003c\/b\u003e returned to horror with this “relentlessly frightening” (\u003ci\u003eCreepy Kingdom\u003c\/i\u003e) love letter to the genre that premiered at the 2020 Sundance Film Festival and remains “\u003cspan class=\"s2\"\u003ea gruesome descent into madness that will leave your skin crawling” (\u003ci\u003eDaily Dead\u003c\/i\u003e)\u003ci\u003e:\u003c\/i\u003e When a cynical young city woman travels to her remote ancestral village in search of an inheritance, she’ll instead unleash a legacy of dark tragedy, grim butchery and a grotesque family curse “\u003c\/span\u003e\u003cspan class=\"s5\"\u003edripping with otherworldly weirdness” (\u003ci\u003eWhen It Was Cool\u003c\/i\u003e)\u003c\/span\u003e\u003cspan class=\"s2\"\u003e. \u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (SATAN’S SLAVES 1 \u0026amp; 2), \u003cb\u003eArio Bayu\u003c\/b\u003e (THE QUEEN OF BLACK MAGIC) and \u003cb\u003eMarissa Anita\u003c\/b\u003e (\u003ci\u003eNightmares and Daydreams\u003c\/i\u003e) star in the modern shock classic where “\u003cspan class=\"s2\"\u003eAnwar goes for broke in terms of gonzo bloodshed, over-the-top reveals and a ballsy approach to shattering cinematic taboos” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e)\u003c\/span\u003e,\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003enow presented from a master approved by the writer\/director\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eWriter\/Director Joko Anwar On IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eIMPETIGORE And Beyond \u003c\/i\u003e– Interview With Actress Christine Hakim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE And The SATAN'S SLAVES Films With Actress Asmara Abigail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE With Actress Faradina Mufti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eCamera Tests\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 107 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: DEAD TIME (2007)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eWith only his second film as writer\/director, \u003cb\u003eJoko Anwar \u003c\/b\u003ecaptured international acclaim, rewrote the rules of Indonesian cinema and launched his global career via the “disturbing and absolutely magnificent noir-horror that was a great prelude of what was about to follow” (\u003ci\u003eAsian Movie Pulse\u003c\/i\u003e): In a city sweltering with violence and despair, a jaded cop and a desperate reporter investigate a series of brutal killings that will trap them in a web of superstition, corruption, ghoulish creatures and “the best political thriller since the heyday of Alan Pakula” (\u003ci\u003eSight and Sound\u003c\/i\u003e). \u003cb\u003eFachry Albar\u003c\/b\u003e (THE FORBIDDEN DOOR) and \u003cb\u003eArio Bayu\u003c\/b\u003e (IMPETIGORE) star in this “strange, unpredictable and beautiful film that will take you for quite a ride” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) – also known as KALA – \u003cb\u003enow presented from a scan approved by the writer\/director with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On His Early Filmmaking Inspirations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eActress Faradina Mufti On The Films Of Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of Joko Anwar’s Filmography By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of DEAD TIME By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Pre-Order","offer_id":46471478116422,"sku":"SEV21808BR","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/SacredCursed_3D_Large_568d6858-75c1-46cd-baee-a9017452a0cb.jpg?v=1788149110"},{"product_id":"the-ugly-naked-cursed-bundle","title":"The Ugly, Naked \u0026 Cursed Bundle - Pre-Order","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cb\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThis item is a pre-order with a release date of 11\/24\/26. We anticipate webstore orders containing this item to begin shipping around or earlier than the release date. Any order that contains this item will ship around the estimated date. If you need an in-stock item sooner, please place a separate order.\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eThe Ugly, Naked \u0026amp; Cursed Bundle Contains:\u003cbr\u003e\u003c\/b\u003eThe Sacred \u0026amp; The Cursed: The Joko Anwar Collection [4-Disc Blu-ray Box Set]\u003cbr\u003eGwendoline [3-Disc 4K UHD w\/LE Slipcover]\u003cbr\u003eThe Ugly Stepsister [2-Disc 4K UHD w\/LE Slipcover]\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: left;\"\u003e\u003cstrong\u003eThe Sacred \u0026amp; The Cursed: The Joko Anwar Collection [4-Disc Blu-ray Box Set]\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e“ONE OF THE WORLD’S LEADING GENRE AUTEURS.”\u003cbr\u003e\u003c\/b\u003e\u003ci\u003eScreen Anarchy\u003c\/i\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e4 OF JOKO ANWAR’S MOST ACCLAIMED FILMS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFROM\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e DIRECTOR-APPROVED MASTERS \u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e 10+ COMBINED HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s2\"\u003eHe’s the award-winning writer\/producer\/director who’s been called “truly brilliant” (\u003ci\u003eHeaven of\u003c\/i\u003e \u003ci\u003eHorror\u003c\/i\u003e), “a filmmaker who dares to walk where few have gone” (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eIndependent Observer\u003c\/i\u003e) and\u003c\/span\u003e “one of the best working in the genre today” (\u003ci\u003eVoices from the Balcony\u003c\/i\u003e). Now for the first time ever, \u003cb\u003eSeverin Films\u003c\/b\u003e brings together a quartet of classics by\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003cspan class=\"s3\"\u003e“The Indonesian Master of Horror”\u003c\/span\u003e\u003cspan class=\"s2\"\u003e (\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003ci\u003eBloody Disgusting\u003c\/i\u003e) \u003cb\u003eJoko Anwar\u003c\/b\u003e: Anwar’s global breakthrough \u003cb\u003eSATAN’S SLAVES\u003c\/b\u003e redefined Indonesian cinema and remains a modern horror milestone. Far more than just a sequel, \u003cb\u003eSATAN’S SLAVES 2: COMMUNION\u003c\/b\u003e is an over-the-top and wickedly grisly haunted house masterpiece. \u003cb\u003eIMPETIGORE\u003c\/b\u003e, his love letter to the genre, shattered taboos and shocked international audiences like never before. And with the neo-noir hit \u003cb\u003eDEAD TIME\u003c\/b\u003e, Anwar merges supernatural folklore with contemporary terrors to craft a visually stunning nightmare. All four films are presented from\u003cb\u003e masters approved by Anwar\u003c\/b\u003e, \u003cb\u003ewith over 10 combined hours of Special Features produced exclusively for this collection\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: SATAN’S SLAVES (2017)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFor his 2017 breakthrough, \u003cb\u003eJoko Anwar\u003c\/b\u003e took the 1980 classic by Sisworo Gautama Putra and reinvented its themes of supernatural folklore to deliver an “extraordinary” (\u003cspan class=\"s2\"\u003e\u003ci\u003eMalevolent Dark\u003c\/i\u003e), “take-no-prisoners” (\u003ci\u003eSlash Film\u003c\/i\u003e), “deliciously creepy spectacle oozing with Satanic inspiration” (\u003ci\u003eDread Central\u003c\/i\u003e\u003c\/span\u003e)\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003ethat shattered box-office records \u003c\/span\u003eand single-handedly launched The New Golden Age of Indonesian Horror: When the matriarch of a struggling family dies after a mysterious illness, it will unlock a slow-burning nightmare of ancestral superstition, occult carnage a\u003cspan class=\"s2\"\u003end several of the most “gloriously crafted scares” (\u003ci\u003eWarped Perspective\u003c\/i\u003e) in modern horror history.\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (IMPETIGORE) and \u003cb\u003eBront Palarae\u003c\/b\u003e (GHOST IN THE CELL) star in “one of the best remakes of the last decade” (\u003ci\u003eHorror News\u003c\/i\u003e) and “a nerve-jangling good time where the mayhem hardly lets up” (\u003ci\u003eDaily Dead\u003c\/i\u003e), now\u003c\/span\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan class=\"s2\"\u003epresented from \u003c\/span\u003e\u003cb\u003ea master approved by the writer\/director with over 2 hours of Special Features\u003c\/b\u003e.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eThe Mother, Spirituality And World Music\u003c\/i\u003e – Interview With Actress Ayu Laksmi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Gope T. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo, English 5.1, English Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English, English SDH\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: SATAN’S SLAVES 2: COMMUNION (2022)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFive years after SATAN’S SLAVES broke box-office records and forever redefined Indonesian horror, \u003cb\u003eJoko Anwar\u003c\/b\u003e crafted his follow-up hailed as “truly disturbing” (\u003ci\u003eGizmodo\u003c\/i\u003e), “darker and more macabre than before” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e) and “one of the few sequels that totally surpasses the original” (\u003ci\u003eNerdly\u003c\/i\u003e): Having barely escaped their rural Satanic nightmare, the Suwono family now lives in a decrepit Jakarta apartment building that seethes with urban dread, grisly secrets and demonic havoc where the damned find no solace, evil demands its harvest and “\u003cspan class=\"s2\"\u003eevery scene is punctuated with horrific visions that you can’t unsee” (\u003ci\u003eThe Scariest Things\u003c\/i\u003e)\u003ci\u003e. \u003c\/i\u003eSATAN’S SLAVES stars\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e, \u003cb\u003eEndy Arfian\u003c\/b\u003e,\u003cb\u003e Nasar Anuz, Bront Palarae\u003c\/b\u003e, \u003cb\u003eEgi Fedly\u003c\/b\u003e and \u003cb\u003eAyu Laksmi\u003c\/b\u003e return for “\u003cspan class=\"s2\"\u003ea wickedly malevolent slice of Indonesian horror that’s right on in its razor-toothed execution” (\u003ci\u003eSlash Film\u003c\/i\u003e),\u003ci\u003e \u003c\/i\u003e\u003cb\u003enow\u003c\/b\u003e \u003cb\u003epresented \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003efrom a master approved by the writer\/director with 3 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Sunil G. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eArchival Making-Of Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRuntime: 119 mins\u003c\/li\u003e\n\u003cli\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli\u003eSubtitles: English\u003c\/li\u003e\n\u003cli\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: IMPETIGORE (2019)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFollowing SATAN’S SLAVES, his HBO Asia series \u003ci\u003eFolklore\u003c\/i\u003e and the superhero blockbuster GUNDALA, \u003cb\u003eJoko Anwar\u003c\/b\u003e returned to horror with this “relentlessly frightening” (\u003ci\u003eCreepy Kingdom\u003c\/i\u003e) love letter to the genre that premiered at the 2020 Sundance Film Festival and remains “\u003cspan class=\"s2\"\u003ea gruesome descent into madness that will leave your skin crawling” (\u003ci\u003eDaily Dead\u003c\/i\u003e)\u003ci\u003e:\u003c\/i\u003e When a cynical young city woman travels to her remote ancestral village in search of an inheritance, she’ll instead unleash a legacy of dark tragedy, grim butchery and a grotesque family curse “\u003c\/span\u003e\u003cspan class=\"s5\"\u003edripping with otherworldly weirdness” (\u003ci\u003eWhen It Was Cool\u003c\/i\u003e)\u003c\/span\u003e\u003cspan class=\"s2\"\u003e. \u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e (SATAN’S SLAVES 1 \u0026amp; 2), \u003cb\u003eArio Bayu\u003c\/b\u003e (THE QUEEN OF BLACK MAGIC) and \u003cb\u003eMarissa Anita\u003c\/b\u003e (\u003ci\u003eNightmares and Daydreams\u003c\/i\u003e) star in the modern shock classic where “\u003cspan class=\"s2\"\u003eAnwar goes for broke in terms of gonzo bloodshed, over-the-top reveals and a ballsy approach to shattering cinematic taboos” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e)\u003c\/span\u003e,\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003enow presented from a master approved by the writer\/director\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eWriter\/Director Joko Anwar On IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eIMPETIGORE And Beyond \u003c\/i\u003e– Interview With Actress Christine Hakim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE And The SATAN'S SLAVES Films With Actress Asmara Abigail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE With Actress Faradina Mufti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eCamera Tests\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs: \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 107 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: DEAD TIME (2007)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eWith only his second film as writer\/director, \u003cb\u003eJoko Anwar \u003c\/b\u003ecaptured international acclaim, rewrote the rules of Indonesian cinema and launched his global career via the “disturbing and absolutely magnificent noir-horror that was a great prelude of what was about to follow” (\u003ci\u003eAsian Movie Pulse\u003c\/i\u003e): In a city sweltering with violence and despair, a jaded cop and a desperate reporter investigate a series of brutal killings that will trap them in a web of superstition, corruption, ghoulish creatures and “the best political thriller since the heyday of Alan Pakula” (\u003ci\u003eSight and Sound\u003c\/i\u003e). \u003cb\u003eFachry Albar\u003c\/b\u003e (THE FORBIDDEN DOOR) and \u003cb\u003eArio Bayu\u003c\/b\u003e (IMPETIGORE) star in this “strange, unpredictable and beautiful film that will take you for quite a ride” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) – also known as KALA – \u003cb\u003enow presented from a scan approved by the writer\/director with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of DEAD TIME With Actress Faradina Mufti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of Joko Anwar’s Filmography By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of DEAD TIME By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"text-align: left;\"\u003e\u003cstrong\u003eGwendoline [3-Disc 4K UHD w\/LE Slipcover]\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e“A WILD RIDE…\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAn endearing conflation of adventure film, S\u0026amp;M fantasy and goofball comedy. Kitaen’s love scenes are among Jaeckin’s sexiest.”\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMondo Digital\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTHE NORTH AMERICAN UHD PREMIERE\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTHREE DISC COLLECTION\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eINCLUDES EUROPEAN \u0026amp; U.S. RELEASE VERSIONS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWITH 6+ HOURS OF SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith his final feature film, legendary filmmaker \u003cstrong\u003eJust Jaeckin\u003c\/strong\u003e (EMMANUELLE, THE STORY OF O) crafted the most ambitiously erotic epic of his career, now presented in \u003cstrong\u003eUHD for the first time in North America\u003c\/strong\u003e: Video vixen \u003cstrong\u003eTawny Kitaen\u003c\/strong\u003e (BACHELOR PARTY, WITCHBOARD) and action hero \u003cstrong\u003eBrent Huff\u003c\/strong\u003e (COP GAME, BORN TO FIGHT, STRIKE COMMANDO 2) star in this “truly insane Indiana Jones movie with a ton of nudity” (Cultsploitation) based on the infamous S\u0026amp;M comic strip and bursting with perilous adventure, bountiful skin, spectacular production design, eye-popping lesbian bondage and more. César Award-winning actress\/director \u003cstrong\u003eZabou\u003c\/strong\u003e co-stars in “one of the quintessential films of the ‘80s” (Blu-ray.com) – featuring both the \u003cstrong\u003eUncut European Version\u003c\/strong\u003e and \u003cstrong\u003eU.S. Release\u003c\/strong\u003e THE PERILS OF GWENDOLINE IN THE LAND OF THE YIK YAK – \u003cstrong\u003enewly scanned in 4K from the original camera negative\u003c\/strong\u003e with \u003cstrong\u003eover 6 hours of Special Features\u003c\/strong\u003e that include a \u003cstrong\u003enever-before-seen interview with Tawny Kitaen\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: UHD (\u003cmeta charset=\"utf-8\"\u003eUncut European Version + Special Features):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Director Just Jaeckin\u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Stars Tawny Kitaen And Brent Huff \u003cbr\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: Blu-ray (\u003cmeta charset=\"utf-8\"\u003eUncut European Version + Special Features)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Director Just Jaeckin \u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Stars Tawny Kitaen And Brent Huff \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Butterfly Effect\u003c\/em\u003e – 2019 Interview With Director Just Jaeckin \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAn American Beauty In Paris\u003c\/em\u003e – 2009 Interview With Tawny Kitaen \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBondage Paradise\u003c\/em\u003e – Interviews With Costume\/Concept Designers And Comic Book Artists François Schuiten And Claude Renard \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Perils Of Production\u003c\/em\u003e – Interview With Executive Producer Jean-Claude Fleury\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eGwendoline’s Travels\u003c\/em\u003e – Interview With Production Designer Françoise Deleu \u003cbr\u003eBlu-ray Promos With Tawny Kitaen And Brent Huff \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Last Temptation Of Just\u003c\/em\u003e – 2006 Interview With Director Just Jaeckin \u003cbr\u003eTrailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 3: Blu-ray \u003cmeta charset=\"utf-8\"\u003e(U.S. Release Version + Special Features)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDr. Kinsey Audio Interview With John Willie, Creator Of Sweet Gwendoline\u003c\/li\u003e\n\u003cli\u003eRevealing Tawny Kitaen Photospread For French LUI Magazine \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli\u003eAudio: (Uncut European Version): English 5.1, English Stereo, French 5.1, French Stereo (U.S. Release Version): English Stereo\u003c\/li\u003e\n\u003cli\u003e4K Video: Dolby Vision\u003c\/li\u003e\n\u003cli\u003e(Uncut European Version): Closed Captions, English Subtitles\u003cbr\u003e(U.S. Release Version): Closed Captions \u003c\/li\u003e\n\u003cli\u003eMixed Region. UHD: A\/B\/C | Blu-ray: A\u003c\/li\u003e\n\u003cli\u003eRun Time: Uncut European Version: 105 mins, U.S. Release Version: 88 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition Slipcover Designed by Jaime Ventura\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Ugly Stepsister [2-Disc 4K UHD w\/LE Slipcover]\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e“THE WORK OF A FEARLESS FILMMAKER…\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIntentionally gross and grotesque, it showcases some of \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ethe gnarliest practical effects this side of John Carpenter’s THE THING.”\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eScreen Anarchy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTHE NORTH AMERICAN DISC PREMIERE\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWITH 6+ HOURS OF SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt redefined both fairy tales and body horror, stunned audiences at Sundance, was nominated for an Oscar® and remains a “cinematically exhilarating” (Vulture), “playfully grotesque” (Indiewire) and “undeniably vicious piece of entertainment” (RogerEbert.com). Now you can experience the “jaw-dropping debut” (Paste Magazine) by writer\/director \u003cstrong\u003eEmilie Blichfeldt\u003c\/strong\u003e on physical media for the \u003cstrong\u003efirst time ever in North America\u003c\/strong\u003e: In this grisly reinterpretation of Cinderella, a young maiden – an unforgettable performance by \u003cstrong\u003eLea Myren\u003c\/strong\u003e – will submit to a series of increasingly brutal cosmetic extremes to win the love of a less-than-charming prince. But in a kingdom of cruelty where beauty is pain, what is the ultimate human cost of ‘happily ever after’? “Imagine Cinderella meets SUSPIRIA meets Cronenberg,” says Elements of Madness. “THE UGLY STEPSISTER is surreal, brilliant, masterfully crafted and one of the best horror movies of the year.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1: UHD (Film + Special Features)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Director Emilie Blichfeldt And Filmmaker Patrik Syversen \u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Film Critic Meagan Navarro \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThis Is My Ball\u003c\/em\u003e – Interview With Emilie Blichfeldt \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eGenerational Trauma\u003c\/em\u003e – Interview With Actor Lea Myren \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTake Up Space\u003c\/em\u003e – Interview With Actor Thea Sofie Loch Næss \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCharacter And Gore\u003c\/em\u003e – Interview With Effects Artist Thomas Foldberg \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Beauty Of Ugly\u003c\/em\u003e – The Effects Of THE UGLY STEPSISTER\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Cinderella Story\u003c\/em\u003e – Film Critic Kat Hughes On THE UGLY STEPSISTER\u003c\/li\u003e\n\u003cli\u003eDeleted Scene\u003c\/li\u003e\n\u003cli\u003eEmilie Blichfeldt Short Films: \u003cem\u003eHOW DO YOU LIKE MY HAIR?\u003c\/em\u003e (2013), \u003cem\u003eSARA'S INTIMATE CONFESSIONS\u003c\/em\u003e (2018)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2: Blu-ray (Film + Special Features)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary With Director Emilie Blichfeldt And Filmmaker Patrik Syversen \u003c\/li\u003e\n\u003cli\u003eAudio Commentary With Film Critic Meagan Navarro \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThis Is My Ball \u003c\/em\u003e– Interview With Emilie Blichfeldt \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eGenerational Trauma\u003c\/em\u003e – Interview With Actor Lea Myren \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTake Up Space\u003c\/em\u003e – Interview With Actor Thea Sofie Loch Næss \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCharacter And Gore\u003c\/em\u003e – Interview With Effects Artist Thomas Foldberg \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Beauty Of Ugly\u003c\/em\u003e – The Effects Of THE UGLY STEPSISTER\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA Cinderella Story\u003c\/em\u003e – Film Critic Kat Hughes On THE UGLY STEPSISTER\u003cbr\u003eDeleted Scene\u003c\/li\u003e\n\u003cli\u003eEmilie Blichfeldt Short Films: \u003cem\u003eHOW DO YOU LIKE MY HAIR?\u003c\/em\u003e (2013), \u003cem\u003eSARA'S INTIMATE CONFESSIONS\u003c\/em\u003e (2018)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli\u003eAudio: Norwegian 5.1\u003c\/li\u003e\n\u003cli\u003e4K Video: Dolby Vision\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli\u003eMixed Region: UHD: A\/B\/C | Blu-ray: A\u003c\/li\u003e\n\u003cli\u003eRun Time: 109 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition Slipcover\u003c\/strong\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":46471509672006,"sku":"TUNCBNDLE","price":126.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/4253\/5494\/files\/2026Aug_UglyNakedCursed_BundleLarge.jpg?v=1788150726"}],"url":"https:\/\/severinfilms.com\/en-ca\/collections\/box-sets.oembed?page=2","provider":"Severin Films","version":"1.0","type":"link"}